Charlie Parker With Strings: The Master Takes

~ Release by Charlie Parker (see all versions of this release, 7 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Just Friends
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Just Friends (on 1949-11-30)
lyricist:
Sam M. Lewis (1930s lyricist)
composer:
John Klenner
publisher:
EMI Robbins Catalog Inc. (ASCAP)
3:33
2Everything Happens to Me
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental cover recording of:
Everything Happens to Me (on 1949-11-30)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Commander Publications, Dorsey Brothers Music, Embassy Music Corporation and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:18
3April in Paris
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
April in Paris (on 1949-11-30)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:09
4Summertime
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1949-11-30)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
2:49
5I Didn't Know What Time It Was
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
instrumental recording of:
I Didn’t Know What Time It Was (Pal Joey) (on 1949-11-30)
lyricist:
Lorenz Hart (in 1939)
composer:
Richard Rodgers (composer) (in 1939)
publisher:
Lorenz Hart Publishing Co. and Williamson Music Company
part of:
Pal Joey
3:15
6If I Should Lose You
recorded in:
New York, New York, United States (on 1949-11-30)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1949-11-30)
cello:
Frank Miller (US cellist) (on 1949-11-30)
cor anglais and oboe:
Mitch Miller (on 1949-11-30)
double bass:
Ray Brown (jazz bassist) (on 1949-11-30)
drums (drum set):
Buddy Rich (on 1949-11-30)
harp:
Meyer Rosen (Musician - Harp Player) (on 1949-11-30) and Myor Rosen (on 1949-11-30)
piano:
Stan Freeman (on 1949-11-30)
viola:
Frank Brieff (on 1949-11-30)
violin:
Bronislaw Gimpel (violinist) (on 1949-11-30), Max Hollander (on 1949-11-30) and Milton Lomask (on 1949-11-30)
orchestra:
Jimmy Carroll & His Orchestra (on 1949-11-30) and Charlie Parker Quartet (on 1949-11-30)
conductor:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor) (on 1949-11-30)
arranger:
Jimmy Carroll (1913 - 1972, songwriter, orchestra arranger & conductor)
recorded at:
Mercury Sound Studios in New York, New York, United States (on 1949-11-30)
instrumental recording of:
If I Should Lose You (on 1949-11-30)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:49
7Dancing in the Dark
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1950-07)
cello:
Maurice Brown (jazz cellist) (in 1950-07)
double bass:
Ray Brown (jazz bassist) (in 1950-07)
drums (drum set):
Buddy Rich (in 1950-07)
French horn:
Joseph Singer (in 1950-07)
harp:
Verlye Mills (in 1950-07)
oboe:
Eddie Brown (Oboist) (in 1950-07)
piano:
Bernie Leighton (in 1950-07)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
viola:
Isadore Zir (aka Isadore Zit viola player) (in 1950-07)
violin:
Sam Caplan (in 1950-07), Howard Kay (Violin player) (in 1950-07), Harry Melnikoff (in 1950-07), Sam Rand (violinist) (in 1950-07) and Zelly Smirnoff (violinist) (in 1950-07)
conductor:
Joe Lipman (Joseph P. Lippman) (in 1950-07)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
Dancing in the Dark (in 1950-07)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division), WC Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
3:13
8Out of Nowhere
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
French horn:
Joseph Singer (on 1950-07-05)
harp:
Verlye Mills (on 1950-07-05)
oboe:
Eddie Brown (Oboist) (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-07-05)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Sam Caplan (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Harry Melnikoff (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
Out of Nowhere (on 1950-07-05)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:10
9Laura
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
French horn:
Joseph Singer (on 1950-07-05)
harp:
Verlye Mills (on 1950-07-05)
oboe:
Eddie Brown (Oboist) (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-07-05)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Sam Caplan (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Harry Melnikoff (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
Laura (1945 song) (on 1950-07-05)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:02
10East of the Sun (and West of the Moon)
recorded in:
New York, New York, United States (on 1950-07-05)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
French horn:
Joseph Singer (on 1950-07-05)
harp:
Verlye Mills (on 1950-07-05)
oboe:
Eddie Brown (Oboist) (on 1950-07-05) and Edwin Brown (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-07-05)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Sam Caplan (on 1950-07-05), Sam Kaplan (violinist) (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Harry Melnikoff (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
orchestra:
Joe Lipman & His Orchestra (on 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
East of the Sun (and West of the Moon) (on 1950-07-05)
lyricist and composer:
Brooks Bowman (in 1934)
publisher:
Anne-Rachel Music Corp. and Chappell & Co.
