Substance 1987

~ Pubblicazione di New Order (visualizza tutte le versioni di questa pubblicazione: 25 disponibili)

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▼ Vinile 12" (30 cm) 1
#TitoloValutazioneDurata
A1Ceremony
produttore:
Martin Hannett
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
parte di:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 24)
registrazione di:
Ceremony
paroliere:
Ian Curtis
paroliere aggiunto:
Peter Hook e Bernard Sumner
compositore:
Ian Curtis, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
2.54:23
A2Everything's Gone Green
produttore:
Martin Hannett
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
Everything’s Gone Green
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e WB Music Corp. (1929–2019)
35:30
A3Temptation
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
Temptation (New Order)
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3.46:59
B1Blue Monday
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
campionamenti:
Uran di Kraftwerk
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Indie 88: Top 500 Indie Rock Songs (numero: 61) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 235)
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
3.87:28
B2Confusion
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
Confusion
autore:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Shakin’ Baker Music e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
3.354:43
B3Thieves Like Us
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
Thieves Like Us
autore:
Arthur Baker (American record producer and DJ), Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Shakin’ Baker Music, Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) e WB Music Corp. (1929–2019)
3.356:36
▼ Vinile 12" (30 cm) 2
#TitoloValutazioneDurata
C1The Perfect Kiss
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
Michael Johnson (UK recording engineer and producer) e New Order (UK synth pop band)
registrazione di:
The Perfect Kiss
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
si basa su:
Perfect Pit
8:46
C2Subculture
tecnico:
John Robie
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
Sub-Culture (nel 1984)
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
34:48
C3Shellshock
produttore:
New Order (UK synth pop band) e John Robie
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
Shellshock
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), John Robie e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Ensign Music Corporation, Indulgent Music (BMI) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
16:28
D1State of The Nation
tecnico:
Michael Johnson (UK recording engineer and producer)
produttore:
New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1986, nel 1987)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
State of the Nation
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
16:32
D2Bizarre Love Triangle
tecnico:
Michael Johnson (UK recording engineer and producer) e Steve Peck
produttore:
New Order (UK synth pop band)
editor:
Latin Rascals e Shep Pettibone
remixer:
Shep Pettibone
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1986, nel 1987)
registrata presso:
Amazon Studios (defunct studios in Liverpool, became Parr Street Studios) in Simonswood, Lancashire, England, Regno Unito, Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
remix di:
Bizarre Love Triangle di New Order (UK synth pop band)
registrazione di:
Bizarre Love Triangle
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner/Chappell Music Ltd. (1996–2019)
1.56:44
D3True Faith
produttore:
Stephen Hague e New Order (UK synth pop band)
diritti fonografici (℗) detenuti da:
Factory Communications Ltd. (holding company - file no releases here!) (nel 1987)
registrazione di:
True Faith
autore:
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
American Psycho
3.755:55