| # | Title | Artist | Rating | Length |
|---|
| 1 | Rosanna- recording engineer:
- Al Schmitt
- producer:
- Toto
- mixer:
- Greg Ladanyi
- bass guitar:
- David Hungate
- congas:
- Lenny Castro
- drums (drum set) [drums]:
- Jeff Porcaro
- guitar:
- Steve Lukather
- Hammond organ and synthesizer:
- David Paich and Steve Porcaro
- percussion:
- Lenny Castro and Jeff Porcaro
- piano:
- David Paich
- saxophone:
- Jim Horn and Tom Scott
- trombone:
- James Pankow
- trumpet:
- Gary Grant and Jerry Hey
- background vocals [background vocal]:
- Tom Kelly , Bobby Kimball, Steve Lukather and David Paich
- lead vocals:
- Bobby Kimball and Steve Lukather
- brass [horns] arranger:
- Jerry Hey and David Paich
- phonographic copyright (℗) by:
- CBS, Inc. (in 1982), Columbia Records (in 1982), Sony Music (in 1982) and Sony Music Entertainment (in 1982)
- part of:
- Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 15)
- recording of:
- Rosanna
- lyricist and composer:
- David Paich
- publisher:
- Copyright Control , Hudmar Publishing Co. Inc., Sony Music Publishing , Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. and Spirit Two Music
- sub-publisher:
- Sony Music Publishing (Japan), Inc., A Division
| Toto | 4 | 5:32 |
| 2 | The Tide is High- assistant engineer:
- Gary Boatner and Doug Schwartz
- engineer:
- Lenise Bent
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (in 1980)
- drums (drum set):
- Clem Burke (in 1980)
- guest percussion:
- Alex Acuña (in 1980), Ollie E. Brown (in 1980) and Emil Richards (in 1980)
- guitar:
- Frank Infante (in 1980) and Chris Stein (in 1980)
- keyboard:
- Jimmy Destri (in 1980)
- timpani:
- Chris Stein (in 1980)
- background vocals [girl-group backup vocals]:
- The ‘B’ Girls and Deborah Harry
- lead vocals:
- Deborah Harry (in 1980)
- instruments arranger:
- Jimmie Haskell
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States (in 1980) and United Western Recorders in Hollywood, Los Angeles, California, United States (in 1980)
- cover recording of:
- The Tide Is High (in 1980)
- additional writer:
- Howard Barrett and Tyrone Evans
- writer:
- John Holt
- publisher:
- B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control , Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group and Sparta Florida Music Group Ltd.
| Blondie | 4.15 | 4:44 |
| 3 | Voices Carry | ’Til Tuesday | 4.55 | 4:23 |
| 4 | We’re Ready | Boston | | 4:10 |
| 5 | Poison- recording engineer:
- Sir Arthur Payson (from 1988 until 1989)
- synthesizer programming:
- Steve Deutsch
- assistant engineer:
- George Cowan , Ben Fowler, Lolly Grodner, Robert Hart , John Herman , Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
- producer:
- Desmond Child
- mixer:
- Michael Barbiero and Steve Thompson
- additional keyboard:
- Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
- additional other instruments [special effects]:
- Gregg Mangiafico (from 1988 until 1989)
- bass guitar:
- Hugh McDonald (from 1988 until 1989)
- drums (drum set):
- Bobby Chouinard (from 1988 until 1989)
- guitar:
- John McCurry (from 1988 until 1989)
- keyboard:
- Alan St. John (from 1988 until 1989)
- background vocals:
- Alan St. John (from 1988 until 1989), Michael Anthony (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (from 1988 until 1989)
- lead vocals:
- Alice Cooper (from 1988 until 1989)
- phonographic copyright (℗) by:
- CBS Records Inc. (in 1989), Epic Records (in 1989), Sony BMG Music Entertainment (in 1989), Sony Music Entertainment (in 1989) and Sony Music Entertainment Inc. (in 1989)
- recorded at:
- Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder in Los Angeles, California, United States (from 1988 until 1989)
- recording of:
- Poison (from 1988 until 1989)
- writer:
- Desmond Child, Alice Cooper and John McCurry
- publisher:
- Desmobile Inc., Desmobile Music Co., Inc. , EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. , Sony Music Publishing , Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal , Universal Music Publishing , Universal Music Publishing Group , Universal PolyGram International Publishing, Inc. , Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB , Warner–Tamerlane Publishing Corp. and Ezra Music Corp. (from 1989 to present)
- sub-publisher:
- シンコーミュージック・エンタテイメント , ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
| Alice Cooper | 4.45 | 4:31 |
| 6 | I Melt With You | Modern English | 4 | 3:49 |
| 7 | Your Love | The Outfield | 4 | 3:43 |
| 8 | In Your Room | Bangles | 4 | 3:29 |
| 9 | Burnin’ for You | Blue Öyster Cult | 4.45 | 4:32 |
| 10 | Nothing’s Gonna Stop Us Now | Starship | 4 | 4:30 |
| 11 | Turn Me Loose | Loverboy | | 5:38 |
| 12 | And We Danced | The Hooters | | 3:50 |
| 13 | What I Like About You | The Romantics | 5 | 2:57 |
| 14 | The Final Countdown- recording engineer and mixer:
- Wally Buck and Kevin Elson
- producer:
- Kevin Elson
- bass guitar [bass]:
- John Levén
- drums (drum set) [drums]:
- Ian Haugland
- guitar:
- John Norum
- keyboard:
- Mic Michaeli
- lead vocals:
- Joey Tempest
- phonographic copyright (℗) by:
- CBS, Inc. (in 1986), Sony BMG Music Entertainment (in 1986) and Sony Music Entertainment Inc. (in 1986)
- produced for:
- Elson Music Vision, Inc.
- recorded at and mixed at:
- Fantasy Studios in Berkeley, California, United States, Powerplay Studios in Maur, Zürich , Switzerland and Soundtrade Studios in Solna City, Stockholms län , Sweden
- recording of:
- The Final Countdown
- lyricist and composer:
- Joey Tempest
- publisher:
- EMI , EMI Music Publishing Australia Pty Ltd , EMI Music Publishing Ltd. and Seven Doors Music
- parody version of:
- The Final Sound
| Europe | 4.1 | 5:09 |
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