A224 Inside Music (part 2, Mozart and DVD)

~ Release by The Open University (see all versions of this release, 1 available)

Tracklist

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▼ CD 9: units 15 & 16
#TitleArtistRatingLength
1L’Arlésienne, Suite no. 1: IV. Carillon (extract)
orchestra:
London Symphony Orchestra
conductor:
Claudio Abbado (conductor)
partial recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet1:27
2Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work43:45
3Down Under (extract)
partial recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work0:22
4You Really Got Me
producer:
Shel Talmy (in 1964-07)
additional piano:
Perry Ford (English pop singer) (in 1964-07)
bass guitar:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
drums (drum set):
Bobby Graham (UK pop/rock session drummer and producer, 1940–2009) (in 1964-07)
guitar:
Harry Fryer (in 1964-07)
guitar [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
guitar [rhythm guitar], harmonica, keyboard and lead vocals:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1964)
miscellaneous support:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (task: Courtesy of / c/o Celebrity Licensing, Inc.)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1964-07)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (number: 13), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 20), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 57), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 82), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 162) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 176)
recording of:
You Really Got Me (in 1964-07)
lyricist and composer:
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. and Jay Boy
The Kinks4.252:15
5Dido and Aeneas, Act 2: ‘Oft she visits this lone mountain’
producer:
John Hadden
orchestra:
Taverner Players (in 1994-09)
conductor:
Andrew Parrott (conductor) (in 1994-09)
phonographic copyright (℗) by:
Taverner Productions (not for release label use!) (in 1994)
recorded at:
St Giles’s Cripplegate in City of London, London (Greater London), England, United Kingdom (in 1994-09)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (in 1994-09)
composer:
Henry Purcell (baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:25
6An Eye for Optical Theory
performer:
Michael Nyman Band
recording of:
An Eye for Optical Theory
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
Ground in C minor, ZD. 221
Michael Nyman4:29
7An Eye for Optical Theory (extract)
performer:
Michael Nyman Band
partial recording of:
An Eye for Optical Theory
composer:
Michael Nyman (composer) (in 1982)
publisher:
Première Music Group (in 1982)
is based on:
Ground in C minor, ZD. 221
Michael Nyman0:17
8Suite No. 3 in C minor: I. (extract)
harpsichord:
Trevor Pinnock (conductor / harpsichord)
William Croft3:05
9Yesnaby Ground
recording of:
Yesnaby Ground, op. 89 no. 2
composer:
Sir Peter Maxwell Davies (English composer and conductor) (in 1980)
part of:
Works of Peter Maxwell Davies by opus number (number: op. 89 no. 2)
Sir Peter Maxwell Davies1:59
10Barren Grounds: I. (extract)
partial recording of:
Barren Grounds: I.
composer:
Andrew Schultz (Australian composer) (in 1988)
part of:
Barren Grounds
Andrew Schultz0:25
11Barren Grounds: I.
recording of:
Barren Grounds: I.
composer:
Andrew Schultz (Australian composer) (in 1988)
part of:
Barren Grounds
Andrew Schultz8:00
12Under African Skies
assistant engineer:
Mark Cobrin and Steven Strassman
engineer:
Roy Halee
producer:
Paul Simon (of Simon & Garfunkel)
bass guitar:
Bakithi Kumalo
drums (drum set):
Isaac Mtshali
guitar:
Adrian Belew, Chikapa “Ray” Phiri and Paul Simon (of Simon & Garfunkel)
percussion:
Ralph MacDonald
vocals:
Linda Ronstadt and Paul Simon (of Simon & Garfunkel)
additional arranger:
Chikapa “Ray” Phiri
recorded at:
Amigo Studios in North Hollywood, Los Angeles, California, United States and The Hit Factory in Manhattan, New York, New York, United States (from 1985-05 until 1986-04)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States (in 1986)
recording of:
Under African Skies
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music (in 1986)
Paul Simon4.153:38
13The Four Seasons, Autumn: III.
violin:
Nigel Kennedy (violinist)
orchestra:
English Chamber Orchestra
recording of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno”: III. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in F major, op. 8 no. 3, RV 293 “L’autunno” (Concerto in F major, op. 8 no. 3, RV 293 “Autumn”)
Antonio Vivaldi3:15
14Violin Concerto in A minor, BWV 1041: I.
