Les Noces de Figaro

~ Release by Mozart; Anna Tomowa‐Sintow, Ileana Cotrubaş, José van Dam, Frederica von Stade, Herbert von Karajan (see all versions of this release, 2 available)

Tracklist

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▼ CD 1
#TitleArtistRatingLength
1Les Noces de Figaro, K. 492: Sinfonia
engineer and balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
assistant producer:
Richard Beswick
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (from 1978-04 until 1978-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
Wolfgang Amadeus Mozart4:03
2Les Noces de Figaro, K. 492: "Cinque... dieci... venti, trenta..." (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 1) Duetto “Cinque… dieci… Venti… trenta…” (Figaro, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:12
3Les Noces de Figaro, K. 492: "Se a caso madama" (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena I. (no. 2) Duettino “Se a caso madama la notte ti chiama” (Figaro, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:03
4Les Noces de Figaro, K. 492: "Bravo, signor padrone !... Se vuol ballare" (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. “Bravo, signor padrone” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart4:04
5Les Noces de Figaro, K. 492: "La vendetta, oh, la vendetta" (Bartholo)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena III. (no. 4) Aria “La vendetta, oh, la vendetta” (Bartolo)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:46
6Les Noces de Figaro, K. 492: "Via, resti servita" (Marcelline)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) and Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena IV. (no. 5) Duettino “Via, resti servita, madama brillante” (Marcellina, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:43
7Les Noces de Figaro, K. 492: "Non so più cosa son, cosa faccio" (Chérubin)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
tenor vocals:
Heinz Zednik (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart6:32
8Les Noces de Figaro, K. 492: "Cosa sento ! tosto andate" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
tenor vocals:
Heinz Zednik (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VII. (no. 7) Terzetto “Cosa sento! tosto andante” (Il Conte, Basilio, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart10:04
9Les Noces de Figaro, K. 492: "Non più andrai, farfallone amoroso" (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:40
10Les Noces de Figaro, K. 492: "Porgi, amor" (La comtesse)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart8:07
11Les Noces de Figaro, K. 492: "Voi che sapete" (Chérubin)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:45
12Les Noces de Figaro, K. 492: "Venite... inginocchiatevi" (Suzanne)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 13) Aria “Venite… inginocchiatevi…” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart5:14
13Les Noces de Figaro, K. 492: "Che novità !" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. Recitativo “Che novità!” (Il Conte, La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:10
14Les Noces de Figaro, K. 492: "Susanna, or via, sortite" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena III. (no. 14) Terzetto “Susanna or via, sortite” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart3:47
15Les Noces de Figaro, K. 492: "Aprite, presto, aprite" (Suzanne)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IV. (no. 15) Duettino “Aprite, presto, aprite” (Susanna, Cherubino)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:27
▼ CD 2
#TitleArtistRatingLength
1Les Noces de Figaro, K. 492: "Tutto è come il lasciai" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena V. Recitativo “Tutto è come io lasciai” (Il Conte, La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart1:15
2Les Noces de Figaro, K. 492: "Esci omai, garzon malnato !" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena VII. (no. 16) Finale “Esci, ormai, garzon malnato” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart7:35
3Les Noces de Figaro, K. 492: "Signori, di fuori son già i suonatori" (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Zoltán Kelemen (operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena IX. (no. 16) Finale “Signore, di fuori” (Figaro, Il Conte, Susanna, La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart9:20
4Les Noces de Figaro, K. 492: "Voi signor, che giusto siete" (Marcelline, Barthol, Basileo)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
tenor vocals:
Heinz Zednik (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena XI. (no. 16) Finale “Voi signor che giusto siete” (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart4:17
5Les Noces de Figaro, K. 492: "Che imbarazzo è mai questo !" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena I. Recitativo “Che imbarazzo è mai questo!” (Il Conte, La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart2:10
6Les Noces de Figaro, K. 492: "Crudel ! perchè finora" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena II. (no. 17) Duetto “Crudel! Perché finora farmi languir così?” (Il Conte, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart3:33
