The Comden & Green Songbook

~ Release by Betty Comden & Adolph Green (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1New York, New York (from "On the Town", 1944)
engineer:
Fred Plaut and Robert Waller
associate producer:
Teo Macero
producer:
Goddard Lieberson
vocals:
Cris Alexander, Adolph Green and John Reardon (baritone)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-31)
recording of:
On the Town: New York, New York (on 1960-05-31)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
5:52
2Carried Away (from "On the Town", 1944)
engineer:
Fred Plaut and Robert Waller
associate producer:
Teo Macero
producer:
Goddard Lieberson
lead vocals [Claire de Loon]:
Betty Comden (on 1960-05-13)
lead vocals [Ozzie]:
Adolph Green (on 1960-05-13)
vocals:
Betty Comden (on 1960-05-31) and Adolph Green (on 1960-05-31)
orchestra:
"On the Town" Orchestra (Stage and Screen Orchestra) (on 1960-05-13) and New York Philharmonic (on 1960-05-31)
conductor:
Leonard Bernstein (on 1960-05-13, on 1960-05-31)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-13) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-31)
recording of:
On the Town: Carried Away (on 1960-05-31)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
part of:
On the Town
3:00
3I Can Cook Too (from "On the Town", 1944)
engineer:
Fred Plaut and Robert Waller
associate producer:
Teo Macero
producer:
Goddard Lieberson
lead vocals [Hildy]:
Nancy Walker (on 1960-05-13)
vocals:
Nancy Walker
orchestra:
"On the Town" Orchestra (Stage and Screen Orchestra) (on 1960-05-13) and New York Philharmonic (on 1960-05-31)
conductor:
Leonard Bernstein (on 1960-05-13, on 1960-05-31)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-13) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-31)
recording of:
On the Town: I Can Cook Too (on 1960-05-31)
lyricist:
Leonard Bernstein, Betty Comden and Adolph Green
composer:
Leonard Bernstein
part of:
On the Town
2:29
4Lucky to Be Me (from "On the Town", 1944)
engineer:
Fred Plaut and Robert Waller
associate producer:
Teo Macero
producer:
Goddard Lieberson
lead vocals [Gabey]:
John Reardon (baritone) (on 1960-05-13)
other vocals [ensemble]:
"On the Town" Ensemble (on 1960-05-13)
vocals:
John Reardon, Chorus (baritone)
orchestra:
"On the Town" Orchestra (Stage and Screen Orchestra) (on 1960-05-13) and New York Philharmonic (on 1960-05-31)
conductor:
Leonard Bernstein (on 1960-05-13, on 1960-05-31)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-13) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-31)
recording of:
On the Town: Lucky to Be Me (on 1960-05-31)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
Jalni Publications Inc., The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Warner Bros. (holding: File NO Releases) and Warner Bros. Music (publisher; do NOT use as release label)
part of:
On the Town
2:54
5Some Other Time (from "On the Town", 1944)
engineer:
Fred Plaut and Robert Waller
associate producer:
Teo Macero
producer:
Goddard Lieberson
lead vocals [Chip]:
Cris Alexander (on 1960-05-13)
lead vocals [Claire de Loon]:
Betty Comden (on 1960-05-13)
lead vocals [Hildy]:
Nancy Walker (on 1960-05-13)
lead vocals [Ozzie]:
Adolph Green (on 1960-05-13)
vocals:
Cris Alexander (on 1960-05-31), Betty Comden (on 1960-05-31), Adolph Green (on 1960-05-31) and Nancy Walker (on 1960-05-31)
orchestra:
"On the Town" Orchestra (Stage and Screen Orchestra) (on 1960-05-13) and New York Philharmonic (on 1960-05-31)
conductor:
Leonard Bernstein (on 1960-05-13, on 1960-05-31)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP)
recorded at:
Columbia 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-13) and CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1960-05-31)
recording of:
On the Town: Some Other Time (on 1960-05-31)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
