Drop Me Off in Harlem

~ Release by Charlie Barnet and His Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Smiles
alto saxophone:
George Bone (US swing-era saxophonist) (on 1942-04-30) and Conn Humphreys (on 1942-04-30)
double bass:
Jack Jarvis (on 1942-04-30)
drums (drum set):
Cliff Leeman (on 1942-04-30)
guitar:
Tommy Moore (on 1942-04-30)
piano:
Bill Miller (pianist) (on 1942-04-30)
saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1942-04-30)
tenor saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1942-04-30), Kurt Bloom (on 1942-04-30) and James Lamare (jazz saxophonist) (on 1942-04-30)
trombone:
Russell Brown (Swing trombonist) (on 1942-04-30), Kahn Keene (on 1942-04-30) and Bill Robertson (jazz trombonist) (on 1942-04-30)
trumpet:
Irving Berger (US Trumpet Player) (on 1942-04-30), Chuck Zimmermann (on 1942-04-30), Joe Ferrante (on 1942-04-30) and Peanuts Holland (on 1942-04-30)
part of:
V Disc (by matrix number) (number: VP 903 (2))
recording of:
Smiles (1917) (on 1942-04-30)
lyricist:
J. Will Callahan
composer:
Lee S. Roberts (1884-1949)
3:07
2Shady Lady
alto saxophone:
George Bone (US swing-era saxophonist) (on 1942-04-30) and Conn Humphreys (on 1942-04-30)
double bass:
Jack Jarvis (on 1942-04-30)
drums (drum set):
Cliff Leeman (on 1942-04-30)
guitar:
Tommy Moore (on 1942-04-30)
piano:
Bill Miller (pianist) (on 1942-04-30)
saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1942-04-30)
tenor saxophone:
Kurt Bloom (on 1942-04-30) and James Lamare (jazz saxophonist) (on 1942-04-30)
trombone:
Russell Brown (Swing trombonist) (on 1942-04-30), Kahn Keene (on 1942-04-30) and Bill Robertson (jazz trombonist) (on 1942-04-30)
trumpet:
Irving Berger (US Trumpet Player) (on 1942-04-30), Chuck Zimmermann (on 1942-04-30), Joe Ferrante (on 1942-04-30) and Peanuts Holland (on 1942-04-30)
2:56
3That Old Black Magic
alto saxophone:
George Bone (US swing-era saxophonist) (on 1942-07-17) and Murray Williams (on 1942-07-17)
double bass:
Bob Elden (on 1942-07-17)
drums (drum set):
Cliff Leeman (on 1942-07-17)
guitar:
Tommy Moore (on 1942-07-17)
piano:
Bill Miller (pianist) (on 1942-07-17)
saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1942-07-17)
tenor saxophone:
Kurt Bloom (on 1942-07-17) and James Lamare (jazz saxophonist) (on 1942-07-17)
trombone:
Russell Brown (Swing trombonist) (on 1942-07-17), Kahn Keene (on 1942-07-17) and Bill Robertson (jazz trombonist) (on 1942-07-17)
trumpet:
Irving Berger (US Trumpet Player) (on 1942-07-17), Joe Ferrante (on 1942-07-17), Peanuts Holland (on 1942-07-17) and Charles Zimmermann (on 1942-07-17)
recording of:
That Old Black Magic (on 1942-07-17)
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:19
4Oh, Miss Jaxson
alto saxophone:
George Bone (US swing-era saxophonist) (on 1942-07-17) and Murray Williams (on 1942-07-17)
double bass:
Bob Elden (on 1942-07-17)
drums (drum set):
Cliff Leeman (on 1942-07-17)
guitar:
Tommy Moore (on 1942-07-17)
piano:
Bill Miller (pianist) (on 1942-07-17)
saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1942-07-17)
tenor saxophone:
Kurt Bloom (on 1942-07-17) and James Lamare (jazz saxophonist) (on 1942-07-17)
trombone:
