Tracklist

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CD 1
#TitleArtistRatingLength
1Smalltown Boy
recording engineer:
Pete Griffiths (UK studio technician, programmer & producer)
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
recording of:
Smalltown Boy
writer:
Steve Bronski, Jimmy Somerville and Larry Steinbachek
publisher:
BMG Rights Management (UK) Ltd. (not for release label use!), Bronski Music Ltd., Fujipacific Music, Inc., The Copyright Collective, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
part of:
Gotcha! (1985 film soundtrack)
Bronski Beat3.655:01
2When Will I Be Famous
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (Sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
When Will I Be Famous?
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Platinum Songs US and Maximum Music Limited
Bros33:57
3The Harder I TryBrother Beyond13:23
4Living in America
assistant engineer:
Jeff Lord‐Alge
engineer:
Chris Lord‐Alge
producer:
Dan Hartman
bass guitar:
T.M. Stevens (US bass player Thomas Michael Stevens)
guitar:
Dan Hartman and Stevie Ray Vaughan
horn:
Crispin Cioe, Bob Funk (trombonist, trumpet player), Arno Hecht (American saxophonist), Hollywood Paul Litteral and The Uptown Horns (US horn section, formed in 1980)
keyboard:
Dan Hartman
membranophone:
Ray Marchica
background vocals:
Dan Hartman and T.M. Stevens (US bass player Thomas Michael Stevens)
lead vocals:
James Brown (The Godfather of Soul)
recording of:
Living in America
writer:
Dan Hartman and Charlie Midnight
publisher:
April Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Janiceps Music, Second Nature Music, Inc., UA Music Inc. and United Lion Music Inc.
James Brown3.354:41
5Land of Make Believe
recording of:
The Land of Make Believe
miscellaneous support:
Andy Hill (English producer & songwriter)
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
publisher:
Concord Copyrights London Limited, Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs and Universal Music–Z Tunes LLC
Bucks Fizz3.353:43
6Making Your Mind Up
producer:
Andy Hill (English producer & songwriter)
part of:
United Kingdom in the Eurovision Song Contest (number: 1981) and Winners of the Eurovision Song Contest (number: 1981)
recording of:
Making Your Mind Up
lyricist and composer:
John Danter and Andy Hill (English producer & songwriter)
publisher:
Intersong (publisher), Paper Music Ltd., Stave and Nickelodeon Ltd. and Universal Music Publishing MGB Ltd.
Bucks Fizz4.652:36
7Word Up
music videos:
Word Up! by Cameo (American soul-influenced funk group)
part of:
TV Cream: Real 100 Best Singles Ever (number: 70) and VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 81)
recording of:
Word Up!
writer:
Larry Blackmon and Tomi Jenkins
publisher:
Better Days Music and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Cameo4.14:11
8Happy Talk
cover recording of:
Happy Talk (South Pacific)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
part of:
South Pacific (Rodgers & Hammerstein musical)
Captain Sensible33:23
9FameIrene Cara53:44
10Heaven is a Place on Earth
recording engineer:
Steve McMillan
drums (drum set) [drum] programming:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
additional engineer:
Stacy Baird and Robert Feist
assistant engineer:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble and Joe Schiff
additional producer:
Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
producer:
Rick Nowels
mixer:
Shelly Yakus
acoustic guitar [acoustic guitars]:
Rick Nowels
additional guitar:
Tim Pierce (US session guitarist)
additional guitar [guitars]:
Michael Landau
additional keyboard [keyboards]:
Thomas Dolby
additional percussion:
Jimmy Bralower and Paulinho da Costa (Brazilian percussionist)
bass:
John Pierce (US session bassist)
drums (drum set) [drums]:
Kenny Aronoff and Curly Smith (Jo Jo Gunne musician)
electric guitar [electric guitars]:
Dan Huff, John McCurry and Rick Nowels
guitar [air guitar] and lead vocals:
Belinda Carlisle
keyboard [keyboards]:
Charles Judge (American guitarist, pianist, arranger and songwriter) and Rick Nowels
other instruments [fairlight]:
Rhett Lawrence
piano [acoustic piano]:
Charles Judge (American guitarist, pianist, arranger and songwriter)
vocals:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
arranger:
Rick Nowels
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1987) and Virgin Records Ltd (not for release label use! for company relationships only) (in 1987)
additionally recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
recorded at:
American Recording and Ocean Way Studio
mixed at:
A&M Studios in Hollywood, Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 400)
recording of:
Heaven Is a Place on Earth
writer:
Rick Nowels and Ellen Shipley
publisher:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Future Furniture Music (in 1987) and Shipwreck Music (publisher) (in 1987)
sub-publisher:
Fujipacific Music, Inc.