producer:
Nicholas Parker (classical violinist, producer, engineer)
violin:
Elizabeth Wallfisch (violinist) (from 1990-08 until 1991-06)
orchestra:
Orchestra of the Age of Enlightenment (from 1990-08 until 1991-06)
balance engineer:
Mike Clements (engineer) (from 1990-08 until 1991-06)
recorded at:
St Michael’s Church (Highgate) in Highgate, Camden (London Borough of Camden), Haringey, Islington, London (Greater London), England, United Kingdom (from 1990-08 until 1991-06)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (from 1990-08 until 1991-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
Johann Sebastian Bach3:50
15Keyboard Sonata in E-flat major, op. 5 no. 4: Rondo
fortepiano:
Harald Hoeren (harpsichordist)
Johann Christian Bach3:13
16Till Eulenspiegel
producer:
Howard H. Scott (classical music producer)
orchestra:
The Cleveland Orchestra (on 1957-03-29)
conductor:
George Szell (conductor, pianist, composer) (on 1957-03-29)
recorded at:
Masonic Auditorium in Cleveland, Ohio, United States (on 1957-03-29)
recording of:
Till Eulenspiegels lustige Streiche (Till Eulenspiegel’s Merry Pranks, op. 28; TrV 171) (on 1957-03-29)
composer:
Richard Strauss (German composer) (from 1894 until 1895)
part of:
Works of Richard Strauss by opus number (number: op. 28) and Werkverzeichnis (Richard Strauss TrV) (number: TrV 171)
Richard Strauss14:20
17Wiegenlied D. 498, op. 98 no. 2
engineer and producer:
Gary Cole (classical producer / engineer, founder of Regent Records)
piano:
Peter Hill (pianist) (from 1994-11-07 until 1994-11-09)
soprano vocals:
Lynda Russell (soprano) (from 1994-11-07 until 1994-11-09)
recorded at:
St Martin’s Church (East Woodhay, Hampshire) in Hampshire, England, United Kingdom (from 1994-11-07 until 1994-11-09)
recording of:
Wiegenlied, D. 498 (from 1994-11-07 until 1994-11-09)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Franz Schubert (composer) (in 1816-11)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 498)
Franz Schubert2:30
18Back For Good (extract)
partial recording of:
Back for Good
lyricist and composer:
Gary Barlow
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!)
Take That1:00
19Bad Day (extract)
Daniel Powter0:36
20‘Ellens Dritter Gesang’, D. 839, op. 52, no. 6: "Ave Maria" (extract)
piano:
Dalton Baldwin (American pianist)
soprano vocals:
Elly Ameling (soprano)
partial recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert1:04
21Wiegenlied, D. 867, op. 105 no. 2 (extract)
piano:
Graham Johnson (pianist)
soprano vocals:
Christine Schäfer (soprano)
partial recording of:
Wiegenlied, D. 867
lyricist:
Johann Gabriel Seidl (Austrian archeologist, poet, storyteller and dramatist)
composer:
Franz Schubert (composer) (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 867)
Franz Schubert1:08
22Ständchen, D. 957, no. 4 (extract)
piano:
Antonio Pappano (conductor and pianist)
tenor vocals:
Ian Bostridge (tenor)
partial recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert0:46
23Upside Down (extract)
partial recording of:
Upside Down
writer:
Bernard Edwards and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross0:40
24My Baby Just Cares For Me (extract)
partial cover recording of:
My Baby Just Cares for Me
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone1:19
▼ CD 10: units 17 & 18
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1Album für die Jugend: ‘Armes Waisenkind’ (extract)
piano:
Rico Gulda (pianist)
partial recording of:
Album für die Jugend, op. 68: VI. Armes Waisenkind
composer:
Robert Schumann (German classical composer)
part of:
Album für die Jugend, op. 68
Robert Schumann0:23
2Die schöne Müllerin, D. 795: ‘Der Müller und der Bach’ (extract)
piano:
Hubert Giesen (pianist)
tenor vocals:
Fritz Wunderlich (operatic tenor)
partial recording of:
Die schöne Müllerin, D. 795: Nr. 19. Der Müller und der Bach
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert0:48
3Piano Sonata in B-flat, D. 960: I. (extract)
piano:
Claudio Arrau (pianist)
partial recording of:
Sonata for Piano no. 21 in B-flat major, D. 960: I. Molto moderato
composer:
Franz Schubert (composer) (in 1828-09)
part of:
Sonata for Piano no. 21 in B-flat major, D. 960
Franz Schubert0:16
4Sonata for Piano and Violin, K. 379: I. Allegro (extract)
piano:
Radu Lupu (Romanian concert pianist)
violin:
Szymon Goldberg (violinist and conductor)
partial recording of:
Violin Sonata in G major, K. 373a/379: I. Adagio - Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1781-07)
part of:
Violin Sonata in G major, K. 373a/379
Wolfgang Amadeus Mozart0:27
