Verdi Arias II

~ Release by Giuseppe Verdi; Maria Callas, Orchestre de la Société des Concerts du Conservatoire, Nicola Rescigno (see all versions of this release, 4 available)

Annotation

Recorded 17-27 XII.1963, 20 & 21 II.1964
(P) 1964 by EMI Records Ltd.
Digital remastering (P) 1997 by EMI Records Ltd. (C) 1997 by EMI Records Ltd.

Annotation last modified on 2015-03-22 13:30 UTC.

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Otello: Atto IV. "Mi parea. M'ingiunse di coricarmi... Mia madre aveva una povera ancella"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Mia madre aveva una povera ancella” (Desdemona) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:07
2Otello: Atto IV. "Piangea cantado"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Piangea cantando nell’erma landa” (Desdemona) (Willow Song) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi7:12
3Otello: Atto IV. "Ave Maria piena di grazia"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:52
4Aroldo: Atto I. "Ciel, ch'io respiri!... Salvami, salvami tu gran Dio!"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Ciel ch'io respiri” (Mina) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
recording of:
Aroldo: Atto I, scena 1. N°1 “Salvami tu, gran Dio!” (Mina) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
Giuseppe Verdi3:26
5Aroldo: Atto II. "O Cielo! Dove son io?"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (on 1963-04-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
recording of:
Aroldo: Atto II. N°4 “Oh cielo! Dove son io?” (Mina) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto II
Giuseppe Verdi9:43
6Don Carlo: Atto II. "Non pianger, mia compagna"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:52
7Don Carlo: Atto III. "O don fatale"
producer:
Michel Glotz
soprano vocals:
Maria Callas (soprano) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
conductor:
Nicola Rescigno (conductor) (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1963-12-16 until 1963-12-17, on 1963-12-27, on 1963-12-30, on 1964-01-06, from 1964-02-20 until 1964-02-21, on 1964-04-10, on 1964-04-22)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1963-12-16 until 1963-12-17)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1963-12-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1963-12-30)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1964-01-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1964-02-20 until 1964-02-21)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1964-04-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (on 1964-04-22)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:41