Locksmith Blues

~ Release by Red Holloway/Clark Terry Sextet (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Red Top
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
recording of:
Red Top (in 1989-06)
composer:
Lionel Hampton and Ben Kynard
4:32
2Happiness Is a Thing Called Joe
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
instrumental recording of:
Happiness Is a Thing Called Joe (in 1989-06)
lyricist:
Yip Harburg (in 1940)
composer:
Harold Arlen (in 1940)
part of:
The 16th Academy Award for Best Original Song (number: 2)
4:48
3Hitting the Road Again
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
7:24
4Come Sunday
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
recording of:
Come Sunday (1958 revision with lyrics) (in 1989-06)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
4:30
5Locksmith Blues
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
5:44
6'Round Midnight
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
instrumental recording of:
’Round Midnight (in 1989-06)
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
4:35
7The Junkman
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
5:18
8I Got It Bad and That Ain't Good
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (in 1989-06)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
9:39
9Cotton Tail
engineer:
Jim Mooney
producer:
Carl Jefferson
bass:
Rufus Reid (in 1989-06)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (in 1989-06)
piano:
Gerald Wiggins (in 1989-06)
saxophone:
Red Holloway (in 1989-06)
strings:
Phil Upchurch (in 1989-06)
trumpet:
Clark Terry (American swing trumpeter) (in 1989-06)
recorded at:
Sage and Sound Recording in Hollywood, Los Angeles, California, United States (in 1989-06)
instrumental recording of:
Cotton Tail (in 1989-06)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
5:11