101 Glorious Melodies From Operetta

~ Release by London Promenade Orchestra (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
#	Title	Artist	Rating	Length
1	I Could Have Danced All Night orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: I Could Have Danced All Night (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America part of: My Fair Lady (full musical)	Frederick Loewe		2:39
2	The Student Prince: Serenade orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Student Prince: Act I. Serenade (Overhead the Moon is Beaming) (Karl Franz, Detlef, Lucas, Von Asterberg, Students) lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell Music Ltd. and Redwood Music Ltd. (Carlin) part of: The Student Prince: Act I	Sigmund Romberg		3:39
3	I'm Falling in Love With Someone orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Naughty Marietta: Act II. I'm Falling in Love With Someone (Captain Dick) lyricist: Rida Johnson Young composer: Victor Herbert (composer) part of: Naughty Marietta: Act II	Victor Herbert		3:03
4	Indian Love Call orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Indian Love Call (from the 1924/1936 musicals “Rose Marie”) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach composer: Rudolf Friml and Herbert Stothart (composer) publisher: Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02) part of: Rose-Marie (1924 operetta-style musical) part of: Rose-Marie (1936 musical film)	Rudolf Friml		3:54
5	My Hero orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: My Hero (from “The Chocolate Soldier”) composer: Oscar Straus librettist: Rudolf Bernauer translator: Stanislaus Stange translated version of: Der tapfere Soldat: 1. Akt. „Komm, komm, Held meiner Träume“ (Nadina) part of: The Chocolate Soldier part of: Two Weeks With Love (1950 film)	Oscar Straus		2:53
6	The Merry Widow: Waltz orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Die lustige Witwe: Akt II. Valse moderato composer: Franz Lehár (composer) part of: Die lustige Witwe: Akt II	Franz Lehár		5:13
7	Bess, You Is My Woman Now orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Bess, You Is My Woman Now (Porgy and Bess; use this for non-operatic performances) lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) publisher: Chappell & Co., Inc. (USA) and Gershwin Publishing Corp is based on: Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now”	George Gershwin		3:12
8	Younger Than Springtime orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Younger Than Springtime lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company part of: South Pacific (Rodgers & Hammerstein musical)	Richard Rodgers		2:57
9	Smoke Gets in Your Eyes orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Smoke Gets in Your Eyes lyricist: Otto Harbach composer: Jerome Kern publisher: Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms Co., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) part of: Roberta	Jerome Kern		4:05
10	Stars in My Eyes orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Stars in My Eyes (from the Columbia picture ‘The King Steps Out’) lyricist: Dorothy Fields (American librettist and lyricist) composer: Fritz Kreisler (violinist / composer)	Fritz Kreisler		3:13
11	Play Gypsies-Dance Gypsies orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Gräfin Mariza: Akt I. „Komm Zigány“ (Tassilo) composer: Emmerich Kálmán (Kálmán Imre - composer) part of: Gräfin Mariza: Akt I	Imre Kálmán		2:31
12	I'll See You Again orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: I’ll See You Again (adapted from Bitter Sweet) lyricist and composer: Noël Coward arranger: Saint-Granier publisher: Chappell & Co. arrangement of: Bitter Sweet, Act I: I’ll See You Again part of: Bitter Sweet (Noel Coward operetta)	Noël Coward		2:29
13	Two Hearts in Three-Quarter Time orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Zwei Herzen im Dreivierteltakt: Akt III. Zwei Herzen im Dreivierteltakt lyricist: Walter Reisch and Armin Robinson (German lyricist) composer: Robert Stolz (Viennese operetta composer, songwriter and conductor) librettist: Robert Gilbert, Paul Knepler (librettist and composer) and Ignaz Michael Welleminsky part of: Zwei Herzen im Dreivierteltakt (Der verlorene Walzer)	Robert Stolz		3:16
14	Italian Street Song orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Naughty Marietta: Act I. Italian Street Song (Marietta, Chorus) lyricist: Rida Johnson Young composer: Victor Herbert (composer) part of: Naughty Marietta: Act I	Victor Herbert		1:37
15	Ah! Sweet Mystery of Life orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Naughty Marietta: Act II. Ah! Sweet Mystery of Life (aka The Dream Melody) lyricist: Rida Johnson Young composer: Victor Herbert (composer) part of: Naughty Marietta: Act II	Victor Herbert		3:24
16	'Neath the Southern Moon orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Naughty Marietta: Act I, 'Neath the Southern Moon (Adah) lyricist: Rida Johnson Young composer: Victor Herbert (composer) part of: Naughty Marietta: Act I	Victor Herbert		2:54
