Exsultate jubilate!

~ Release by Wolfgang Amadeus Mozart; Carolyn Sampson, The King’s Consort, Robert King (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Regina coeli, K 108: I. Regina coeli laetare
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: I. Allegro (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli
Wolfgang Amadeus Mozart2:58
2Regina coeli, K 108: II. Quia quem meruisti
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: II. Tempo moderato (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli
Wolfgang Amadeus Mozart3:28
3Regina coeli, K 108: III. Ora pro nobis
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: III. Adagio un poco andante (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli
Wolfgang Amadeus Mozart5:38
4Regina coeli, K 108: IV. Alleluia
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli: IV. Allegro (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in C major, K. 74d/108: Regina coeli
Wolfgang Amadeus Mozart2:56
5Vesperae solennes de Confessore, K 339: V. Laudate Dominum
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:24
6Sub tuum praesidium K.198
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Offertorium for 2 Voices & Orchestra in F major, K. Anh C 3.08/K3 158b/198: "Sub tuum praesidium" (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
Wolfgang Amadeus Mozart5:27
7Sancta Maria, mater Dei K. 273
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Sancta Maria, mater Dei, K. 273 (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: 273), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 273) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: 273)
Wolfgang Amadeus Mozart3:50
8Exsultate, jubilate, K 165: I. Exsultate, jubilate
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate (Salzburg revision) (from 2005-10-29 until 2005-10-31)
composer and revised by:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
revision of:
Exsultate, jubilate, K. 158a/165: I. Exsultate, jubilate
Wolfgang Amadeus Mozart4:19
9Exsultate, jubilate, K 165: II. Tandem advenit hora
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Exsultate, jubilate, K. 158a/165: II. Tandem advenit hora (Salzburg revision) (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
Wolfgang Amadeus Mozart0:48
10Exsultate, jubilate, K 165: III. Tu virginum corona
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Exsultate, jubilate, K. 158a/165: III. Tu virginum corona (Salzburg revision) (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
Wolfgang Amadeus Mozart6:07
11Exsultate, jubilate, K 165: IV. Alleluia
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Exsultate, jubilate, K. 158a/165: IV. Alleluia (Salzburg revision) (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Exsultate, jubilate, K. 158a/165 (Salzburg revision)
Wolfgang Amadeus Mozart2:34
12Mass, K 317, "Coronation": V. Agnus Dei
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Missa in C, K. 317 “Krönungs-Messe”: VI. Agnus Dei (Mass in C, K. 317 "Coronation Mass": VI. Agnus Dei) (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1779)
part of:
Missa in C, K. 317 “Krönungs-Messe” (Mass in C, K. 317 "Coronation Mass")
Wolfgang Amadeus Mozart3:41
13Vesperae solennes de Domenica, K 321: V. Laudate Dominum
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321: V. "Laudate dominus" (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Vesperae de Dominica for Soloists, Chorus & Orchestra in C major, K. 321
Wolfgang Amadeus Mozart4:32
14Regina coeli, K 127: I. Regina coeli laetare
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": I. Allegro maestoso "Regina coeli laetare" (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
Wolfgang Amadeus Mozart3:24
15Regina coeli, K 127: II. Quia quem meruisti
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
partial recording of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": II. Andante "Quia quem meruisti" - Adagio "Ora pro nobis" (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
Wolfgang Amadeus Mozart3:46
16Regina coeli, K 127: III. Ora pro nobis
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
partial recording of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": II. Andante "Quia quem meruisti" - Adagio "Ora pro nobis" (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
Wolfgang Amadeus Mozart4:45
17Regina coeli, K 127: IV. Alleluia
recording engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
assistant producer:
Julia Thomas (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 2005-10-29 until 2005-10-31)
soprano vocals:
Carolyn Sampson (soprano) (from 2005-10-29 until 2005-10-31)
orchestra:
The King’s Consort (from 2005-10-29 until 2005-10-31)
conductor:
Robert King (conductor and harpsichordist) (from 2005-10-29 until 2005-10-31)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2010)
recorded at:
Cadogan Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (from 2005-10-29 until 2005-10-31)
recording of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli": III. Allegro "Alleluia" (from 2005-10-29 until 2005-10-31)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Antiphon for Soprano, Chorus & Orchestra in B-flat major, K. 127 "Regina coeli"
Wolfgang Amadeus Mozart2:59

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Release

ASIN:UK: B000E1XOV2 [info]