Four Classic Albums

~ Release by Nat Adderley (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: That's Nat
#TitleRatingLength
1Porky
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
5:13
2I Married An Angel
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
instrumental recording of:
I Married an Angel (on 1955-07-26)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
part of:
I Married an Angel (full musical)
recording of:
I Married an Angel
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
part of:
I Married an Angel (full musical)
4:29
3Big "E"
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
recording of:
Big “P”
composer:
Jimmy Heath
publisher:
MJQ Music, Inc.
10:34
4Kuzzin's Buzzin'
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
5:07
5Ann Springs
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
6:12
6You Better Go Now
cornet:
Nat Adderley (on 1955-07-26)
double bass:
Wendell Marshall (on 1955-07-26)
drums (drum set):
Kenny Clarke (on 1955-07-26)
piano:
Hank Jones (piano) (on 1955-07-26)
woodwind:
Jerome Richardson (on 1955-07-26)
instrumental recording of:
You Better Go Now (on 1955-07-26)
writer:
Irvin Graham and Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
recording of:
You Better Go Now
writer:
Irvin Graham and Bickley Reichner
publisher:
Chappell Music, Inc. (publisher)
5:55
7Watermelon
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Watermelon (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
2:44
8Little Joanie
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Little Joanie Walks (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
4:03
9Two Brothers
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Two Brothers (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:30
10I Should Care
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
instrumental recording of:
I Should Care (on 1955-09-06)
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
recording of:
I Should Care
writer:
Sammy Cahn, Axel Stordahl and Paul Weston
publisher:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited and Stordahl Music Publishing
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
4:27
11Crazy Baby
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Crazy Baby (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
6:01
12New Arrivals
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
New Arrivals (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
6:41
13Sun Dance
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Sun Dance (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:50
14Fort Lauderdale
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Fort Lauderdale (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:20
15Friday Nite
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Friday Nite (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
3:15
▼ CD 2: Introducing Nat Adderley
#TitleRatingLength
1Blues For Bohemia
recorded in:
New York, New York, United States (on 1955-09-06)
producer:
Bob Shad
alto saxophone:
Julian “Cannonball” Adderley (on 1955-09-06)
cornet:
Nat Adderley (on 1955-09-06)
double bass:
Paul Chambers (US jazz bassist) (on 1955-09-06)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1955-09-06)
piano:
Horace Silver (on 1955-09-06)
recording of:
Blues for Bohemia (on 1955-09-06)
composer:
J. Adderley and N. Adderley
publisher:
Drexall Music
5:25
2#251
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Al McKibbon (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
2:44
3Sam's Tune
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cello:
Sam Jones (US jazz bassist) (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
3:23
4Bimini
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:39
5The Fat Man
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:29
6Sermonette
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:35
7Jackleg
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:49
8The Nearness Of You
recorded in:
New York, New York, United States (on 1956-07-23)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-23)
cornet:
Nat Adderley (on 1956-07-23)
double bass:
Al McKibbon (on 1956-07-23)
drums (drum set):
Charles Wright (on 1956-07-23)
piano:
Junior Mance (on 1956-07-23)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
6:12
9Rattler's Groove
recorded in:
New York, New York, United States (on 1956-07-18)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-18)
cornet:
Nat Adderley (on 1956-07-18)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-18)
drums (drum set):
Charles Wright (on 1956-07-18)
piano:
Junior Mance (on 1956-07-18)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:25
10Hayseed
recorded in:
New York, New York, United States (on 1956-07-12)
alto saxophone:
Julian Cannonball Adderley (on 1956-07-12)
cornet:
Nat Adderley (on 1956-07-12)
double bass:
Sam Jones (US jazz bassist) (on 1956-07-12)
drums (drum set):
Charles Wright (on 1956-07-12)
piano:
Junior Mance (on 1956-07-12)
arranger:
Ernie Wilkins
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
3:03
11Blue Concept
recorded in:
New York, New York, United States (on 1959-03-23)
bass:
Laymon Jackson (on 1959-03-23)
cello:
Sam Jones (US jazz bassist) (on 1959-03-23)
cornet:
Nat Adderley (on 1959-03-23)
drums (drum set):
Albert “Tootie” Heath (on 1959-03-23)
piano:
Wynton Kelly (on 1959-03-23)
tuba:
Slide Hampton (on 1959-03-23)
7:39
12Little Miss
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
4:30
13Israel
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
3:52
14What Next?
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
3:20
15Moving
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
5:01
16Blue Brass Groove
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
5:40
17Accents
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
trombone:
Slide Hampton (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
5:40
18Sometimes I Feel Like A Motherless Child
recorded in:
New York, New York, United States (from 1959-03-23 until 1959-03-27)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
bass:
Sam Jones (US jazz bassist) (from 1959-03-23 until 1959-03-27)
cornet:
Nat Adderley (from 1959-03-23 until 1959-03-27)
drums (drum set):
Albert “Tootie” Heath (from 1959-03-23 until 1959-03-27)
piano:
Wynton Kelly (from 1959-03-23 until 1959-03-27)
tuba:
Laymon Jackson (from 1959-03-23 until 1959-03-27)
4:10