25 Rock Revival Juke Box Greats, Volume 5

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▼ CD 1
#TitoloArtistaValutazioneDurata
1Twist and Shout
registrazione cover di:
Twist and Shout (nel 1962)
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.652:29
2I Get Around
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico [6-string electric bass guitar] :
Glen Campbell (US country singer, guitarist & actor) (il 1964-04-02) e Ray Pohlman (il 1964-04-02)
batteria :
Dennis Wilson (Beach Boys) (il 1964-04-02)
chitarra basso :
Al Jardine (il 1964-04-02)
chitarra elettrica :
Carl Wilson (Beach Boys) (il 1964-04-02)
clavicembalo , organo Hammond [Hammond B3 organ] , pianoforte e voce di accompagnamento e voce principale:
Brian Wilson (Beach Boys co‐founder) (il 1964-04-02)
percussione [rim with thin stick] e timbales [timbales with brush] :
Hal Blaine (U.S. Studio drummer and percussionist) (il 1964-04-02)
voce di accompagnamento:
Al Jardine (il 1964-04-02), Carl Wilson (Beach Boys) (il 1964-04-02) e Dennis Wilson (Beach Boys) (il 1964-04-02)
voce di basso e voce principale:
Mike Love (Beach Boys) (il 1964-04-02)
voce principale:
Mike Love (Beach Boys)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrazione di:
I Get Around (il 1964-04-02)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., Sea of Tunes, Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label), Victor Music Arts, Yamaha Music Publishing (fino al 2017-03-31) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (dal 2017-04-01 a oggi)
The Beach Boys4.652:12
3Louie, Louie
The Kingsmen2:43
4That’ll Be the Day
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets2:16
5Simon Says
registrazione di:
Simon Says
paroliere e compositore:
Elliot Chiprut
editore:
Carlin Music Corporation, Kaskat Music Inc. e Super Bubble Music Corp.
1910 Fruitgum Company2:15
6Yummy, Yummy, Yummy
produttore:
Jerry Kasenetz, Jeff Katz (music producer), Joey Levine e Arthur Resnick (songwriter, producer)
chitarra basso e voce di accompagnamento:
Dean Kastran
voce principale:
Joey Levine
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 465)
registrazione di:
Yummy Yummy Yummy (nel 1968)
autore:
Joey Levine e Arthur Resnick (songwriter, producer)
editore:
T. M. Music (publisher) (nel 1968)
Ohio Express42:21
7Happy Together
esecutore:
The Turtles (late 60s US rock band)
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
editore:
Alley Music Corp., The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.552:53
8Mr. Tambourine Man
produttore:
Terry Melcher
basso :
Chris Hillman
batteria :
Michael Clarke (drummer for the 1960s rock group The Byrds)
chitarra :
David Crosby
chitarra a 12 corde :
Jim McGuinn
voce:
David Crosby, Chris Hillman e Jim McGuinn
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 10), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 79) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 230)
registrazione cover di:
Mr. Tambourine Man (nel 1965)
paroliere e compositore:
Bob Dylan (dal 1964-02 al 1964-04)
editore:
Blossom Music Ltd., M. Witmark & Sons, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Bros. Music (publisher; do NOT use as release label), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell (Warner/Chappell Music, Inc.) (dal 1964 al 1992) e Special Rider Music (dal 1992 a oggi)
The Byrds4.152:18
9Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Dock Green e Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
The Drifters52:28
10Midnight Train to Georgia
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 74), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 432) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 470)
registrazione di:
Midnight Train to Georgia
paroliere e compositore:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips4.54:37
11This Magic Moment
Jay & the Americans3:03
12Tom Dooley
registrazione di:
Tom Dooley
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 4192)
The Kingston Trio43:04
13Needles and Pins
The Searchers2:13
14Monday, Monday
tecnico:
Bones Howe
produttore:
Lou Adler
esecutore:
The Mamas & the Papas (American folk rock vocal group) (il 1965-12-16)
diritti fonografici (℗) detenuti da:
Dunhill Records (nel 1966)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (il 1965-12-16)
registrazione di:
Monday, Monday (il 1965-12-16)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas4.13:24
15Walk, Don’t Run
tecnico:
Joe Boles
produttore:
Bob Reisdorff
basso elettrico [bass] :
Nokie Edwards
batteria :
Skip Moore
chitarra elettrica [lead guitar] :
Bob Bogle
chitarra elettrica [rhythm guitar] :
Don Wilson (US guitarist, member or The Ventures)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 39)
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures4.252:05
16Lollipop
produttore:
Archie Bleyer
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1958)
registrazione cover di:
Lollipop
autore:
Julius Dixson e Beverly Ross
editore:
Anglo-Pic Music Co. Ltd. e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:09
17Will You Love Me Tomorrow?
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:41
18Silence Is Golden
produttore:
Mike Smith (60’s & 70’s UK Producer)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1967) e CBS Records (manufacturer/distributor, not for release label use!) (nel 1967)
registrazione cover di:
Silence Is Golden
autore:
Bob Crewe e Bob Gaudio
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, EMI Records, since 1972), Gavadima Music Inc., Saturday Music, Inc. e Windswept Pacific Music Ltd.
The Tremeloes3.53:08
19You’re the One
The Vogues2:23
20The Great Pretender
registrata a:
Chicago, Illinois, Stati Uniti (nel 1955-09)
voce principale:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
diritti fonografici (℗) detenuti da:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 352)
registrazione di:
The Great Pretender (nel 1955-09)
paroliere e compositore:
Buck Ram
editore:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music Publishing ((ASCAP) tradename Peermusic) e Southern Music Publishing Company Limited
The Platters52:39
21Bits and Pieces
registrazione di:
Bits and Pieces
autore:
Dave Clark (UK drummer for the Dave Clark Five) e Mike Smith (Lead vocalist and keyboard player for The Dave Clark Five)
The Dave Clark Five1:58
22Hurt So Bad
The Lettermen2:18
23Venus
parte di:
Billboard Year‐End Hot 100 Singles (1970) (numero: 33)
registrazione di:
Venus (Shocking Blue (I’m Your Venus)) (nel 1969)
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Shocking Blue4.33:04
24He’s So Fine
registrazione di:
He’s So Fine (nel 1962)
paroliere e compositore:
Ronnie Mack (1960s US songwriter)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Chiffons3.351:52
25Green Tambourine
diritti fonografici (℗) detenuti da:
Buddha Records (1998–2002, formerly known as Buddah Records) (nel 1967)
registrazione di:
Green Tambourine
autore:
Paul Leka e Shelley Pinz
editore:
BMG Music Publishing Ltd. e Dominion Music Co. Ltd.
The Lemon Pipers3.652:25