Belinda Carlisle4.054:01
11Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), EMI America Records, Inc. (holding - file NO releases here!) (in 1981), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States (in 1981-01)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 18) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. and Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:41
12Fast Car
engineer and mixer:
Kevin Smith (American DJ, producer and hip hop pioneer based in New York City.)
producer:
David Kershenbaum
acoustic guitar, electric guitar and percussion:
Tracy Chapman (American singer‐songwriter)
bass guitar:
Larry Klein
drums (drum set):
Denny Fongheiser
steel guitar:
Ed Black
vocals:
Tracy Chapman (American singer‐songwriter)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1988) and Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2015)
recorded at and mixed at:
Powertrax Studio in Hollywood, Los Angeles, California, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 71), Rolling Stone: The 200 Greatest Country Songs of All Time (number: 113), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 165) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 275)
recording of:
Fast Car
lyricist and composer:
Tracy Chapman (American singer‐songwriter)
publisher:
Kobalt Music Publishing Ltd. (UK), Purple Rabbit Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Tracy Chapman4.64:54
13If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.753:53
14Buffalo Stance
recording of:
Buffalo Stance
writer:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) and Phil Ramacon (soul/R&B/reggae songwriter)
is based on:
Looking Good Diving With The Wild Bunch
Neneh Cherry34:03
15Harvest for the WorldChristians3:58
16Love Changes Everything
engineer:
Mike Ging and Bob Kraushaar
producer:
Stephen Hague
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
writer:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) and Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.854:31
17In the Air Tonight
engineer:
Hugh Padgham
assistant producer:
Hugh Padgham
producer:
Phil Collins (of Genesis)
recording of:
In the Air Tonight
lyricist and composer:
Phil Collins (of Genesis)
publisher:
EMI April Music Inc., Hit & Run Music (Publishers) Limited, Imagem Music, Philip Collins Ltd., Effectsound Ltd. (publisher) (in 1980, in 1981), Hit & Run Music (Publishing) Ltd (in 1980) and Pun Music, Inc. (in 1981)
part of:
Risky Business (film soundtrack)
Phil Collins4:56
18Don’t Leave Me This Way
producer:
Mike Thorne (UK producer & keyboardist)
vocals:
Sarah Jane Morris
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
writer:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert and Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Communards3.44:26
19I Can’t Stand Up (for Falling Down)
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
cover recording of:
I Can’t Stand Up for Falling Down
composer:
Homer Banks and Allen Jones (producer/songwriter/musician/engineer)
Elvis Costello & The Attractions4.52:05
CD 2
#TitleArtistRatingLength
1Stool Pigeon
recording of:
Stool Pigeon
lyricist and composer:
August Darnell
Kid Creole & Coconuts3:57
2Do You Really Want to Hurt Me?
assistant engineer:
Gordon Milne (engineer)
engineer and producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and vibraphone:
Jon Moss
electric piano, guitar and synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
synclavier:
Keith Miller (Synthesiser Pioneer)
additional vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recorded at:
Red Bus Studios in London (Greater London), England, United Kingdom (in 1982)
music videos:
Do You Really Want to Hurt Me by Culture Club (English pop group)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 58)
recording of:
Do You Really Want to Hurt Me
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) and Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L and Virgin Music (Publishers) Ltd.
Culture Club3.954:23
3Karma Chameleon
engineer:
Simon Humphrey, Gordon Milne (engineer) and Mike Ross‐Trevor (engineer)
producer:
Steve Levine (producer)
mixer:
Steve Levine (producer) and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist) (in 1983)
drums (drum set) and percussion:
Jon Moss (in 1983)
electric sitar, guitar, keyboard, piano and sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
harmonica:
Judd Lander (in 1983)
background vocals:
Helen Terry (UK singer) (in 1983)
lead vocals:
Boy George (in 1983)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
recorded at:
CBS Studios (London, 1972–1989) in London (Greater London), England, United Kingdom (in 1983) and Red Bus Studios in London (Greater London), England, United Kingdom (in 1983)
music videos:
Karma Chameleon by Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L and BMG VM Music Ltd. (from 2013-05 to present)
Culture Club3.754:02
4Down to Earth
music videos:
Down to Earth by Curiosity Killed the Cat
recording of:
Down to Earth
writer:
Toby Andersen (keyboardist), Julian Godfrey Brookhouse, Michael Drummond, Nicholas Bernard Thorp and Ben Volpeliere-Pierrot (singer from Curiosity Killed the Cat)
Curiosity Killed the Cat34:18
5(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.24:31
6Mary’s Prayer
performer:
Danny Wilson (Scottish pop group) (in 1987)
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer. Ex-Danny Wilson, Ex-Transister, Ex-King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Danny Wilson33:45
7If You Let Me Stay
recording engineer and mixer:
Phil Legg
additional engineer:
Michael Brauer (engineer)
producer:
Howard Gray (UK producer, engineer, and electronic musician)
bass:
Sean Oliver
drums (drum set):
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
guitar:
Pete Glenister
keyboard:
Nick Plytas
percussion:
Terence Trent D’Arby (now known as Sananda Maitreya) and Frank Ricotti (percussionist)
background vocals:
Lance Ellington (Strictly Come Dancing) and Tony Jackson (British funk / soul musician, singer / songwriter, producer and arranger)
background vocals and lead vocals:
Terence Trent D’Arby (now known as Sananda Maitreya)
remixer:
Michael Brauer (engineer)
arranger:
Terence Trent D’Arby (now known as Sananda Maitreya)
recording of:
If You Let Me Stay
lyricist and composer:
Terence Trent D’Arby (now known as Sananda Maitreya)
Terence Trent D’Arby3.53:13
8Tell it to My Heart
producer:
Ric Wake
recording of:
Tell It to My Heart
writer:
Ernie Gold and Seth Swirsky
Taylor Dayne3.73:37
9Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
Sony/ATV Music Publishing Ltd.
