Classic Rock: 1967: The Beat Goes On

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1I Was Made to Love Her
producer:
Henry Cosby
bass:
James Jamerson (on 1967-03-31)
electric sitar:
Eddie Willis (on 1967-03-31)
harmonica and lead vocals:
Stevie Wonder (on 1967-03-31)
instruments:
The Funk Brothers (on 1967-03-31)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966) and Motown Record Corporation (company credits only; do NOT use as release label) (in 1967)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1967-03-31)
recording of:
I Was Made to Love Her (on 1967-03-31)
writer:
Henry Cosby, Lula Mae Hardaway, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., EMI Blackwood Music Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽 (Taiyō Music)
Stevie Wonder4.652:38
2Gimme Little Sign
Brenton Wood2:19
3Let's Live for Today
recording of:
Let’s Live for Today
writer:
Michael Julien (British songwriter), Mogol (Italian lyricist) and Shel Shapiro
translated version of:
Piangi con me
The Grass Roots2:52
4Soul Man
recorded in:
Memphis, Tennessee, United States (on 1967-08-10)
producer:
Isaac Hayes, David Porter (US soul musician, producer & songwriter) and Jim Stewart (US producer, founder for Stax & Volt Records)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (soul artist) (in 1967)
phonographic copyright (℗) by:
HHO Recordings Ltd., WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (on 1967-08-10)
writer:
Isaac Hayes (in 1967) and David Porter (US soul musician, producer & songwriter) (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Walden Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:37
5Brown Eyed Girl
recording engineer:
Brooks Arthur (on 1967-03-28)
producer:
Bert Russell Berns
bass guitar:
Eric Gale (on 1967-03-28)
drums (drum set):
Gary Chester (studio drummer and educator) (on 1967-03-28)
guitar:
Al Gorgoni (on 1967-03-28), Hugh McCracken (on 1967-03-28) and Van Morrison (on 1967-03-28)
organ:
Garry Sherman (mid-20th century composer, arranger & conductor) (on 1967-03-28)
background vocals:
The Sweet Inspirations (on 1967-03-28)
lead vocals:
Van Morrison (on 1967-03-28)
performer:
Van Morrison (on 1967-03-28)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1967), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1967), Charly Records (in 1968) and Exile Productions Ltd. (not for Label Release) (in 1973)
recorded at:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, United States (on 1967-03-28) and A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1967-04-07)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 71) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 109)
recording of:
Brown Eyed Girl (Van Morrison song) (from 1967-03-28 until 1967-04-07)
lyricist and composer:
Van Morrison
publisher:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (in 1967) and Polygram Publishing AB (in 1992)
Van Morrison3.253:09
6Your Precious Love
vocals:
Tammi Terrell
recording of:
Your Precious Love
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye & Tammi Terrell43:03
7Carrie-Anne
recording of:
Carrie Anne
lyricist and composer:
Allan Clarke (of The Hollies), Tony Hicks and Graham Nash
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies2:56
8Jimmy Mack
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1964-03-02) and Motown Studios - Hitsville West in West Hollywood, California, United States (from 1964-03-02 until 1967-01-17)
recording of:
Jimmy Mack (from 1964-03-02 until 1967-01-17)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) and Stone Agate Music Division
Martha and the Vandellas12:44
9Nashville Cats
recording of:
Nashville Cats
lyricist and composer:
John Sebastian
The Lovin’ Spoonful2:36
10Mercy, Mercy, Mercy
cover recording of:
Mercy, Mercy, Mercy
composer:
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
The Buckinghams12:50
11(You Make Me Feel Like) A Natural Woman
recording engineer:
Tom Dowd (on 1967-02-16)
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-02-16)
drums (drum set):
Gene Chrisman (on 1967-02-16)
piano:
Spooner Oldham (on 1967-02-16)
trumpet:
Bernie Glow (on 1967-02-16), Melvin Lastie (on 1967-02-16) and Joe Newman (US jazz trumpeter) (on 1967-02-16)
choir vocals:
Carolyn Franklin (on 1967-02-16), Erma Franklin (on 1967-02-16) and The Sweet Inspirations (on 1967-02-16)
vocals:
Aretha Franklin (on 1967-02-16)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1968)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-16)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 10) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 90)
cover recording of:
(You Make Me Feel Like) A Natural Woman (on 1967-02-16)
lyricist:
Gerry Goffin
additional writer:
Jerry Wexler
composer:
Carole King
publisher:
Screen Gems–Columbia Music, Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Aretha Franklin4.22:44
12Expressway to Your Heart
producer:
Gamble-Huff
arranger:
Gamble-Huff
recorded at:
Cameo-Parkway Studios in Philadelphia, Pennsylvania, United States (in 1966)
recording of:
Expressway to Your Heart (in 1966)
writer:
Kenneth Gamble (songwriter for Philadelphia International) and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
EMI Blackwood Music Inc., Mijac Double Diamond Music, Mijac Music, One Song Publishing, Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Soul Survivors2:23
13You're My Everything
producer:
Norman Whitfield
lead vocals:
Eddie Kendricks
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1967)
recording of:
You're My Everything
writer:
Cornelius Grant, Roger Penzabene and Norman Whitfield
publisher:
Jobete Music, Jobete Music Co., Inc. and Stone Agate Music
The Temptations33:00
14Western Union
The Five Americans2:29
15Get on Up
recording of:
Get on Up
writer:
Johnny Taylor (member of The Esquires), Gilbert Moorer and Bill Sheppard
publisher:
EMI Longitude Music
The Esquires52:23
16(We Ain't Got) Nothin' Yet
producer:
Art Polhemus and Bob Wyld (independent producer based in New York City)
recording of:
(We Ain’t Got) Nothin’ Yet
writer:
Emil Thielhelm, Mike Esposito (guitarist in the Blues Magoos), Ronnie Gilbert (bass player for the Blues Magoos, not the folk singer) and Ralph Scala
publisher:
Musicville Ltd.
The Blues Magoos2:18
17Pleasant Valley Sunday
producer:
Chip Douglas
acoustic guitar:
Bill Chadwick
bass:
Chip Douglas
drums (drum set) and percussion:
Eddie Hoh
electric guitar:
Michael Nesmith
piano:
Peter Tork
background vocals:
Davy Jones (The Monkees member) and Michael Nesmith
lead vocals:
Micky Dolenz
recorded at:
RCA Victor Studio A (Hollywood) in Hollywood, Los Angeles, California, United States (from 1967-06-10 until 1967-06-13)
recording of:
Pleasant Valley Sunday (from 1967-06-10 until 1967-06-13)
lyricist:
Gerry Goffin
composer:
Carole King
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees53:17
18Gimme Some Lovin'
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
The Spencer Davis Group4.62:56
19Him or Me, What's It Gonna Be
recording of:
Him or Me What’s It Gonna Be?
writer:
Mark Lindsay and Terry Melcher
publisher:
BMG Music
Paul Revere and the Raiders2:42
20Sock It to Me Baby
Mitch Ryder3:00
21The Happening
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
recording of:
The Happening (on 1967-03-08)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Frank De Vol, Lamont Dozier and Brian Holland (Motown producer & songwriter)
The Supremes52:51
22A Little Bit Me, A Little Bit You
recording of:
A Little Bit Me, a Little Bit You
lyricist and composer:
Neil Diamond
The Monkees2:46

Credits

Release group

part of:Classic Rock (Time-Life Music) (number: 10) (order: 10)