Signature: Nicholas McGegan

~ Release by Nicholas McGegan (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#	Title	Artist	Rating	Length
1	Water Musick, Variation 1 in F major harpsichord: Nicholas McGegan orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan	Handel		3:56
2	Suite in A major: Preludio/Andamento con divisione harpsichord: Nicholas McGegan instruments: The Arcadian Academy	Nicola Matteis		3:33
3	Susanna: Chorus “Righteous heav’n beholds their guile” harpsichord: Nicholas McGegan choir vocals: U.C. Berkeley Chamber Chorus orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Susanna, HWV 66: Act I: No. 28. Chorus “Righteous heav’n beholds their guile” part of: Susanna, HWV 66: Act I	Handel		5:13
4	Flute Concerto in D major, RV 427: Allegro flute [baroque flute]: Janet See harpsichord: Nicholas McGegan orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Concerto for Flute, Strings and Continuo in D major, RV 427: I. Allegro composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto for Flute, Strings and Continuo in D major, RV 427	Vivaldi		3:00
5	Theodora: Aria “With darkness, deep as is my woe” harpsichord: Nicholas McGegan soprano vocals: Lorraine Hunt (American soprano / mezzo) orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Theodora, HWV 68: Act II, Scene 2, no. 36. Air “With darkness deep, as is my woe” (Theodora) composer: George Frideric Handel (German‐British baroque composer) part of: Theodora, HWV 68: Act II	Handel		3:48
6	French Suite no. 1 in D minor, BWV 812: Sarabande / Gigue harpsichord: Nicholas McGegan recording of: Französische Suite Nr. 1 d-Moll, BWV 812: III. Sarabande composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812) recording of: Französische Suite Nr. 1 d-Moll, BWV 812: VI. Gigue composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Französische Suite Nr. 1 d-Moll, BWV 812 (French Suite No. 1 in D minor, BWV 812)	Bach		4:58
7	Water Musick, Suite in F major: Air harpsichord: Nicholas McGegan orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto composer: George Frideric Handel (German‐British baroque composer) (in 1717) part of: Water Music Suite no. 1 in F major, HWV 348	Handel		2:50
8	Messiah: Duet “How beautiful are the feet…” / Chorus “Break forth into joy” (from Part II – alternate version, Dublin 1742) harpsichord: Nicholas McGegan choir vocals: U.C. Berkeley Chamber Chorus countertenor vocals: Drew Minter (countertenor) soprano vocals: Patricia Spence (mezzo-soprano) orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Messiah, HWV 56: Part II, no. 38. Duet “How beautiful are the feet…” (Soprano, Alto & Chorus) composer: George Frideric Handel (German‐British baroque composer) (in 1741) is based on: Messiah, HWV 56: Part II, no. 38. Aria “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) part of: Messiah, HWV 56: Part II	Handel		3:38
9	Horn Concerto in D major, K. 412: Rondo. Allegro harpsichord: Nicholas McGegan natural horn: Lowell Greer orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Concerto for French Horn no. 1 in D major, K. 386b / KV 514 (Süßmayr completion): II. Rondo. Allegro composer: Franz Xaver Süßmayr and Wolfgang Amadeus Mozart (classical composer) (in 1791) part of: Concerto for Horn no. 1 in D major, K. 386b / 412 / KV 514 (Süßmayr completion) revision of: Concerto for French Horn no. 1 in D major, K. 386b / KV 514: II. Rondo. Allegro (original version, fragment)	Mozart		3:52
10	Ottone: Aria “Dopo l’orrore” countertenor vocals: Drew Minter (countertenor) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: Nicholas McGegan recording of: Ottone, re di Germania, HWV 15: Atto II, Scena VII, 20. Aria “Dopo l’orrore” (Ottone) part of: Ottone, re di Germania, HWV 15: Atto II	Handel		4:46
