75 All Time Jazz Sessions

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Take Five
cover recording of:
Take Five (original instrumental version)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, Volume I)
Quincy Jones3:35
2It Don’t Mean a Thing If It Ain’t Got That Swing
lead vocals:
Nina Simone
cover recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nina Simone2:26
3Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Louis Armstrong4:41
4Ain't Misbehavin’
cover recording of:
Ain’t Misbehavin’
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Dinah Washington2:36
5Four Brothers
alto saxophone:
Woody Herman (on 1947-12-27) and Sam Marowitz (saxophonist and clarinetist) (on 1947-12-27)
baritone saxophone:
Serge Chaloff (baritone saxophonist) (on 1947-12-27)
bass trombone:
Bob Swift (on 1947-12-27)
clarinet and reeds:
Woody Herman (on 1947-12-27)
double bass:
Walter Yoder (on 1947-12-27)
drums (drum set):
Don Lamond (on 1947-12-27)
guitar:
Gene Sargent (on 1947-12-27) and Herb Sargent (jazz guitarist) (on 1947-12-27)
piano:
Fred Otis (on 1947-12-27)
saxophone:
Herbie Steward (jazz saxophonist) (on 1947-12-27)
tenor saxophone:
Stan Getz (on 1947-12-27), Zoot Sims (US jazz saxophonist) (on 1947-12-27) and Herbie Steward (jazz saxophonist) (on 1947-12-27)
trombone:
Bob Swift (on 1947-12-27), Earl Swope (on 1947-12-27) and Ollie Wilson (on 1947-12-27)
trumpet:
Stan Fishelson (on 1947-12-27), Bernie Glow (on 1947-12-27), Marky Markowitz (on 1947-12-27), Shorty Rogers (trumpet) (on 1947-12-27) and Ernie Royal (on 1947-12-27)
orchestra:
Woody Herman and His Orchestra (on 1947-12-27)
arranger:
Jimmy Giuffre
recording of:
Four Brothers (on 1947-12-27)
composer:
Jimmy Giuffre (in 1947)
Woody Herman3:16
6Heart Place
Stan Getz6:13
7Shorty George
recording of:
Shorty George
composer:
Count Basie (pianist) and Harry “Sweets” Edison
Count Basie3:10
8Perdido
alto saxophone:
Otto Hardwick (on 1946-03-28) and Johnny Hodges (on 1946-03-28)
baritone saxophone:
Harry Carney (on 1946-03-28)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1946-03-28)
double bass:
Oscar Pettiford (on 1946-03-28)
drums (drum set):
Sonny Greer (on 1946-03-28)
guitar:
Fred Guy (on 1946-03-28)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1946-03-28)
reeds:
Harry Carney (on 1946-03-28) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1946-03-28)
tenor saxophone:
Al Sears (on 1946-03-28)
trombone:
Lawrence Brown (jazz trombonist) (on 1946-03-28), Wilbur de Paris (on 1946-03-28), Claude Jones (on 1946-03-28) and Joe "Tricky Sam" Nanton (on 1946-03-28)
trumpet:
William “Cat” Anderson (on 1946-03-28), Bernard Flood (on 1946-03-28), Shelton "Scad" Hemphill (on 1946-03-28), Taft Jordan (on 1946-03-28) and Francis Williams (trumpeter) (on 1946-03-28)
valve trombone:
Claude Jones (on 1946-03-28)
recording of:
Perdido (original instrumental version) (on 1946-03-28)
composer:
Juan Tizol
Duke Ellington & His Orchestra2:24
9It’s a Good Day
cover recording of:
It’s a Good Day
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. and Michael H. Goldsen Inc.
