La Grande Histoire du Jazz: Au temps du Middle Jazz et du Bop 1952 > 1955

~ Release by André Francis & Jean Schwarz (see all versions of this release, 1 available)

Annotation

25 CDs boxset

Annotation last modified on 2013-10-10 08:23 UTC.

Tracklist

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▼ CD 1: Janvier – Avril 1952
#TitleArtistRatingLength
1Sequel
Paul Quinichette3:01
2Keep Cool
Django Reinhardt3:07
3Salute to Pres
recording of:
Salute to Pres (in 1952)
composer:
Flip Phillips
Flip Phillips2:56
4Pinch Bottle
Henri Renaud4:44
5I’m in the Mood for Love
King Pleasure3:04
6Tea for Two
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Oscar Peterson12:55
7Brown Gold
Art Pepper2:26
8Who’s Blues
recorded in:
New York, New York, United States (on 1952-03-06)
double bass:
Chocolate Williams (on 1952-03-06)
drums (drum set):
Shadow Wilson (on 1952-03-06)
guitar:
Unknown, possibly Danny Barker ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1952-03-06)
piano:
Herbie Nichols (jazz pianist and composer) (on 1952-03-06)
Herbie Nichols2:45
9’s Wonderful
recorded in:
New York, New York, United States (on 1952-03-06)
double bass:
Chocolate Williams (on 1952-03-06)
drums (drum set):
Shadow Wilson (on 1952-03-06)
guitar:
Unknown, possibly Danny Barker ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (on 1952-03-06)
piano:
Herbie Nichols (jazz pianist and composer) (on 1952-03-06)
instrumental recording of:
’S Wonderful (on 1952-03-06)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
part of:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
Herbie Nichols2:51
10Moonlight in Vermont
Johnny Smith3:16
11Jaguar
Johnny Smith2:35
12Caravan
Bernard Peiffer3:12
13Laura
instrumental recording of:
Laura (1945 song) (on 1952-04-10)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
Don Byas4:18
14Poggerini
Bill Harris2:34
15Somewhere Along the Way
recording of:
Somewhere Along the Way
lyricist:
Sammy Gallop
composer:
Kurt Adams
publisher:
United Music Corp.
Gene Ammons3:00
16Perdido
recording of:
Perdido (original instrumental version)
composer:
Juan Tizol
Duke Ellington4:39
17What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Charlie Parker2:40
18Night & Day
Charlie Parker2:53
19Softly as in a Morning Sunrise
Milt Jackson3:32
20Love Me Pretty Baby
Milt Jackson3:42
21Bag’s Groove
Milt Jackson3:03
▼ CD 2: Avril – Juillet 1952
#TitleArtistRatingLength
1Dizzy Song
Dizzy Gillespie3:44
2Portrait
recording of:
Portrait
lyricist and composer:
Charles Mingus
Charles Mingus3:15
3Billy Boy
instrumental recording of:
Billy Boy
writer:
[traditional] (special purpose artist)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
Ahmad Jamal2:41
4Dear Old Stockholm
recorded in:
New York, New York, United States (on 1952-05-09)
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
recording of:
Dear Old Stockholm (on 1952-05-09)
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
cover recording of:
Dear Old Stockholm
writer:
[traditional] (special purpose artist)
arranger:
Stan Getz
version of:
Ack, Värmeland, du sköna (Fryxell version)
Miles Davis4:14
5Yesterdays
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
bass and double bass:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
instrumental recording of:
Yesterdays (on 1952-05-09)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Miles Davis3:46
6Donna
producer:
Alfred Lion
alto saxophone:
Jackie McLean (jazz saxophonist) (on 1952-05-09)
double bass and double bass [bass]:
Oscar Pettiford (on 1952-05-09)
drums (drum set):
Kenny Clarke (on 1952-05-09)
piano:
Gil Coggins (on 1952-05-09)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1952-05-09)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1952-05-09)
phonographic copyright (℗) by:
Blue Note
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-09)
recording of:
Donna (on 1952-05-09)
lyricist and composer:
Jackie McLean (jazz saxophonist)
instrumental recording of:
Donna (on 1952-05-09)
lyricist and composer:
Jackie McLean (jazz saxophonist)
Miles Davis3:13
7Stompin’ at the Savoy
recording of:
Stompin’ at the Savoy
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Woody Herman2:34
8Carolina Moon
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
instrumental recording of:
Carolina Moon (1928 song) (on 1952-05-30)
lyricist:
Benny Davis (US vaudeville performer and songwriter)
composer:
Joe Burke (American composer)
publisher:
Burton Way Music Ltd., Cromwell Music, Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Fred Ahlert Mus. Corp., Lawrence Wright Music Co., Ltd., Memory Lane Music (publishing company) and Redwood Music
Thelonious Monk3:29
9Let’s Cool One
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Let’s Cool One (on 1952-05-30)
composer:
Thelonious Monk
Thelonious Monk3:49
10Hornin’ In
recorded in:
New York, New York, United States (on 1952-05-30)
alto saxophone:
Lou Donaldson (on 1952-05-30)
double bass:
Nelson Boyd (on 1952-05-30)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1952-05-30)
piano:
Thelonious Monk (on 1952-05-30)
tenor saxophone:
Lucky Thompson (on 1952-05-30)
trumpet:
Kenny Dorham (US jazz trumpeter, singer, and composer) (on 1952-05-30)
recorded at:
WOR Studios in New York, New York, United States (on 1952-05-30)
recording of:
Hornin’ In (on 1952-05-30)
composer:
Thelonious Monk
Thelonious Monk3:16
11I Cried for You
recording of:
I Cried for You
lyricist:
Arthur Freed
composer:
Gus Arnheim and Abe Lyman
publisher:
Arthur Freed Music, CBS Miller Catalog, Inc. and Miller Music Corp.
Dinah Washington2:30
12Funky Blues
Jazz at The Philharmonic13:31
13Get Happy
recording of:
Get Happy
lyricist:
Ted Koehler (in 1929)
composer:
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
Summer Stock
part of:
The Nine‐Fifteen Revue (1930)
Gerry Mulligan2:35
14Godchild
recording of:
Godchild
composer:
George Wallington
Gerry Mulligan2:52
15Angel Eyes
vocals:
Ella Fitzgerald (American jazz singer) (in 1956)
orchestra:
Sy Oliver and His Orchestra (from 1949 until 1954)
cover recording of:
Angel Eyes (1946 jazz standard) (in 1956)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music), Onyx Music Corporation and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Ella Fitzgerald52:57
16Mr. Paganini You’ll Have to Swing It
cover recording of:
You'll Have to Swing It (Mr Paganini)
writer:
Sam Coslow
Ella Fitzgerald5:13
17Bustin’ Suds
Paul Quinichette3:07
18Early Autumn
recording of:
Early Autumn
lyricist:
Johnny Mercer (in 1949)
composer:
Ralph Burns (in 1949) and Woody Herman (in 1949)
Woody Herman2:54
19Body and Soul
Eddie Jefferson3:21
20Lullaby of Birdland
recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
George Shearing2:41
▼ CD 3: Juillet – Septembre 1952
#TitleArtistRatingLength
1Lennie’s Pennies
recording of:
Lennie’s Pennies
composer:
Lennie Tristano
publisher:
C & C Jazz
Lennie Tristano6:15
2Out of Nowhere
Lennie Tristano9:18
3Ooh‐Shoo‐Bee‐Doo‐Bee
recording of:
Ooh‐Shoo‐Be‐Doo‐Bee
lyricist:
Joe Carroll (jazz singer)
composer:
Dizzy Gillespie
Dizzy Gillespie3:24
4They Can’t Take That Away From Me
baritone saxophone:
Bill Graham (US jazz saxophonist) (on 1952-07-18)
double bass:
Bernie Griggs (on 1952-07-18)
drums (drum set):
Al Jones (drummer with Dizzy Gillespie) (on 1952-07-18)
piano:
Wynton Kelly (on 1952-07-18)
trumpet:
Dizzy Gillespie (on 1952-07-18)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1952-07-18)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
Dizzy Gillespie3:48
5Port of Rico
recording of:
Port of Rico (on 1952-07-21)
composer:
Illinois Jacquet
Illinois Jacquet2:45
6Swing Shift
Howard Rumsey2:29
7Paradise Squat
recording of:
Paradise Squat
composer:
Count Basie (pianist) and Buster Harding
Count Basie3:35
8Yesterdays
recording of:
Yesterdays
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