3:42
11They Can't Take That Away From Me
recorded in:
New York, New York, United States (on 1950-07-05)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
French horn:
Joseph Singer (on 1950-07-05)
harp:
Verlye Mills (on 1950-07-05)
oboe:
Eddie Brown (Oboist) (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-07-05)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Sam Caplan (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Harry Melnikoff (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1950-07-05)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
3:21
12Easy to Love
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1950-07)
cello:
Maurice Brown (jazz cellist) (in 1950-07)
double bass:
Ray Brown (jazz bassist) (in 1950-07)
drums (drum set):
Buddy Rich (in 1950-07)
French horn:
Joseph Singer (in 1950-07)
harp:
Verlye Mills (in 1950-07)
oboe:
Eddie Brown (Oboist) (in 1950-07)
piano:
Bernie Leighton (in 1950-07)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
viola:
Isadore Zir (aka Isadore Zit viola player) (in 1950-07)
violin:
Sam Caplan (in 1950-07), Howard Kay (Violin player) (in 1950-07), Harry Melnikoff (in 1950-07), Sam Rand (violinist) (in 1950-07) and Zelly Smirnoff (violinist) (in 1950-07)
conductor:
Joe Lipman (Joseph P. Lippman) (in 1950-07)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
Easy to Love (in 1950-07)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
3:33
13I'm in the Mood for Love
recorded in:
New York, New York, United States (on 1950-07-05)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
French horn:
Joseph Singer (on 1950-07-05)
harp:
Verlye Mills (on 1950-07-05)
oboe:
Eddie Brown (Oboist) (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-07-05)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Sam Caplan (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Harry Melnikoff (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
I’m in the Mood for Love (on 1950-07-05)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:37
14I'll Remember April
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-07-05)
cello:
Maurice Brown (jazz cellist) (on 1950-07-05)
double bass:
Ray Brown (jazz bassist) (on 1950-07-05)
drums (drum set):
Buddy Rich (on 1950-07-05)
French horn:
Joseph Singer (on 1950-07-05)
harp:
Verlye Mills (on 1950-07-05)
oboe:
Eddie Brown (Oboist) (on 1950-07-05)
piano:
Bernie Leighton (on 1950-07-05)
tuba and xylophone:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-07-05)
viola:
Isadore Zir (aka Isadore Zit viola player) (on 1950-07-05)
violin:
Sam Caplan (on 1950-07-05), Howard Kay (Violin player) (on 1950-07-05), Harry Melnikoff (on 1950-07-05), Sam Rand (violinist) (on 1950-07-05) and Zelly Smirnoff (violinist) (on 1950-07-05)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1950-07-05)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental recording of:
I’ll Remember April (on 1950-07-05)
lyricist:
Patricia Johnston and Don Raye
composer:
Gene de Paul
publisher:
Hub Music Co Inc, Leeds Music, MCA Music Ltd., Rytvoc, Inc. (ASCAP) and Universal Music Corp. (USA, affiliated with ASCAP)
3:05
15What Is This Thing Called Love?
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-09-17)
cello:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-09-17)
double bass:
Tommy Potter (on 1950-09-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-09-17)
harp:
Wallace McManus (on 1950-09-17)
oboe:
Tommy Mace (on 1950-09-17)
piano:
Al Haig (on 1950-09-17)
viola:
Dave Uchitel (on 1950-09-17)
violin:
Ted Blume (on 1950-09-17), Sam Caplan (on 1950-09-17) and Stan Karpenia (on 1950-09-17)
instrumental cover recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (on 1950-09-17)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
2:54
16April in Paris (take 2)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-09-17)
cello:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-09-17)
double bass:
Tommy Potter (on 1950-09-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-09-17)
harp:
Wallace McManus (on 1950-09-17)
oboe:
Tommy Mace (on 1950-09-17)
piano:
Al Haig (on 1950-09-17)
viola:
Dave Uchitel (on 1950-09-17)
violin:
Ted Blume (on 1950-09-17), Sam Caplan (on 1950-09-17) and Stan Karpenia (on 1950-09-17)
instrumental cover recording of:
April in Paris (on 1950-09-17)
lyricist:
Yip Harburg (in 1932)
composer:
Vernon Duke (in 1932)
publisher:
Chappell Music Ltd.
part of:
The Real Book (compilation of jazz standards, Volume I)
3:13
17Repetition (take 2)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-09-17)
cello:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-09-17)
double bass:
Tommy Potter (on 1950-09-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-09-17)
harp:
Wallace McManus (on 1950-09-17)
oboe:
Tommy Mace (on 1950-09-17)
piano:
Al Haig (on 1950-09-17)
viola:
Dave Uchitel (on 1950-09-17)
violin:
Ted Blume (on 1950-09-17), Sam Caplan (on 1950-09-17) and Stan Karpenia (on 1950-09-17)
cover recording of:
Repetition (on 1950-09-17)
composer:
Neal Hefti
publisher:
Cinephonic Music Co., Ltd.
