8 Classic Albums

~ Release by Billie Holiday (see all versions of this release, 1 available)

Annotation

4 CD box of 8 albums which have been originally released between 1952 and 1958

Annotation last modified on 2014-07-23 19:39 UTC.

Tracklist

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▼ CD 1: Billie Holiday Sings - An Evening With Billie Holiday
#TitleRatingLength
1I Only Have Eyes for You
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
electric guitar:
Barney Kessel
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
I Only Have Eyes for You (on 1952-03-26)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
42nd Street (full musical)
part of:
Dames (film)
part of:
Twins (1988)
42:52
2You Turned the Tables on Me
recording of:
You Turned the Tables on Me (on 1952-03-26)
lyricist:
Sidney Mitchell
composer:
Louis Alter
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label) (in 1936)
3:27
3Blue Moon
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
Blue Moon (on 1952-03-26)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
4.53:30
4(In My) Solitude
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
(In My) Solitude (on 1952-03-26)
lyricist:
Eddie DeLange (in 1934) and Irving Mills (in 1934)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) and J. R. Lafleur & Son Ltd.
53:29
5These Foolish Things
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
orchestra:
Billie Holiday and Her Orchestra (in 1952)
recording of:
These Foolish Things (Remind Me of You) (on 1952-03-26)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
53:34
6You'd Be So Easy to Love
3:01
7You Go to My Head
double bass:
Ray Brown (jazz bassist) (on 1952-03-26)
drums (drum set):
Alvin Stoller (on 1952-03-26)
guitar:
Barney Kessel (on 1952-03-26)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-03-26)
tenor saxophone:
Flip Phillips (on 1952-03-26)
trumpet:
Charlie Shavers (on 1952-03-26)
vocals:
Billie Holiday (on 1952-03-26)
recording of:
You Go to My Head (on 1952-03-26)
lyricist:
Haven Gillespie (in 1938)
composer:
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) and Warner Bros. Music Corp.
52:55
8East of the Sun (And West of the Moon)
recording of:
East of the Sun (and West of the Moon) (on 1952-03-26)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
42:56
9Stormy Weather
double bass:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Stormy Weather (on 1952-07-27)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
53:42
10Lover Come Back to Me
double bass [Bass]:
Ray Brown (jazz bassist)
drums (drum set):
Gus Johnson (drums)
instruments:
Oscar Peterson (Canadian jazz pianist and composer)
tenor saxophone:
Paul Quinichette
trumpet:
Joe Newman (US jazz trumpeter)
vocals:
Billie Holiday
recording of:
Lover, Come Back to Me (from "The New Moon") (on 1952-07-27)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
53:36
11My Man
recorded in:
New York, New York, United States (on 1952-07-27)
double bass and double bass [bass]:
Ray Brown (jazz bassist) (on 1952-07-27)
drums (drum set):
J.C. Heard (on 1952-07-27) and Gus Johnson (drums) (on 1952-07-27)
guitar:
Freddie Green (on 1952-07-27)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1952-07-27)
tenor saxophone:
Paul Quinichette (on 1952-07-27)
trumpet:
Joe Newman (US jazz trumpeter) (on 1952-07-27)
vocals:
Billie Holiday (on 1952-07-27)
recording of:
My Man (Mon homme) (Channing Pollock lyrics) (on 1952-07-27)
lyricist:
Jacques Charles (French librettist and theatre producer) and Albert Willemetz
composer:
Maurice Yvain
translator:
Channing Pollock
publisher:
CBS Feist Catalog, Inc. (ended) and Éditions Salabert France
translated version of:
Mon homme
42:38
12He's Funny That Way
live recording of:
He’s Funny That Way
writer:
Neil Moret and Richard A. Whiting
3:12
13Yesterdays
vocals:
Billie Holiday (on 1952-07-27)
recording of:
Yesterdays (on 1952-07-27)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
42:49
14Tenderly
recording of:
Tenderly (in 1952-04)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
53:23
15I Can't Face the Music
recording of:
I Can’t Face the Music (on 1952-07-27)
lyricist:
Ted Koehler
composer:
Rube Bloom (American songwriter, pianist and vocalist)
43:15
16Remember
vocals:
Billie Holiday (in 1952-04)
recording of:
Remember (in 1952-04)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Irving Berlin Music Corp. and Williamson Music Company
42:35
▼ CD 2: Billie Holiday - Music for Torching
#TitleRatingLength
1Love for Sale
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
lyricist and composer:
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. and Warner Bros., Inc. (not for release label use!)
