The Best Easy Listening Album in the World… Ever!

~ Release by Various Artists (see all versions of this release, 3 available)

Annotation

Is part of the Wikipedia: The Best... Album in the World...Ever! series.

Annotation last modified on 2012-06-30 09:30 UTC.

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Can’t Take My Eyes Off You
cover recording of:
Can’t Take My Eyes Off You (1967 song)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. and Seasons Four Music Corp. (in 1967)
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Andy Williams?:??
2Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (in 1955)
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin5?:??
3On the Street Where You Live
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Nat King Cole?:??
4Beyond the Sea
Bobby Darin?:??
5We Have All the Time in the World
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.5?:??
6I Left My Heart in San Francisco
producer:
Ernie Altschuler
vocals:
Tony Bennett (US jazz/standards vocalist)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1962)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 485)
cover recording of:
I Left My Heart in San Francisco (on 1962-01-23)
lyricist:
Douglass Cross (US songwriter)
composer:
George Cory
publisher:
Colgems-EMI Music Inc., Dash Music Co. Ltd. and EMI April Music Inc.
Tony Bennett3?:??
7Wives and Lovers
recording of:
Wives and Lovers
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Virgin Music (Publishers) Ltd.
Jack Jones?:??
8Comin’ Home Baby
Mel Tormé?:??
9Mas que nada
Sérgio Mendes?:??
10If I Had a Hammer
recording of:
If I Had a Hammer
writer:
Lee Hays (in 1949) and Pete Seeger (in 1949)
Trini Lopez?:??
11The More I See You
Chris Montez?:??
12Up Up and Away
The Johnny Mann Singers?:??
13Whatever Will Be, Will Be (Que será, será)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (American songwriter)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
The 29th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 29)
Doris Day?:??
14Sugar Town
recording of:
Sugar Town
lyricist and composer:
Lee Hazlewood
publisher:
Granite Music Corporation
Nancy Sinatra?:??
15I Couldn’t Live Without Your Love
recording of:
I Couldn’t Live Without Your Love
lyricist:
Jackie Trent (English singer‐songwriter and actress)
composer:
Tony Hatch
publisher:
Welbeck Music Ltd.
Petula Clark?:??
16Avenues & Alleyways
recording of:
Avenues and Alleyways (The Protectors)
lyricist and composer:
Peter Callander and Mitch Murray
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and ATV Kirshner (publisher) (in 1972)
Tony Christie?:??
17Where Are You Now (My Love)
recording of:
Where Are You Now (My Love)
composer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
Jackie Trent?:??
18Raindrops Keep Falling on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographic copyright (℗) by:
Scepter (a/k/a Scepter Records) (in 1970)
part of:
Billboard Year‐End Hot 100 Singles (1970) (number: 4) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 345)
recording of:
Raindrops Keep Fallin’ on My Head
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Casa David, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
part of:
The 42nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 42)
B.J. Thomas4?:??
19Candy Man
Sammy Davis Jr.?:??
20Sway
producer:
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
orchestra:
Dick Stabile and His Orchestra (in 1952)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (in 1952)
lyricist:
Norman Gimbel
composer:
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
version of:
¿Quién será?
Dean Martin4?:??
21A Man Without Love
recording of:
A Man Without Love (Quando m'innamoro)
lyricist:
Mario Panzeri (Italian lyricist and composer)
composer:
Roberto Livraghi and Daniele Pace (italian lyricist & songwriter)
translator:
Barry Mason (English songwriter)
translated version of:
Quando m’innamoro
Engelbert Humperdinck4?:??
22We’re Gonna Change the World
recording of:
We're Gonna Change the World
Matt Monro?:??
23Big Spender
producer:
Kenneth Hume and Norman Newell
lead vocals:
Shirley Bassey (Welsh singer)
vocals:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
conductor:
Ernest Freeman
arranger:
Ernest Freeman
recording of:
Big Spender
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Cy Coleman
publisher:
Campbell Connelly & Co. Ltd. and WB Music Corp. (1929–2019)
part of:
Overture (Sweet Charity)
part of:
Sweet Charity
Shirley Bassey4.5?:??
24King of the Road
recorded in:
Tennessee, United States
producer:
Jerry Kennedy
vocals:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964-11)
phonographic copyright (℗) by:
Smash (in 1965)
recording of:
King of the Road (on 1964-11-03)
lyricist:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
composer:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (in 1964)
publisher:
Burlington Music Co., Ltd.
Roger Miller4.65?:??
25What the World Needs Now Is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use!) (in 1993)
Jackie DeShannon3.6?:??
26We’ve Only Just Begun
The Ray Conniff Singers2:53
▼ CD 2
#TitleArtistRatingLength
1Smile
producer:
Lee Gillette
bass:
Charlie Harris (jazz bassist) (on 1954-07-27)
bass trombone:
George Roberts (american bass trombone) (on 1954-07-27)
cello:
Cy Bernard (on 1954-07-27), Armand Kaproff (on 1954-07-27), Ray Kramer (on 1954-07-27) and Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (on 1954-07-27)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1954-07-27)
French horn:
Vincent DeRosa (on 1954-07-27) and William Hinshaw (American horn player) (on 1954-07-27)
guitar:
John Collins (US jazz guitarist) (on 1954-07-27)
percussion:
Louis Singer (percussionist) (on 1954-07-27)
piano:
Bill Miller (pianist) (on 1954-07-27)
reeds:
John Hacker (on 1954-07-27), Harry Klee (on 1954-07-27) and Dominic Mumolo (on 1954-07-27)
trombone:
Francis Howard (trombone) (on 1954-07-27)
viola:
Stanley Harris (US big band viola player) (on 1954-07-27), Paul Robyn (on 1954-07-27), Barbara Simons (on 1954-07-27) and Dave Sterkin (on 1954-07-27)
violin:
Leonard Atkins (on 1954-07-27), Victor Bay (on 1954-07-27), Alex Beller (on 1954-07-27), Harry Bluestone (on 1954-07-27), Walter Edelstein (on 1954-07-27), Nathan Ross (on 1954-07-27), Mischa Russell (violinist) (on 1954-07-27), Eudice Shapiro (Violinist) (on 1954-07-27), Paul Shure (on 1954-07-27), Felix Slatkin (on 1954-07-27), Marshall Sosson (on 1954-07-27) and Gerald Vinci (American violinist and strings conductor) (on 1954-07-27)
vocals:
Nat King Cole (on 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (on 1954-07-27)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1954-07-27)
cover recording of:
Smile (on 1954-07-27)
lyricist:
Geoffrey Parsons (lyricist) and John Turner (lyricist)
composer:
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. and Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Smile (Modern Times; original instrumental version)
part of:
Chaplin
Nat King Cole2:53
2The Look of Love
recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:41
3Joanna
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1968)
recording of:
Joanna
writer:
Tony Hatch and Jackie Trent (English singer‐songwriter and actress)
publisher:
ATV Music Ltd.
Scott Walker33:51
4Ev’ry Time We Say Goodbye
engineer:
Val Valentin
producer:
Norman Granz
celesta and piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (on 1956-02-07)
cello:
Robert La Marchina (US cellist and conductor) (on 1956-02-07) and Edgar Lustgarten (on 1956-02-07)
double bass:
Joe Mondragon (on 1956-02-07)
drums (drum set):
Alvin Stoller (on 1956-02-07)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-02-07)
guitar:
Barney Kessel (on 1956-02-07)
harp:
Corky Hale (on 1956-02-07)
oboe:
Bob Cooper (US jazz saxophonist) (on 1956-02-07)
lead vocals:
Ella Fitzgerald (American jazz singer) (on 1956-02-07)
orchestra:
Buddy Bregman Orchestra (on 1956-02-07)
conductor:
Buddy Bregman (on 1956-02-07)
arranger:
Buddy Bregman
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1956)
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1956-02-07)
cover recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (on 1956-02-07)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.53:31
5Anyone Who Had a Heart
recording of:
Anyone Who Had a Heart
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (in 1963), JAC Music Co., Inc. (in 1963) and U.S. Songs, Inc. (in 1963)
translated version of:
Quelli che hanno un cuore
Dionne Warwick2:53
6Wondrous Place
Billy Fury2:25
7Galveston
phonographic copyright (℗) by:
Capitol Records Nashville (in 2001)
cover recording of:
Galveston (in 1969)
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell2:42
8(It Looks Like) I’ll Never Fall in Love Again
cover recording of:
I’ll Never Fall in Love Again
lyricist:
Jimmie Currie (songwriter) and Lonnie Donegan
is based on:
Wanderin' (American folk song)
recording of:
I’ll Never Fall in Love Again
lyricist:
Jimmie Currie (songwriter) and Lonnie Donegan
is based on:
Wanderin' (American folk song)
Tom Jones34:15
9Midnight Cowboy
recording of:
Midnight Cowboy
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
John Barry42:45
10Moon River
vocals:
Danny Williams
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
cover recording of:
Moon River
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1961) and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (in 1989)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The 34th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1962 winner) and Academy Award for Best Original Song (number: 34)
Danny Williams3.52:37
11Misty
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (US pop/soul singer) (in 1959)
conductor:
Glenn Osser (in 1959)
arranger:
Glenn Osser
recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
Johnny Mathis3:35
12For All We Know
producer:
Johnny Harris (Scottish composer, conductor)
vocals:
Shirley Bassey (Welsh singer)
conductor:
Johnny Harris (Scottish composer, conductor)
arranger:
Johnny Harris (Scottish composer, conductor)
cover recording of:
For All We Know (Lovers and Other Strangers, 1970)
lyricist:
Arthur James (soft rock singer/songwriter/guitarist) and Robb Wilson
composer:
Fred Karlin
publisher:
MCA Music Ltd. (ended), Pamco Music Inc. (ended), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
The 43rd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 43)
Shirley Bassey2:45
13Downtown
vocals:
Petula Clark (English singer & actor) (in 1964)
arranger:
Tony Hatch
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1964)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 227)