5Symphony no. 3, in F major, op. 90: I. (extract)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
partial recording of:
Sinfonie Nr. 3 F-Dur, op. 90: I. Allegro con brio
composer:
Johannes Brahms (German composer) (in 1883)
part of:
Sinfonie Nr. 3 F-Dur, op. 90 (Symphony no. 3 in F major, op. 90)
Johannes Brahms0:15
6Piano Sonata in E-flat, op. 31 no. 3 (extract)
piano:
Artur Schnabel (Austrian classical pianist and teacher)
partial recording of:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3: I. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Sonata for Piano no. 18 in E-flat major, op. 31 no. 3
Ludwig van Beethoven0:22
7Tristan und Isolde: Prelude (extract)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Mark Elder (conductor)
partial recording of:
Tristan und Isolde: Prelude and Liebestod (concert piece)
composer:
Richard Wagner (composer)
arrangement of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt”
arrangement of:
Tristan und Isolde, WWV 90: Akt I, Vorspiel
Richard Wagner0:25
8Piano Sonata, K. 333 in B-flat major: I. (extract)
piano:
Ronald Brautigam (pianist)
partial recording of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Sonata for Piano no. 13 in B-flat major, K. 315c/333
Wolfgang Amadeus Mozart0:21
9Piano Concerto in C minor, K. 491: I. (extract)
piano:
Murray Perahia (pianist and conductor)
orchestra:
English Chamber Orchestra
partial recording of:
Concerto for Piano no. 24 in C minor, K. 491: I. Allegro
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1786-03-24)
part of:
Concerto for Piano no. 24 in C minor, K. 491
Wolfgang Amadeus Mozart0:44
10Prelude and Fugue for Organ in D major, BWV 532 (extract)
organ:
Kevin Bowyer (organist)
partial recording of:
Präludium und Fuge D-Dur, BWV 532: II. Fuge
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1717)
part of:
Präludium und Fuge D-Dur, BWV 532
Johann Sebastian Bach0:49
11Concerto Grosso op. 6 no. 7: IV. Andante largo
recording engineer:
Volker Martin and Ulrich Vette (engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
producer:
Dr. Gerd Ploebsch
editor:
Bruno Nellesen
cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (from 1987-03 until 1987-04)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1987-03 until 1987-04)
violin:
Micaela Comberti (violinist) (from 1987-03 until 1987-04) and Simon Standage (violinist and conductor) (from 1987-03 until 1987-04)
orchestra:
The English Concert (from 1987-03 until 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1987-03 until 1987-04)
balance engineer:
Hans‐Peter Schweigmann
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-03 until 1987-04)
recording of:
Concerto Grosso in D major, op. 6 no. 7: III. Andante largo (from 1987-03 until 1987-04)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 7
Arcangelo Corelli2:53
12Wind Serenade, K. 361: VI. Theme
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart1:19
13Wind Serenade, K. 361: VI. Variation 1
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart1:22
14Wind Serenade, K. 361: VI. Variation 2
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart1:23
15Wind Serenade, K. 361: VI. Variation 3
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart1:21
16Wind Serenade, K. 361: VI. Variation 4
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart1:23
17Wind Serenade, K. 361: VI. Variation 5
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart2:28
18Wind Serenade, K. 361: VI. Variation 6
conductor:
Nikolaus Harnoncourt (conductor)
performer:
Wiener Mozart‐Ensemble (Vienna Mozart Ensemble, an Alfred Scholz pseudonym)
partial recording of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita": VI. Tema con variazioni
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1781)
part of:
Serenade no. 10 for 12 Winds & Contrabass in B-flat major, K. 370a/361 "Gran partita"
Wolfgang Amadeus Mozart1:00
19Octet: II. Theme
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский0:53
20Octet: II. Variation A
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский0:34
21Octet: II. Variation B
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский0:55
22Octet: II. Variation A
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский0:31
23Octet: II. Variation C
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский0:49
24Octet: II. Variation D
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский1:05
25Octet: II. Variation A
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский0:33
26Octet: II. Variation E
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский2:12
27Octet: II. Coda; Finale
