Maria Callas Remastered

~ Release by Maria Callas (see all versions of this release, 2 available)

Annotation

remastered classics of MC
tracklisting on WC website does not match tracks on release (see cover art)

Annotation last modified on 2014-10-24 11:22 UTC.

Tracklist

▼ 12" Vinyl 1
#TitleArtistRatingLength
A1Carmen, Acte I. « L'amour est un oiseau rebelle » (Carmen, Chorus) [Habanera]
producer:
Michel Glotz
choir vocals:
Chœurs René Duclos (from 1964-07-06 until 1964-07-20)
mezzo-soprano vocals [Carmen]:
Maria Callas (soprano) (from 1964-07-06 until 1964-07-20)
orchestra:
Orchestre du Théâtre national de l’Opéra (from 1964-07-06 until 1964-07-20)
conductor:
Georges Prêtre (conductor) (from 1964-07-06 until 1964-07-20)
balance engineer:
Paul Vavasseur (engineer) (from 1964-07-06 until 1964-07-20)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1964)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1964-07-06 until 1964-07-20)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 1964-07-06 until 1964-07-20)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet; Maria Callas, Chœurs René Duclos, Orchestre de l'Opéra National de Paris & Georges Prêtre?:??
A2Norma, Atto I. “Casta diva” (Norma, Chorus)
engineer:
Oswaldo Varesco (engineer)
producer:
Walter Legge (British classical producer)
bass vocals [Oroveso]:
Nicola Rossi‐Lemeni (operatic bass) (on 1954-04-23, on 1954-05-03)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1954-04-23, on 1954-05-03)
soprano vocals [Norma]:
Maria Callas (soprano) (on 1954-04-23, on 1954-05-03)
orchestra:
Orchestre de la Scala de Milan (Orchestra of La Scala, Milan) (on 1954-04-23) and Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1954-05-03)
conductor:
Tullio Serafin (conductor) (on 1954-04-23, on 1954-05-03)
chorus master:
Vittore Veneziani (Italian chorus master & composer) (on 1954-04-23, on 1954-05-03)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Cinema Metropol (Milan) in Milano (Milan), Milano, Lombardia, Italy (on 1495-04-23, on 1954-05-03)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1954-04-23)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (on 1954-05-03)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini; Maria Callas, Coro del Teatro alla Scala di Milano, Orchestra del Teatro alla Scala di Milano & Tullio Serafin?:??
A3Gianni Schicchi, Atto I. “O mio babbine caro”
soprano vocals:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Tullio Serafin (conductor)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd.
part of:
Gianni Schicchi
Giacomo Puccini; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
A4La Wally, Atto I. "Ebben?...Ne andrò lontana” (Wally)
producer:
Walter Legge (British classical producer)
soprano vocals [Wally]:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
A5La traviata, Atto I. “A, fors'è lui”
soprano vocals [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (in 1953-09)
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta) (in 1953-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi; Maria Callas, Orchestra Sinfonica di Torino della RAI & Gabriele Santini?:??
A6La traviata, Atto I. “Sempre libera”
soprano vocals [Violetta Valéry]:
Maria Callas (soprano) (in 1953-09)
tenor vocals [Alfredo Germont]:
Francesco Albanese (tenor) (in 1953-09)
orchestra:
Orchestra Sinfonica di Torino della RAI (in 1953-09)
conductor:
Gabriele Santini (conductor) (in 1953-09)
recorded at:
Auditorium RAI “Arturo Toscanini” (Turin) in Torino (Turin), Torino, Piemonte, Italy (in 1953-09)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (in 1953-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi; Maria Callas, Orchestra Sinfonica di Torino della RAI & Gabriele Santini?:??
B1Tosca, Atto II. “Vissi d'arte“
producer:
Walter Legge (British classical producer)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1953-08-10 until 1953-08-21)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1953-08-10 until 1953-08-21)
conductor:
Victor de Sabata (conductor and composer) (from 1953-08-10 until 1953-08-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
IDOL (Independent Distribution On Line) (in 2013)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1953-08-10 until 1953-08-21)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1953-08-10 until 1953-08-21)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Victor de Sabata?:??
B2Madame Butterfly, Atto II. “Un bel di vedremo”
producer:
Walter Legge (British classical producer)
editor:
Jennifer Howells
soprano vocals [Madama Butterfly (Cio-Cio-San)]:
Maria Callas (soprano) (from 1955-08-01 until 1955-08-06)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1955-08-01 until 1955-08-06)
conductor:
Herbert von Karajan (conductor) (from 1955-08-01 until 1955-08-06)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1955-08-01 until 1955-08-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1955-08-01 until 1955-08-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Herbert von Karajan?:??
B3Andrea Chénier, Atto III. “La mamma morta”
producer:
Walter Legge (British classical producer)
soprano vocals [Maddalena]:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18) and Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-20 until 1954-09-21)
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-17 until 1954-09-18)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
recording of:
Andrea Chénier: Atto III. “La mamma morta” (Maddalena, Gérard) (from 1954-09-20 until 1954-09-21)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
publisher:
Edoardo Sonzogno Ltd. and MCPS (UK rights society; do not use this as a label or work publisher!)
part of:
Andrea Chénier: Atto III
Umberto Giordano; Maria Callas, Philharmonia Orchestra & Tullio Serafin?:??
B4La Bohème, Atto III. “Donde lieta uscì”
soprano vocals:
Maria Callas (soprano)
recording of:
La bohème: Atto III. no. 18. “Donde lieta uscì” (Mimì)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto III. La Barriera d'Enfer (La bohème: Act III, Puccini)
Giacomo Puccini; Maria Callas, Orchestra del Teatro alla Scala di Milano & Antonino Votto?:??
B5Il barbiere di Siviglia, Atto I. “Una voce poco fa”
soprano vocals [Rosina]:
Maria Callas (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Alceo Galliera (organist, conductor and composer)
recording of:
Il barbiere di Siviglia: Atto I, N°5a. Cavatina “Una voce poco fa” (Rosina)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini; Maria Callas, Philharmonia Orchestra & Alceo Galliera?:??