Jazz in Paris: Piano aux Champs-Élysées (3CDs boxset)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: I Made You Love Paris
#TitleArtistRatingLength
1Avalon
membranophone:
Kansas Fields
Mary Lou Williams2:35
2Scratchin' in the Gravel
membranophone:
Kansas Fields
tenor saxophone:
Ray Lawrence
trumpet:
Nelson Williams (jazz trumpeter)
Mary Lou Williams3:35
3Rock Me
membranophone:
Jacques David
vocals:
Beryl Bryden
Mary Lou Williams3:10
4I Made You Love Paris
drums (drum set):
Kansas Fields
Mary Lou Williams2:33
5Nancy Is in Love With the Colonel
recorded in:
Paris, Île-de-France, France (in 1954)
double bass:
Buddy Banks (jazz bassist) (in 1954)
drums (drum set):
Kansas Fields (in 1954)
piano:
Mary Lou Williams (in 1954)
tenor saxophone:
Ray Lawrence (in 1954)
trumpet:
Nelson Williams (jazz trumpeter) (in 1954)
Mary Lou Williams3:10
6Swingin' for the Guys
membranophone:
Kansas Fields
Mary Lou Williams2:29
7Club Français Blues
membranophone:
Kansas Fields
Mary Lou Williams3:24
8Freight Train Blues
membranophone:
Jacques David
vocals:
Beryl Bryden
Mary Lou Williams3:11
9Memories of You
membranophone:
Kansas Fields
Mary Lou Williams3:10
10Leg'n Lou
membranophone:
Kansas Fields
tenor saxophone:
Ray Lawrence
trumpet:
Nelson Williams (jazz trumpeter)
Mary Lou Williams2:57
11Mary Lou Blues
membranophone:
Kansas Fields
tenor saxophone:
Ray Lawrence
trumpet:
Nelson Williams (jazz trumpeter)
Mary Lou Williams2:49
12Between the Devil and the Deep Blue Sea
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Between the Devil and the Deep Blue Sea (on 1954-01-14)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
Mary Lou Williams2:16
13There's a Small Hotel
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
There’s a Small Hotel (from “On Your Toes”) (on 1954-01-14)
lyricist:
Lorenz Hart (in 1936)
composer:
Richard Rodgers (composer) (in 1936)
part of:
On Your Toes
part of:
Pal Joey
Mary Lou Williams3:10
14En ce temps-là
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
En ce temps-là (from 1954-01-14 to present)
lyricist and composer:
Charles Trenet (in 1952)
Mary Lou Williams3:19
15Lover
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Lover (on 1954-01-14)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Mary Lou Williams3:02
16Carioca
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1954-01-14)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
The 7th Academy Award for Best Original Song (number: 2)
Mary Lou Williams2:38
17Nicole
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
Mary Lou Williams3:29
18Tire tire l'aiguille
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Tire, tire l’aiguille (on 1954-01-14)
lyricist:
Eddy Marnay
composer:
Eddie Barclay and Emil Stern
publisher:
Éditions Métropolitaines
Mary Lou Williams2:34
19Autumn in New York
double bass:
Alvin "Buddy" Banks (jazz bassist) (on 1954-01-14)
drums (drum set):
Jean‐Louis Viale (French jazz drummer 1933-1984) (on 1954-01-14)
piano:
Mary Lou Williams (on 1954-01-14)
recorded at:
Studio Pathé-Pelouze in Paris, Île-de-France, France (on 1954-01-14)
instrumental recording of:
Autumn in New York (1934) (on 1954-01-14)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
Mary Lou Williams2:31
▼ CD 2: Piano aux Champs-Élysées
#TitleArtistRatingLength
1Art's Blues
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
recording of:
Art's Blues (on 1956-03-13)
composer:
Art Simmons
Art Simmons3:27
2My Funny Valentine
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1956-03-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Art Simmons3:28
3Hommage to Neal Hefti
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
recording of:
Hommage to Neal Hefti (on 1956-03-13)
composer:
Art Simmons
Art Simmons3:13
4Too Marvelous for Words
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
Too Marvelous for Words (on 1956-03-13)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Art Simmons4:10
5The Lady Is a Tramp
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
The Lady Is a Tramp (from “Babes in Arms”) (on 1956-03-13)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Babes in Arms (full musical)
part of:
Pal Joey
Art Simmons3:40
6What Is This Thing Called Love?
recorded in:
Paris, Île-de-France, France (on 1956-03-13)
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donahue (on 1956-03-13) and Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-03-13)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1956-03-13)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Art Simmons5:30
7Nice Work If You Can Get It
double bass:
Bill Crow (on 1956-03-13)
drums (drum set):
Dave Bailey (on 1956-03-13)
guitar:
Terry Donoughue (on 1956-03-13)
piano:
Art Simmons (on 1956-03-13)
instrumental recording of:
Nice Work If You Can Get It (on 1956-03-13)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Art Simmons3:44