7Les Noces de Figaro, K. 492: "Hai già vinta la causa !... Vedrò, mentr'io sospiro" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
vocals:
Christine Barbaux
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena IV. (no. 18) Recitativo “Hai già vinta la causa” (Il Conte)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart5:45
8Les Noces de Figaro, K. 492: "E Susanna non vien !... Dove sono i bei momenti" (La comtesse)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Recitativo “E Susanna non vien!” (La Contessa)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart8:37
9Les Noces de Figaro, K. 492: "Riconosci in questo amplesso" (Marcelline)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass) (from 1978-04 until 1978-05) and Zoltán Kelemen (operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1978-04 until 1978-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena V. (no. 19) Sestetto “Riconosci in questo amplesso” (Susanna, Marcellina, Don Curzio, Il Conte, Bartolo, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:27
10Les Noces de Figaro, K. 492: "Cosa mi narri !" (La comtesse)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Zoltán Kelemen (operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
vocals:
Christine Barbaux (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:53
11Les Noces de Figaro, K. 492: "Ecco la marcia" (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scenas XII-XIV. (no. 23) Finale “Ecco la marcia, Andiamo” (Barbarina, Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Wolfgang Amadeus Mozart6:25
▼ CD 3
#TitleArtistRatingLength
1Les Noces de Figaro, K. 492: "L'ho perduta" (Barberine)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1978-04 until 1978-05)
vocals:
Christine Barbaux (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena I. (no. 24) Cavatina “L’ho perduta… me meschina” (Barbarina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:59
2Les Noces de Figaro, K. 492: "Il capro e la capretta" (Marcelline)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano) (from 1978-04 until 1978-05)
tenor vocals:
Heinz Zednik (tenor) (from 1978-04 until 1978-05)
vocals:
Christine Barbaux (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VI. (no. 25) Aria “Il capro e la capretta” (Marcellina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:25
3Les Noces de Figaro, K. 492: "In quegli anni in cui val poco" (Basile)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
tenor vocals:
Heinz Zednik (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VII. (no. 26) Aria “In quegli anni in cui val poco” (Basilio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:11
4Les Noces de Figaro, K. 492: "Tutto è disposto... Aprite un po' quegli occhi" (Figaro)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Jane Berbié (mezzo-soprano)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Aria “Aprite un po’ quegl’occhi” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena VIII. (no. 27) Recitativo “Tutto è disposto” (Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:18
5Les Noces de Figaro, K. 492: "Giunse alfin il momento... Deh vieni, non tardar" (Suzanne)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Recitativo “Giunse alfin il momento” (Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:28
6Les Noces de Figaro, K. 492: "Pian pianin le andrò più presso" (Chérubin)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pian pianin le andrò più presso” (Cherubino, La Contessa, Il Conte, Susanna, Figaro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart11:00
7Les Noces de Figaro, K. 492: "Gente, gente, all'armi, all'armi" (Le comte)
producer:
Richard Beswick and Christopher Raeburn (producer)
harpsichord:
Konrad Leitner (conductor) (from 1978-04 until 1978-05)
bass vocals:
Jules Bastin (Belgian 20th century operatic bass) (from 1978-04 until 1978-05) and Zoltán Kelemen (operatic bass) (from 1978-04 until 1978-05)
bass-baritone vocals:
Tom Krause (bass-baritone) (from 1978-04 until 1978-05) and José van Dam (Belgian operatic bass-baritone) (from 1978-04 until 1978-05)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (from 1978-04 until 1978-05)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (from 1978-04 until 1978-05)
soprano vocals:
Ileana Cotrubaș (Romanian soprano) (from 1978-04 until 1978-05) and Anna Tomowa‐Sintow (soprano) (from 1978-04 until 1978-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1978-04 until 1978-05) and Heinz Zednik (tenor) (from 1978-04 until 1978-05)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1978-04 until 1978-05)
conductor:
Herbert von Karajan (conductor) (from 1978-04 until 1978-05)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1978-04 until 1978-05)
balance engineer:
John Dunkerley (engineer), Jack Law (engineer) and James Lock (James Locke, engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1978-04 until 1978-05)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Gente gente, all’armi all’armi!” (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart5:12