| Nr. | Titel | Bewertung | Länge |
|---|
| 1 | Opening | 3 | 1:22 |
| 2 | Conquest of Paradise | 4 | 4:48 |
| 3 | Monastery of La Rabida | | 3:39 |
| 4 | City of Isabel | 2.75 | 2:16 |
| 5 | Light and Shadow | | 3:47 |
| 6 | Deliverance | 3 | 3:29 |
| 7 | West Across the Ocean Sea | 3 | 2:53 |
| 8 | Eternity | | 2:00 |
| 9 | Hispanola | | 4:57 |
| 10 | Moxica and the Horse | 4 | 7:07 |
| 11 | Twenty Eighth Parallel | 5 | 5:14 |
| 12 | Pinta, Nina, Santa Maria (Into Eternity)- recording engineer und Mix:
- Philippe Colonna
- assistierende(r) Produzent(in):
- Frederick Rousseau
- Produzent(in):
- Vangelis
- flute:
- Didier Malherbe
- Geige / Violine und Mandoline:
- Francis Darizcuren
- klassiche Gitarre [Spanish guitar]:
- Bruno Manjarrés und Pepe Martinez
- Chorgesang:
- English Chamber Choir
- vocals:
- Bruno Manjarrés, Pepe Martinez und Guy Protheroe
- conductor:
- Guy Protheroe
- Interpret(in):
- Vangelis
- arranger:
- Vangelis
- aufgenommen bei:
- CTS Studios in Wembley, Brent , London , England, Vereinigtes Königreich (Chorgesang) und Epsilon Laboratory in Paris, Île-de-France, Frankreich
- mixed at:
- Epsilon Laboratory in Paris, Île-de-France, Frankreich
- recording of:
- Pinta, Nina, Santa Maria (Into Eternity)
- Komponist(in):
- Vangelis
| 4 | 13:20 |