Blade Runner 2049 - Original Motion Picture Soundtrack

~ Release by Hans Zimmer & Benjamin Wallfisch (see all versions of this release, 7 available)

Tracklist

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▼ 12" Vinyl 1
#	Title	Rating	Length
A1	2049 programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: 2049 composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		3:37
A2	Sapper's Tree programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Sapper’s Tree composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		1:36
A3	Flight to LAPD programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Flight to LAPD composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		1:47
A4	Rain programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Rain composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		2:26
A5	Wallace programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Wallace composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) is based on: New Model is based on: Wallace part of: Blade Runner 2049		5:23
A6	Memory programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Memory composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		2:32
A7	Mesa programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Mesa composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) is based on: Trash Mesa part of: Blade Runner 2049		3:10
B1	Orphanage programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Orphanage composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		1:13
B2	Furnace programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Furnace composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		3:41
B3	Someone Lived This programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Someone Lived This composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		3:13
B4	Joi programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Joi composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049		3:51
B5	Pilot programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Pilot composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) is based on: Pilotfish part of: Blade Runner 2049		2:17
B6	Hijack programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Hijack composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) is based on: Crushing Joi is based on: K Rescued part of: Blade Runner 2049		5:32

▼ 12" Vinyl 2
#	Title	Artist	Rating	Length
C1	That's Why We Believe programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: That’s Why We Believe composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) is based on: Must Protect the Child is based on: You Imagined It Was You part of: Blade Runner 2049	Hans Zimmer & Benjamin Wallfisch		3:36
C2	Her Eyes Were Green programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Her Eyes Were Green composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049	Hans Zimmer & Benjamin Wallfisch		6:17
C3	Sea Wall programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Sea Wall composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049	Hans Zimmer & Benjamin Wallfisch		9:53
D1	All the Best Memories Are Hers programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: All the Best Memories Are Hers composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) part of: Blade Runner 2049	Hans Zimmer & Benjamin Wallfisch		3:22
D2	Tears in the Rain programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States cover recording of: Farewell (Tears in Rain) composer: Vangelis (Greek composer of electronic, new age and classical) part of: Blade Runner part of: Blade Runner 2049	Hans Zimmer & Benjamin Wallfisch		2:10
D3	Blade Runner programming: Hans Zimmer (German score composer) sound engineer: Howard Scarr and Mark Wherry engineer: Chuck Choi producer: Ashley Culp (producer), Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison editor: Clint Bennett (engineer) and Ryan Rubin cello: Tristan Schulze and Simone Vitucci (cellist) guitar: Owen Gurry (guitarist) instruments: Chas Smith vocals: Avi Kaplan and Tristan Schulze mixed at: Remote Control Productions in Santa Monica, California, United States recording of: Blade Runner composer: Benjamin Wallfisch (English score composer) and Hans Zimmer (German score composer) is based on: Blade Runner is based on: Main on Ends part of: Blade Runner 2049	Hans Zimmer & Benjamin Wallfisch		10:05
D4	Almost Human additional programming: Michael Hodges (music producer, heavily involved in works for film and television) and Ghian Wright programming: Scott “Fritzy” Fritz (engineer) and Gerald Trottman producer: Michael Hodges (music producer, heavily involved in works for film and television) and Kayla Morrison mixer: Ghian Wright grand piano and keyboard: Gerald Trottman (in 2017) background vocals: Lauren Daigle (in 2017) and Michael Hodges (music producer, heavily involved in works for film and television) (in 2017) vocals: Lauren Daigle (in 2017) recording of: Almost Human (in 2017) writer: Lauren Daigle, Michael Hodges (music producer, heavily involved in works for film and television), Kayla Morrison, Gerald Trottman and Ghian Wright publisher: Alcon Sleeping Giant part of: Blade Runner 2049	Lauren Daigle		3:22

Credits

Release

Discogs:	https://www.discogs.com/release/11240550 [info]

Release group

part of:	Music from Denis Villeneuve Films (order: 4)

Discogs:	https://www.discogs.com/master/1250568 [info]
other databases:	http://soundtrackcollector.com/title/113208/ [info] https://rateyourmusic.com/release/album/hans-zimmer-benjamin-wallfisch/blade-runner-2049/ [info]
IMDb:	https://www.imdb.com/title/tt1856101/ [info]
Allmusic:	https://www.allmusic.com/album/mw0003115404 [info]
standalone website:	https://hans-zimmer.com/discography/1/project/3291 [info]
Wikidata:	Q41658109 [info]

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Release information

Barcode:: 190758036410
Format:: 2×12" Vinyl
Length:: 1:19:03

Additional details

Type:: Album + Soundtrack
Packaging:: Cardboard/Paper Sleeve
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Alcon Sleeping Giant
19075803641
Epic
19075803641

Release events

Europe
2017-12-15

Release group rating

3.5 (see all ratings)

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Last updated on 2018-05-22 18:18 UTC