How We Do

~ Release by Booker Little (see all versions of this release, 1 available)

Annotation

Copyright: 2018 Nagel-Heyer Records GmbH

Annotation last modified on 2024-10-25 16:15 UTC.

Tracklist

▼ Digital Media 1
#TitleRatingLength
1Sweet and Lovely
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
instrumental recording of:
Sweet and Lovely (in 1958-10)
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
cover recording of:
Sweet and Lovely
lyricist:
Harry Tobias
composer:
Gus Arnheim and Charles N. Daniels
publisher:
Harry Tobias Music, Keith Prowse Music, Redwood Music, Sony/ATV Tunes LLC (ASCAP), Anne-Rachel Music Corp. (in 1931), Chappell & Co. (in 1931), Quartet Music Inc. (in 1931) and Range Road Music Inc. (in 1931)
4:16
2If I Should Lose You
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
If I Should Lose You (in 1961)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:12
3Milestones
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
recording of:
Milestones (originally titled “Miles”) (in 1958-10)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, EMI Records, since 1972), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
5:35
4Calling Softly
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Calling Softly (in 1961)
composer:
Booker Little
5:40
5Dungeon's Waltz
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
4:30
6Jewel's Tempo
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
bass:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
6:38
7Matilde
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Matilde (in 1961)
composer:
Booker Little
5:54
8We Speak
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-03-17)
bass:
Art Davis (US jazz double bassist) (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (20th century US jazz drummer & composer) (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-03-17)
recording of:
We Speak (on 1961-03-17)
composer:
Booker Little
publisher:
Jay Bee Music
6:46
9Moonlight Becomes You
producer:
Tom Wilson (producer, worked with Dylan, Simon & Garfunkel, Zappa, VU, etc.)
double bass [bass]:
Art Davis (US jazz double bassist) (in 1958-10)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (in 1958-10)
piano:
Tommy Flanagan (in 1958-10)
trumpet:
Booker Little (in 1958-10)
recorded at:
Nola Studios (Nola's Penthouse, NYC) in New York, New York, United States (in 1958-10)
cover recording of:
Moonlight Becomes You (in 1958-10)
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
5:43
10Forward Flight
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Forward Flight (in 1961)
composer:
Booker Little
6:20
11Man of Words
recorded in:
New York, New York, United States (on 1961-03-17)
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Ron Carter (US jazz double-bassist) (on 1961-04-04)
bass clarinet:
Eric Dolphy (on 1961-04-04)
cymbal:
Max Roach (20th century US jazz drummer & composer) (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-04-04)
recording of:
Man of Words (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music and Second Floor Music
44:50
12Quiet, Please
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-03-17)
bass:
Art Davis (US jazz double bassist) (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (20th century US jazz drummer & composer) (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-03-17)
recording of:
Quiet, Please (on 1961-03-17)
composer:
Booker Little
publisher:
Second Floor Music
8:10
13The Grand Valse
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
4:56
14A New Day
engineer:
Bob d’Orleans
producer:
Nat Hentoff
bass:
Art Davis (US jazz double bassist) (on 1961-03-17)
drums (drum set) and timpani:
Max Roach (20th century US jazz drummer & composer) (on 1961-03-17)
flute:
Eric Dolphy (on 1961-03-17)
piano:
Don Friedman (on 1961-03-17)
trombone:
Julian Priester (on 1961-03-17)
trumpet:
Booker Little (on 1961-03-17)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-03-17)
recording of:
A New Day (on 1961-03-17)
composer:
Booker Little
publisher:
Jay Bee Music
5:32
15Strength and Sanity
engineer:
Bob d’Orleans
producer:
Nat Hentoff
alto saxophone:
Eric Dolphy (on 1961-04-04)
bass:
Ron Carter (US jazz double-bassist) (on 1961-04-04)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1961-04-04)
piano:
Don Friedman (on 1961-04-04)
trombone:
Julian Priester (on 1961-04-04)
trumpet:
Booker Little (on 1961-04-04)
recorded at:
Nola’s Penthouse (Nola's Penthouse, NYC) in New York, New York, United States (on 1961-04-04)
recording of:
Strength and Sanity (on 1961-04-04)
composer:
Booker Little
publisher:
Jay Bee Music
36:16
16Life's a Little Blue
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
6:52
17Victory and Sorrow
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Victory and Sorrow (in 1961)
composer:
Booker Little
5:57
18Booker's Blues
recorded in:
New York, New York, United States (in 1961)
producer:
Teddy Charles
double bass:
Reggie Workman (in 1961)
drums (drum set):
Pete La Roca (in 1961)
piano:
Don Friedman (in 1961)
tenor saxophone:
George Coleman (US jazz saxophonist) (in 1961)
trombone:
Julian Priester (in 1961)
trumpet:
Booker Little (in 1961)
recording of:
Booker's Blues (in 1961)
composer:
Booker Little
5:16
19Bee Tee's Minor Plea
recorded in:
New York, New York, United States (on 1960-04-15)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-15)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-15)
piano:
Wynton Kelly (on 1960-04-15)
trumpet:
Booker Little (on 1960-04-15)
5:40
20Who Can I Turn to (When Nobody Needs Me)
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
recording of:
Who Can I Turn To (on 1960-04-13)
composer:
William Engvick and Alec Wilder
5:25
21Minor Sweet
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
5:39
22Opening Statement
recorded in:
New York, New York, United States (on 1960-04-13)
engineer:
William McMeekin and Al Weintraub
producer:
Irving Joseph
double bass [bass]:
Scott LaFaro (on 1960-04-13)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1960-04-13)
piano:
Tommy Flanagan (on 1960-04-13)
trumpet:
Booker Little (on 1960-04-13)
6:42