recording of:
Downtown (in 1964)
lyricist and composer:
Tony Hatch
publisher:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) and Welbeck Music Ltd.
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.353:11
14That’s Amore
recording of:
That’s Amore
lyricist:
Jack Brooks (English–American lyricist)
composer:
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) and Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) and BMG Unisongs Music Publishers BV
part of:
The 26th Academy Award for Best Original Song (number: 2)
part of:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin3:21
15Somethin’ Stupid
recorded in:
Hollywood, Los Angeles, California, United States (on 1967-02-01)
engineer:
Eddie Brackett and Phil Ramone
producer:
Jimmy Bowen (producer, rockabilly musician and songwriter) and Lee Hazlewood
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1967-02-01) and Nancy Sinatra (on 1967-02-01)
conductor:
Billy Strange (on 1967-02-01)
arranger:
Billy Strange (on 1967-02-01)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1967)
cover recording of:
Somethin’ Stupid (on 1967-02-01)
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
recording of:
Somethin’ Stupid
lyricist and composer:
Carson Parks
publisher:
Greenwood Music, Montclare Music and Montclare Music Co Ltd.
translated version of:
Forelsket
Frank & Nancy Sinatra42:35
16Fever
double bass [bass]:
Joe Mondragon (on 1958-05-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1958-05-19)
finger snaps:
Peggy Lee (jazz vocalist) (on 1958-05-19) and Howard Roberts (jazz guitarist, educator, session musician and producer) (on 1958-05-19)
vocals:
Peggy Lee (jazz vocalist) (on 1958-05-19)
conductor:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (on 1958-05-19)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Fever (on 1958-05-19)
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee4.253:19
17It Had to Be You
recording of:
It Had to Be You
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
Vic Damone23:32
18And I Love You So
engineer:
Tom Pick
producer:
Chet Atkins
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (on 1973-01-19)
conductor:
Cam Mullins (on 1973-01-19)
arranger:
Cam Mullins
cover recording of:
And I Love You So (on 1973-01-19)
lyricist and composer:
Don McLean
publisher:
Benny Bird Co. Inc., Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Perry Como3:17
19Chanson d’amour
producer:
Richard Perry (producer)
accordion:
Steve Paietta
bass:
Andy Muson (in 1975)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1975)
guitar:
Ben Benay (in 1975) and Ira Newborn (in 1975)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1975)
solo tenor saxophone:
Jay Migliori (in 1975)
remixer:
Howard Steele (US producer, sound engineer)
arranger:
Ira Newborn
vocals arranger:
Tim Hauser (in 1975) and Janis Siegel (in 1975)
cover recording of:
Chanson d’amour (1958 song) (in 1975)
lyricist and composer:
Wayne Shanklin
writer:
Shanklin
publisher:
Carlin Music and Intersong (publisher) (in 1982)
The Manhattan Transfer2:53
20Dream a Little Dream of Me
producer:
Lou Adler
cover recording of:
Dream a Little Dream of Me
lyricist:
Gus Kahn (in 1931)
composer:
Fabian André (in 1931) and Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) and ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
part of:
The Real Book (compilation of jazz standards, Volume I)
Cass Elliot3.53:14
21(Where Do I Begin) Love Story
producer:
Dick Glasser
recording of:
(Where Do I Begin?) Love Story (Love Story) (on 1970-12-17)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
cover recording of:
(Where Do I Begin?) Love Story (Love Story)
lyricist:
Carl Sigman
composer:
Francis Lai (French composer)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
version of:
Theme From Love Story (Instrumental)
Andy Williams3:11
22Honey Come Back
recording engineer:
Peter Abbott (US recording engineer) and Joe Polito (Engineer)
producer:
Al de Lorry and Carl Jackson (US country/bluegrass musician/singer/songwriter)
lead vocals:
Glen Campbell (US country singer, guitarist & actor)
conductor:
Al de Lory
arranger:
Al de Lory
recording of:
Honey Come Back
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
cover recording of:
Honey Come Back
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell3:02
23Yesterday
cover recording of:
Yesterday
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) and Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (from 1965 to present)
Matt Monro2:48
24Unforgettable
recorded in:
Los Angeles, California, United States (on 1951-08-17)
double bass:
Joe Comfort (on 1951-08-17)
guitar:
Irving Ashby (on 1951-08-17)
piano:
Nat King Cole (on 1951-08-17)
vocals:
Nat King Cole (on 1951-08-17)
orchestra and performer:
Nelson Riddle and His Orchestra (on 1951-08-17)
recording of:
Unforgettable (on 1951-08-17)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
Nat King Cole43:12
25Cry Me a River
producer:
Bobby Troup
double bass [bass]:
Ray Leatherwood
guitar:
Barney Kessel
vocals:
Julie London
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
recorded at and mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Cry Me a River
lyricist and composer:
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) and Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:58