17	Tramp, Tramp, Tramp orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Naughty Marietta: Act I. Tramp, Tramp, Tramp (Captain Dick, Followers) lyricist: Rida Johnson Young composer: Victor Herbert (composer) part of: Naughty Marietta: Act I	Victor Herbert		2:25
18	A Kiss in the Dark orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: A Kiss in the Dark (from “Orange Blossoms”) lyricist: Buddy DeSylva composer: Victor Herbert (composer) part of: Orange Blossoms	Victor Herbert		3:51
19	The Streets of New York orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: The Red Mill: Act II. The Streets of New York (In Old New York) lyricist: Henry Blossom composer: Victor Herbert (composer) part of: The Red Mill	Victor Herbert		1:58
20	Kiss Me Again orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Mlle. Modiste: Act I. "Kiss Me Again" (Fifi) lyricist: Henry Blossom composer: Victor Herbert (composer) publisher: M. Witmark & Sons part of: Mlle. Modiste	Victor Herbert		2:21
21	Gypsy Love Song orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Fortune Teller: Act II. Gypsy Love Song, "Slumber On, My Little Gypsy Sweetheart" composer: Victor Herbert (composer) librettist: Harry B. Smith part of: The Fortune Teller	Victor Herbert		3:43

▼ CD 2
#	Title	Artist	Rating	Length
1	Thine Alone orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Eileen: Act III. "Thine Alone" lyricist: Henry Blossom composer: Victor Herbert (composer) part of: Eileen	Victor Herbert		4:04
2	March of the Toys orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Babes in Toyland: Act II. March of the Toys composer: Victor Herbert (composer) part of: Babes in Toyland	Victor Herbert		4:01
3	Toyland orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Toyland composer: Victor Herbert (composer) librettist: Glen MacDonough part of: Babes in Toyland	Victor Herbert		1:51
4	Sweethearts orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Sweethearts (If You Ask Where Love Is Found) (from the operetta "Sweethearts") lyricist: Robert B. Smith composer: Victor Herbert (composer) part of: Sweethearts	Victor Herbert		2:38
5	The Song Is You orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Song Is You lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Jerome Kern publisher: PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.	Jerome Kern		2:59
6	All the Things You Are orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: All the Things You Are (from “Very Warm for May”) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939) composer: Jerome Kern (in 1939) publisher: Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) part of: Broadway Rhythm (film)	Jerome Kern		4:10
7	Why Was I Born orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Why Was I Born? lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1929) composer: Jerome Kern (in 1929)	Jerome Kern		3:37
8	I've Told Ev'ry Little Star orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: I’ve Told Ev’ry Little Star lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Jerome Kern part of: Music in the Air	Jerome Kern		2:49
9	They Didn't Believe Me orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: They Didn’t Believe Me lyricist: Herbert Reynolds composer: Jerome Kern publisher: PolyGram Music Publishing Ltd. and Redwood Music Ltd. (Carlin) part of: The Girl From Utah	Jerome Kern		3:28
10	Yesterdays orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Yesterdays lyricist: Otto Harbach composer: Jerome Kern publisher: PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) part of: Roberta	Jerome Kern		3:00
11	Show Boat: Introduction / Make Believe / You Are Love orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) medley including a instrumental recording of: Make Believe (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Jerome Kern publisher: T.B. Harms Co. (in 1927) part of: Show Boat (1951 film) part of: Show Boat: Act I medley including a recording of: Overture (Show Boat) composer: Jerome Kern part of: Show Boat medley including a instrumental recording of: You Are Love (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Jerome Kern publisher: PolyGram Music Publishing Ltd. medley of: Selections from "Show boat" part of: Show Boat (1951 film) part of: Show Boat: Act I	Jerome Kern		5:40
12	Can't Help Lovin' Dat Man orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Can’t Help Lovin’ Dat Man (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927) composer: Jerome Kern (in 1927) publisher: T.B. Harms Co. medley of: Selections from "Show boat" part of: Show Boat (1951 film) part of: Show Boat: Act I part of: The Real Book (compilation of jazz standards, Volume I)	Jerome Kern		4:33
13	Bill orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Bill (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) and P. G. Wodehouse composer: Jerome Kern publisher: T.B. Harms Co. (in 1927) part of: Show Boat (1951 film) part of: Show Boat: Act II	Jerome Kern		2:31
14	Why Do I Love You? orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Why Do I Love You? (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Jerome Kern publisher: T.B. Harms Co. (in 1927) medley of: Selections from "Show boat" part of: Show Boat (1951 film) part of: Show Boat: Act II	Jerome Kern		2:56
