Mafia II

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Tracks are in alphabetical order renamed and grouped by radio stations.

Annotazione modificata l'ultima volta il 2019-09-19 12:59 UTC.

Elenco tracce

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▼ Supporto digitale 1: 40s Delta Radio
#TitoloArtistaValutazioneDurata
1Ain't That Just Like a Woman (They'll Do It Every Time)
registrata a:
Los Angeles, California, Stati Uniti (il 1946-01-23) e New York, New York, Stati Uniti (il 1946-01-23)
produttore:
Milt Gabler
batteria :
Eddie Byrd (US drummer) (il 1946-01-23)
chitarra elettrica :
Carl Hogan (il 1946-01-23)
contrabbasso :
Jesse ‘Po’ Simpkins (il 1946-01-23)
legnetti :
Vic Lourie (il 1946-01-23)
maracas :
Harry Dial (il 1946-01-23)
pianoforte :
Wild Bill Davis (il 1946-01-23)
sassofono contralto :
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1946-01-23)
sassofono tenore :
Josh Jackson (tenor saxophone player) (il 1946-01-23)
tromba :
Aaron Izenhall (il 1946-01-23)
voce:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1946-01-23)
registrazione di:
Ain’t That Just Like a Woman (il 1946-01-23)
autore:
Claude Demetrius e Fleecie Moore
editore:
Cherio Music
Louis Jordan and His Tympany Five2:50
2Caldonia
produttore:
Milt Gabler
batteria :
Alex 'Razz' Mitchell (1940s jazz drummer) (il 1945-01-19)
contrabbasso [bass] :
Al Morgan (jazz double-bassist) (il 1945-01-19)
pianoforte :
William Austin (1940s jazz pianist) (il 1945-01-19)
sassofono tenore :
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1945-01-19) e Freddie Simon (jazz sax) (il 1945-01-19)
tromba :
Leonard Graham (il 1945-01-19)
voce:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1945-01-19)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Blues Hall of Fame: Classic of Blues Recording Single (numero: 2009)
registrazione di:
Caldonia (What Makes Your Big Head Hard?) (il 1945-01-19)
paroliere e compositore:
Louis Jordan (US jazz, blues and r&b musician and songwriter) e Fleecie Moore
editore:
Chappell Morris Ltd., Cherio Corp. e Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) (il 1945-04-16)
Louis Jordan and His Tympany Five2:40
3Choo Choo Ch'Boogie
registrata a:
New York, New York, Stati Uniti (il 1946-01-23)
batteria :
Eddie Byrd (US drummer) (il 1946-01-23)
chitarra elettrica :
Carl Hogan (il 1946-01-23)
contrabbasso :
Jesse ‘Po’ Simpkins (il 1946-01-23)
legnetti :
Vic Lourie (il 1946-01-23)
maracas :
Harry Dial (il 1946-01-23)
pianoforte :
Wild Bill Davis (il 1946-01-23)
sassofono contralto :
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1946-01-23)
sassofono tenore :
Josh Jackson (tenor saxophone player) (il 1946-01-23)
tromba :
Aaron Izenhall (il 1946-01-23)
voce:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1946-01-23)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1946)
registrazione di:
Choo Choo Ch’Boogie (il 1946-01-23)
autore:
Denver Darling, Milt Gabler e Vaughn Horton
editore:
Rytvoc (ASCAP) e Warner/Chappell (Warner/Chappell Music, Inc.)
