Élections de l’opéra

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

| |
▼ CD 1
#TitleArtistRatingLength
1La Flûte enchantée : Der Hölle Rache (La Reine de la nuit)
producer:
Étienne Collard
soprano vocals [Pamina]:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:01
2Norma : Casta Diva (Norma)
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
editor:
Jennifer Howells
choir vocals:
Coro del Teatro alla Scala di Milano (from 1960-09-05 until 1960-09-12)
soprano vocals [Norma]:
Maria Callas (soprano) (from 1960-09-05 until 1960-09-12)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1960-09-05 until 1960-09-12)
conductor:
Tullio Serafin (conductor) (from 1960-09-05 until 1960-09-12)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1961)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1960-09-05 until 1960-09-12)
recording of:
Norma: Atto I, scena 1. Scena e cavatina “Casta diva, che inargenti” (Norma, coro) (from 1960-09-05 until 1960-09-12)
composer:
Vincenzo Bellini (Sicilian opera composer) (until 1831)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831)
part of:
Norma: Atto I
Vincenzo Bellini5:36
3Lakmé : Viens Mallika (Lakmé, Malika)
assistant engineer:
Claude Wagner (engineer)
engineer and balance engineer:
Daniel Michel (recording engineer)
producer:
Étienne Collard
mezzo-soprano vocals [Mallika]:
Delphine Haidan (mezzo-soprano)
soprano vocals [Lakmé]:
Natalie Dessay (soprano)
orchestra:
Orchestre national du Capitole de Toulouse
conductor:
Michel Plasson (conductor)
phonographic copyright (℗) by:
EMI Music France (1994–2013) (in 1998)
recorded at:
Toulouse, Halle-aux-Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 1997-06-24 until 1997-07-02)
recording of:
Lakmé : Acte I. No. 2 Duetto « Viens, Mallika, les lianes en fleurs » … « Dôme épais le jasmin » (Lakmé, Mallika)
composer:
Léo Delibes (composer)
librettist:
Philippe Gille and Edmond Gondinet
publisher:
Jenkinsongs Ltd.
part of:
Lakmé : Acte I
Léo Delibes55:56
4Don Giovanni : Madamina il catalogo è questo (Leporello)
bass vocals:
Walter Berry (bass-baritone) (in 1966)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1966)
conductor:
Otto Klemperer (German-born conductor and composer) (in 1966)
recording of:
Don Giovanni: Atto I. No. 4 Aria “Madamina, il catalogo è questo” (Leporello)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart6:00
5Le Barbier de Séville : Largo al factotum (Figaro)
orchestra:
Orchestra of St. Luke’s
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:39
6Nabucco : Va pensiero (Chœur des esclaves)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:15
7Rinaldo : Lascia ch’io pianga (Almirena)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:36
8Carmen : L’amour est un enfant de bohème (Habanera) (Carmen, Chœurs)
choir vocals:
Les Éléments (chamber choir) (from 2002-02 until 2002-03)
soprano vocals [Carmen]:
Angela Gheorghiu (Romanian soprano) (from 2002-02 until 2002-03)
orchestra:
Orchestre national du Capitole de Toulouse (from 2002-02 until 2002-03)
conductor:
Michel Plasson (conductor) (from 2002-02 until 2002-03)
chorus master:
Joël Suhubiette (conductor) (from 2002-02 until 2002-03)
recorded at:
Halle aux Grains (Toulouse) in Toulouse, Haute-Garonne, Occitanie (Occitania), France (from 2002-02 until 2002-03)
recording of:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur) (from 2002-02 until 2002-03)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
is based on:
El arreglito
part of:
Carmen : Acte I
Georges Bizet4:32
9Tosca : Vissi d’arte (Floria Tosca)
conductor:
Victor de Sabata (conductor and composer)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:20
10Zaïde : Ruhe sanft, mein holdes Leben (Zaïde)
producer:
Étienne Collard
soprano vocals:
Natalie Dessay (soprano) (from 2000-08-26 until 2000-09-01)
orchestra:
Orchestra of the Age of Enlightenment (from 2000-08-26 until 2000-09-01)
conductor:
Louis Langrée (conductor) (from 2000-08-26 until 2000-09-01)
balance engineer:
Arne Akselberg (from 2000-08-26 until 2000-09-01)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2000-08-26 until 2000-09-01)
recording of:
Zaide, K. 336b/344 (fragment): Akt I. No. 3 Arie "Ruhe sanft, mein holdes Leben" (Zaide) (from 2000-08-26 until 2000-09-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Johann Andreas Schachtner (Librettist)