42:57
2Moonglow
recording of:
Moonglow (in 1952-04)
lyricist:
Eddie DeLange
composer:
Will Hudson and Irving Mills
52:59
3Everything I Have Is Yours
recorded in:
Los Angeles, California, United States (in 1952-04)
double bass:
Ray Brown (jazz bassist) (in 1952-04)
drums (drum set):
Alvin Stoller (in 1952-04)
electric guitar:
Barney Kessel (in 1952-04)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
tenor saxophone:
Flip Phillips (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Everything I Have Is Yours (in 1952-04)
lyricist:
Harold Adamson
composer:
Burton Lane
3.53:45
4If the Moon Turns Green
recording of:
If the Moon Turns Green (in 1952-04)
lyricist:
Paul Coates (songwriter; “If the Moon Turns Green”) (on 1934-11-27)
composer:
Bernie Hanighen (on 1934-11-27)
publisher:
Bourne Co. (not for release label use, this is a music publisher) (on 1934-11-27)
2:46
5Autumn in New York
recording of:
Autumn in New York (1934) (in 1952-04)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
3:41
6How Deep Is the Ocean
recording of:
How Deep Is the Ocean?
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
7What a Little Moonlight Can Do
recording of:
What a Little Moonlight Can Do (on 1954-04-14)
lyricist and composer:
Harry M. Woods (American 1920/30s songwriter)
publisher:
Connelly Basart, Warner Bros. Music (publisher; do NOT use as release label) and Warner Brothers Music Inc.
3:11
8I Cried for You
recording of:
I Cried for You (on 1954-04-14)
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
2:27
9It Had to Be You
recording of:
It Had to Be You (on 1955-08-23)
lyricist:
Gus Kahn (in 1924)
composer:
Isham Jones (in 1924)
publisher:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) and Jerome H. Remick & Co. (on 1924-05-09)
54:02
10Come Rain or Come Shine
recorded in:
Los Angeles, California, United States (on 1955-08-25)
alto saxophone:
Benny Carter (on 1955-08-25)
double bass:
John Simmons (bassist) (on 1955-08-25)
drums (drum set):
Larry Bunker (on 1955-08-25)
electric guitar:
Barney Kessel (on 1955-08-25)
piano:
Jimmy Rowles (on 1955-08-25)
trumpet:
Harry “Sweets” Edison (on 1955-08-25)
vocals:
Billie Holiday (on 1955-08-25)
recording of:
Come Rain or Come Shine (on 1955-08-25)
lyricist:
Johnny Mercer (in 1946)
composer:
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. and Warner/Chappell Music Scandinavia AB
44:23
11I Don't Want to Cry Anymore
recording of:
I Don’t Want to Cry Anymore
lyricist and composer:
Victor Schertzinger
3:55
12I Don't Stand a Ghost of a Chance
recording of:
(I Don’t Stand) A Ghost of a Chance
lyricist:
Bing Crosby and Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Chappell & Co., EMI Harmonies Ltd., Mills Music Limited and Mills Music, Inc.
4:27
13A Fine Romance
alto saxophone:
Benny Carter (on 1954-08-25)
double bass:
John Simmons (bassist) (on 1954-08-25)
drums (drum set):
Larry Bunker (on 1954-08-25)
electric guitar:
Barney Kessel (on 1954-08-25)
piano:
Jimmy Rowles (on 1954-08-25)
trumpet:
Harry “Sweets” Edison (on 1954-08-25)
vocals:
Billie Holiday (on 1954-08-25)
cover recording of:
A Fine Romance (from “Swing Time”) (on 1955-08-25)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
43:33
14Gone With the Wind
recording of:
Gone With the Wind
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
3:24
15I Get a Kick Out of You
vocals:
Billie Holiday (on 1955-08-25)
recording of:
I Get a Kick Out of You (on 1955-08-25)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
3.55:40
16Isn't This a Lovely Day
alto saxophone:
Benny Carter (on 1955-08-25)
double bass:
John Simmons (bassist) (on 1955-08-25)
drums (drum set):
Larry Bunker (on 1955-08-25)
electric guitar:
Barney Kessel (on 1955-08-25)
piano:
Jimmy Rowles (on 1955-08-25)
trumpet:
Harry “Sweets” Edison (on 1955-08-25)
vocals:
Billie Holiday (on 1955-08-25)
recording of:
Isn’t This a Lovely Day? (from “Top Hat”) (on 1955-08-25)
lyricist and composer:
Irving Berlin (in 1935)
part of:
Top Hat (1935 film)
44:13
▼ CD 3: Velvet Mood - Lady Sings the Blues
#TitleRatingLength
1Prelude to a Kiss
recording of:
Prelude to a Kiss
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
5:34
2When Your Lover Has Gone
recording of:
When Your Lover Has Gone
lyricist and composer:
Einar Aaron Swan
publisher:
Remick Music Corp. and Warner Bros., Inc. (Warner Bros. Music Division)
4:57
3Please Don't Talk About Me When I'm Gone
recording of:
Please Don’t Talk About Me When I’m Gone
lyricist:
Sidney Clare
composer:
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Remick Music Corp.