performer:
Nederlands Blazers Ensemble (Netherlands Wind Ensemble)
partial recording of:
Octet for Wind Instruments: II. Tema con variazioni
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer)
part of:
Octet for Wind Instruments
Игорь Фёдорович Стравинский4:05
28Variations on an Original Theme, op. 36 ‘Enigma’: Theme
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:24
29Variations on an Original Theme, op. 36 ‘Enigma’: I. C. A. E.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:03
30Variations on an Original Theme, op. 36 ‘Enigma’: II. H. D. S. - P.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:49
31Variations on an Original Theme, op. 36 ‘Enigma’: III. R. B. T.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:27
32Variations on an Original Theme, op. 36 ‘Enigma’: IV. W. M. B.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:28
33Variations on an Original Theme, op. 36 ‘Enigma’: V. R. P. A.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:13
34Variations on an Original Theme, op. 36 ‘Enigma’: VI. Ysobel
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:20
35Variations on an Original Theme, op. 36 ‘Enigma’: VII. Troyte
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:03
36Variations on an Original Theme, op. 36 ‘Enigma’: VIII. W. N.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:08
37Variations on an Original Theme, op. 36 ‘Enigma’: IX. Nimrod
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1993-08-28 until 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar4:21
38Variations on an Original Theme, op. 36 ‘Enigma’: X. Dorabella
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:48
39Variations on an Original Theme, op. 36 ‘Enigma’: XI. G. R. S.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:56
40Variations on an Original Theme, op. 36 ‘Enigma’: XII. B. D. N.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:05
41Variations on an Original Theme, op. 36 ‘Enigma’: XIII. (***)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:58
42Variations on an Original Theme, op. 36 ‘Enigma’: Finale: E. D. U.
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (engineer) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar5:28
▼ CD 11: units 19 & 20
#TitleArtistRatingLength
1Heidenroslein, D. 257
piano:
Graham Johnson (pianist)
soprano vocals:
Felicity Lott (soprano)
recording of:
Heidenröslein, D. 257 ("Sah ein Knab’ ein Röslein stehn”)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (on 1815-08-19)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 257)
Franz Schubert1:55
2I Will Survive
associate producer:
Freddie Perren
producer:
Dino Fekaris
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1978) and Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (in 1978)
edit of:
I Will Survive (12" single version) by Gloria Gaynor
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 489)
recording of:
I Will Survive
writer:
Dino Fekaris and Freddie Perren
publisher:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor43:18
3Rinaldo overture (extract)
conductor:
Jean‐Claude Malgoire (conductor and oboist)
performer:
La Grande Écurie et la Chambre du Roy
partial recording of:
Rinaldo, HWV 7a: Ouverture
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
part of:
Rinaldo, HWV 7a (1717 revised version)
Georg Friedrich Händel1:34
4Minuet in F for keyboard, HWV 516
Georg Friedrich Händel1:21
5Erste Walzer, D365, no. 33 Waltz in F major
piano:
Michel Dalberto (pianist)
recording of:
36 Originaltänze (Erste Walzer), D. 365: Nr. 33 in F-Dur
composer:
Franz Schubert (composer)
part of:
36 Originaltänze (Erste Walzer), D. 365
Franz Schubert0:59
6Smoke Gets In Your Eyes
Ronnie Hilton with Frank Cordell and his orchestra3:42
7Heaven Help Us All
recording of:
Heaven Help Us All
lyricist and composer:
Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music (UK) Ltd.
Stevie Wonder3:16
8Faust: Je voudrais bien savoir (extract)
choir vocals:
Chœur de l’Opéra de Paris (Paris National Opera Chorus)
vocals:
Victoria de los Ángeles (soprano)
orchestra:
Orchestre de l’Opéra national de Paris
conductor:
André Cluytens (conductor)
Charles‐François Gounod0:31
9The Man With the Child in His Eyes
engineer:
Jon Kelly (engineer at Air London Studios)
executive producer:
David Gilmour (Pink Floyd)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
piano, background vocals and lead vocals:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
premiered at:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, from 1978 to present) and Kate Bush Music Ltd.