Louis Jordan and His Tympany Five52:41
4Did You Ever Love a Woman
registrazione di:
Did You Ever Love a Woman
compositore:
Arnold Dwight Moore (Arnold Dwight Moore)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Arnold “Gatemouth” Moore2:47
5Everybody Eats When They Come to My House
registrazione di:
Everybody Eats When They Come to My House (il 1947-12-11)
autore:
Jeanne Burns
Cab Calloway and His Orchestra42:44
6Friendship
registrazione di:
Friendship
autore:
Claude Demetrius e Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five42:20
7Gangster's Blues
Peetie Wheatstraw2:44
8G.I. Jive
basso :
Al Morgan (jazz double-bassist) (il 1944-03-15)
batteria :
Wilmore Jones (il 1944-03-15)
contrabbasso :
Billy Hadnott (il 1944-03-15) e Al Morgan (jazz double-bassist) (il 1944-03-15)
pianoforte :
Arnold Thomas (il 1944-03-15)
sassofono , sassofono contralto , sassofono tenore e voce principale:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1944-03-15)
tromba :
Eddie Roane (il 1944-03-15) e Courtney Williams (1930-40s trumpeter) (il 1944-03-15)
voce:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1944-03-15)
registrazione di:
G.I. Jive (il 1944-03-15)
paroliere e compositore:
Johnny Mercer
editore:
WC Music Corp.
Louis Jordan and His Tympany Five2:57
9I Can't Lose With the Stuff I Use
Lester Williams2:10
10Inflation Blues
registrazione di:
40s: Delta Radio: Inflation Blues
versione di:
Inflation Blues
registrazione di:
Inflation Blues
Jack McVea2:49
11Mercy Mr. Percy
Varetta Dillard2:46
12Open the Door, Richard!
registrazione di:
Open the Door, Richard (1946 song)
paroliere:
Dan Howell e John Mason ("Spider Bruce", vaudeville comedian)
compositore:
Jack McVea
Louis Jordan and His Tympany Five3:00
13Pachuko Hop
Ike Carpenter Orchestra2:12
14Ration Blues
registrazione di:
Ration Blues (il 1943-10-04)
autore:
Collenane Clark, Antonio Cosey e Louis Jordan (US jazz, blues and r&b musician and songwriter)
Louis Jordan and His Tympany Five43:06
15Rock Around the Clock
Hal Singer2:53
16That Chick's Too Young to Fry
registrata a:
Los Angeles, California, Stati Uniti (il 1946-01-23)
batteria :
Eddie Byrd (US drummer) (il 1946-01-23)
chitarra elettrica :
Carl Hogan (il 1946-01-23)
contrabbasso :
Jesse ‘Po’ Simpkins (il 1946-01-23)
legnetti :
Vic Lourie (il 1946-01-23)
maracas :
Harry Dial (il 1946-01-23)
pianoforte :
Wild Bill Davis (il 1946-01-23)
sassofono contralto :
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1946-01-23)
sassofono tenore :
Josh Jackson (tenor saxophone player) (il 1946-01-23)
tromba :
Aaron Izenhall (il 1946-01-23)
voce:
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1946-01-23)
registrazione di:
That Chick's Too Young to Fry (il 1946-01-23)
autore:
Tommy Edwards e Jimmy Hilliard
Louis Jordan and His Tympany Five2:22
17That'll Get It
Floyd Dixon2:44
18The Fat Man
diritti fonografici (℗) detenuti da:
United Artists (nel 1949)
registrazione di:
The Fat Man (il 1949-12-10)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
Fats Domino42:34
19What's the Use of Getting Sober (When You Gonna Get Drunk Again)
registrata a:
New York, New York, Stati Uniti (il 1942-07-21)
produttore:
Milt Gabler
batteria :
Walter Martin (1930-40s drummer) (il 1942-07-21)
contrabbasso :
Dallas Bartley (il 1942-07-21)
pianoforte :
Arnold Thomas (il 1942-07-21)
sassofono contralto e sassofono tenore :
Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1942-07-21)
tromba :
Eddie Roane (il 1942-07-21)
voce:
Eddie Roane (?) (il 1942-07-21) e Louis Jordan (US jazz, blues and r&b musician and songwriter) (il 1942-07-21)
registrazione di:
What’s the Use of Gettin’ Sober (When You’re Gonna Get Drunk Again)? (il 1942-07-21)
paroliere e compositore:
Busby Meyers
Louis Jordan and His Tympany Five2:55
▼ Supporto digitale 2: 40s Empire Central
#TitoloArtistaValutazioneDurata
1Baby It's Cold Outside
voce:
Buddy Clark (US 1930s~1940s singer) e Dinah Shore
orchestra:
Ted Dale and His Orchestra
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1949)
registrazione di:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
paroliere e compositore:
Frank Loesser
editore:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
