Carmina Burana

~ Release by Orff; Norma Burrowes, Louis Devos, John Shirley‐Quirk, The Royal Philharmonic Orchestra, Antal Doráti (see all versions of this release, 18 available)

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:25
A2Carmina Burana: Fortuna Imperatrix Mundi: 2. Fortune plango vulnera
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff52:43
A3Carmina Burana: I. Primo vere: 3. Veris leta facies
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff45:10
A4Carmina Burana: I. Primo vere: 4. Omnia Sol temperat
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff32:21
A5Carmina Burana: I. Primo vere: 5. Ecce gratum
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff42:49
A6Carmina Burana: Uf dem anger: 6. Tanz
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff41:48
A7Carmina Burana: Uf dem anger: 7. Floret silva nobilis
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff43:28
A8Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff33:19
A9Carmina Burana: Uf dem anger: 9. Reie; Swaz hie gat umbe; Chume, chum, geselle min; Swaz hie gat umbe
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff44:46
A10Carmina Burana: Uf dem anger: 10. Were diu werlt alle min
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff40:57
A11Carmina Burana: II. In taberna: 11. Estuans interius
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff52:31
B1Carmina Burana: II. In taberna: 12. Olim lacus colueram
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
tenor vocals:
Louis Devos (Belgian conductor & tenor vocalist)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff43:45
B2Carmina Burana: II. In taberna: 13. Ego sum abbas
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff41:59
B3Carmina Burana: II. In taberna: 14. In taberna quando sumus
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff52:58
B4Carmina Burana: III. Cour d’amours: 15. Amor volat undique
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Southend Boys’ Choir
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
Michael Crabb (organist, conductor, chorus master)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff33:36
B5Carmina Burana: III. Cour d’amours: 16. Dies, nox et omnia
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff32:33
B6Carmina Burana: III. Cour d’amours: 17. Stetit puella
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff32:26
B7Carmina Burana: III. Cour d’amours: 18. Circa mea pectora
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff52:10
B8Carmina Burana: III. Cour d’amours: 19. Si puer cum puellula
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff30:59
B9Carmina Burana: III. Cour d’amours: 20. Veni, veni, venias
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff41:00
B10Carmina Burana: III. Cour d’amours: 21. In trutina
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff32:20
B11Carmina Burana: III. Cour d’amours: 22. Tempus est iocundum
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
baritone vocals:
John Shirley‐Quirk (bass-baritone)
choir vocals:
Brighton Festival Chorus and Southend Boys’ Choir
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
Michael Crabb (organist, conductor, chorus master) and László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff32:34
B12Carmina Burana: III. Cour d’amours: 23. Dulcissime
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
soprano vocals:
Norma Burrowes (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours (Carmina Burana: Cour d’Amours)
Carl Orff30:37
B13Carmina Burana: Blanziflor et Helena: 24. Ave formosissima
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff32:01
B14Carmina Burana: Fortuna Imperatrix Mundi: 25. O Fortuna
engineer:
Arthur Lilley (engineer) and Kenneth Wilkinson (engineer)
producer:
Tony D’Amato
choir vocals:
Brighton Festival Chorus
orchestra:
Royal Philharmonic Orchestra
conductor:
Antal Doráti (conductor)
chorus master:
László Heltay (British/Hungarian conductor and composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1976)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1976-02)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff52:28

Credits

Release

copyrighted (©) by:The Decca Record Company Limited (for copyrights use only!) (in 1976)
Discogs:https://www.discogs.com/release/14648047 [info]