Russell Brown (Swing trombonist) (on 1942-07-17), Kahn Keene (on 1942-07-17) and Bill Robertson (jazz trombonist) (on 1942-07-17)
trumpet:
Irving Berger (US Trumpet Player) (on 1942-07-17), Joe Ferrante (on 1942-07-17), Peanuts Holland (on 1942-07-17) and Charles Zimmermann (on 1942-07-17)
3:08
5Things Ain't What They Used to Be
alto saxophone:
George Bone (US swing-era saxophonist) (on 1942-07-17) and Murray Williams (on 1942-07-17)
double bass:
Bob Elden (on 1942-07-17)
drums (drum set):
Cliff Leeman (on 1942-07-17)
guitar:
Tommy Moore (on 1942-07-17)
piano:
Bill Miller (pianist) (on 1942-07-17)
saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1942-07-17)
tenor saxophone:
Kurt Bloom (on 1942-07-17) and James Lamare (jazz saxophonist) (on 1942-07-17)
trombone:
Russell Brown (Swing trombonist) (on 1942-07-17), Kahn Keene (on 1942-07-17) and Bill Robertson (jazz trombonist) (on 1942-07-17)
trumpet:
Irving Berger (US Trumpet Player) (on 1942-07-17), Joe Ferrante (on 1942-07-17), Peanuts Holland (on 1942-07-17) and Charles Zimmermann (on 1942-07-17)
recording of:
Things Ain’t What They Used to Be (on 1942-07-17)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:40
6The Moose
alto saxophone:
Buddy DeFranco (in 1944-02)
baritone saxophone:
Danny Bank (reeds) (in 1944-02)
drums (drum set):
Harold Hahn (in 1944-02)
guitar:
Turk Van Lake (in 1944-02)
piano:
Dodo Marmarosa (in 1944-02)
tenor saxophone:
Kurt Bloom (on 1943-10-21) and Mike Goldberg (on 1943-10-21)
trombone:
Eddie Bert (on 1943-10-21), Spud Murphy (American jazz multi-instrumentalist, bandleader, and arranger) (on 1943-10-21), Ed Fromm (in 1944-02) and Bob Swift (in 1944-02)
trumpet:
Peanuts Holland (on 1943-10-21), Al Killian (on 1943-10-21), Jimmy Pupa (in 1944-02) and Lyman Vunk (in 1944-02)
2:43
7Pow Wow
alto saxophone:
Buddy DeFranco (in 1944-02)
baritone saxophone:
Danny Bank (reeds) (in 1944-02)
drums (drum set):
Harold Hahn (in 1944-02)
guitar:
Turk Van Lake (in 1944-02)
piano:
Dodo Marmarosa (in 1944-02)
tenor saxophone:
Kurt Bloom (on 1943-10-21) and Mike Goldberg (on 1943-10-21)
trombone:
Eddie Bert (on 1943-10-21), Spud Murphy (American jazz multi-instrumentalist, bandleader, and arranger) (on 1943-10-21), Ed Fromm (in 1944-02) and Bob Swift (in 1944-02)
trumpet:
Peanuts Holland (on 1943-10-21), Al Killian (on 1943-10-21), Jimmy Pupa (in 1944-02) and Lyman Vunk (in 1944-02)
2:46
8The Great Lie
alto saxophone:
Buddy DeFranco (on 1944-02-23) and Ray DeGeer (on 1944-02-23)
baritone saxophone:
Danny Bank (reeds) (on 1944-02-23)
drums (drum set):
Harold Hahn (on 1944-02-23)
guitar:
Turk Van Lake (on 1944-02-23)
piano:
Dodo Marmarosa (on 1944-02-23)
tenor saxophone:
Kurt Bloom (on 1944-02-23)
trombone:
Porky Cohen (on 1944-02-23), Ed Fromm (on 1944-02-23), Bob Swift (on 1944-02-23) and Tommy Pederson (on 1944-02-23)
trumpet:
Art House (on 1944-02-23), Roy Eldridge (on 1944-02-23), Al Killian (on 1944-02-23), Jimmy Pupa (on 1944-02-23) and Lyman Vunk (on 1944-02-23)
recording of:
The Great Lie (on 1944-02-23)
writer:
Cab Calloway and Gibson ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
recording of:
The Great Lie (in 1944-02)
writer:
Cab Calloway and Gibson ([unknown], Special Purpose Artist – Do not add releases here, if possible.)
