Rock Moves & Grooves

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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CD 1: Rock Moves & Grooves
#TitleArtistRatingLength
1Reckless
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Mark Opitz
drums (drum set):
Graham "Buzz" Bidstrup and John Watson (Australian drummer, manager & label owner)
guitar:
Simon Binks and James Reyne
keyboard:
James Reyne
saxophone:
Andrew Thompson (Australian saxophonist)
vocals:
Guy McDonough and James Reyne
phonographic copyright (℗) by:
EMI Music Australia (Electric & Musical Industries Music Australia, not for release label use!) (in 1983)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
recording of:
Reckless (Don't Be So...) (from 1981-03 until 1981-04)
lyricist and composer:
James Reyne
publisher:
Warner Chappell, Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. and Wheatley Music Pty Ltd.
Australian Crawl5:25
2Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (Engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music and PRI Music, Inc.
Scorpions3.855:13
3Peace Train
phonographic copyright (℗) by:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1971)
recording of:
Peace Train
lyricist and composer:
Cat Stevens (now known as Yusuf Islam)
publisher:
Cat Music Ltd., Irving Music, Inc., Island Music (Island Music Ltd.), Island Music Ltd. and Island Music, Inc. (work publisher - NOT related to the Island imprint now owned by UMG)
Cat Stevens4:07
4Paper Sun
producer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1967)
recording of:
Paper Sun
writer:
Jim Capaldi and Steve Winwood
publisher:
Polygram Music and Warner Chappell Music (publisher as Warner/Chappell Music)
Traffic4:16
5I Can See Clearly Now
phonographic copyright (℗) by:
London Records Ltd. (not release label) (in 1990)
cover recording of:
I Can See Clearly Now
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hothouse Flowers4:54
6Maneater
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 1982)
recording of:
Maneater
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall and John Oates
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fust Buzza Inc., Hot Cha Music Co., Primary Wave Brian, Rondor Music Pty. Ltd., Unichappell Music, Inc., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Hall & Oates4:27
7Would I Lie to You
engineer:
Adam Williams
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
assistant mixer:
Don Smith (producer, engineer and mixer)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Adam Williams
bass guitar:
Nathan East
drums (drum set):
Olle Romo (Swedish music producer, songwriter, and drummer)
electronic instruments and guitar:
Dave Stewart (UK guitarist/singer for Eurythmics)
organ:
Benmont Tench
saxophone:
Martin Dobson
trumpet:
Dave Plews
lead vocals:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987-1996) (in 1985) and EMI Music Australia (Electric & Musical Industries Music Australia, not for release label use!) (in 1985)
part of:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (number: 3) and RuPaul’s Drag Race Lip Sync Performances (season 1) (number: 4)
recording of:
Would I Lie to You?
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music
Eurythmics4.254:24
8Shout
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984) and Chris Hughes (Producer. aka Merrick) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Sandy McLelland (in 1984)
lead vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
phonographic copyright (℗) by:
Phonogram Ltd. (in 1984, in 1985) and Mercury Records Ltd. (not for release label use!) (in 1985, in 2014)
music videos:
Shout by Tears for Fears
recording of:
Shout (in 1984)
writer:
Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Roland Orzabal Ltd. and Virgin Music (Publishers) Ltd.
Tears for Fears4.56:33
9Age of Reason
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 1988) and Wheatley Records (label founded by Glenn Wheatley) (in 1988)
recording of:
Age of Reason
writer:
Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
publisher:
EMI Songs and J. Albert & Son Pty. Ltd.
John Farnham45:07
10Drop the Pilot
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1983)
recording of:
Drop the Pilot
composer:
Joan Armatrading
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music Pty. Ltd. and Polygram Music
Joan Armatrading3:37
11Roxanne
engineer:
Chris Gray (UK engineer) and Nigel Gray (UK producer)
producer:
The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
arranger:
The Police (British rock band)
phonographic copyright (℗) by:
A&M Records (in 1978), Polydor Records (record company, please use “Polydor” for release label.) (in 1978), A&M Records, Inc. (in 1997) and A&M Records, Ltd. (in 2003)
recorded at:
Surrey Sound Studios in Leatherhead, Surrey, England, United Kingdom
music videos:
Roxanne (Music video) by The Police (British rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 388)
recording of:
Roxanne
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
Mushroom Music (Mushroom label's publishing company) and Virgin Music (publisher and label, only for releases with Virgin MUSIC logo)
The Police4.43:12
12She Drives Me Crazy
engineer:
David Z. (producer/engineer David Rivkin)
co-producer:
Fine Young Cannibals and David Z. (producer/engineer David Rivkin)
bass, drum machine and keyboard:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, guitar and tambourine:
Andy Cox (of The Beat)
vocals:
Roland Gift
phonographic copyright (℗) by:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (in 1988) and London Records Ltd. (not release label) (in 1989)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 77)
recording of:
She Drives Me Crazy (Fine Young Cannibals song)
writer:
Roland Gift and David Steele (UK musician, member of The Beat and Fine Young Cannibals)