Deacon Blue4.354:04
10You Spin Me Round (Like a Record)Dead or Alive4.253:17
11Rhythm of the Night
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 2009) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
music videos:
Rhythm of the Night by DeBarge
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:51
12Just Can’t Get Enough
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
producer:
Depeche Mode and Daniel Miller (British music producer and founder of Mute Records)
lead vocals:
Dave Gahan (in 1981-07)
phonographic copyright (℗) by:
Mute Records (not for release label use! early 80s copyright for Mute) (in 1981) and Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1981)
recorded at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom (in 1981-07)
produced at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 66) and Indie 88: Top 500 Indie Rock Songs (number: 460)
recording of:
Just Can’t Get Enough
lyricist and composer:
Vince Clarke (member of Erasure, Depeche Mode, Yazoo,…)
publisher:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (ended), Musical Moments LTD UK, Sony/ATV Music Publishing (Germany) GmbH (2002–today), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing B.V., Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Depeche Mode4.33:35
13See You
engineer:
John Fryer (British producer and engineer) and Eric Radcliffe
producer:
Depeche Mode and Daniel Miller (British music producer and founder of Mute Records)
recorded at:
Blackwing Studios (London, UK) in London (Greater London), England, United Kingdom (in 1981-11)
recording of:
See You (ended)
lyricist and composer:
Martin L. Gore
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated) and Grabbing Hands Music Ltd.
Depeche Mode3.73:51
14Geno
engineer:
Barry Hammond
producer:
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
writer:
Al Archer and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:25
15Come On Eileen
producer:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) and Alan Winstanley (English record producer)
recording of:
Come On Eileen
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!) and EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners4.754:05
16Walk of Life
assistant recording engineer:
Steve Jackson (recording engineer)
engineer:
Neil Dorfsman
producer:
Neil Dorfsman and Mark Knopfler
assistant mixer:
David Greenberg (Rockin' Reel Studios engineer) and Bruce Lampcov
bass guitar:
John Illsley
drums (drum set):
Omar Hakim
guitar:
Mark Knopfler
keyboard:
Alan Clark (keyboardist) and Guy Fletcher (keyboards +)
background vocals:
Guy Fletcher (keyboards +) and John Illsley
vocals:
Mark Knopfler
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985), Phonogram Ltd. (London) (company name, NOT a label!) (in 1985, in 1988), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1988, in 2022) and Mercury Records Ltd. (London) (for copyrights use only) (in 1996)
recorded at:
AIR Studios Montserrat in Saint Peter, Montserrat (from 1984-10 until 1985-02)
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States
recording of:
Walk of Life
lyricist and composer:
Mark Knopfler
publisher:
Chariscourt Ltd. and Rondor Music (London) Ltd.
Dire Straits4.154:08
17Spirit in the Sky
performer:
Doctor and the Medics (in 1986-02)
phonographic copyright (℗) by:
Doctor & The Medics (in 1985)
recorded at:
Britannia Row Studios (first location, 1975-1995 Islington) in Islington, London (Greater London), England, United Kingdom (in 1986-02)
music videos:
Spirit in the Sky by Doctor and the Medics
cover recording of:
Spirit in the Sky (in 1986)
lyricist and composer:
Norman Greenbaum
publisher:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) and Westminster Music Ltd.
Doctor and the Medics3.83:33
18Give Me Back My Heart
engineer:
Gary Langan
producer:
Trevor Horn
recording of:
Give Me Back My Heart
lyricist and composer:
Simon Darlow (songwriter, keyboardist & guitarist) and Trevor Horn
publisher:
Island Music Ltd. (in 1982) and Perfect Songs (UK publisher, affiliated with BMI) (in 1982)
Dollar4:58
19Too Many Broken Hearts
recording of:
Too Many Broken Hearts
writer:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) and Pete Waterman
Jason Donovan3:23

Credits

Release group

part of:Classic Cuts Presents: 80s Night: The Ultimate DJ Collection (number: 3/4) (order: 2)