3:09
9Drop Me Off in Harlem
alto saxophone:
Buddy DeFranco (on 1944-02-24) and Ray DeGeer (on 1944-02-24)
baritone saxophone:
Danny Bank (reeds) (on 1944-02-24)
drums (drum set):
Harold Hahn (on 1944-02-24)
guitar:
Turk Van Lake (on 1944-02-24)
piano:
Dodo Marmarosa (on 1944-02-24)
tenor saxophone:
Charlie Barnet (saxophonist, bandleader) (on 1944-02-24) and Kurt Bloom (on 1944-02-24)
trombone:
Porky Cohen (on 1944-02-24), Ed Fromm (on 1944-02-24), Bob Swift (on 1944-02-24) and Tommy Pederson (on 1944-02-24)
trumpet:
Art House (on 1944-02-24), Roy Eldridge (on 1944-02-24), Al Killian (on 1944-02-24), Jimmy Pupa (on 1944-02-24) and Lyman Vunk (on 1944-02-24)
recording of:
Drop Me Off in Harlem (on 1944-02-24)
lyricist:
Nick Kenny (in 1933)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1933)
2:21
10Gulf Coast Blues
alto saxophone:
Buddy DeFranco (on 1944-02-24) and Ray DeGeer (on 1944-02-24)
baritone saxophone:
Danny Bank (reeds) (on 1944-02-24)
drums (drum set):
Harold Hahn (on 1944-02-24)
guitar:
Turk Van Lake (on 1944-02-24)
piano:
Dodo Marmarosa (on 1944-02-24)
tenor saxophone:
Kurt Bloom (on 1944-02-24)
trombone:
Porky Cohen (on 1944-02-24), Ed Fromm (on 1944-02-24), Bob Swift (on 1944-02-24) and Tommy Pederson (on 1944-02-24)
trumpet:
Art House (on 1944-02-24), Roy Eldridge (on 1944-02-24), Al Killian (on 1944-02-24), Jimmy Pupa (on 1944-02-24) and Lyman Vunk (on 1944-02-24)
recording of:
The Gulf Coast Blues (on 1944-02-24)
lyricist and composer:
Clarence Williams (US jazz pianist, composer, singer and bandleader) (in 1923)
3:14
11Skyliner
alto saxophone:
Harold Herzon (on 1944-08-03) and Joe Meisner (on 1944-08-03)
baritone saxophone:
Bob Poland (on 1944-08-03)
double bass:
Howard Rumsey (American jazz double-bassist) (on 1944-08-03)
drums (drum set):
Harold Hahn (on 1944-08-03)
guitar:
Barney Kessell (on 1944-08-03)
piano:
Dodo Marmarosa (on 1944-08-03)
reeds:
Charlie Barnet (saxophonist, bandleader) (on 1944-08-03)
tenor saxophone:
Kurt Bloom (on 1944-08-03) and Ed Pripps (on 1944-08-03)
trombone:
Charles Coolidge (on 1944-08-03), Gerald Foster (on 1944-08-03), Dave Hallett (40s US trombonist) (on 1944-08-03) and Burt Johnson (on 1944-08-03)
trumpet:
Peanuts Holland (on 1944-08-03), Johnny Martel (1930s US jazz trumpet player) (on 1944-08-03), Jack Mootz (on 1944-08-03) and Lyman Vunk (on 1944-08-03)
arranger:
Billy Moore, Jr. (40s American jazz pianist/arranger/composer)
recording of:
Skyliner (on 1944-08-03)
composer:
Charlie Barnet (saxophonist, bandleader)
publisher:
Atlantic Music (BMI)
3:03
12Into Each Life Some Rain Must Fall
alto saxophone:
Ray DeGeer (on 1944-10-17) and Gene Kinsey (on 1944-10-17)
baritone saxophone:
Bob Poland (on 1944-10-17)
double bass:
John Chance (on 1944-10-17)
drums (drum set):
Harold Hahn (on 1944-10-17)
guitar:
Turk Van Lake (on 1944-10-17)
piano:
Dodo Marmarosa (on 1944-10-17)
tenor saxophone:
Kurt Bloom (on 1944-10-17)
trombone:
Porky Cohen (on 1944-10-17), Dave Hallett (40s US trombonist) (on 1944-10-17) and Tommy Pederson (on 1944-10-17)
trumpet:
Johnny Martel (1930s US jazz trumpet player) (on 1944-10-17), Jack Mootz (on 1944-10-17) and Lyman Vunk (on 1944-10-17)
recording of:
Into Each Life Some Rain Must Fall (on 1944-10-17)
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
2:29
13You Always Hurt the One You Love
alto saxophone:
Ray DeGeer (on 1944-10-17) and Gene Kinsey (on 1944-10-17)
baritone saxophone:
Bob Poland (on 1944-10-17)
double bass:
John Chance (on 1944-10-17)
drums (drum set):
Harold Hahn (on 1944-10-17)
guitar:
Turk Van Lake (on 1944-10-17)
piano:
Dodo Marmarosa (on 1944-10-17)
tenor saxophone:
Kurt Bloom (on 1944-10-17)
trombone:
Porky Cohen (on 1944-10-17), Dave Hallett (40s US trombonist) (on 1944-10-17) and Tommy Pederson (on 1944-10-17)
trumpet:
Johnny Martel (1930s US jazz trumpet player) (on 1944-10-17), Jack Mootz (on 1944-10-17) and Lyman Vunk (on 1944-10-17)
recording of:
You Always Hurt the One You Love (on 1944-10-17)
lyricist:
Allan Roberts (songwriter)
composer:
Doris Fisher
publisher:
Doris Fisher Music Corp.
2:34
14West End Blues
alto saxophone:
Ray DeGeer (on 1944-10-17) and Gene Kinsey (on 1944-10-17)
baritone saxophone:
Bob Poland (on 1944-10-17)
double bass:
John Chance (on 1944-10-17)
drums (drum set):
Harold Hahn (on 1944-10-17)
guitar:
Turk Van Lake (on 1944-10-17)
piano:
Dodo Marmarosa (on 1944-10-17)
tenor saxophone:
Kurt Bloom (on 1944-10-17)
trombone:
Porky Cohen (on 1944-10-17), Dave Hallett (40s US trombonist) (on 1944-10-17) and Tommy Pederson (on 1944-10-17)
trumpet:
Johnny Martel (1930s US jazz trumpet player) (on 1944-10-17), Jack Mootz (on 1944-10-17) and Lyman Vunk (on 1944-10-17)
recording of:
West End Blues (on 1944-10-17)
lyricist:
Clarence Williams (US jazz pianist, composer, singer and bandleader)
composer:
King Oliver (jazz cornetist)
is based on:
West End Blues (original instrumental)
2:46
15Desert Sands
alto saxophone:
Ray DeGeer (on 1944-10-17) and Gene Kinsey (on 1944-10-17)
baritone saxophone:
Bob Poland (on 1944-10-17)
double bass:
John Chance (on 1944-10-17)
drums (drum set):
Harold Hahn (on 1944-10-17)
guitar:
Turk Van Lake (on 1944-10-17)
piano:
Dodo Marmarosa (on 1944-10-17)
tenor saxophone:
Kurt Bloom (on 1944-10-17)
trombone:
Porky Cohen (on 1944-10-17), Dave Hallett (40s US trombonist) (on 1944-10-17) and Tommy Pederson (on 1944-10-17)
trumpet:
Johnny Martel (1930s US jazz trumpet player) (on 1944-10-17), Jack Mootz (on 1944-10-17) and Lyman Vunk (on 1944-10-17)
recording of:
Desert Sands (on 1944-10-17)
composer:
Stuff Smith (jazz violinist)
3:08
16E-Bob-O-Lee-Bob
alto saxophone:
Gene Kinsey (on 1945-12-06) and Les Robinson (on 1945-12-06)
baritone saxophone:
Bob Dawes (on 1945-12-06)
double bass:
Morris Rayman (on 1945-12-06)
drums (drum set):
Harold Hahn (on 1945-12-06)
guitar:
Barney Kessel (on 1945-12-06)
piano:
Al Haig (on 1945-12-06)
tenor saxophone:
Kurt Bloom (on 1945-12-06) and Ed Pripps (on 1945-12-06)
