Oster-Oratorium / Kantate, BWV 10

~ Release by J.S. Bach; Ameling, Watts, Krenn, Krause, Karl Münchinger (see all versions of this release, 1 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Oster-Oratorium, BWV 249: Sinfonia
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: I. Sinfonia (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Sinfonia
part of:
Concerto for 3 trumpets, timpani, 3 oboes, bassoon, strings & continuo in D major (after BWV 249), BWV deest
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach4:10
2Oster-Oratorium, BWV 249: Adagio
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: II. Adagio (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Kantate, BWV 249a "Enfliehet, entschwindet, entweicht, ihr Sorgen": Adagio
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:10
3Oster-Oratorium, BWV 249: Arie (Duett): Kommt, eilet und laufet
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
choir vocals:
Der Wiener Akademiechor (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: III. Coro "Kommt, eilet und laufet" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach5:18
4Oster-Oratorium, BWV 249: Rezitativ: O kalter Männer Sinn
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
bass vocals:
Tom Krause (bass-baritone) (from 1968-05-01 until 1968-05-13)
soprano vocals:
Elly Ameling (soprano) (from 1968-05-01 until 1968-05-13)
tenor vocals:
Werner Krenn (tenor) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: IV. Recitativo (Sopran, Alt, Tenor, Bass) "O kalter Männer Sinn" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:24
5Oster-Oratorium, BWV 249: Arie: Seele, deine Spezereien
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
soprano vocals:
Elly Ameling (soprano) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: V. Aria (Sopran) "Seele, deine Spezereien" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach12:01
6Oster-Oratorium, BWV 249: Rezitativ: Hier ist die Gruft
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
bass vocals:
Tom Krause (bass-baritone) (from 1968-05-01 until 1968-05-13)
tenor vocals:
Werner Krenn (tenor) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: VI. Recitativo (Alt, Tenor, Bass) "Hier ist die Gruft" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach1:12
7Oster-Oratorium, BWV 249: Arie: Sanfte soll mein Todesschlummer
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
tenor vocals:
Werner Krenn (tenor) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: VII. Aria (Tenor) "Sanfte soll mein Todeskummer" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach6:55
8Oster-Oratorium, BWV 249: Rezitativ: Indessen seufzen wir
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
soprano vocals:
Elly Ameling (soprano) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: VIII. Recitativo (Sopran, Alt) "Indessen seufzen wir" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:58
9Oster-Oratorium, BWV 249: Arie: Saget, saget mir geschwinde
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
alto vocals:
Helen Watts (contralto) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: IX. Aria (Alt) "Saget, saget mir geschwinde" (from 1968-05-01 until 1968-05-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach7:14
10Oster-Oratorium, BWV 249: Rezitativ: Wir sind erfreut
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
bass vocals:
Tom Krause (bass-baritone) (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: X. Recitativo (Bass) "Wir sind erfreut" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach0:48
11Oster-Oratorium, BWV 249: Chor: Preis und Dank
recording engineer:
Martin Fouqué
producer:
John Mordler (producer)
choir vocals:
Der Wiener Akademiechor (from 1968-05-01 until 1968-05-13)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (from 1968-05-01 until 1968-05-13)
conductor:
Karl Münchinger (German conductor) (from 1968-05-01 until 1968-05-13)
recorded at:
Evangelisches Schloßkirche (Schloss Ludwigsburg) in Ludwigsburg, Baden-Württemberg, Germany (from 1968-05-01 until 1968-05-13)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (from 1968-05-01 until 1968-05-13)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
Johann Sebastian Bach2:47
12Kantate, BWV 10: Chor: Meine Seel erhebt den Herren
recording engineer:
Martin Fouqué
choir vocals:
Wiener Akademie-Chor (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": I. Coro "Meine Seel erhebt den Herren" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach4:10
13Kantate, BWV 10: Arie: Herr, der du stark und mächtig bist
recording engineer:
Martin Fouqué
soprano vocals:
Elly Ameling (soprano) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": II. Aria (Soprano) "Herr, der du stark und mächtig bist" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach7:04
14Kantate, BWV 10: Rezitativ: Des Höchsten Güt und Treu
recording engineer:
Martin Fouqué
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": III. Recitativo (Tenore) "Des Höchsten Güt und Treu" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:25
15Kantate, BWV 10: Arie: Gewaltige stüßt Gott vom Stuhl
recording engineer:
Martin Fouqué
bass vocals:
Tom Krause (bass-baritone) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": IV. Aria (Basso) "Gewaltige stößt Gott vom Stuhl" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach3:26
16Kantate, BWV 10: Duett: Er denket der Barmherzigkeit
recording engineer:
Martin Fouqué
alto vocals:
Helen Watts (contralto) (in 1968-05)
choir vocals:
Wiener Akademie-Chor (in 1968-05)
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": V. Duetto e Choral (Alto, tenore) "Er denket der Barmherzigkeit" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:04
17Kantate, BWV 10: Rezitativ: Was Gott den Vätern aller Zeiten
recording engineer:
Martin Fouqué
tenor vocals:
Werner Krenn (tenor) (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VI. Recitativo (Tenore) "Was Gott den Vätern alter Zeiten" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach2:25
18Kantate, BWV 10: Choral: Lob und Preis sei Gott dem Vater
recording engineer:
Martin Fouqué
choir vocals:
Wiener Akademie-Chor (in 1968-05)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra) (in 1968-05)
conductor:
Karl Münchinger (German conductor) (in 1968-05)
recording of:
Kantate, BWV 10 "Meine Seel erhebt den Herren": VII. Choral "Lob und Preis sei Gott dem Vater und dem Sohn" (in 1968-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 122)
part of:
Kantate, BWV 10 "Meine Seel erhebt den Herren"
Johann Sebastian Bach1:25

Credits

Release

art direction:Ann Bradbeer
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
part of:Ovation (Decca/London Classics) (order: 23)
Discogs:https://www.discogs.com/release/6582570 [info]