The 22nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 22)
Dinah Shore & Buddy Clark2:19
2Boogie Woogie Bugle Boy
registrata a:
Los Angeles, California, Stati Uniti (il 1941-01-02)
voce:
The Andrews Sisters (il 1941-01-02), Maxene Andrews (il 1941-01-02), Laverne Andrews (il 1941-01-02) e Patti Andrews (il 1941-01-02)
orchestra:
Vic Schoen and His Orchestra (il 1941-01-02)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1941)
registrazione di:
Boogie Woogie Bugle Boy (il 1941-01-02)
autore:
Hughie Prince e Don Raye
editore:
A4V Digital, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 14th Academy Award for Best Original Song (numero: 2)
The Andrews Sisters2:41
3Buttons and Bows
fisarmonica :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1947-11-30)
voce:
Dinah Shore (il 1947-11-30)
registrazione di:
Buttons and Bows (1947 song) (il 1947-11-30)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (il 1948-02-25)
parte di:
The 21st Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 21)
Dinah Shore12:01
4Happiness Is a Thing Called Joe
registrazione cover di:
Happiness Is a Thing Called Joe (il 1957-04-04)
paroliere:
Yip Harburg (nel 1940)
compositore:
Harold Arlen (nel 1940)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Peggy Lee4:02
5Held for Questioning
Rusty Draper2:21
6I Haven't Time to Be a Millionaire
registrazione di:
I Haven’t the Time to Be a Millionaire
paroliere:
Johnny Burke (American lyricist, 1908-1964)
compositore:
James V. Monaco
editore:
Anne-Rachel Music Corp.
Bing Crosby2:47
7It Don't Mean a Thing (If It Ain't Got That Swing)
banjo :
Fred Guy
batteria :
Sonny Greer
clarinetto :
Barney Bigard, Harry Carney e Johnny Hodges
contrabbasso :
Wellman Braud
pianoforte :
Duke Ellington (US composer, pianist & jazz bandleader)
sassofono baritono :
Harry Carney
sassofono contralto :
Harry Carney e Johnny Hodges
sassofono soprano :
Johnny Hodges
sassofono tenore :
Barney Bigard
tromba :
Freddie Jenkins, Arthur Whetsel e Cootie Williams
trombone :
Lawrence Brown (jazz trombonist) e Joe "Tricky Sam" Nanton
trombone a pistoni :
Juan Tizol
voce principale:
Ivie Anderson
registrazione di:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (il 1932-02-02)
paroliere:
Irving Mills (nel 1931)
compositore:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (nel 1931-08)
editore:
Duke Ellington Music e EMI Mills Music (ASCAP-affiliated)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Duke Ellington & His Orchestra3:08
8I've Got a Pocketful of Dreams
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1938-07-11)
voce:
Bing Crosby (il 1938-07-11)
orchestra:
John Scott Trotter and His Orchestra (il 1938-07-11)
direttore d'orchestra:
John Scott Trotter
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e MCA Music Ltd. (nel 1938)
registrazione di:
I’ve Got a Pocketful of Dreams (il 1938-07-11)
paroliere:
Johnny Burke (American lyricist, 1908-1964)
compositore:
James V. Monaco
editore:
Santly Joy Select, Inc. (il 1938-05-07)
Bing Crosby2:36
9Java Junction
Bob Crosby and His Orchestra1:55
10Let It Snow
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter) e Lee Gillette
voce principale:
Dean Martin (American singer/actor) (nel 1959)
direttore d'orchestra:
Gus Levene (nel 1959)
arrangiatore:
Sammy Cahn e Jule Styne
diritti fonografici (℗) detenuti da:
The Dean Martin Family Trust e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1959)
registrazione cover di:
Let It Snow! Let It Snow! Let It Snow! (nel 1959)
paroliere:
Sammy Cahn (nel 1945-07)
compositore:
Jule Styne (nel 1945-07)
editore:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e WB Music Corp. (1929–2019)
Dean Martin4.351:55
11Pennies From Heaven
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1936-07-24)
voce:
Bing Crosby (il 1936-07-24)
orchestra:
Georgie Stoll and His Orchestra (il 1936-07-24)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e MCA Music Ltd. (nel 1936)
registrazione di:
Pennies From Heaven (il 1936-07-24)
paroliere:
Johnny Burke (American lyricist, 1908-1964) (nel 1936)
compositore:
Arthur Johnston (American composer and songwriter) (nel 1936)
editore:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) e Joy Music Inc.