15	Ol' Man River orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Ol’ Man River (Show Boat) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927) composer: Jerome Kern (in 1927) publisher: PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co. (on 1927-11-30) part of: Show Boat (1951 film) part of: Show Boat: Act I	Jerome Kern		4:10
16	The Desert Song orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Desert Song: Act I. The Desert Song (Pierre, Margot) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel composer: Sigmund Romberg part of: The Desert Song: Act I	Sigmund Romberg		3:50
17	Stouthearted Men orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The New Moon: Act I. Stout‐Hearted Men (Robert, Phillipe, Men) lyricist: Frank Mandel, Laurence Schwab and Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927) composer: Sigmund Romberg (in 1927) librettist: Oscar Hammerstein II (of Rodgers & Hammerstein) part of: The New Moon: Act I	Sigmund Romberg		2:20
18	One Kiss orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The New Moon: Act I. One Kiss lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein), Frank Mandel and Laurence Schwab composer: Sigmund Romberg part of: The New Moon: Act I	Sigmund Romberg		2:58

▼ CD 3
#	Title	Artist	Rating	Length
1	Lover, Come Back to Me orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Lover, Come Back to Me (from "The New Moon") lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928) writer: Sigmund Romberg composer: Sigmund Romberg (in 1928) publisher: Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928) sub-publisher: ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) part of: The New Moon: Act II	Sigmund Romberg		3:46
2	Deep in My Heart, Dear orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Student Prince, Act I: Deep in My Heart, Dear (Karl Franz, Kathie) lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell Music Ltd. and Redwood Music Ltd. (Carlin) part of: The Student Prince: Act I	Sigmund Romberg		3:23
3	Romance orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Desert Song: Act I. Romance (Margot, Chorus) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel composer: Sigmund Romberg part of: The Desert Song: Act I	Sigmund Romberg		4:50
4	Softly, as in a Morning Sunrise orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Softly, as in a Morning Sunrise (The New Moon) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928) composer: Sigmund Romberg (in 1928) publisher: Bambalina Music Publishing Company, Chappell Music Ltd., Redwood Music Ltd. (Carlin) and Warner Bros., Inc. (not for release label use!) part of: The New Moon: Act I	Sigmund Romberg		3:27
5	The Riff Song orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Desert Song: Act I. The Riff Song (Pierre, Sid and Riffs) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel composer: Sigmund Romberg part of: The Desert Song: Act I	Sigmund Romberg		2:18
6	Golden Days orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Student Prince: Prologue. Golden Days lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell Music Ltd. and Redwood Music Ltd. (Carlin) part of: The Student Prince: Prologue	Sigmund Romberg		3:45
7	Wanting You orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The New Moon: Act I. Wanting You lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein), Frank Mandel and Laurence Schwab composer: Sigmund Romberg part of: The New Moon: Act I	Sigmund Romberg		3:55
8	One Alone orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Desert Song: Act II. One Alone (Pierre, Men) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel composer: Sigmund Romberg part of: The Desert Song: Act II. Eastern and Western Love	Sigmund Romberg		3:12
9	The Student Prince: The Drinking Song orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Student Prince: Act I. Drinking Song (Drink! Drink! Drink!) (Detlef, Students) lyricist: Dorothy Donnelly composer: Sigmund Romberg publisher: Chappell & Co Ltd., Chappell Music Ltd. and Redwood Music Ltd. (Carlin) part of: The Student Prince: Act I	Sigmund Romberg		2:51
10	Will You Remember? orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Will You Remember (Sweetheart) (from the Operetta “Maytime”) lyricist: Rida Johnson Young composer: Sigmund Romberg part of: Maytime (Sigmund Romberg operetta)	Sigmund Romberg		3:36
11	The Donkey Serenade orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Donkey Serenade writer: George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist) composer: Rudolf Friml and Herbert Stothart (composer) part of: The Firefly (Rudolf Friml operetta)	Rudolf Friml		2:41
12	Rose-Marie orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Rose-Marie (title song of the 1924 operetta) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach composer: Rudolf Friml publisher: Chappell & Co. part of: Rose-Marie (1924 operetta-style musical)	Rudolf Friml		3:58