4:19
4Nice Work If You Can Get It
vocals:
Billie Holiday (on 1955-08-23)
recording of:
Nice Work If You Can Get It (on 1955-08-23)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
53:49
5I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
45:52
6What's New
recording of:
What’s New? (on 1955-08-25)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
34:16
7I Hadn't Anyone Till You
recording of:
I Hadn’t Anyone Till You (on 1955-08-25)
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
44:02
8Everything I Have Is Yours
recording of:
Everything I Have Is Yours
lyricist:
Harold Adamson
composer:
Burton Lane
4:31
9Lady Sings the Blues
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1954-06-06)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
Lady Sings the Blues (on 1956-06-06)
lyricist:
Billie Holiday
composer:
Herbie Nichols (jazz pianist and composer)
publisher:
Northern Music Company
43:44
10Travelin Light
recording of:
Travelin’ Light
lyricist:
Johnny Mercer
composer:
Jimmy Mundy and Trummy Young
3:09
11I Must Have That Man
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1956-06-06)
recording of:
I Must Have That Man (on 1956-06-06)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
43:04
12Some Other Spring
recorded in:
New York, New York, United States (on 1956-06-06)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-06)
double bass [bass]:
Aaron Bell (jazz double bassist) (on 1956-06-06)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-06)
electric guitar:
Kenny Burrell (on 1956-06-06)
piano:
Wynton Kelly (on 1956-06-06)
tenor saxophone:
Paul Quinichette (on 1956-06-06)
trumpet:
Charlie Shavers (on 1956-06-06)
vocals:
Billie Holiday (on 1956-06-06)
recording of:
Some Other Spring (on 1956-06-06)
composer:
Arthur Herzog, Jr. and Irene Kitchings
3.53:37
13Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
43:02
14No Good Man
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-07)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-07)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trumpet:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recording of:
No Good Man (on 1956-06-07)
lyricist:
Sammy Gallop
composer:
Dan Fisher and Irene Higginbotham
43:19
15God Bless the Child
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-07)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-07)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trumpet:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
God Bless the Child (on 1956-06-07)
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:58
16Good Morning Heartache
recorded in:
New York, New York, United States (on 1956-06-07)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1956-06-07)
double bass:
Aaron Bell (jazz double bassist) (on 1956-06-07)
drums (drum set):
Lenny McBrowne (US jazz drummer) (on 1956-06-07)
guitar:
Kenny Burrell (on 1956-06-07)
piano:
Wynton Kelly (on 1956-06-07)
tenor saxophone:
Paul Quinichette (on 1956-06-07)
trombone:
Charlie Shavers (on 1956-06-07)
vocals:
Billie Holiday (on 1956-06-07)
recording of:
Good Morning Heartache (on 1956-06-07)
lyricist:
Ervin Drake (Songwriter)
composer:
Dan Fisher and Irene Higginbotham
publisher:
Fisher Music Corp., Lindabet Music, Inc. and Universal/MCA Music (music publisher; do not use as release label!)
