Fifty Shades of Grey: The Classical Album

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Lakme: Flower Duet
mezzo-soprano vocals:
Danielle Millet (mezzo-soprano) (from 1970-09-17 until 1970-12-21)
soprano vocals:
Mady Mesplé (soprano) (from 1970-09-17 until 1970-12-21)
orchestra:
Orchestre du Théâtre National de l’Opéra‐Comique (from 1970-09-17 until 1970-12-21)
conductor:
Alain Lombard (conductor) (from 1970-09-17 until 1970-12-21)
phonographic copyright (℗) by:
EMI France (in 1971)
edit of:
Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Chœurs du Théâtre National de l’Opéra‐Comique, Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
partial recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika) (from 1970-09-17 until 1970-12-21)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes3:30
2Keyboard Concerto in D Minor
piano:
Alexandre Tharaud (pianist) (from 2010-09-09 until 2010-09-14)
orchestra:
Les Violons du Roy (Canadian chamber orchestra) (from 2010-09-09 until 2010-09-14)
conductor:
Bernard Labadie (conductor and arranger) (from 2010-09-09 until 2010-09-14)
arranger:
Bernard Labadie (conductor and arranger) and Alexandre Tharaud (pianist)
recorded at:
Palais Montcalm in Québec City (Quebec City), Québec, Canada (from 2010-09-09 until 2010-09-14)
recording of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (catch all for arrangements) (from 2010-09-09 until 2010-09-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Alessandro Marcello
arrangement of:
Concerto in D minor after Alessandro Marcello, BWV 974: II. Adagio (transcription for cembalo by J.S. Bach)
Johann Sebastian Bach3:59
3Bachianas Brasileiras No. 5:Aria Cantileña) - Adagio
solo cello and solo violoncello piccolo:
Eldon Fox (cellist)
violoncello piccolo:
8 violoncelles du Royal Philharmonic Orchestra (Royal Philharmonic Orchestra)
soprano vocals:
Barbara Hendricks (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Heitor Villa‐Lobos6:06
4La Traviata: Prelude
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Preludio (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata
part of:
La traviata (english lyrics)
part of:
La traviata (french lyrics)
part of:
La Traviata (aka Violetta, german lyrics)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:52
5Canon in D
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Canon and Gigue in D major, T. 337: I. Canon (Canon and Gigue in D major, T. 377: I. Canon) (from 1973-10-01 until 1973-10-04)
composer:
Johann Pachelbel (composer)
part of:
Canon and Gigue in D major, T. 337
Johann Pachelbel4:57
6Spem in Alium
choir vocals:
The Tallis Scholars
conductor:
Peter Phillips (British conductor)
recorded at:
Chapel of Merton College in Oxford, Oxfordshire, England, United Kingdom
recording of:
Spem in alium (in 1985)
composer:
Thomas Tallis (composer)
Thomas Tallis9:44
7Prélude Op.28, No. 4 In E Minor
producer:
René Challan
piano:
Samson François (pianist) (from 1959-02-03 until 1959-02-04, on 1959-02-06, from 1959-02-10 until 1959-02-11)
balance engineer:
Walter Ruhlmann (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1959-02-03 until 1959-02-04, on 1959-02-06, from 1959-02-10 until 1959-02-11)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (from 1959-02-03 until 1959-02-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
24 Préludes pour le piano, op. 28
Frederic Chopin1:43
8Piano Concerto No. 2 In C Minor, Op.18: Adagio Sostenuto
piano:
Cécile Ousset (French pianist)
orchestra:
City of Birmingham Symphony Orchestra
conductor:
Simon Rattle (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1984)
partial recording of:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
premiered in:
Moscow, Russia (on 1900-12-15)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (from 1900 until 1901-04)
part of:
Piano Concerto no. 2 in C minor, op. 18
Sergel Rachmoninoff4:31
9Fantasia On A Theme By Thomas Tallis: Opening
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Adrian Boult (conductor)
partial recording of:
Fantasia on a Theme by Thomas Tallis
composer:
Ralph Vaughan Williams (English composer) (in 1910)
is based on:
Nine Psalm Tunes for Archbishop Parker’s Psalter: No. 3 “Why Fum’th in Fight” (Psalm 2)
Ralph Vaughan Williams6:12
10Chants D'Auvergne: Baïlèro
soprano vocals:
Arleen Augér (soprano)
orchestra:
English Chamber Orchestra
conductor:
Yan Pascal Tortelier (conductor and violinist)
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
part of:
Chants d'Auvergne: Première Série
Joseph Canteloube6:40
11Nocturne No.1 In B Bémol Minor Op. 9
producer:
Eric Macleod (producer)
piano:
Samson François (pianist) (from 1966-05-17 until 1966-05-18, on 1966-05-20, from 1966-07-05 until 1966-07-08, on 1966-07-18)
balance engineer:
Paul Vavasseur (engineer)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1966-05-17 until 1966-05-18, on 1966-05-20, from 1966-07-05 until 1966-07-08, on 1966-07-18)
recording of:
Nocturne no. 1 in B-flat minor, op. 9 no. 1: Larghetto (from 1966-05-17 until 1966-07-18)
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Nocturnes, op. 9 (original for piano)
Frederic Chopin5:13
12Requiem Op. 48: In Paradisum
producer:
David Groves (classical music producer at EMI)
organ:
Peter Barley (from 1988-12-16 until 1988-12-19)
violin:
José‐Luis García (violinist & conductor) (from 1988-12-16 until 1988-12-19)
choir vocals:
Choir of King’s College, Cambridge (from 1988-12-16 until 1988-12-19)
orchestra:
English Chamber Orchestra (from 1988-12-16 until 1988-12-19)
conductor:
Stephen Cleobury (organist, conductor) (from 1988-12-16 until 1988-12-19)
balance engineer:
Neville Boyling (engineer) (from 1988-12-16 until 1988-12-19) and David Flower (engineer) (from 1988-12-16 until 1988-12-19)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1989)
recorded at:
Chapel of King’s College, Cambridge in Cambridge, Cambridgeshire, England, United Kingdom (from 1988-12-16 until 1988-12-19)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (from 1988-12-16 until 1988-12-19)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
part of:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:27
13Goldberg Variations BWV 988: Aria
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:04
14Préludes: La Fille Aux Cheveux De Lin
piano:
Dame Moura Lympany (British pianist)
recording of:
Préludes, Livre I, L. 117, CD 125: VIII. La fille aux cheveux de lin. Très calme et doucement expressif (The Girl with the Flaxen Hair)
composer:
Claude Debussy (composer) (from 1909-12 until 1910-02)
premiered at:
[concert] (1910-06-02)
part of:
Préludes, Livre I, L. 117, CD 125
Claude Debussy2:36
15Cantata No. 147 (Transcribed By Myra Hess) - Jesu, Joy Of Man's Desiring
piano and solo piano:
Alexis Weissenberg
recording of:
Jesu, Joy of Man’s Desire, from BWV 147 (for piano, Myra Hess)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
piano arranger:
Dame Myra Hess (pianist)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:30