13	Song of the Vagabonds orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Vagabond King, Act I: Song of the Vagabonds (Villon, Chorus) composer: Rudolf Friml librettist: Brian Hooker and William H. Post publisher: B. Feldman & Co. Ltd. (publisher est. 1946) translated version of: 蒲田行進曲 part of: The Vagabond King: Act I	Rudolf Friml		2:21
14	Only a Rose orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Vagabond King: Act I. Only a Rose composer: Rudolf Friml librettist: Brian Hooker and William H. Post publisher: B. Feldman & Co. Ltd. (publisher est. 1946) part of: The Vagabond King: Act I	Rudolf Friml		3:41
15	Love Me Tonight orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Vagabond King: Act III. Love Me Tonight composer: Rudolf Friml librettist: Brian Hooker and William H. Post publisher: B. Feldman & Co. Ltd. (publisher est. 1946) part of: The Vagabond King: Act III	Rudolf Friml		3:03
16	Some Day orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Vagabond King: Act I. Some Day composer: Rudolf Friml librettist: Brian Hooker and William H. Post publisher: Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: The Vagabond King: Act I	Rudolf Friml		3:12
17	My Song of Love orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: White Horse Inn: My Song of Love composer: Ralph Benatzky and Robert Stolz (Viennese operetta composer, songwriter and conductor) part of: The White Horse Inn	Robert Stolz		2:58
18	Vilia orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Die lustige Witwe: Akt II. N°7. Introduktion, Tanz und Vilja-Lied: “Ich bitte, hier jetzt zu verweilen” … “Nun laßt uns aber wie daheim” … “Es lebt’ eine Vilja” (Hanna, Chor) composer: Franz Lehár (composer) part of: Die lustige Witwe: Akt II part of: Die lustige Witwe: Akt II	Franz Lehár		1:58
19	A Night in Venice: Waltzes orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: A Night in Venice: Waltzes composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) medley of: Eine Nacht in Venedig	Johann Strauss II		5:22
20	Die Fledermaus: Czardas orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Die Fledermaus, Act II: Echoes of Hungary! (Czárdás) lyricist: Mel Mandel (composer and lyricist) and Norman Sachs composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Die Fledermaus (English version, lyrics by Mandel/Sachs)	Johann Strauss II		2:36

▼ CD 4
#	Title	Artist	Rating	Length
1	Gypsy Love Waltz orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) partial recording of: Zigeunerliebe Waltzes composer: Franz Lehár (composer) medley of: Zigeunerliebe	Franz Lehár		3:08
2	Die Fledermaus: Grand Waltz orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) composer: Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) part of: Die Fledermaus: Akt II	Johann Strauss II		1:39
3	Camelot orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Camelot (from "Camelot") lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) part of: Camelot (full musical)	Frederick Loewe		2:30
4	If Ever I Would Leave You orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: If Ever I Would Leave You (from “Camelot”) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co., Chappell & Co., Inc. (USA) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019) part of: Camelot (full musical)	Frederick Loewe		4:18
5	The Heather on the Hill orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Heather on the Hill (from "Brigadoon") lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: EMI April Music Inc. part of: Brigadoon (complete musical)	Frederick Loewe		3:54
6	There but for You Go I orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: There but for You Go I (from "Brigadoon") lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Sam Fox Publishing Company (publisher; do NOT use as release label) part of: Brigadoon (complete musical)	Frederick Loewe		3:11
7	Almost Like Being in Love orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Almost Like Being in Love (from “Brigadoon”) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) part of: Brigadoon (complete musical)	Frederick Loewe		3:31
8	On the Street Where You Live orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: On the Street Where You Live (My Fair Lady) lyricist: Alan Jay Lerner composer: Frederick Loewe publisher: Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996) part of: My Fair Lady (full musical)	Frederick Loewe		3:46
9	'S Wonderful orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: ’S Wonderful lyricist: Ira Gershwin (in 1927) composer: George Gershwin (composer) (in 1927) publisher: Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019) part of: An American in Paris (2015 Broadway musical) part of: Funny Face (1927 musical) part of: My One and Only (1983 Broadway musical)	George Gershwin		1:39
10	Someone to Watch Over Me orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Someone to Watch Over Me (Oh, Kay!) lyricist: Ira Gershwin (in 1926) composer: George Gershwin (composer) (in 1926) publisher: Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28), Harms, Inc. (in 1926) and WC Music Corp. (from 2019-05-28 until 2022-01-01) sub-publisher: ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) part of: Crazy for You (1992 musical) part of: Oh, Kay! (1926 musical)	George Gershwin		3:30
