Bizet Carmen Suite / Grieg Peer Gynt Suite

~ Release by Philharmonia Orchestra (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#	Title	Artist	Rating	Length
1	Carmen suite No. 1: I. Prelude – Andante moderato orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato composer: Georges Bizet (composer) part of: Carmen Suite no. 1	Georges Bizet		1:32
2	Carmen suite No. 1: II. Aragonaise – Allegro vivo orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV) composer: Georges Bizet (composer) is based on: Carmen : Acte III. Entr’acte (intermission between Acts III & IV) part of: Carmen Suite no. 1	Georges Bizet		2:11
3	Carmen suite No. 1: III. Intermezzo – Andantino quasi allegretto orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III) composer: Georges Bizet (composer) is based on: Carmen : Acte II. Entr’acte (intermission between Acts II & III) part of: Carmen Suite no. 1	Georges Bizet		2:40
4	Carmen suite No. 1: IV. Séguédille – Allegretto orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 1 : IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville ») composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José) part of: Carmen Suite no. 1	Georges Bizet		2:01
5	Carmen suite No. 1: V. Les Dragons d’Alcala – Allegro moderato orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II) composer: Georges Bizet (composer) is based on: Carmen : Acte I. Entr’acte (intermission between Acts I & II) part of: Carmen Suite no. 1	Georges Bizet		1:48
6	Carmen suite No. 1: VI. Les Toréadors – Allegro giocoso orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») composer: Georges Bizet (composer) is based on: Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès) is based on: Carmen : Prélude part of: Carmen Suite no. 1	Georges Bizet		2:15
7	Carmen suite No. 2: I. Marche des contrebandiers – Allegro moderato orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 2: I. Marche des contrebandiers composer: Georges Bizet (composer) is based on: Carmen : Acte III, No. 19. Sextuor et Chœur « Écoute, écoute, compagnon, écoute » (Les contrebandiers, Le Dancaïre, Le Remendado, Don José, Carmen, Mercédès, Frasquita) (Chœur des contrebandiers) part of: Carmen Suite no. 2	Georges Bizet		4:26
8	Carmen suite No. 2: II. Habanera – Allegretto quasi andantino orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 2: II. Habanera composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) part of: Carmen Suite no. 2	Georges Bizet		2:15
9	Carmen suite No. 2: III. Nocturne – Andante molto orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 2: III. Nocturne composer: Georges Bizet (composer) is based on: Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) part of: Carmen Suite no. 2	Georges Bizet		5:10
10	Carmen suite No. 2: IV. Chanson du Toréador orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 2: IV. Chanson du toréador composer: Georges Bizet (composer) arrangement of: Asturias Meets Carmen is based on: Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”) part of: Carmen Suite no. 2	Georges Bizet		2:56
11	Carmen suite No. 2: V. La Garde montante – Allegro orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 2: V. La Garde montante composer: Georges Bizet (composer) is based on: Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga) part of: Carmen Suite no. 2	Georges Bizet		3:57
12	Carmen suite No. 2: VI. Danse bohème – Andantino quasi allegretto orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Carmen Suite no. 2: VI. Danse bohème composer: Georges Bizet (composer) is based on: Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen) part of: Carmen Suite no. 2	Georges Bizet		4:56
13	Peer Gynt Suite No. 1 Op. 46: I. Morning – Allegretto pastorale orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		4:05
14	Peer Gynt Suite No. 1 Op. 46: II.The Death of Ase – Andante doloroso orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 3. akt: Åses død part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		5:12
15	Peer Gynt Suite No. 1 Op. 46: III. Anitra’s Dance – Tempo di mazurka orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Peer Gynt Suite no. 1, op. 46: III. Anitras dans (Peer Gynt Suite no. 1, op. 46: III. Anitra’s Dance) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 4. akt: Anitras dans part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		3:41
16	Peer Gynt Suite No. 1 Op. 46. IV. In the Hall of the Mountain King – Alla marcia e molto marcata orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1888) version of: Peer Gynt, op. 23: 2. akt: I Dovregubbens hall part of: Peer Gynt Suite no. 1, op. 46	Edvard Grieg		2:41
17	Peer Gynt Suite No. 2 Solvejg’s Song – Andante orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) recording of: Peer Gynt Suite no. 2, op. 55: IV. Solveigs sang (Peer Gynt Suite no. 2, op. 55: IV. Solveig’s Song, do not use if there is a singer) composer: Edvard Grieg (composer) (in 1875) revised by: Edvard Grieg (composer) (in 1891) version of: Peer Gynt, op. 23: 4. akt: Solveigs sang part of: Peer Gynt Suite no. 2, op. 55	Edvard Grieg		6:10