parte di:
The 9th Academy Award for Best Original Song (numero: 2)
Bing Crosby3:11
12Praise the Lord and Pass the Ammunition
registrazione di:
Praise the Lord and Pass the Ammunition (il 1942-07-31)
paroliere e compositore:
Frank Loesser
Kay Kyser2:32
13Rum and Coca-Cola
registrazione di:
Rum and Coca‐Cola (calypso) (il 1944-10-18)
paroliere:
Lord Invader (calypso vocalist and songwriter)
paroliere aggiunto:
Morey Amsterdam
compositore:
Lionel Belasco (Trinidadian-Venezuelan calypso pianist, composer and bandleader)
compositore aggiunto:
Paul Baron (conductor) e Jeri Sullivan
editore:
EMI Feist Catalog Inc. e EMI Partnership Musikverlag GmbH
The Andrews Sisters3:07
14Sing, Sing, Sing
registrazione di:
Sing, Sing, Sing (With a Swing)
paroliere e compositore:
Louis Prima
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (conclusa) e EMI Robbins Catalog Inc. (ASCAP)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Benny Goodman33:06
15Straighten Up and Fly Right
voce:
The Andrews Sisters (nel 1944)
registrazione di:
Straighten Up and Fly Right (nel 1944)
autore:
Nat King Cole e Irving Mills
editore:
American Academy of Music, Inc., EMI Mills Music (ASCAP-affiliated) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
sub-editore:
Mills Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30)
The Andrews Sisters2:26
16Strip Polka
voce:
The Andrews Sisters (nel 1942)
registrazione di:
Strip Polka (il 1942-07-17)
paroliere e compositore:
Johnny Mercer
The Andrews Sisters2:46
17Dipsy Doodle
voce:
Edythe Wright (il 1937-10-14)
registrazione di:
Dipsy Doodle (il 1937-10-14)
paroliere e compositore:
Larry Clinton (nel 1937)
Tommy Dorsey & His Orchestra3:08
18The Pessimistic Character (with the Crab Apple Face)
Bing Crosby2:28
19There’ll Be a Hot Time in the Town of Berlin (When the Yanks Go Marching in)
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1944-06-30)
voce:
The Andrews Sisters (il 1944-06-30) e Bing Crosby (il 1944-06-30)
orchestra:
Vic Schoen and His Orchestra (il 1944-06-30)
registrazione di:
There'll Be a Hot Time in the Town of Berlin (il 1944-06-30)
autore:
Joe Bushkin e John DeVries
The Andrews Sisters2:50
20Vict’Ry Polka
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1943-09-27)
voce:
The Andrews Sisters (il 1943-09-27) e Bing Crosby (il 1943-09-27)
orchestra:
Vic Schoen and His Orchestra (il 1943-09-27)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
registrazione di:
Vict’ry Polka (il 1943-09-27)
paroliere:
Sammy Cahn
compositore:
Jule Styne
The Andrews Sisters2:43
21Why Don't You Do Right
voce:
Peggy Lee (jazz vocalist) (il 1947-11-19)
direttore d'orchestra:
Dave Barbour (il 1947-11-19)
registrazione cover di:
Why Don’t You Do Right? (il 1947-11-19)
paroliere e compositore:
Kansas Joe McCoy
editore:
Edwin Morris Music e Morley Music Co
versione di:
Weed Smoker’s Dream
Peggy Lee42:24
▼ Supporto digitale 3: 40s Empire Classic
#TitoloArtistaValutazioneDurata
1Beatin' the Dog
chitarra :
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (il 1927-06-28)
violino :
Joe Venuti (il 1927-06-28)
Joe Venuti & Eddie Lang2:38
2Belleville
registrazione di:
Belleville
compositore:
Django Reinhardt (French jazz guitarist and composer)
Django Reinhardt42:29
3Blue Skies
batteria :
Gene Krupa (il 1935-06-25)
chitarra :
George van Eps (il 1935-06-25)
clarinetto :
Benny Goodman (clarinetist and bandleader) (il 1935-06-25)
contrabbasso :
Harry Goodman (il 1935-06-25)
pianoforte :
Frank Froeba (il 1935-06-25)
sassofono contralto :
Toots Mondello (il 1935-06-25) e Hymie Shertzer (il 1935-06-25)
sassofono tenore :
Dick Clark (tenor saxophonist) (il 1935-06-25) e Art Rollini (il 1935-06-25)
tromba :
Bunny Berigan (il 1935-06-25), Nate Kazebier (il 1935-06-25) e Jerry Neary (il 1935-06-25)
trombone :
Red Ballard (il 1935-06-25) e Jack Lacey (il 1935-06-25)
registrazione strumentale di:
Blue Skies (il 1935-06-25)
paroliere e compositore:
Irving Berlin (nel 1926)
editore:
Francis, Day & Hunter Ltd., Irving Berlin Music Company e Williamson Music Company
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Benny Goodman and His Orchestra2:50
4By the Light of the Silvery Moon
Bing Crosby1:27
5Clarinet Marmalade
registrata a:
New York, New York, Stati Uniti (il 1927-02-04)
ance e clarinetto :
Jimmy Dorsey (il 1927-02-04)
banjo e chitarra :
Eddie Lang (US jazz guitarist, also recorded as Blind Willie Dunn) (il 1927-02-04) e Howdy Quicksell (il 1927-02-04)
batteria :
Chauncey Morehouse (il 1927-02-04)
cornetta :
Bix Beiderbecke (American jazz cornettist, pianist and composer) (il 1927-02-04)
pianoforte :
Paul Mertz (Paul Madeira Mertz) (il 1927-02-04) e Itzy Riskin (il 1927-02-04)
sassofono [C-melody saxophone] :
Frankie Trumbauer (il 1927-02-04)
sassofono contralto :
Jimmy Dorsey (il 1927-02-04) e Stanley "Doc" Ryker (il 1927-02-04)
trombone :
Bill Rank (il 1927-02-04)
registrazione di:
Clarinet Marmalade (il 1927-02-04)
compositore:
Henry Ragas (nel 1918) e Larry Shields (nel 1918)
Frankie Trumbauer and His Orchestra3:10
6Come on and Stomp, Stomp, Stomp
esecutore:
Johnny Doddsʼ Black Bottom Stompers (il 1927-10-08)
Johnny Dodds’ Black Bottom Stompers2:54
7Goin' Places
Joe Venuti & Eddie Lang2:57
8Good Little, Bad Little You
Cliff Edwards2:40
9Happy Feet
ance :
Andrew Brown (jazz saxophonist) (il 1930-10-14), Walter Thomas (il 1930-10-14) e William Thornton Blue (American jazz reed player) (il 1930-10-14)
banjo :
Morris White (jazz guitarist) (il 1930-10-14)
batteria :
Leroy Maxey (jazz drummer) (il 1930-10-14)
pianoforte :
Earres Prince (il 1930-10-14)
tromba :
Reuben Reeves (il 1930-10-14) e Lammar Wright (il 1930-10-14)
trombone :
DePriest Wheeler (il 1930-10-14)
voce:
Cab Calloway (il 1930-10-14)
registrazione di:
Happy Feet (il 1930-10-14)
paroliere:
Jack Yellen
compositore:
Milton Ager
editore:
Warner Bros., Inc. (not for release label use!) (nel 1930)
Cab Calloway and His Orchestra22:34
10Riverboat Shuffle
registrazione di:
Riverboat Shuffle (il 1927-05-09)
compositore:
Hoagy Carmichael, Irving Mills, Parish e Dick Voynow
Frankie Trumbauer and His Orchestra3:10
11Stringing the Blues
Joe Venuti & Eddie Lang2:49
12The Best Things in Life Are Free
registrazione di:
The Best Things in Life Are Free (Good News)
paroliere:
Lew Brown e Buddy DeSylva
compositore:
Ray Henderson
editore:
Chappell & Co.