part of:
Zaide, K. 336b/344: Akt I
Wolfgang Amadeus Mozart6:24
11Turandot : Nessun Dorma (Calaf)
orchestra:
Strasbourg
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:13
12La Traviata : Noi siamo zingarelle (Chœur des bohémiennes)
mezzo-soprano vocals:
Sarah Walker (British mezzosoprano)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:58
13Rigoletto : La donna è mobile (Le duc de Mantoue)
conductor:
Julius Rudel (conductor)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:19
14Les Pêcheurs de perles : Je crois entendre encore (Nadir)
tenor vocals and tenor vocals [Nadir]:
Alain Vanzo (french tenor)
vocals:
Alain Vanzo (french tenor)
orchestra:
Orchestra RTF Radio Lyrique and Orchestre Radio-Lyrique de la RTF (National Orchestra of France, RTF / ORTF / Radio France) (in 1959-06)
conductor:
Manuel Rosenthal (French conductor & composer) (in 1959-06)
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir) (in 1959-06)
composer:
Georges Bizet (composer) (from 1863-04 until 1863-08)
librettist:
Michel Carré (librettist) and Eugène Cormon
part of:
Les Pêcheurs de perles : Acte I
Georges Bizet3:12
15La Wally : Ebben, ne andro lontana (Wally)
producer:
Walter Legge (British classical producer)
soprano vocals [Wally]:
Maria Callas (soprano) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
conductor:
Tullio Serafin (conductor) (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1955)
recorded at:
Watford Town Hall (municipal building; for concert or recording venue, please use Watford Colosseum) in Watford, Hertfordshire, England, United Kingdom (from 1954-09-17 until 1954-09-18, from 1954-09-20 until 1954-09-21)
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-17 until 1954-09-18)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
recording of:
La Wally: Atto I. “Ebben? Ne andrò lontana” (Wally) (from 1954-09-20 until 1954-09-21)
composer:
Alfredo Catalani (composer)
librettist:
Luigi Illica (in 1892)
publisher:
Lam Larghetto Music (from 1993 to present)
part of:
La Wally: Atto I
Alfredo Catalani4:54
▼ CD 2
#TitleArtistRatingLength
1Serse : Ombra mai fù (Serse)
assistant engineer:
Djaison Taouss (from 2003-11-17 until 2003-11-25) and Agnès Mathon (from 2003-11-17 until 2003-11-25)
producer:
Daniel Zalay
mezzo-soprano vocals [Serse]:
Anne Sofie von Otter (mezzo-soprano) (from 2003-11-17 until 2003-11-25)
orchestra:
Les Arts Florissants (French baroque ensemble) (from 2003-11-17 until 2003-11-25)
conductor:
William Christie (harpsichordist and conductor) (from 2003-11-17 until 2003-11-25)
balance engineer:
Gilles Pézerat (engineer) (from 2003-11-17 until 2003-11-25)
phonographic copyright (℗) by:
Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Théâtre des Champs-Élysées in Paris, Île-de-France, France (from 2003-11-17 until 2003-11-25)
live recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (from 2003-11-17 until 2003-11-25)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:25
2L’Élixir d’amour : Una furtiva lagrima (Nemorino)
recording engineer:
Wilfried Hauer (recording engineer) (from 2003-07-05 until 2003-07-09)
executive producer:
Alain Lanceron (from 2003-07-05 until 2003-07-09)
producer:
Wilhelm Meister (Tonmeister / recording producer) (from 2003-07-05 until 2003-07-09)
editor:
Elisabeth Panzer (engineer) (from 2003-07-05 until 2003-07-09)
tenor vocals:
Rolando Villazón (tenor) (from 2003-07-05 until 2003-07-09)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (from 2003-07-05 until 2003-07-09)
conductor:
Marcello Viotti (conductor) (from 2003-07-05 until 2003-07-09)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2004) and Virgin Classics Ltd. (not for release label use! for copyrights use) (in 2004)
recorded at:
Bavarian Radio: Studio 1 in München (Munich), Bayern (Bavaria), Germany (from 2003-07-05 until 2003-07-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino) (from 2003-07-05 until 2003-07-09)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:29
3Les Noces de Figaro : Voi che sapete (Chérubin)
orchestra:
English Chamber Orchestra
recording of:
Le nozze di Figaro: Canzona “Voi che sapete che cosa è amor” (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer)
