Makes the Goin’ Great

~ Release by The Glenn Miller Orchestra under the direction of Buddy DeFranco (see all versions of this release, 1 available)

Tracklist

12" Vinyl 1
#TitleRatingLength
A1I Hear a Rhapsody
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Al Caiola
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
I Hear a Rhapsody
lyricist and composer:
Jack Baker (US songwriter "I Hear a Rhapsody"), George Fragos and Dick Gasparre
publisher:
Broadcast Music Inc.
2:23
A2Spanish Bell Ringer
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Billy Ver Planck
recorded at:
Webster Hall in East Village, New York, New York, United States
recording of:
Spanish Bell Ringer
is based on:
Spanish Gypsy Dance (from “Carmen”)
3:15
A3Once Upon a Time
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
George Siravo
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
Once Upon a Time
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
publisher:
Helene Blue Musique Ltd. and Musique Enterprises Int'l Inc. (on 1965-04-14)
2:31
A4On the Bridge
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Billy Ver Planck
recorded at:
Webster Hall in East Village, New York, New York, United States
recording of:
On the Bridge
arranger:
Billy Ver Planck
is based on:
Sur le pont d’Avignon (French children's song)
2:30
A5Things Ain’t What They Used to Be
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Bruce DeMoll
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
Things Ain’t What They Used to Be
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:37
B1Goin’ Great
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Billy Ver Planck
recorded at:
Webster Hall in East Village, New York, New York, United States
recording of:
Goin’ Great (variation on Pan Am’s radio and TV commercial theme)
composer:
Stan Applebaum (US composer, arranger and conductor)
2:35
B2Try to Remember
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
George Siravo
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
Try to Remember (The Fantasticks)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
publisher:
Chappell & Co. and Chappell Music (UK)
2:18
B3Holiday for Strings
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
George Siravo
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
Holiday for Strings
lyricist:
Sammy Gallop
composer:
David Rose (songwriter, pianist and orchestra leader)
2:42
B4I Remember When
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Billy Ver Planck
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
Si tu vois ma mère (aka "I Remember When")
lyricist:
Jean Broussolle
composer:
Sidney Bechet
2:30
B5Bull Ring Thing
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
George Siravo
recorded at:
Webster Hall in East Village, New York, New York, United States
recording of:
Bull Ring Thing
composer:
Al Caiola and George Siravo
2:20
B6Stranger in Paradise
recording engineer:
Ed Begley (sound engineer in RCA Victor)
producer:
Brad McCuen (producer)
orchestra:
The Glenn Miller Orchestra
conductor:
Buddy DeFranco
arranger:
Al Caiola
recorded at:
Webster Hall in East Village, New York, New York, United States
instrumental recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
lyricist:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present)
is based on:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
part of:
Kismet (full musical)
2:14

Credits