parte di:
Good News (1947 film)
The Ink Spots32:31
13You're Driving Me Crazy
registrazione di:
You’re Driving Me Crazy
paroliere e autore:
Walter Donaldson
compositore:
Walter Donaldson (nel 1930)
editore:
Anne-Rachel Music Corp., Donaldson Publishing Co., Larry Spier Music LLC e Tobago Music Co.
Quintette du Hot Club de France2:51
▼ Supporto digitale 4: 50s Delta Radio
#TitoloArtistaValutazioneDurata
1Ain't It a Shame
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1955)
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:23
2Bo Diddley
batteria :
Clifton James (il 1955-03-02)
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
maracas :
Jerome Green (il 1955-03-02)
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1955-03-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 62), Blues Hall of Fame: Classic of Blues Recording Single (numero: 2017) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 277)
registrazione di:
Bo Diddley (il 1955-03-02)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Bo Diddley3.252:43
3Boom Boom
produttore:
Calvin Carter
basso :
James Jamerson
batteria :
Benny Benjamin (US drummer) (nel 1961)
chitarra :
John Lee Hooker (US blues singer, songwriter & guitarist)
pianoforte :
Joe Hunter
sassofono tenore :
Hank Crosby
voce:
John Lee Hooker (US blues singer, songwriter & guitarist)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1967)
registrata presso:
Universal Recording Corporation, Studio B in Chicago, Illinois, Stati Uniti (il 1961-10-26)
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 2009), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 218) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 463)
registrazione di:
Boom Boom (il 1961-10-26)
paroliere e compositore:
John Lee Hooker (US blues singer, songwriter & guitarist)
editore:
Conrad Publishing Co. Inc. e Tristan Music Ltd.
John Lee Hooker3.352:38
4Framed
registrazione di:
Framed
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
Sony/ATV Songs LLC e Southern Music Pub. Co. Ltd.
The Robins2:43
5Got My Mojo Working
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 1984)
registrazione di:
Got My Mojo Working (Muddy Waters arrangement)
autore aggiunto:
Morgan Field (blues musician)
arrangiatore:
Muddy Waters (blues musician)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Dare Music Co.
versione di:
Got My Mojo Working (original version)
Muddy Waters52:46
6Honey Love (feat. Clyde McPhatter)
The Robins2:23
7I Put a Spell on You
voce:
Screamin’ Jay Hawkins
parte di:
Pitchfork: The Story of Goth in 33 Songs, Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 299) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 313)
registrazione di:
I Put a Spell on You (il 1956-09-12)
paroliere e compositore:
Screamin’ Jay Hawkins
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. (nel 1956) e EMI United Partnership Ltd. (nel 1956)
Screamin’ Jay Hawkins3.92:25
8In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.52:59
9Keep a Knockin'
edit di:
Keep A Knockin’ di Little Richard
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 9)
registrazione di:
Keep A Knockin’ (Little Richard’s version)
paroliere e compositore:
Richard Wayne Penniman (nel 1957-01)
editore:
MCA Music Ltd.
