Oscar Sings: The Vocal Styling of Oscar Peterson

~ Veröffentlichung von Oscar Peterson (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼ CD 1
Nr.TitelBewertungLänge
1I’m Glad There Is You
recording of:
I’m Glad There Is You
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
cover recording of:
I’m Glad There Is You
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
2:59
2Polka Dots and Moonbeams
recording of:
Polka Dots and Moonbeams
Texter:
Johnny Burke (American lyricist, 1908-1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music, Marke Music Publishing Co., Inc., Music Sales Corporation (American copyright holder in both popular and classical music), My Dad’s Songs, Inc., Pocketful of Dreams Music Publisher und Reganesque Music Company
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:14
3One for My Baby
3:18
4I Hear Music
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
vocals:
Oscar Peterson (Canadian jazz pianist and composer)
instrumental recording of:
I Hear Music (Dancing on a Dime) (am 1953-05-21)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
recording of:
I Hear Music (Dancing on a Dime)
Texter:
Frank Loesser
Komponist(in):
Burton Lane
2:30
5Autumn in New York
recording of:
Autumn in New York (1934)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
4:01
6I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:08
7Spring Is Here
recording of:
Spring Is Here
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
2:49
8These Foolish Things
4:39
9From This Moment On
2:57
10The Things We Did Last Summer
recording of:
The Things We Did Last Summer
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Warner/Chappell North America Ltd. (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
4:01
11Too Marvelous for Words
recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:50
12But Not for Me
recording of:
But Not for Me
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
2:28
13On the Outside Looking In
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-03-28 bis 1957-07-31)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
vocals:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
Orchester:
Buddy Bregman Orchestra (von 1957-03-28 bis 1957-07-31)
conductor:
Buddy Bregman (von 1957-03-28 bis 1957-07-31)
recording of:
On the Outside Looking In (von 1957-03-28 bis 1957-07-31)
Texter:
Stanley H. Styne
Komponist(in):
Donald Kahn
publisher:
eMercon, Étienne Marrix Music, Gilbert Keyes Music Company, One Less Car Music und Sundoe Music Company
2:34
14Why, Oh Why
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-03-28 bis 1957-07-31)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
vocals:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
Orchester:
Buddy Bregman Orchestra (von 1957-03-28 bis 1957-07-31)
conductor:
Buddy Bregman (von 1957-03-28 bis 1957-07-31)
recording of:
Why, Oh Why (song performed by Oscar Peterson) (von 1957-03-28 bis 1957-07-31)
Verfasser(in):
Don McGuire
publisher:
Chappell’s • Sydney und Globarry Music, Inc.
3:05
15I’ve Never Left Your Arms
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-03-28 bis 1957-07-31)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
vocals:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
Orchester:
Buddy Bregman Orchestra (von 1957-03-28 bis 1957-07-31)
conductor:
Buddy Bregman (von 1957-03-28 bis 1957-07-31)
recording of:
I’ve Never Left Your Arms (von 1957-03-28 bis 1957-07-31)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
publisher:
Chappell’s • Sydney, Lew Spence Music und Spirit Two Music Crescendo
2:53
16Susquehanna
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1957-03-28 bis 1957-07-31)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
vocals:
Oscar Peterson (Canadian jazz pianist and composer) (von 1957-03-28 bis 1957-07-31)
Orchester:
Buddy Bregman Orchestra (von 1957-03-28 bis 1957-07-31)
conductor:
Buddy Bregman (von 1957-03-28 bis 1957-07-31)
recording of:
Susquehanna (von 1957-03-28 bis 1957-07-31)
Texter:
John M. Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Boosey & Hawkes (Aust.) und Granson Music
2:43
17The Sheik of Araby
recording of:
The Sheik of Araby
Texter:
Harry B. Smith (in 1921) und Francis Wheeler (in 1921)
Komponist(in):
Ted Snyder (in 1921)
publisher:
Jerry Vogel Music, Mills Music, Inc., Redwood Music und Salabert
8:35
18Until the Real Thing Comes Along
recording of:
Until the Real Thing Comes Along
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:47
19That Makes a Difference to Me
2:52
20Autumn in New York
recording of:
Autumn in New York (1934)
Texter und Komponist(in):
Vernon Duke
publisher:
Chappell & Co. und Warner Bros., Inc. (not for release label use!)
2:41

Nennungen