Kate Bush3.652:41
10Aufenthalt, D. 957, no. 5
piano:
Rudolf Jansen (pianist)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
recording of:
Schwanengesang, D. 957: V. Aufenthalt
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert2:53
11Cats: Memory
recording engineer:
David Hamilton-Smith (engineer)
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
vocals:
Elaine Paige
conductor:
David Firman (conductor)
orchestrator:
David Cullen (composer, arranger, orchestrator) and Andrew Lloyd Webber (English composer and impresario of musical theatre)
phonographic copyright (℗) by:
The Really Useful Company Limited (in 1981)
recording of:
Memory (Cats)
lyricist:
T. S. Eliot and Trevor Nunn
additional writer:
Trevor Nunn
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) and Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Cats (Andrew Lloyd Webber musical)
Elaine Paige4:16
12The Luckiest
recording of:
The Luckiest
lyricist and composer:
Ben Folds
Ben Folds34:27
13Trouble
additional engineer:
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) and Andrea Wright
engineer:
Ken Nelson (UK record producer)
producer:
Coldplay and Ken Nelson (UK record producer)
mixer:
Michael Brauer (engineer)
acoustic guitar, keyboard, piano and lead vocals:
Chris Martin (lead singer of Coldplay)
bass guitar:
Guy Berryman
drums (drum set) and percussion:
Will Champion
electric guitar:
Jonny Buckland
background vocals:
Jonny Buckland and Will Champion
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2000) and Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2000)
mixed for:
MHB Productions
music videos:
Trouble (music video) by Coldplay
recording of:
Trouble
writer:
Guy Berryman, Jonny Buckland, Will Champion and Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd. and EMI (EMI Records, EMI Records, since 1972)
Coldplay3.454:33
14The Mermaid's Song, Hob. XXVIa:25
fortepiano:
Malcolm Bilson (pianist)
soprano vocals:
Adrienne Csengery (soprano)
Joseph Haydn3:37
15Misty
instrumental recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Erroll Garner2:48
16Ständchen, D. 957, no. 4 (extract)
piano:
Antonio Pappano (conductor and pianist)
tenor vocals:
Ian Bostridge (tenor)
partial recording of:
Schwanengesang, D. 957: IV. Ständchen (Leise flehen meine Lieder) (for voice and piano)
lyricist:
Ludwig Rellstab
composer:
Franz Schubert (composer) (in 1828)
part of:
Schwanengesang, D. 957
Franz Schubert0:46
17Songs of Travel: Whither Must I Wander
piano:
David Willison (pianist)
baritone vocals:
Benjamin Luxon (baritone)
recording of:
Songs of Travel: VII. Whither must I wander
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams4:10
18Pleasing Pain, Hob. XXVIa:29
fortepiano:
Malcolm Bilson (pianist)
soprano vocals:
Adrienne Csengery (soprano)
Joseph Haydn2:39
19You Raise Me Up
cover recording of:
You Raise Me Up
lyricist:
Brendan Graham (Irish songwriter)
composer:
Rolf Løvland
publisher:
ALFRED PUBLISHING CO INC 301, Peermusic (UK) Limited (from 2002 to present) and Universal Music Publishing AB (Sweden) (from 2002 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Westlife2.254:02
20Songs of Travel: The Vagabond (extract)
piano:
Malcolm Martineau (pianist)
baritone vocals:
Bryn Terfel (bass-baritone opera singer)
recording of:
Songs of Travel: I. The Vagabond
lyricist:
Robert Louis Stevenson (Scottish writer)
composer:
Ralph Vaughan Williams (English composer) (from 1901 until 1904)
part of:
Songs of Travel
Ralph Vaughan Williams0:57
21Cotton Tail
alto saxophone:
Otto Hardwick (on 1943-01-23) and Johnny Hodges (on 1943-01-23)
baritone saxophone:
Harry Carney (on 1943-01-23)
bass:
Junior Raglin (bass) (on 1943-01-23)
clarinet:
Chauncey Haughton (on 1943-01-23)
drums (drum set):
Sonny Greer (on 1943-01-23)
guitar:
Fred Guy (on 1943-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1943-01-23)
tenor saxophone:
Ben Webster (on 1943-01-23)
trombone:
Lawrence Brown (jazz trombonist) (on 1943-01-23) and Tricky Sam Nanton (on 1943-01-23)
trumpet:
Harold Baker (on 1943-01-23), Wallace Jones (on 1943-01-23), Ray Nance (on 1943-01-23) and Rex Stewart (on 1943-01-23)
valve trombone:
Juan Tizol (on 1943-01-23)
arranger:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1943-01-23)
recording of:
Cotton Tail (on 1943-01-23)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & His Orchestra3:15
▶ CD 12: Unit 21
▶ CD 14: Mozart