Art Pepper Meets the Rhythm Section

~ Release by Art Pepper (see all versions of this release, 21 available)

Tracklist

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▼ Hybrid SACD (CD layer) 1
#TitleRatingLength
1You'd Be So Nice to Come Home To
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-01-19)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:25
2Red Pepper Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Pepper (on 1957-01-19)
composer:
Garland
3:37
3Imagination
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
5:53
4Waltz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Waltz Me Blues (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
2:56
5Straight Life
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Straight Life (on 1957-01-19)
composer:
Art Pepper
3:59
6Jazz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Jazz Me Blues (on 1957-01-19)
composer:
Tom Delaney
4:47
7Tin Tin Deo
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Tin Tin Deo (on 1957-01-19)
composer:
Walter “Gil” Fuller (jazz composer & arranger), Chano Pozo and A.K. Salim
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
7:42
8Star Eyes
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Star Eyes (on 1957-01-19)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
5:13
9Birks' Works
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Birk's Works (on 1957-01-19)
composer:
Dizzy Gillespie
4:18
10The Man I Love
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
6:35
▼ Hybrid SACD (SACD layer, 2 channels) 2
#TitleRatingLength
1You'd Be So Nice to Come Home To
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
You’d Be So Nice to Come Home To (on 1957-01-19)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
5:25
2Red Pepper Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Pepper (on 1957-01-19)
composer:
Garland
3:37
3Imagination
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
instrumental recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
recording of:
Imagination (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
5:53
4Waltz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Waltz Me Blues (on 1957-01-19)
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Jimmy Van Heusen
2:56
5Straight Life
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Straight Life (on 1957-01-19)
composer:
Art Pepper
3:59
6Jazz Me Blues
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Jazz Me Blues (on 1957-01-19)
composer:
Tom Delaney
4:47
7Tin Tin Deo
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Tin Tin Deo (on 1957-01-19)
composer:
Walter “Gil” Fuller (jazz composer & arranger), Chano Pozo and A.K. Salim
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
7:42
8Star Eyes
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Star Eyes (on 1957-01-19)
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
5:13
9Birks' Works
engineer:
Roy DuNann
producer:
Lester Koenig
alto saxophone:
Art Pepper (on 1957-01-19)
double bass:
Paul Chambers (US jazz bassist) (on 1957-01-19)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1957-01-19)
piano:
Red Garland (on 1957-01-19)
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
Birk's Works (on 1957-01-19)
composer:
Dizzy Gillespie
4:18
10The Man I Love
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1957-01-19)
recording of:
The Man I Love
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
part of:
An American in Paris (2015 Broadway musical)
part of:
Lady, Be Good (full musical)
part of:
New York, New York (1977 musical film soundtrack)
6:35