trumpet:
Peanuts Holland (on 1945-12-06), Al Killian (on 1945-12-06), Everett McDonald (on 1945-12-06), George Seaberg (on 1945-12-06) and Ed Stress (on 1945-12-06)
vocals:
Helen Humes (on 1945-12-06)
2:30
17Andy's Boogie
alto saxophone:
Ray DeGeer (on 1945-03-08)
baritone saxophone:
Bob Dawes (on 1945-03-08)
double bass:
Irv Lang (on 1945-03-08)
drums (drum set):
Mickey Scrima (jazz percussionist) (on 1945-03-08)
piano:
Sheldon Smith (jazz songwriter) (on 1945-03-08)
tenor saxophone:
Kurt Bloom (on 1945-03-08) and Kenny Dehlin (on 1945-03-08)
trombone:
Frank Bradley (on 1945-03-08), Ed Fromm (on 1945-03-08) and Tommy Pederson (on 1945-03-08)
trumpet:
Al Killian (on 1945-03-08), Everett McDonald (on 1945-03-08), Art Robey (on 1945-03-08), Ed Stress (on 1945-03-08) and Paul Webster (trumpet, jazz musician) (on 1945-03-08)
3:16
18Dark Bayou
alto saxophone:
Ray DeGeer (on 1946-06-16)
baritone saxophone:
Bob Dawes (on 1946-06-16)
double bass:
Irv Lang (on 1946-06-16)
guitar:
Dennis Sandole (on 1946-06-16)
instruments:
Mickey Scrima (jazz percussionist) (on 1946-06-16)
piano:
Bill Miller (pianist) (on 1946-06-16)
tenor saxophone:
Kurt Bloom (on 1945-06-16) and Dave Matthews (jazz saxophonist) (on 1946-06-16)
trombone:
Frank Bradley (on 1946-06-16), Lawrence Brown (jazz trombonist) (on 1946-06-16) and Ed Fromm (on 1946-06-16)
trumpet:
Al Killian (on 1946-06-16), Everett McDonald (on 1946-06-16), Art Robey (on 1946-06-16), Ed Stress (on 1946-06-16) and Lyman Vunk (on 1946-06-16)
3:04
19Zanesville Zohio ZZZ
alto saxophone:
Ray DeGeer (on 1946-06-16)
baritone saxophone:
Bob Dawes (on 1946-06-16)
double bass:
Irv Lang (on 1946-06-16)
drums (drum set):
Mickey Scrima (jazz percussionist) (on 1946-06-16)
guitar:
Dennis Sandole (on 1946-06-16)
piano:
Bill Miller (pianist) (on 1946-06-16)
tenor saxophone:
Kurt Bloom (on 1945-06-16) and Dave Matthews (jazz saxophonist) (on 1946-06-16)
trombone:
Frank Bradley (on 1946-06-16), Lawrence Brown (jazz trombonist) (on 1946-06-16) and Ed Fromm (on 1946-06-16)
trumpet:
Al Killian (on 1946-06-16), Everett McDonald (on 1946-06-16), Art Robey (on 1946-06-16), Ed Stress (on 1946-06-16) and Lyman Vunk (on 1946-06-16)
2:50
20Lonesome as the Night Is Long
alto saxophone:
Ray DeGeer (on 1946-06-16)
baritone saxophone:
Bob Dawes (on 1946-06-16)
double bass:
Irv Lang (on 1946-06-16)
guitar:
Dennis Sandole (on 1946-06-16)
piano:
Bill Miller (pianist) (on 1946-06-16)
tenor saxophone:
Kurt Bloom (on 1945-06-16) and Dave Matthews (jazz saxophonist) (on 1946-06-16)
trombone:
Frank Bradley (on 1946-06-16), Lawrence Brown (jazz trombonist) (on 1946-06-16) and Ed Fromm (on 1946-06-16)
trumpet:
Al Killian (on 1946-06-16), Everett McDonald (on 1946-06-16), Art Robey (on 1946-06-16), Ed Stress (on 1946-06-16) and Lyman Vunk (on 1946-06-16)
drums (drum set) technician:
Mickey Scrima (jazz percussionist) (on 1946-06-16)
recording of:
Lonesome as the Night Is Long (on 1946-06-16)
writer:
Leonard Feather
3:29