publisher:
The Leonard Bernstein Music Publishing Co., LLC, Universal Music Publishing AB (Sweden), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!) and Warner Bros., Inc. (Warner Bros. Music Division)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
On the Town
4:21
6Ohio (from "Wonderful Town", 1953)
engineer:
Bud Graham (classical sound engineer) and Fred Plaut
producer:
Irving Townsend
vocals:
Jacquelyn McKeever and Rosalind Russell
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-11-16)
recording of:
Wonderful Town: Act I. Ohio (on 1958-11-16)
lyricist:
Betty Comden (in 1953) and Adolph Green (in 1953)
composer:
Leonard Bernstein
part of:
Wonderful Town
2:56
7One Hundred Ways to Lose a Man (from "Wonderful Town", 1953)
engineer:
Bud Graham (classical sound engineer) and Fred Plaut
producer:
Irving Townsend
vocals:
Rosalind Russell
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-11-16)
recording of:
Wonderful Town: Act I. One Hundred Ways to Lose a Man (on 1958-11-16)
lyricist:
Betty Comden (in 1953) and Adolph Green (in 1953)
composer:
Leonard Bernstein
part of:
Wonderful Town
2:54
8A Quiet Girl (from "Wonderful Town", 1953)
engineer:
Bud Graham (classical sound engineer) and Fred Plaut
producer:
Irving Townsend
performer:
Sydney Chaplin, Men's Chorus
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-11-16)
recording of:
Wonderful Town: Act I. A Quiet Girl (on 1958-11-16)
lyricist:
Betty Comden (in 1953) and Adolph Green (in 1953)
composer:
Leonard Bernstein
part of:
Wonderful Town
2:25
9Pass That Football (from "Wonderful Town", 1953)
engineer:
Bud Graham (classical sound engineer) and Fred Plaut
producer:
Irving Townsend
performer:
Jordan Bentley, Chorus
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-11-16)
recording of:
Wonderful Town: Act I. Pass the Football (on 1958-11-16)
lyricist:
Betty Comden (in 1953) and Adolph Green (in 1953)
composer:
Leonard Bernstein
part of:
Wonderful Town
3:29
10It's a Perfect Relationship (from "Bells Are Ringing", 1956)
engineer:
Bud Graham (classical sound engineer), Fred Plaut and Murray Zimney
producer:
Goddard Lieberson
vocals:
Judy Holliday
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-12-02)
recording of:
It's a Perfect Relationship (Bells Are Ringing) (on 1956-12-02)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
part of:
Bells Are Ringing (stage musical)
3:14
11Long Before I Knew You (from "Bells Are Ringing", 1956)
engineer:
Bud Graham (classical sound engineer), Fred Plaut and Murray Zimney
producer:
Goddard Lieberson
vocals:
Sydney Chaplin and Judy Holliday
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-12-02)
recording of:
Long Before I Knew You (Bells Are Ringing) (on 1956-12-02)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
part of:
Bells Are Ringing (stage musical)
3:51
12It's a Simple Little System (from "Bells Are Ringing", 1956)
engineer:
Bud Graham (classical sound engineer), Fred Plaut and Murray Zimney
producer:
Goddard Lieberson
vocals:
Eddie Lawrence, Ensemble (actor, comic and impressionist)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-12-02)
recording of:
It's a Simple Little System (Bells Are Ringing) (on 1956-12-02)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
part of:
Bells Are Ringing (stage musical)
2:56
13Drop That Name (from "Bells Are Ringing", 1956)
engineer:
Bud Graham (classical sound engineer), Fred Plaut and Murray Zimney
producer:
Goddard Lieberson
vocals:
Judy Holliday, Ensemble
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-12-02)
recording of:
Drop That Name (Bells Are Ringing) (on 1956-12-02)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
part of:
Bells Are Ringing (stage musical)
2:16
14Just in Time (from "Bells Are Ringing", 1956)
engineer:
Bud Graham (classical sound engineer), Fred Plaut and Murray Zimney
producer:
Goddard Lieberson
vocals:
Judy Holliday and Sydney Chaplin, Ensemble
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1956-12-02)
recording of:
Just in Time (Bells Are Ringing) (on 1956-12-02)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Bells Are Ringing (stage musical)
3:41
15My Own Morning (from "Hallelujah, Baby!", 1967)
engineer:
Ed Michalski (engineer), Russ Payne and Fred Plaut
producer:
Edward Kleban
vocals:
Leslie Uggams
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1967-04-30)
recording of:
My Own Morning (Hallelujah, Baby!) (on 1967-04-30)
lyricist:
Betty Comden (in 1967) and Adolph Green (in 1967)
composer:
Jule Styne (in 1967)
4:12
16Talking to Yourself (from "Hallelujah, Baby!", 1967)
engineer:
Ed Michalski (engineer), Russ Payne and Fred Plaut
producer:
Edward Kleban
vocals:
Allen Case, Robert Hooks (actor) and Leslie Uggams
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1967-04-30)
recording of:
Talking to Yourself (Hallelujah, Baby!) (on 1967-04-30)
lyricist:
Betty Comden (in 1967) and Adolph Green (in 1967)
composer:
Jule Styne (in 1967)
4:18
17The Slice (from "Hallelujah, Baby!", 1967)
engineer:
Ed Michalski (engineer), Russ Payne and Fred Plaut
producer:
Edward Kleban
vocals:
Clifford Allen (vocalist on recording "The Slice"), Robert Hooks (actor), Garrett Morris (SNL comedian, actor), Ken Scott (Broadway singer & actor), Leslie Uggams and Alan Weeks
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1967-04-30)
recording of:
The Slice (Hallelujah, Baby!) (on 1967-04-30)
lyricist:
Betty Comden (in 1967) and Adolph Green (in 1967)
composer:
Jule Styne (in 1967)
3:13
18Being Good (from "Hallelujah, Baby!", 1967)
engineer:
Ed Michalski (engineer), Russ Payne and Fred Plaut
producer:
Edward Kleban
vocals:
Leslie Uggams
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1967-04-30)
recording of:
Being Good Isn’t Good Enough (Hallelujah, Baby!) (on 1967-04-30)
lyricist:
Betty Comden (in 1967) and Adolph Green (in 1967)
composer:
Jule Styne (in 1967)
publisher:
Stratford Music Corporation
3:40
19Our Private World (from "On the Twentieth Century", 1978)
engineer:
Frank Laico and Stanley Tonkel (engineer)
producer:
Cy Coleman
vocals:
John Cullum and Madeline Kahn
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1978-02-26)
recording of:
Our Private World (On the Twentieth Century) (on 1978-02-26)
lyricist:
Betty Comden (in 1978) and Adolph Green (in 1978)
composer:
Cy Coleman (in 1978)
part of:
On the Twentieth Century
3:28
20Repent (from "On the Twentieth Century", 1978)
engineer:
Frank Laico and Stanley Tonkel (engineer)
producer:
Cy Coleman
vocals:
Imogene Coca
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1978-02-26)
recording of:
Repent (On the Twentieth Century) (on 1978-02-26)
lyricist:
Betty Comden (in 1978) and Adolph Green (in 1978)
composer:
Cy Coleman (in 1978)
part of:
On the Twentieth Century
4:04
21Five Zeros (from "On the Twentieth Century", 1978)
engineer:
Frank Laico and Stanley Tonkel (engineer)
producer:
Cy Coleman
vocals:
Imogene Coca, George Coe (actor), John Cullum and Dean Dittman
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1978-02-26)
recording of:
Five Zeros (On the Twentieth Century) (on 1978-02-26)
lyricist:
Betty Comden (in 1978) and Adolph Green (in 1978)
composer:
Cy Coleman (in 1978)
part of:
On the Twentieth Century
3:09
22The Legacy (from "On the Twentieth Century", 1978)
engineer:
Frank Laico and Stanley Tonkel (engineer)
producer:
Cy Coleman
vocals:
John Cullum
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1978-02-26)
recording of:
The Legacy (On the Twentieth Century) (on 1978-02-26)
lyricist:
Betty Comden (in 1978) and Adolph Green (in 1978)
composer:
Cy Coleman (in 1978)
part of:
On the Twentieth Century
4:36