43:30
17Love Me or Leave Me
recorded in:
Los Angeles, California, United States (on 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Love Me or Leave Me (on 1954-09-03)
lyricist:
Gus Kahn
composer:
Walter Donaldson
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Keith Prowse Music Publishing Co. Ltd., Keith Prowse Music Publishing Ltd., WB Music Corp. (1929–2019), Donaldson Publishing Co. (in 1928, in 1955) and Gilbert Keyes Music Company (in 1928, in 1955)
42:34
18Too Marvelous for Words
recorded in:
Los Angeles, California, United States (on 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
Too Marvelous for Words (on 1954-09-03)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
42:12
19Willow Weep for Me
recorded in:
Los Angeles, California, United States (on 1954-09-03)
recording of:
Willow Weep for Me (on 1954-09-03)
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
33:07
20I Thought About You
recorded in:
Los Angeles, California, United States (on 1954-09-03)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1954-09-03)
double bass:
Red Callender (on 1954-09-03)
drums (drum set):
Chico Hamilton (on 1954-09-03)
guitar:
Barney Kessel (on 1954-09-03)
piano:
Bobby Tucker (on 1954-09-03)
trumpet:
Harry “Sweets” Edison (on 1954-09-03)
vocals:
Billie Holiday (on 1954-09-03)
recording of:
I Thought About You (on 1954-09-03)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
52:45
▼ CD 4: Body and Soul - Stay With Me
#TitleRatingLength
1Body and Soul
recording of:
Body and Soul
lyricist:
Frank Eyton (in 1930), Edward Heyman (in 1930) and Robert Sour (in 1930)
composer:
Edward Heyman, Robert Sour and John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:22
2They Can't Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:10
3Darn That Dream
recording of:
Darn That Dream
lyricist:
Eddie DeLange (in 1939)
composer:
Jimmy Van Heusen (in 1939)
publisher:
Scarsdale Music Corp. (ASCAP)
part of:
Swingin’ the Dream
6:19
4Let's Call the Whole Thing Off
recording of:
Let’s Call the Whole Thing Off (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Gershwin Publishing Corp (in 1937)
part of:
Shall We Dance (1937 film soundtrack)
3:24
5Comes Love
recording of:
Comes Love
lyricist:
Lew Brown
composer:
Sam H. Stept and Charles Tobias (Tin Pan Alley songwriter)
3:59
6Gee Baby, Ain't I Good to You
recording of:
Gee, Baby Ain’t I Good to You
lyricist:
Andy Razaf
composer:
Don Redman
publisher:
Michael H. Goldsen Inc. and Razaf Music
part of:
The Real Book (compilation of jazz standards, Volume I)
5:37
7Embraceable You
recorded in:
Los Angeles, California, United States (on 1957-01-09)
engineer:
Val Valentin
producer:
Norman Granz
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1957-01-09)
drums (drum set):
Larry Bunker (on 1957-01-09)
guitar:
Barney Kessel (on 1957-01-09)
piano:
Jimmy Rowles (on 1957-01-09)
tenor saxophone:
Ben Webster (on 1957-01-09)
trumpet:
Harry “Sweets” Edison (on 1957-01-09)
vocals:
Billie Holiday (on 1957-01-09)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1957-01-07 until 1957-01-09)
recording of:
Embraceable You (on 1957-01-09)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
56:48
8Moonlight in Vermont
recording of:
Moonlight in Vermont
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:49
9I Wished on the Moon
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
I Wished on the Moon (on 1955-02-14)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
56:48
10Ain't Misbehavin'
recording of:
Ain’t Misbehavin’ (on 1955-02-14)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
54:39
11Everything Happens to Me
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Everything Happens to Me (on 1955-02-14)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
46:21
12Say It Isn't So
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Say It Isn’t So (on 1955-02-14)
lyricist and composer:
Irving Berlin
publisher:
Irving Berlin Music Corp.
4.53:02
13I've Got My Love to Keep Me Warm
miscellaneous support:
Leroy Lovett (on 1955-02-14)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1955-02-14)
recording of:
I’ve Got My Love to Keep Me Warm (on 1955-02-14)
lyricist and composer:
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
3.653:56
14Always
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Always (on 1955-02-14)
lyricist and composer:
Irving Berlin (in 1925)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Inc. and Irving Berlin Music
43:58
15Do Nothing Till You Hear From Me
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1955-02-14)
double bass:
Leonard Gaskin (on 1955-02-14)
drums (drum set):
Cozy Cole (on 1955-02-14)
electric guitar:
Billy Bauer (US cool jazz guitarist) (on 1955-02-14)
piano:
Billy Taylor (jazz/bop pianist) (on 1955-02-14)
tenor saxophone:
Budd Johnson (on 1955-02-14)
trumpet:
Charlie Shavers (on 1955-02-14)
vocals:
Billie Holiday (on 1955-02-14)
recording of:
Do Nothin’ Till You Hear From Me (on 1955-02-14)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1943)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1943)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Sony/ATV Harmony
version of:
Concerto for Cootie
55:00