versione di:
Keep A-Knockin' an You Can't Get In
Little Richard52:15
10Ling, Ting, Tong
The Five Keys52:07
11Long Tall Sally
batteria :
Earl Palmer (il 1956-02-07)
chitarra :
Edgar Blanchard (il 1956-02-07)
chitarra basso :
Frank Fields (il 1956-02-07)
pianoforte e voce principale:
Little Richard (il 1956-02-07)
sassofono baritono :
Alvin “Red” Tyler (American jazz saxophonist) (il 1956-02-07)
sassofono tenore :
Lee Allen (US jazz tenor saxophonist) (il 1956-02-07)
registrata presso:
J&M Music Shop in New Orleans, Louisiana, Stati Uniti (il 1956-02-07)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 13) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 56)
registrazione di:
Long Tall Sally (il 1956-02-07)
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard42:07
12Lucille
registrazione di:
Lucille
autore:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) e Richard Wayne Penniman
editore:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines' legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) e Venice Music
Little Richard2:23
13Manish Boy
parte di:
Blues Hall of Fame: Classic of Blues Recording Single (numero: 1986)
registrazione di:
Mannish Boy
autore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer), Mel London e McKinley Morganfield (blues musician)
editore:
Bug Music Ltd. e Tristan Music Ltd.
parte di:
Risky Business (film soundtrack)
Muddy Waters2:54
14Nadine (Is It You?)
produttore:
Leonard & Phil Chess (Legendary US production duo)
basso elettrico :
Louis Satterfield (dal 1964-01-07 al 1964-01-09)
batteria :
Odie Payne (American Chicago blues drummer) (dal 1964-01-07 al 1964-01-09)
chitarra e voce principale:
Chuck Berry (dal 1964-01-07 al 1964-01-09)
pianoforte :
Johnnie Johnson (dal 1964-01-07 al 1964-01-09)
sassofono tenore :
Rubin Cooper (dal 1964-01-07 al 1964-01-09) e George Patterson (dal 1964-01-07 al 1964-01-09)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (dal 1964-01-07 al 1964-01-09)
registrazione di:
Nadine (Is It You?) (dal 1964-01-07 al 1964-01-09)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Limited
Chuck Berry2:31
15No Particular Place to Go
produttore:
Leonard & Phil Chess (Legendary US production duo)
batteria :
Odie Payne (American Chicago blues drummer) (il 1964-03-26)
chitarra e voce principale:
Chuck Berry (il 1964-03-26)
pianoforte :
Paul Williams (Pianist, played with Chuck Berry) (il 1964-03-26)
registrata presso:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, Stati Uniti (il 1964-03-26)
registrazione di:
No Particular Place to Go (il 1964-03-26)
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry2:41
16Brazil
The Coasters2:19
17Rags to Riches
registrazione cover di:
Rags to Riches
autore:
Richard Adler (musical composer/lyricist) e Jerry Ross (musical composer/lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Saunders Publications Inc. (dal 1953 al 2010), J & J Ross Co. (dal 2011 a oggi) e Lakshmi Puja Music Ltd. (dal 2011 a oggi)
Jackie Wilson2:38
18Smokestack Lightning
registrazione di:
Smokestack Lightning
paroliere e compositore:
Chester Arthur Burnett
editore:
Arc Music (U.S. rock & blues publisher)
Howlin’ Wolf3:03
19Speedoo
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 3)
registrazione di:
Speedoo (nel 1955-09)
paroliere e compositore:
Esther Navarro
The Cadillacs32:17
20Who Do You Love
batteria :
Clifton James (il 1956-05-24)
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1956-05-24) e Jody Williams (blues guitarist/singer) (il 1956-05-24)
maracas :
Jerome Green (il 1956-05-24)
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer) (il 1956-05-24)
voce di accompagnamento:
The Moonglows (1950s Cleveland R&B group)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (dal 1956 a oggi)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 132)
registrazione di:
Who Do You Love? (il 1956-05-24)
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (nel 1956)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) e Tristan Music Ltd.