Peggy Lee1:43
10It Might as Well Be Spring
recording of:
It Might as Well Be Spring (State Fair)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 18)
part of:
State Fair
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
Charles Mingus5:32
11Tiger Rag
recording of:
Tiger Rag (original 1917 instrumental version)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
Louis Armstrong2:31
12Mack the Knife
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Ella Fitzgerald4:19
13Klact-oveereds-tene
recording of:
Klactoveedsedstene
writer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Songs of Universal, Inc. (BMI)
Charlie Parker3:04
14Them There Eyes
recording of:
Them There Eyes
lyricist:
William Tracey (in 1930)
composer:
Maceo Pinkard (in 1930) and Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) and Warner Chappell Music Limited (2019–present)
Billie Holiday1:32
15Au Privave
Art Blakey6:14
16Thinking of You
cover recording of:
Thinking of You
lyricist:
Bert Kalmar (in 1929)
composer:
Harry Ruby (in 1929)
Sarah Vaughan3:01
17Autumn Leaves
instrumental recording of:
Autumn Leaves (jazz standard, english lyrics)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes
Stan Getz7:21
18Let’s Call the Whole Thing Off
recorded in:
Los Angeles, California, United States (on 1957-07-23)
double bass:
Ray Brown (jazz bassist) (on 1957-07-23)
drums (drum set):
Louie Bellson (in 1957, on 1957-07-23)
guitar:
Herb Ellis (jazz guitarist) (in 1957, on 1957-07-23)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1957, on 1957-07-23)
trumpet:
Louis Armstrong (in 1957, on 1957-07-23)
vocals:
Louis Armstrong (in 1957, on 1957-07-23) and Ella Fitzgerald (American jazz singer) (in 1957, on 1957-07-23)
performer:
Ella Fitzgerald (American jazz singer)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1957-07-23)
cover recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”) (on 1957-07-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong3.54:13
19Stardust
cover recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
Artie Shaw3:23
▼ CD 2
#TitleArtistRatingLength
1In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, Volume I)
Glenn Miller2:34
2Take the "A" Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & His Orchestra3:02
3St. James Infirmary
recording of:
St. James Infirmary (Joe Primrose’s arrangement)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong4:48
4Crazeology
recording of:
Crazeology
composer:
Benny Harris
Charlie Parker2:59
5Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Benny Goodman2:26
6Willow Weep for Me
cover recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Dinah Washington with Lionel Hampton5:05
7Lorraine
recording of:
Lorraine
composer:
Dizzy Gillespie
Dizzy Gillespie3:55
8Temptation
cover recording of:
Temptation
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Going Hollywood (1933 film)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
Artie Shaw2:59
9Moonlight in Vermont
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billie Holiday3:48
10King Porter Stomp
instrumental recording of:
King Porter Stomp
composer:
Jelly Roll Morton
Gene Krupa3:00
11Moanin’
recording of:
Moanin’
composer:
Bobby Timmons
publisher:
Orphum Music Inc.
Art Blakey10:26
12A Fine Romance
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
lead vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
recording of:
A Fine Romance (from “Swing Time”) (on 1957-08-13)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
cover recording of:
A Fine Romance (from “Swing Time”)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
Ella Fitzgerald & Louis Armstrong43:52
13Ornithology
recording of:
Ornithology
composer:
Benny Harris and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker2:59
14Solitude
cover recording of:
(In My) Solitude
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
Nina Simone3:40
15Every Tub
recording of:
Every Tub
writer:
Count Basie (pianist) and Eddie Durham (American guitarist, trombonist, composer and arranger.)
Count Basie3:08
16You
Peggy Lee2:06
17Snake Rag
recording of:
Snake Rag
writer:
Armand J. Piron
composer:
King Oliver (jazz cornetist) (on 1923-04-06)
Louis Armstrong3:00
18Caldonia
recording of:
Caldonia (What Makes Your Big Head Hard?)
lyricist and composer:
Louis Jordan (US jazz, blues and r&b musician and songwriter) and Fleecie Moore
publisher:
Chappell Morris Ltd., Cherio Corp. and Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (on 1945-04-16)
Woody Herman3:02
19Bossa Nova USA
recording of:
Bossa Nova U.S.A.
composer:
Dave Brubeck
Dave Brubeck2:22
▼ CD 3
#TitleArtistRatingLength
1One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie5:31
2I Got Rhythm
alto saxophone:
Julian “Cannonball” Adderley (on 1959-02-02)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-02)
piano:
Wynton Kelly (on 1959-02-02)
trumpet:
Freddie Hubbard (on 1959-02-02)
recorded at:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, United States (on 1959-02-02)
instrumental recording of:
I Got Rhythm (on 1959-02-02)
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Cannonball Adderley6:03
3Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Billie Holiday2:21
4Oop-Bop-A-Dah
recording of:
Oop-Pop-A-Dah
writer:
Walter “Gil” Fuller (jazz composer & arranger) and Dizzy Gillespie
Dizzy Gillespie5:35
5Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
Nina Simone3.952:44
6Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Duke Ellington & His Orchestra1:53
7What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Peggy Lee2:16
8Moonlight Serenade
recording of:
Moonlight Serenade (original instrumental version)
composer and arranger:
Glenn Miller (jazz band leader)
publisher:
Big 3 Music Ltd., EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd. and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
Glenn Miller2:22
9Jersey Bounce
recording of:
Jersey Bounce
lyricist:
Robert B. Wright
composer:
Tiny Bradshaw, Edward Johnson (US songwriter) and Bobby Plater
Benny Goodman3:00
10Sometimes I’m Happy
cover recording of:
Sometimes I’m Happy
lyricist:
Vincent Youmans
composer:
Irving Caesar
publisher:
Harms, Inc.