arrangement of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino)
Wolfgang Amadeus Mozart2:54
4Aïda : Gloria all’ Egitto (Les trompettes d’Aïda)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi4:34
5La Traviata : Libiamo ne’ lieti calici (Alfredo, Violetta, Chœurs)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
soprano vocals [Violetta]:
Renata Scotto (operatic soprano) (from 1980-07-05 until 1980-07-15)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1980-07-05 until 1980-07-15)
performer:
Alfredo Kraus (tenor), Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) and Renata Scotto (operatic soprano)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:55
6La Flûte enchantée : Papagena ! Papageno ! (Papageno, Papagena)
soprano vocals:
Ruth-Margret Pütz (soprano)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:54
7Carmen : Votre toast, je peux vous le rendre... Toréador (Escamillo)
orchestra:
Orchestre National de la Radio française (National Orchestra of France, RTF / ORTF / Radio France)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
composer:
Georges Bizet (composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte II
Georges Bizet5:00
8Lohengrin : Treulich geführt ziehet (Chœur des fiançailles)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
recording of:
Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) (Lohengrin: Act III, Scene I. Bridal Chorus (Choir))
composer:
Richard Wagner (composer) (from 1846 until 1848)
librettist:
Richard Wagner (composer)
part of:
Lohengrin, WWV 75: Akt III
Richard Wagner4:58
9Alcina : Tornami a vagheggiar (Morgana)
soprano vocals [Morgana]:
Eiddwen Harrhy (soprano)
orchestra:
City of London Baroque Sinfonia (chamber orchestra)
conductor:
Richard Hickox (conductor)
recording of:
Alcina, HWV 34: Atto I. "Tornami a vagheggiar" (Morgana)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Alcina, HWV 34: Atto I
George Frideric Handel4:41
10Tosca : E lucevan le stelle (Cavaradossi)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:19
11Don Giovanni : Là ci darem la mano (Don Giovanni, Zerlina)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:18
12Les Contes d’Hoffmann : Belle nuit, ô nuit d’amour (Barcarolle : Giulietta, La Muse, Chœurs)
producer:
David R. Murray
choir vocals:
Choeur de l'Opéra national du Théâtre de la Monnaie (Chorus of the Théâtre Royal de la Monnaie, Chorus of the Belgian National Opera) (in 1988-06)
mezzo-soprano vocals [Nicklausse]:
Ann Murray (Irish mezzo-soprano) (in 1988-06)
soprano vocals [Giulietta]:
Jessye Norman (soprano) (in 1988-06)
orchestra:
Orchestre Symphonique de la Monnaie (Orchestra for the Brussels opera La Monnaie / De Munt) (in 1988-06)
conductor:
Sylvain Cambreling (conductor) (in 1988-06)
chorus master:
Günter Wagner (choir master) (in 1988-06)
balance engineer:
Michael Gray (UK classical recording engineer)
recorded at:
Palais des Beaux-Arts (Centre for Fine Arts) in Brussels (Brussels-Capital Region), Belgium (in 1988-06)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 1988-06)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
Jacques Offenbach4:24
13Don Giovanni : Deh vieni alla finestra (Don Giovanni)
baritone vocals:
Peter Mattei (baritone)
recording of:
Don Giovanni: Atto II. No. 16 Canzonetta “Deh vieni alla finestra” (Don Giovanni)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart2:09
14Faust : Gloire immortelle de nos aïeux (Chœurs)
additional choir vocals:
Chœur de l’armée française
choir vocals:
Chœur de l’armée française (in 1991-02) and Chœur du Capitole de Toulouse (in 1991-02)
orchestra:
Orchestre national du Capitole de Toulouse (in 1991-02)
conductor:
Michel Plasson (conductor) (in 1991-02)
recording of:
Faust : Acte IV. « Gloire immortelle de nos aïeux » (Chœur des soldats) (Soldier's Chorus) (in 1991-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte IV
Charles‐François Gounod3:07
15Orphée et Eurydice : J’ai perdu mon Eurydice (Orphée)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano)
recording of:
Orphée et Eurydice (1859 Berlioz contralto version)
composer:
Christoph Willibald Gluck (composer)
librettist:
Pierre-Louis Moline
arranger:
Hector Berlioz (composer)
arrangement of:
Orphée et Eurydice, Wq. 41 (French version, 1774)
Christoph Willibald Gluck3:30