Bo Diddley3.52:27
▼ Supporto digitale 5: 50s Empire Central
#TitoloArtistaValutazioneDurata
1All I Have to Do Is Dream
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 390)
registrazione di:
All I Have to Do Is Dream
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e Acuff-Rose Publications, Inc. (BMI) (il 1958-04-21)
The Everly Brothers52:18
2At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.52:36
3Book of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 12) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 29)
registrazione di:
Book of Love
autore:
Warren Davis, George Malone e Charles Patrick (lead singer for The Monotones)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Nom Music, Inc.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:18
4Cannonball
Duane Eddy & The Rebels1:53
5C'Mon Everybody
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 22)
registrazione di:
C’mon Everybody
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Eddie Cochran4.51:53
6Come on Let's Go
registrazione di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
Ritchie Valens52:00
7Come Softly to Me
arrangiatore:
Bonnie Guitar
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 14)
registrazione di:
Come Softly to Me
autore:
Gretchen Christopher, Barbara Ellis e Gary Troxel
editore:
Chappell Morris e EMI Unart Catalog Inc.
The Fleetwoods32:22
8Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Carlin Music Corporation
Ritchie Valens4.82:20
9Don't Let Go
registrazione di:
Don’t Let Go
paroliere e compositore:
Jesse Stone
editore:
Campbell Connelly & Co. Ltd., Scion Three Music LLC e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Roy Hamilton2:29
10Forty Miles of Bad Road
Duane Eddy & The Rebels2:03
11Maybe
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 5)
registrazione di:
Maybe (il 1957-10-16)
paroliere e compositore:
Richard Barrett (US soul producer/singer)
editore:
TuneCore Digital Music (publisher; not a release label. Use [no label]) e チューンコアジャパン 株式会社 (TuneCore Japan, mostly a distributor; not a release label. Use [no label])
The Chantels2:34
12Money (That's What I Want)
registrazione di:
Money (That’s What I Want)
autore:
Janie Bradford e Berry Gordy
editore:
EMI United Partnership Ltd., Jobete Music (UK), Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
Barrett Strong2:35
13Moovin 'n' Groovin'
Duane Eddy22:01
14Mr. Sandman
The Chordettes2:22
15Not Fade Away
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-05-29)
chitarra [lead guitar] , chitarra [rhythm guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
contrabbasso :
Joe B. Mauldin (il 1957-05-29)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-27)
registrazione di:
Not Fade Away (il 1957-05-29)
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited e Wren Music
The Crickets52:16
16Rave On
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 4)
registrazione di:
Rave On
autore:
Norman Petty, Bill Tilghman e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) e Wren Music Co.
Buddy Holly1:47
17Rebel 'Rouser
Duane Eddy2:23
18(We're Gonna) Rock Around the Clock
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 7)
registrazione di:
Rock Around the Clock (Bill Haley’s version)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley42:10
19Sh-Boom
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts52:45
20Stood Up
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 31)
Ricky Nelson1:50
21Summertime Blues
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 11), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 73) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 432)
registrazione di:
Summertime Blues (nel 1958-08)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Eddie Cochran3.351:55
22Teen Beat
registrazione di:
Teen Beat
compositore:
Arthur Egnoian e Sandy Nelson
editore:
Lovolar Music
Sandy Nelson2:21
23Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
The Champs4.32:11
24That'll Be the Day
The Crickets32:14
25Why Do Fools Fall in Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 307)
registrazione di:
Why Do Fools Fall in Love (nel 1955-11)
autore:
Morris Levy e Frankie Lymon
autore aggiunto:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) e Herman Santiago (singer for Frankie Lymon & The Teenagers)
editore:
EMI Longitude Music, Patricia Music, Warner Chappell, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Frankie Lymon & The Teenagers4.52:17
26You Can Have Her
registrazione di:
You Can Have Her (1961 song)
paroliere e compositore:
Bill Cook (American songwriter)
editore:
Big Billy Music e Big Billy Music Co.
Roy Hamilton2:43
▶ Supporto digitale 6: 50s Empire Classic