11	It Ain't Necessarily So orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act II, Scene II	George Gershwin		2:46
12	I Got Plenty o' Nuttin' orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” lyricist: Ira Gershwin and DuBose Heyward composer: George Gershwin (composer) (from 1934 until 1935) part of: Porgy and Bess: Act II, Scene I	George Gershwin		1:21
13	Embraceable You orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Embraceable You lyricist: Ira Gershwin (in 1928) composer: George Gershwin (composer) (in 1928) publisher: Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01) part of: Crazy for You (1992 musical) part of: Girl Crazy (1930 Musical) part of: When the Boys Meet the Girls (1965 film)	George Gershwin		3:07
14	Who Cares orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Who Cares? (Of Thee I Sing) lyricist: Ira Gershwin (in 1931) composer: George Gershwin (composer) (in 1931) publisher: New World Music (new age music) and WB Music Corp. (1929–2019) part of: An American in Paris (2015 Broadway musical) part of: Of Thee I Sing: Act II	George Gershwin		2:31
15	Of Thee I Sing orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: Of Thee I Sing lyricist: Ira Gershwin (in 1931) composer: George Gershwin (composer) (in 1931) publisher: New World Music Corp. (in 1931) part of: Of Thee I Sing: Act I	George Gershwin		2:23
16	Hello, Young Lovers orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Hello, Young Lovers (The King and I) lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: Williamson Music Company and Williamson Music, Inc. sub-publisher: EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. and Williamson Music Ltd. part of: The King and I (Rodgers & Hammerstein musical)	Richard Rodgers		3:24
17	The March of the Siamese Children orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: March of the Siamese Children (The King and I) orchestrator: Robert Russell Bennett composer: Richard Rodgers (composer) publisher: Williamson Music Company part of: The King and I (Rodgers & Hammerstein musical)	Richard Rodgers		2:49
18	Something Wonderful orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Something Wonderful (The King and I) orchestrator: Robert Russell Bennett lyricist: Oscar Hammerstein II (of Rodgers & Hammerstein) composer: Richard Rodgers (composer) publisher: Williamson Music Company translated version of: דבר מה נפלא כל כך part of: The King and I (Rodgers & Hammerstein musical)	Richard Rodgers		4:33
19	Stranger in Paradise orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Stranger in Paradise (popular song from the 1953 musical “Kismet”) lyricist: George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist) composer: Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist) publisher: Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Frank Music Co. Ltd. (from 1953 to present) is based on: Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major part of: Kismet (full musical)	George Forrest & Robert Wright		4:18
20	Baubles, Bangles and Beads orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: Baubles, Bangles and Beads (from “Kismet”) writer: George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist) publisher: Frank Music Corp. and Scheffel Music Corp is based on: String Quartet no. 2 in D major: II. Scherzo. Allegro part of: Kismet (full musical)	George Forrest & Robert Wright		3:08
21	And This Is My Beloved orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: And This Is My Beloved (from the musical “Kismet”) additional composer: Александр Порфирьевич Бородин (Alexander Borodin, Russian composer) composer: George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist) publisher: St. Lawrence Music, Inc. is based on: String Quartet no. 2 in D major: III. Notturno. Andante part of: Kismet (full musical)	George Forrest & Robert Wright		4:00

▼ CD 5
#	Title	Artist	Rating	Length
1	The Carousel Waltz orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: The Carousel Waltz (Carousel) composer: Richard Rodgers (composer) part of: Carousel (Rodgers & Hammerstein musical)	Richard Rodgers		5:08
2	All I Ask of You orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: All I Ask of You (The Phantom of the Opera) additional lyricist: Richard Stilgoe lyricist: Charles Hart (British lyricist) composer: Andrew Lloyd Webber (English composer and impresario of musical theatre) publisher: Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and The Really Useful Group PLC (not for release label use!) (in 1986) sub-publisher: Colgems-EMI Music Inc. (ended) part of: The Phantom of the Opera (Andrew Lloyd Webber musical) part of: The Phantom of the Opera (2004 film soundtrack)	Andrew Lloyd Webber		3:50
3	Night Waltz orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: A Little Night Music: Night Waltzes composer: Stephen Sondheim arranger: Michael Starobin	Stephen Sondheim		2:58