part of:
Hit the Deck (1955 movie)
part of:
Hit the Deck (1927 musical)
Dinah Washington2:17
11Jeepers Creepers
recording of:
Jeepers Creepers
lyricist:
Johnny Mercer (in 1938)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2)
Louis Armstrong4:41
12Unsquare Dance
alto saxophone:
Paul Desmond (on 1961-06-08)
double bass [bass]:
Eugene Wright (bass) (on 1961-06-08)
drums (drum set):
Joe Morello (on 1961-06-08)
piano:
Dave Brubeck (on 1961-06-08)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1961)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1961-06-08)
recording of:
Unsquare Dance (on 1961-06-08)
composer:
Dave Brubeck
publisher:
Derry Music Company and Valentine Music Verlag
Dave Brubeck52:02
13Opus One
Gene Krupa2:56
14Bird of Paradise
recording of:
Bird of Paradise
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
Charlie Parker3:09
15A Foggy Day
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
recording of:
A Foggy Day (in London Town) (on 1956-08-16)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:32
16Fables of Faubus
recording of:
Fables of Faubus (instrumental version)
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus6:12
17Summertime
vocals:
Sarah Vaughan (on 1949-12-21)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1949)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-12-21)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Sarah Vaughan3:12
18Moment’s Notice
recorded in:
Paris, Île-de-France, France (in 1978) and Cannes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, France (on 1978-01-22)
piano:
Chick Corea (jazz pianist) and Lionel Hampton
vibraphone:
Lionel Hampton
vocals:
Lionel Hampton and Gayle Moran
orchestra:
Orquesta
conductor:
Lionel Hampton
phonographic copyright (℗) by:
Mazur Media
live cover recording of:
Moment’s Notice (on 1978-01-22)
composer:
John Coltrane
publisher:
Jowcol Music
Chick Corea4:22
19Do Nothin’ Till You Hear From Me
cover recording of:
Do Nothin’ Till You Hear From Me
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
Nina Simone2:46
▼ CD 4
#TitleArtistRatingLength
1Desafinado
recording of:
Desafinado
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
publisher:
Bendig Music Corp., Corcovado Music Corp., Fermata do Brasil and 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division)
Dizzy Gillespie3:33
2Cheek to Cheek
double bass:
Ray Brown (jazz bassist) (on 1956-08-16)
drums (drum set):
Buddy Rich (on 1956-08-16)
guitar:
Herb Ellis (jazz guitarist) (on 1956-08-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1956-08-16)
trumpet:
Louis Armstrong (on 1956-08-16)
vocals:
Louis Armstrong (on 1956-08-16) and Ella Fitzgerald (American jazz singer) (on 1956-08-16)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1956-08-16)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 8th Academy Award for Best Original Song (number: 2)
part of:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.25:53
3The Good Earth
recording of:
The Good Earth
writer:
Neal Hefti
Woody Herman2:33
4Chattanooga Choo Choo
recording of:
Chattanooga Choo Choo
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2)
Glenn Miller2:26
5Come Rain or Come Shine
recording of:
Come Rain or Come Shine
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
Chick Corea3:12
6You Do Something to Me
recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
Fifty Million Frenchmen
Benny Goodman3:10
7Stormy Weather
cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Quincy Jones3:22
8Bugle Call Rag
recording of:
Bugle Call Rag
composer:
Billy Meyers (US jazz songwriter), Jack Pettis and Elmer Schoebel
Gene Krupa3:13
9All of Me
cover recording of:
All of Me
writer:
Gerald Marks (in 1932) and Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs and Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic and 日音 Synch事業部 (NICHION, INC. Synch Division)
Sarah Vaughan3:16
10Slop
recording of:
Slop
composer:
Charles Mingus
publisher:
Jazz Workshop, Inc.
Charles Mingus5:07
11Mood Indigo
recorded in:
New York, New York, United States (in 1957-12)
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Phillips (publisher; do NOT use as release label) (in 1966)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Mood Indigo (1930 jazz composition and song) (in 1957-12)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Indigo Mood Music, EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, Volume I)
Nina Simone54:01
12Jumpin’ at the Woodside
recording of:
Jumpin’ at the Woodside (with lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1957)
composer:
Count Basie (pianist)
publisher:
PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WC Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
Jumpin’ at the Woodside (original instrumental)
Count Basie3:17
13You’d Be So Nice to Come Home To
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:43
14How High the Moon
recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman8:50
15Close to You
recording of:
Close to You
writer:
Al Hoffman, Carl Lampl and Jerry Livingston (songwriter)
publisher:
Barton Music Corp., Casa David and Feadbach Music (on 1970-10-29)
Dinah Washington with Lionel Hampton4:44
16Stupendous
recording of:
Stupendous
composer:
Howard McGhee
Charlie Parker2:49
17Don’t Be That Way
recorded in:
Los Angeles, California, United States (on 1957-08-13)
double bass:
Ray Brown (jazz bassist) (on 1957-08-13)
drums (drum set):
Louie Bellson (on 1957-08-13)
guitar:
Herb Ellis (jazz guitarist) (on 1957-08-13)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1957-08-13)
trumpet:
Louis Armstrong (on 1957-08-13)
vocals:
Louis Armstrong (on 1957-08-13) and Ella Fitzgerald (American jazz singer) (on 1957-08-13)
cover recording of:
Don’t Be That Way (on 1957-08-13)
lyricist:
Mitchell Parish
composer:
Benny Goodman (clarinetist and bandleader) and Edgar Sampson
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. Ltd., Robbins Music Corporation and The Songwriters Guild
part of:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald & Louis Armstrong4:58
18Cherokee
recording of:
Cherokee
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
Charlie Barnet3:07