publisher:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:37
13Cocaine
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1978)
recording of:
Cocaine
lyricist and composer:
J.J. Cale
publisher:
Audigram Music, Audigram Songs, Inc., Blue Mountain Music Ltd., BMG Platinum Songs, Kobalt Music Publishing Ltd. (UK), Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
J.J. Cale2:50
14All Right Now
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
bass:
Andy Fraser (English bassist, member of Free)
drums (drum set):
Simon Kirke
guitar:
Paul Kossoff
lead vocals:
Paul Rodgers
remixer:
Bob Clearmountain
phonographic copyright (℗) by:
Free (60s/70s UK blues rock group) (in 1970)
phonographic copyright (℗) by:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1970, in 1971)
recorded at:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
All Right Now by Free (60s/70s UK blues rock group)
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4.654:15
15The Letter
phonographic copyright (℗) by:
A&M Records, Inc. (in 1970)
cover recording of:
The Letter
lyricist and composer:
Wayne Carson Thompson
publisher:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and Warner Chappell Music (publisher as Warner/Chappell Music)
Joe Cocker4:22
16The Sun Ain't Gonna Shine Anymore
phonographic copyright (℗) by:
Phonogram Ltd. (in 1966) and PolyGram Records, Inc. (New York) (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1966)
cover recording of:
The Sun Ain’t Gonna Shine (Anymore) (in 1966)
writer:
Bob Crewe and Bob Gaudio
publisher:
EMI Longitude Music, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Seasons Four Music and Warner Chappell Music (publisher as Warner/Chappell Music)
The Walker Brothers3.53:02
17Can't Get Enough of Your Love, Babe
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (publisher as Warner/Chappell Music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White53:53
18Help Is On Its Way
assistant engineer:
John Hodge (engineer)
engineer:
Ross Cockle and Paul Grupp
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1977-03)
drums (drum set):
Derek Pellicci (in 1977-03)
guitar:
Beeb Birtles (in 1977-03) and David Briggs (producer, guitarist of Little River Band) (in 1977-03)
piano:
Peter Sullivan (in 1977-03)
vocals:
Beeb Birtles (in 1977-03), Graham Goble (in 1977-03) and Glenn Shorrock (in 1977-03)
phonographic copyright (℗) by:
EMI Music Australia (Electric & Musical Industries Music Australia, not for release label use!) (in 1972, in 1977, in 2002), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1976, in 1977), EMI Music Australia Pty. Limited (not for release label use!) (in 1976, in 1977), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977), Liberty Records (not for release label use, but for copyrights and record company credits related to US label Liberty) (in 1977) and Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
recorded at:
Armstrong Audio/Video (later renamed AAV Studios) in Melbourne, Victoria, Australia and Armstrong Audio Video (later renamed AAV Studios) in Melbourne, Victoria, Australia (in 1977-03)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
recording of:
Help Is on Its Way (in 1977-03)
lyricist and composer:
Glenn Shorrock
publisher:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
Little River Band44:01
Cassette 2: Proudly Australian
#TitleArtistRatingLength
A1Real World
recording of:
Real World
writer:
Lou Bennett (indigenous Australian musician) and Sally Dastey
Tiddas2:17
A2Bernie
recording of:
Bernie
writer:
Dan Warner (Melbourne guitarist singer songwriter)
Overnight Jones3:58
A3Las VegasUnderground Lovers5:30
A42 Way Dreamtime
recording of:
Two Way Dreamtime
composer:
Alex Hewetson, Terepai Richmond, Rick Robertson (Australian saxophononist), Tim Rollinson and Scott Saunders (keyboards)
DIG6:01
A5What I Done to Her
recording of:
What I Done to Her
writer:
Charlie Owen (Australian) and Tex Perkins (Australian singer-songwriter Greg Perkins)
Tex, Don & Charlie4:18
A6Under Your Wing
recording of:
Under Your Wing
writer:
Ben Mullins
Atlas Strings3:36
A7Colour Blue
recording of:
Colour Blue
The Verys3:39
A8So Fine
recording of:
So Fine
writer:
Caligula (Australian indie rock band)
Caligula3:18
A9Poppel Grave
recording of:
Poppel Grave
writer:
Ben Aylward
Swirl3:04
B1Getting Along
recording of:
Getting Along
writer:
Matthew J Tow
Drop City2:52
B2Tail
recording of:
Tail
lyricist:
Bernard Fanning
composer:
Jon Coghill, John Collins (Australian rock guitarist), Bernard Fanning, Ian Haug and Darren Middleton
Powderfinger5:25
B3Big Big Place
recording of:
Big Big Place
writer:
Mark Bradridge and Mark Foster (Popular Mechanics, Samurai Trash)
Blue Million Miles3:32
B4The Driver Is You
recording of:
The Driver Is You
writer:
The Fauves (Australian rock band)
The Fauves3:38
B5Atomic Electric
recording of:
Atomic Electric
lyricist and composer:
Rebecca Barnard and Odette Snellen
Rebecca’s Empire34:04
B6Can There Be
recording of:
Can There Be
Charlotte Grace4:35
B7White NoiseStephen Cummings3:57
B8Warren Oates
recording of:
Warren Oates
writer:
Dave Graney
Dave Graney with the Coral Snakes3:36
B8Stay
recording of:
Stay (Tamam Shud song)
writer:
Lindsay Bjerre (Australian singer)
Tamam Shud4:47

Credits

Release

manufactured in:Australia
liner notes:Gavin Ward
compiler:Richard Davies (Australian-American musician)
design and artwork:Dan Sheehan (designer/illustrator)
copyrighted (©) by and phonographic copyright (℗) by:PolyGram Pty Ltd. (AU subsidiary of PolyGram, fka PolyGram Records Pty Ltd.) (in 1994)
licensed from:BMG Australia Ltd. (not for release label use!)
EMI Australia (Electric & Musical Industries Australia)
EMI Music Australia (Electric & Musical Industries Music Australia, not for release label use!)
marketed by:PolyGram