4	America orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: West Side Story: America (Anita, Shark Girls) lyricist: Stephen Sondheim composer: Leonard Bernstein publisher: Jalni Publications Inc., Universal/MCA Music (music publisher; do not use as release label!) and The Leonard Bernstein Music Publishing Company LLC (in 1957) part of: West Side Story	Leonard Bernstein		2:39
5	Maria orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: West Side Story: Maria (Tony) lyricist: Stephen Sondheim (in 1956) composer: Leonard Bernstein (in 1956) publisher: Campbell Connelly & Co. Ltd. and Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) part of: West Side Story	Leonard Bernstein		3:00
6	Somewhere orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) lyricist: Stephen Sondheim composer: Leonard Bernstein publisher: Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) part of: West Side Story: Ballet Sequence	Leonard Bernstein		4:17
7	Tonight orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: West Side Story: Tonight (Maria, Tony) lyricist: Stephen Sondheim (in 1956) composer: Leonard Bernstein (in 1956) publisher: Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC part of: West Side Story	Leonard Bernstein		3:22
8	H.M.S. Pinafore: Overture / Opening Chorus orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) medley including a instrumental recording of: H.M.S. Pinafore: Act I, no. 1, Chorus, “We Sail the Ocean Blue”, (Sailors) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: H.M.S. Pinafore: Act I medley including a recording of: H.M.S. Pinafore: Overture composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: H.M.S. Pinafore	Sir Arthur Sullivan		2:12
9	I'm Called Little Buttercup orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: H.M.S. Pinafore: Act I, Recitative and Song “Hail! Men-o’-War’s Men” / “I’m Called Little Buttercup” (Buttercup, Boatswain) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: H.M.S. Pinafore: Act I	Sir Arthur Sullivan		1:28
10	When I Was a Lad orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: H.M.S. Pinafore: Act I, no. 9, “When I Was a Lad” (Sir Joseph) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: H.M.S. Pinafore: Act I	Sir Arthur Sullivan		2:55
11	Three Little Maids From School Are We orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Mikado: Act I, no. 7. “Three little maids from school are we” (Yum-Yum, Peep-Bo, Pitti-Sing, and Girls) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Mikado: Act I	Sir Arthur Sullivan		1:26
12	A Wand'ring Minstrel I orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Mikado: Act I, no 2. “A wand’ring minstrel I…” (Nanki-Poo, Men) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) librettist: William Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) part of: The Mikado: Act I	Sir Arthur Sullivan		4:15
13	The Moon and I orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Mikado: Act II, no. 13. “The sun, whose rays are all ablaze” (Yum-Yum) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Mikado: Act II	Sir Arthur Sullivan		3:03
14	The Mikado: Finale / For He's Gone and Married Yum-Yum orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Mikado: Act II, No 24. Finale “For He’s Gone and Married Yum-Yum…” (Ensemble) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Mikado: Act II	Sir Arthur Sullivan		1:51
15	The Yeomen of the Guard: Overture orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) recording of: The Yeomen of the Guard: Overture composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Yeomen of the Guard	Sir Arthur Sullivan		5:08
16	Pour, Pour the Pirate Sherry orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Pirates of Penzance: Act I, no. 1. “Pour, oh pour, the pirate sherry” (Samuel, Pirates) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Pirates of Penzance: Act I	Sir Arthur Sullivan		1:33
17	Poor Wand'ring One orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Pirates of Penzance: Act I, no. 8. “Poor wand’ring one …” (Mabel, Girls) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Pirates of Penzance: Act I	Sir Arthur Sullivan		2:50
18	I Am the Very Model of a Modern Major-General orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Pirates of Penzance: Act I, no. 13. “I am the very model of a modern Major-General” (Major-General, Chorus) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Pirates of Penzance: Act I	Sir Arthur Sullivan		3:02
19	With Cat-Like Tread orchestra: London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) conductor: Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) instrumental recording of: The Pirates of Penzance: Act II, no. 26. “With cat-like tread, upon our prey we steal” (Samuel, Pirates, Policemen) lyricist: W.S. Gilbert (Sir William Gilbert, English dramatist, librettist, poet and illustrator) composer: Arthur Sullivan (Sir Arthur Sullivan, composer) part of: The Pirates of Penzance: Act II	Sir Arthur Sullivan		2:38

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Allmusic:	https://www.allmusic.com/album/mw0001017098 [info]

101 Glorious Melodies From Operetta

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