Billie Holiday2:52
9Lover Come Back to Me
recording of:
Lover, Come Back to Me (from "The New Moon")
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1928)
writer:
Sigmund Romberg
composer:
Sigmund Romberg (in 1928)
publisher:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1928)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The New Moon: Act II
Billie Holiday3:38
10Skin Deep
recording of:
Skin Deep
composer:
Louie Bellson
Duke Ellington6:51
11Bernie’s Tune
recording engineer:
Phil Turetsky (on 1952-08-16)
baritone saxophone:
Gerry Mulligan (on 1952-08-16)
bass and double bass:
Bob Whitlock (Jazz bassist) (on 1952-08-16)
drums (drum set):
Chico Hamilton (on 1952-08-16)
trumpet:
Chet Baker (American jazz trumpeter and vocalist) (on 1952-08-16)
recorded at:
Phil Turetsky’s House in Los Angeles, California, United States (on 1952-08-16)
recording of:
Bernie’s Tune (on 1952-08-16)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
instrumental recording of:
Bernie’s Tune (on 1952-08-16)
lyricist:
Jerry Leiber and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
Gerry Mulligan2:54
12This Can’t Be Love
Dave Brubeck4:14
13My Funny Valentine
recording of:
My Funny Valentine (from “Babes in Arms”)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
Gerry Mulligan2:58
14Zootcase
Zoot Sims5:40
15Jumpin’ Jacque
Hampton Hawes2:53
16Young Blood
Stan Kenton3:16
17The Martinique
Wilbur de Paris5:16
18Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
Oscar Peterson5:33
▼ CD 4: septembre – décembre 1952
#TitleArtistRatingLength
1Montage
Charles Mingus2:55
2Twisted
Annie Ross2:41
3Horascope
Horace Silver3:51
4Safari
Horace Silver2:52
5On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Cotton Club Publishing, EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Louis Armstrong3:55
6Bye‐Ya
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Bye‐Ya (on 1952-10-15)
composer:
Thelonious Monk
Thelonious Monk2:48
7Little Rootie Tootie
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Little Rootie Tootie (on 1952-10-15)
composer:
Thelonious Monk
Thelonious Monk3:07
8Monk’s Dream
recorded in:
New York, New York, United States (on 1952-10-15)
double bass:
Gary Mapp (jazz double bassist) (on 1952-10-15)
drums (drum set):
Art Blakey (on 1952-10-15)
piano:
Thelonious Monk (on 1952-10-15)
recording of:
Monk’s Dream (on 1952-10-15)
composer:
Thelonious Monk
Thelonious Monk3:08
9Freeway
recording of:
Freeway
composer:
Chet Baker (American jazz trumpeter and vocalist)
Gerry Mulligan2:47
10Walkin’ Shoes
recording of:
Walkin’ Shoes
composer:
Gerry Mulligan
Gerry Mulligan3:14
11On the Sunny Side of the Street
Sidney Bechet4:07
12Ecaroh
recording of:
Ecaroh
writer:
Horace Silver
Horace Silver3:15
13Prelude to a Kiss
Horace Silver2:52
14Strike Up the Band
Stan Getz6:51
15Indiana
Buddy DeFranco3:14
16Indiana
Edmond Hall2:40
17Battle of Blues
Vic Dickenson3:07
18Battle of Blues
Dizzy Gillespie2:59
19Ad Lib Blues
Lester Young5:53
20These Foolish Things
Lester Young3:28
21It Ain’t Necessarily So
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements)
lyricist:
Ira Gershwin, Dorothy Heyward (playwright) and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so”
Oscar Peterson3:16
22Merlin
recording of:
Merlin
composer:
Lars Gullin
Lars Gullin3:29
▶ CD 5: décembre 1952 – janvier 1953
▶ CD 6: Février – Avril 1953
▶ CD 7: avril – mai 1953
▶ CD 8: mai – septembre 1953
▶ CD 9: septembre 1953
▶ CD 10: septembre – novembre 1953
▶ CD 11: novembre – décembre 1953
▶ CD 12: décembre 1953 – février 1954
▶ CD 13: février – mars 1954
▶ CD 14: mars – avril 1954
▶ CD 15: avril – juin 1954
▶ CD 16: juin – juillet 1954
▶ CD 17: juillet – août 1954
▶ CD 18: août – octobre 1954
▶ CD 19: septembre – octobre 1954
▶ CD 20: octobre – décembre 1954
▶ CD 21: décembre 1954
▶ CD 22: décembre 1954 – janvier 1955

Credits

Release

ASIN:FR: B003WL7EB2 [info]