11	Ottone: Aria “No, non temere, o bella” bass vocals: Michael Dean (operatic bass-baritone) orchestra: Freiburger Barockorchester (Freiburg Baroque Orchestra) conductor: Nicholas McGegan recording of: Ottone, re di Germania, HWV 15: Atto III, Scena VI, 32. Aria “No, non temere, o bella” (Emireno) part of: Ottone, re di Germania, HWV 15: Atto III	Handel		3:43
12	Recorder Concerto in C major, RV 444: Largo harpsichord: Nicholas McGegan sopranino recorder: Marion Verbruggen (recorder player) orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Concerto in C major, RV 444: II. Largo composer: Antonio Vivaldi (Italian baroque composer and violinist) part of: Concerto in C major, RV 444	Vivaldi		1:55
13	Agrippina: Aria “Ogni vento” mezzo-soprano vocals: Sally Bradshaw (mezzo-soprano) orchestra: Capella Savaria conductor: Nicholas McGegan recording of: Agrippina, HWV 6: Atto II, Scena XX. Aria "Ogni vento ch'al porto la spinga" (Agrippina) composer: George Frideric Handel (German‐British baroque composer) (until 1709) librettist: Vincenzo Grimani part of: Agrippina, HWV 6: Atto II	Handel		5:01
14	Arias for Cuzzoni: Spietati, io vi giurai (Rodelinda) harpsichord: Nicholas McGegan soprano vocals: Lisa Saffer (soprano) orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Rodelinda, regina de’ Longobardi, HWV 19: Atto II. Aria “Spietati, io vi giurai” (Rodelinda) composer: George Frideric Handel (German‐British baroque composer) librettist: Nicola Francesco Haym part of: Rodelinda, regina de' Longobardi, HWV 19: Atto II	Handel		4:23
15	Aria sopra la Bergamasca harpsichord: Nicholas McGegan instruments: The Arcadian Academy recording of: Sonate, arie et correnti, op. 3: Aria quinta sopra La Bergamasca composer: Marco Uccellini (17th century violinist and composer) (in 1642) part of: Sonate, arie et correnti, op. 3	Marco Uccellini		3:48
16	Clori, Tirsi e Fileno: Aria “Amo Tirsi” harpsichord: Nicholas McGegan mezzo-soprano vocals: Lorraine Hunt (American soprano / mezzo) orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Clori, Tirsi e Fileno, HWV 96, Seconda Parte: VII. Aria: Amo Tirsi composer: George Frideric Handel (German‐British baroque composer) part of: Clori, Tirsi e Fileno, HWV 96	Handel		3:18
17	Concerto Grosso in D major, op. 6 no. IV: Vivace / Allegro harpsichord: Nicholas McGegan orchestra: Philharmonia Baroque Orchestra conductor: Nicholas McGegan recording of: Concerto Grosso in D major, op. 6 no. 4: III. Vivace composer: Arcangelo Corelli (Italian baroque composer and violinist) part of: Concerto Grosso in D major, op. 6 no. 4 recording of: Concerto Grosso in D major, op. 6 no. 4: IV. Allegro composer: Arcangelo Corelli (Italian baroque composer and violinist) part of: Concerto Grosso in D major, op. 6 no. 4	Corelli		4:13
18	Verse Anthem: O give thanks unto the Lord instruments: Romanesca (trio, performs music from the Baroque era) bass vocals: David Thomas (British operatic bass) choir vocals: The Choir of Clare College, Cambridge countertenor vocals: Drew Minter (countertenor) tenor vocals: Rogers Covey‐Crump (tenor) and John Potter (tenor) conductor: Nicholas McGegan recording of: O give thanks unto the Lord (Text from Psalm 160) lyricist: [anonymous] (special purpose artist) composer: Pelham Humfrey (aka 'Humphrey', composer)	Pelham Humfrey		9:54

Credits

Release

manufactured in:	Germany

Discogs:	https://www.discogs.com/release/7740139 [info]
Allmusic:	https://www.allmusic.com/album/release/mr0002688179 [info]

Release group

Allmusic:	https://www.allmusic.com/album/mw0001829065 [info]

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Release information

Barcode:: 093046770129
Format:: CD
Length:: 1:15:50

Additional details

Type:: Album
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

harmonia mundi
HMU 907701

Release events

United States
1993

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Last updated on 2017-11-21 04:53 UTC