The Encyclopaedia of Music: Best of 80's, Volume 3

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Get Out of My Dreams, Get Into My Car
recording of:
Get Outta My Dreams, Get Into My Car
Verfasser(in):
Robert John “Mutt” Lange (Robert John Lange) und Billy Ocean
Billy Ocean4:43
2I'm So Excited
Bassgitarre:
Nathan East
Gitarre:
George Doering und Lee Ritenour
Keyboard [keyboards] und Synthesizer:
Michael Boddicker und Greg Phillinganes
Klavier:
William D. “Smitty” Smith (organist/keyboardist)
Schlagzeug:
John “JR” Robinson (session drummer)
Hintergrundgesang:
June Pointer und Ruth Pointer
Sologesang:
Anita Pointer
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 5) (Nummer: 6) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 258)
recording of:
I’m So Excited
Verfasser(in):
Anita Pointer, June Pointer, Ruth Pointer und Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs und EMI Songs Ltd.
sub-publisher:
Fujipacific Music Inc. SBK Division (bis 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
The Pointer Sisters4.83:50
3Sexual Healing
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (vom 1982 bis heute)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3:24
4Stimulation
Wa Wa Nee3:41
5Let's Hear It for the Boy
Produzent(in):
George Duke
Mix:
Tom Perry (engineer), Tommy Vicari und Erik Zobler
Analoger Synthesizer [Prophet V], elektronisches Schlagzeug / E-Drums [Linn Drums], Minimoog [Mini-Moog] und Moog [Memory Moog]:
George Duke
Gitarre:
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Hintergrundgesang:
George Merrill, Shannon Rubicam und Deniece Williams (US soul/funk vocalist/songwriter)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1984), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1984) und Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recording of:
Let’s Hear It for the Boy
Texter:
Dean Pitchford
Komponist(in):
Thomas Snow (US keyboardist/songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Ensign Music Corporation
Teil von:
The 57th Academy Award for Best Original Song (Nummer: 2)
Deniece Williams3.64:20
6Maniac
Produzent(in):
Phil Ramone und Michael Sembello
vocals:
Michael Sembello
phonographisches Urheberrecht (℗) von:
Polygram Records, Inc. (New York) (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1983) und The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1983)
recording of:
Maniac (in 1983)
Verfasser(in):
Dennis Matkosky und Michael Sembello
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Intersong Music, Intersong USA, Inc. (publisher), Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 56th Academy Award for Best Original Song (Nummer: 2)
Michael Sembello4.154:02
7White Lines (Don't Do It)
recording of:
White Lines (Don’t Don’t Do It)
Verfasser(in):
Melvin Glover (Melvin Glover aka Melle Mel) und Sylvia Robinson
publisher:
Four Hills Music Ltd und IQ Music Ltd.
basiert auf:
Cavern
Grandmaster Flash4:27
8Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1978)
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
The Jacksons4.23:32
9Let's Groove
recording of:
Let’s Groove
Verfasser(in):
Wayne Vaughn und Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Earth, Wind & Fire43:32
10Bedroom Eyes
phonographisches Urheberrecht (℗) von:
Mushroom Records (in 1989)
recording of:
Bedroom Eyes
Verfasser(in):
Raymond Jones und Sami McKinney
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Kate Ceberano3:55
11Heaven (Must Be There)
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) und Nostata Pty. Limited (in 1983, in 1984)
recording of:
Heaven (Must Be There)
Texter und Komponist(in):
Bernie Lynch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orient Pacific Music Pty. Ltd. und Warner Chappell Music (publisher as Warner/Chappell Music)
Eurogliders33:39
12State of the Heart
phonographisches Urheberrecht (℗) von:
Fable Records (in 1980)
recording of:
State of the Heart
Texter und Komponist(in):
Eric McCusker
Mondo Rock4:17
13Trust Me
phonographisches Urheberrecht (℗) von:
Regular Records (Australian label) (in 1984)
recording of:
Trust Me
Verfasser(in):
Kate Ceberano, Stephen Charlesworth (I'm Talking), Ian Cox, Robert Goodge, Barbara Hogarth und Cameron Newman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Mushroom Music Publishing
I’m Talking3:49
14Be Good Johnny
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Be Good Johnny
Texter:
Colin Hay
Komponist(in):
Greg Ham (member of Men at Work) und Colin Hay
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher) und EMI Songs Australia Pty. Ltd.
Men at Work3.653:36
15Chained to the Wheel
Produzent(in):
Jeff Burstin, Joe Camilleri und Tomie (producer)
Bassgitarre:
Mick Girasole
Perkussion:
Alex Pertout
Schlagzeug:
Peter Luscombe
vocals:
Joe Camilleri
phonographisches Urheberrecht (℗) von:
CBS Productions Pty. Limited (in 1988), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1988), Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1988) und Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1988)
aufgenommen bei:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australien
mixed at:
Metropolis Audio (fka AAV Studios) in Melbourne, Victoria, Australien und RBX Studios in Melbourne, Victoria, Australien
recording of:
Chained to the Wheel
Texter:
Nick Smith (Australian Guitar Player and Songwriter)
Verfasser(in):
Joe Camilleri
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label's publishing company), Mushroom Music Publishing, Orient Pacific Music Pty. Ltd. und Warner Chappell Music (publisher as Warner/Chappell Music)
The Black Sorrows3:54

Nennungen

Veröffentlichungsgruppe

Teil von:The Encyclopaedia of Music (Nummer: 80.3) (Reihenfolge: 15)