8Sail' Em
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright3:47
9Things Ain't What They Used to Be
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
instrumental recording of:
Things Ain’t What They Used to Be (on 1958-06-05)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Ronnell Bright4:18
10Johnnie Pate's Blues
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright4:30
11R and R Groove
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright4:49
12The Champ
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright2:34
13Easy Listening
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright4:28
14Chasing Sarah
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright3:46
15Doxology
producer:
François Postif
double bass:
Richard Davis (American jazz bassist) (on 1958-06-05)
drums (drum set):
Art Morgan (on 1958-06-05)
piano:
Ronnell Bright (on 1958-06-05)
Ronnell Bright6:00
▼ CD 3: The Pianist / Les Blue Stars
#TitleArtistRatingLength
1The Continental
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Continental (from the 1934 film "The Gay Divorcee") (in 1955)
lyricist:
Herb Magidson (in 1934)
composer:
Con Conrad (in 1934)
publisher:
Harms, Inc., Magidson Music, Inc., The Songwriters Guild and Warner Bros., Inc. (not for release label use!)
part of:
Academy Award for Best Original Song (number: 7) and The 7th Academy Award for Best Original Song (number: 1)
Blossom Dearie2:46
2The Boy Next Door
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Boy Next Door (from “Meet Me in St. Louis”) (in 1955)
writer:
Ralph Blane and Hugh Martin
publisher:
Bill-Bob Publ. Company, EMI Feist Catalog Inc., Harms, Inc., Leo Feist, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Meet Me in St. Louis (1944 film)
Blossom Dearie2:51
3They Can't Take That Away From Me
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (in 1955)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Blossom Dearie2:34
4Moonlight Saving Time (There Ought to Be A)
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Moonlight Saving Time (in 1955)
writer:
Irving Kahal and Harry Richman
Blossom Dearie2:35
5The Surrey With the Fringe on Top
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
The Surrey With the Fringe on Top (in 1955)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Williamson Music Company (from 1943 to present)
part of:
Oklahoma! (Rodgers & Hammerstein musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:56
6April in Paris
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
April in Paris (in 1955)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
Blossom Dearie2:55
7Blue Moon
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Blue Moon (in 1955)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
Blossom Dearie2:43
8Down the Depths of the 90th Floor
recorded in:
Paris, Île-de-France, France (in 1955)
double bass [bass]:
Herman Garst (in 1955)
drums (drum set):
Bernard Planchenault (in 1955)
piano:
Blossom Dearie (in 1955)
instrumental recording of:
Down in the Depths (on the Ninetieth Floor) (from "Red Hot & Blue") (in 1955)
lyricist and composer:
Cole Porter (composer) (in 1936)
Blossom Dearie3:25
9La Légende du pays des oiseaux
recorded in:
Paris, Île-de-France, France (in 1954-11)
piano:
Michel Legrand (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (Belgian vibraphonist aka Sadi Lallemand) (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
piano arranger:
Michel Legrand
recording of:
La Légende du pays aux oiseaux (French lyric version of "Lullaby of Birdland")
lyricist:
Jean Constantin
composer:
George Shearing (British jazz pianist)
translated version of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
Les Blue Stars2:50
10Lettre à Virginie
recorded in:
Paris, Île-de-France, France (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (Belgian vibraphonist aka Sadi Lallemand) (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
Les Blue Stars3:04
11Toute ma joie
recorded in:
Paris, Île-de-France, France (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (Belgian vibraphonist aka Sadi Lallemand) (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
Les Blue Stars2:43
12Embrasse-moi bien
recorded in:
Paris, Île-de-France, France (in 1954-11)
trumpet and baritone vocals:
Roger Guérin (in 1954-11)
vibraphone and tenor vocals [lead]:
Fats Sadi (Belgian vibraphonist aka Sadi Lallemand) (in 1954-11)
bass vocals:
Jean Mercadier (in 1954-11)
contralto vocals:
Blossom Dearie (in 1954-11) and Nadine Young (in 1954-11)
soprano vocals [first]:
Christiane Legrand (in 1954-11)
soprano vocals [second]:
Janine de Waleyne (in 1954-11)
tenor vocals [second]:
Christian Chevallier (in 1954-11)
Les Blue Stars2:45

Credits

Release

ASIN:FR: B003PN5UJA [info]

Release group

part of:Jazz in Paris (number: Box2010) (order: 109)