Much Ado About Nothing (Original Motion Picture Soundtrack)

~ Pubblicazione di Patrick Doyle (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

Elenco tracce

▼ CD 1
#TitoloValutazioneDurata
1The Picnic
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
voce parlata [recited]:
Emma Thompson
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Picnic
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:58
2Overture
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Overture (Much Ado About Nothing)
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
parte di:
Much Ado About Nothing
4:22
3The Sweetest Lady
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Sweetest Lady
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:07
4The Conspirators
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Conspirators
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:43
5The Masked Ball
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Masked Ball
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:57
6The Prince Woos Hero
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Prince Woos Hero
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:20
7A Star Danced
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
A Star Danced
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:47
8Rich She Shall Be
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Rich She Shall Be
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:44
9Sigh No More Ladies
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Sigh No More Ladies
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:59
10The Gulling of Benedick
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Gulling of Benedick
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
3:13
11It Must Be Requited
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
It Must Be Requited
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:01
12The Gulling of Beatrice
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Gulling of Beatrice
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:42
13Contempt Farewell
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Contempt Farewell
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:38
14The Lady Is Disloyal
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
The Lady Is Disloyal
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:18
15Hero's Wedding
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Hero’s Wedding
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
0:48
16Take Her Back Again
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Take Her Back Again
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
3:11
17Die to Live
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Die to Live
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
4:45
18You Have Killed a Sweet Lady
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
You Have Killed a Sweet Lady
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
3:04
19Choose Your Revenge
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Choose Your Revenge
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:51
20Pardon Goddess of the Night
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Pardon Goddess of the Night
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
4:34
21Did I Not Tell You
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Did I Not Tell You
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:43
22Hero Revealed
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Hero Revealed
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
1:28
23Benedick the Married Man
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Benedick the Married Man
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:09
24Strike Up Pipers
assistente tecnico:
James Collins (engineer)
tecnico:
Chris Dibble (engineer)
produttore:
Patrick Doyle (Scottish score composer) e Maggie Rodford
tecnico di missaggio:
Steve Price (UK recording engineer/producer/orchestrator/arranger)
editor:
Roy Prendergast
direttore d'orchestra:
David Snell (British harpist and conductor, library music)
orchestratore:
Lawrence Ashmore (composer, arranger and orchestrator)
orchestratore aggiunto:
John Bell (arranger, conductor, orchestrator)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
registrata presso:
CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrazione di:
Strike Up Pipers
orchestratore:
John Bell (orchestrator)
compositore:
Patrick Doyle (Scottish score composer)
2:42