2:52
18Easy to Love (take 2)
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-09-17)
cello:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-09-17)
double bass:
Tommy Potter (on 1950-09-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-09-17)
harp:
Wallace McManus (on 1950-09-17)
oboe:
Tommy Mace (on 1950-09-17)
piano:
Al Haig (on 1950-09-17)
viola:
Dave Uchitel (on 1950-09-17)
violin:
Ted Blume (on 1950-09-17), Sam Caplan (on 1950-09-17) and Stan Karpenia (on 1950-09-17)
instrumental cover recording of:
Easy to Love (on 1950-09-17)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell (company that specialized in library and production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Anything Goes
part of:
Born to Dance
2:25
19Rocker
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1950-09-17)
cello:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1950-09-17)
double bass:
Tommy Potter (on 1950-09-17)
drums (drum set):
Roy Haynes (American jazz drummer and bandleader) (on 1950-09-17)
harp:
Wallace McManus (on 1950-09-17)
oboe:
Tommy Mace (on 1950-09-17)
piano:
Al Haig (on 1950-09-17)
viola:
Dave Uchitel (on 1950-09-17)
violin:
Ted Blume (on 1950-09-17), Sam Caplan (on 1950-09-17) and Stan Karpenia (on 1950-09-17)
cover recording of:
Rocker (on 1950-09-17)
composer:
Gerry Mulligan
3:04
20Temptation
recorded in:
New York, New York, United States (on 1952-01-22)
producer:
Norman Granz
alto saxophone:
Toots Mondello (on 1952-01-22), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-01-22, from 1952-01-22 until 1952-01-23) and Murray Williams (on 1952-01-22)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (on 1952-01-22)
cello and viola:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-01-22)
double bass:
Bob Haggart (on 1952-01-22)
drums (drum set):
Don Lamond (on 1952-01-22)
guitar:
Art Ryerson (on 1952-01-22)
harp:
Verlye Mills (on 1952-01-22)
piano:
Lou Stein (on 1952-01-22)
tenor saxophone:
Hank Ross (on 1952-01-22)
tenor saxophone and woodwind:
Art Drelinger (on 1952-01-22)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1952-01-22) and Bill Harris (jazz trombonist) (on 1952-01-22)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1952-01-22), Al Porcino (on 1952-01-22) and Bernie Privin (on 1952-01-22)
violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-01-22), Sam Caplan (on 1952-01-22), Sylvan Shulman (violinist) (on 1952-01-22) and Jack Zayde (on 1952-01-22)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1952-01-22)
arranger:
Joe Lipman (Joseph P. Lippman)
live instrumental recording of:
Temptation (on 1952-01-22)
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
part of:
Going Hollywood (1933 film)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
3:33
21Lover
recorded in:
New York, New York, United States (on 1952-01-22)
producer:
Norman Granz
alto saxophone:
Toots Mondello (on 1952-01-22), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-01-22, on 1952-01-23) and Murray Williams (on 1952-01-22)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (on 1952-01-22)
cello and viola:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-01-22)
double bass:
Bob Haggart (on 1952-01-22)
drums (drum set):
Don Lamond (on 1952-01-22)
guitar:
Art Ryerson (on 1952-01-22)
harp:
Verlye Mills (on 1952-01-22)
piano:
Lou Stein (on 1952-01-22)
tenor saxophone:
Hank Ross (on 1952-01-22)
tenor saxophone and woodwind:
Art Drelinger (on 1952-01-22)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1952-01-22) and Bill Harris (jazz trombonist) (on 1952-01-22)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1952-01-22), Al Porcino (on 1952-01-22) and Bernie Privin (on 1952-01-22)
violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-01-22), Sam Caplan (on 1952-01-22), Sylvan Shulman (violinist) (on 1952-01-22) and Jack Zayde (on 1952-01-22)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1952-01-22)
arranger:
Joe Lipman (Joseph P. Lippman)
live instrumental recording of:
Lover (on 1952-01-22)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:10
22Autumn in New York
alto saxophone:
Toots Mondello (from 1952-01-22 until 1952-01-23), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (from 1952-01-22 until 1952-01-23) and Murray Williams (from 1952-01-22 until 1952-01-23)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (from 1952-01-22 until 1952-01-23)
cello and viola:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
double bass:
Bob Haggart (from 1952-01-22 until 1952-01-23)
drums (drum set):
Don Lamond (from 1952-01-22 until 1952-01-23)
guitar:
Art Ryerson (from 1952-01-22 until 1952-01-23)
harp:
Verlye Mills (from 1952-01-22 until 1952-01-23)
piano:
Lou Stein (from 1952-01-22 until 1952-01-23)
tenor saxophone:
Hank Ross (from 1952-01-22 until 1952-01-23)
tenor saxophone and woodwind:
Art Drelinger (from 1952-01-22 until 1952-01-23)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (from 1952-01-22 until 1952-01-23) and Bill Harris (jazz trombonist) (from 1952-01-22 until 1952-01-23)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (from 1952-01-22 until 1952-01-23), Al Porcino (from 1952-01-22 until 1952-01-23) and Bernie Privin (from 1952-01-22 until 1952-01-23)
violin:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.), Sam Caplan (from 1952-01-22 until 1952-01-23), Sylvan Shulman (violinist) (from 1952-01-22 until 1952-01-23) and Jack Zayde (from 1952-01-22 until 1952-01-23)
conductor:
Joe Lipman (Joseph P. Lippman) (from 1952-01-22 until 1952-01-23)
arranger:
Joe Lipman (Joseph P. Lippman)
instrumental cover recording of:
Autumn in New York (1934) (from 1952-01-22 until 1952-01-23)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
3:33
23Stella by Starlight
recorded in:
New York, New York, United States (on 1952-01-23)
alto saxophone:
Toots Mondello (on 1952-01-23), Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (on 1952-01-23) and Murray Williams (on 1952-01-23)
baritone saxophone:
Stan Webb (US jazz saxophone, flute) (on 1952-01-23)
cello:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1952-01-23)
double bass:
Bob Haggart (on 1952-01-23)
drums (drum set):
Don Lamond (on 1952-01-23)
guitar:
Art Ryerson (on 1952-01-23)
harp:
Verlye Mills (on 1952-01-23)
piano:
Lou Stein (on 1952-01-23)
tenor saxophone:
Hank Ross (on 1952-01-23)
tenor saxophone and woodwind:
Art Drelinger (on 1952-01-23)
trombone:
Will Bradley (US boogie woogie trombonist & bandleader) (on 1952-01-23) and Bill Harris (jazz trombonist) (on 1952-01-23)
trumpet:
Chris Griffin (Gordon Claude Griffin, trumpeter) (on 1952-01-23), Al Porcino (on 1952-01-23) and Bernie Privin (on 1952-01-23)
violin:
Sam Caplan (on 1952-01-23), Sylvan Shulman (violinist) (on 1952-01-23) and Jack Zayde (on 1952-01-23)
conductor:
Joe Lipman (Joseph P. Lippman) (on 1952-01-23)
arranger:
Joe Lipman (Joseph P. Lippman)
live instrumental cover recording of:
Stella by Starlight (on 1952-01-23)
lyricist:
Ned Washington (in 1946)
writer:
Ned Washington and Victor Young (American composer, arranger, violinist & conductor)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:59
24Repetition
alto saxophone:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist) (in 1947-12), Sonny Salad (in 1947-12) and Murray Williams (in 1947-12)
baritone saxophone:
Manny Albam (in 1947-12)
bongos and congas:
Diego Iborra (jazz percussionist)
cello:
Joe Benaventi (in 1947-12)
clarinet:
John LaPorta (in 1947-12)
double bass:
Curley Russell (in 1947-12)
drums (drum set):
Shelly Manne (US jazz drummer) (, in 1947-12)
French horn:
Vincent Jacobs (Musician - French Horn Player) and Vinnie Jacobs (in 1947-12)
percussion:
Diego Iborra (jazz percussionist) (in 1947-12)
piano:
Tony Aless (in 1947-12)
tenor saxophone:
Pete Mondello (in 1947-12) and Flip Phillips (in 1947-12)
trombone:
Bill Harris (jazz trombonist) (in 1947-12) and Bart Varsalona (in 1947-12)
trumpet:
Doug Mettome (in 1947-12), Al Porcino (in 1947-12) and Ray Wetzel (in 1947-12)
viola:
Nat Nathanson (in 1947-12) and Fred Ruzilla (in 1947-12)
violin:
Sam Kaplan (violinist), Harry Katzman, Sammy Caplan (in 1947-12), Manny Fidler (in 1947-12), Sid Harris (in 1947-12), Harry Kaltzman (in 1947-12), Gene Orloff (in 1947-12) and Zelly Smirnoff (violinist) (in 1947-12)
orchestra:
Neal Hefti Orchestra
conductor:
Neal Hefti
arranger:
Neal Hefti
recording of:
Repetition (in 1947-12)
composer:
Neal Hefti
publisher:
Cinephonic Music Co., Ltd.
2:57