Die ultimative Chart Show: Die erfolgreichsten Hits der 90er

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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CD 1
Nr.TitelKünstlerBewertungLänge
1My Heart Will Go On (love theme from “Titanic”)
recording engineer:
Humberto Gatica und David Gleeson
sonstige Unterstützung:
Emilie Charlap (Aufgabe: orchestratra contractor) und Dan Shea (Aufgabe: sound design)
drum machine [drum and rhythm]-Programmierung:
Walter Afanasieff
Programmierung:
Dan Shea
zusätzliche drum machine [drum and rhythm]-Programmierung:
Dan Shea
assistierende(r) Techniker(in):
Chris Brooke, Tony Gonzalez (engineer), Tyson Leeper, Glen Marchese, Ethan Schofer und Greg Thompson (engineer, mixer)
Techniker(in):
Humberto Gatica (Sologesang) und Dan Shea
Koproduzent(in):
James Horner (American score composer)
Produzent(in):
Walter Afanasieff
Mix:
Humberto Gatica
Bass-Synthesizer [synth bass], Hammond-Orgel [Hammond B-3 organ] und Keyboard:
Walter Afanasieff
Fiddle [Irish fiddle]:
Paul Peabody (violinist)
Gitarre:
Dann Huff
tin whistle [pennywhistle/whistles]:
Tony Hinnigan (cellist, multi-instrumentalist, most notably flutes, whistles, and pipes)
zusätzlich Keyboard:
Dan Shea
Hintergrundgesang:
Cleytoven Richardson, Leslie Ellis, Skyler Jett, Konesha Owens und Jeanie Tracy
conductor:
William Ross (composer, orchestrator, arranger, conductor)
arranger:
Walter Afanasieff
Orchestrator(in):
William Ross (composer, orchestrator, arranger, conductor)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten und Wallyworld in San Rafael, California (Kalifornien), Vereinigte Staaten
mixed at:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
My Heart Will Go On (love theme from Titanic) von Céline Dion (Celine Dion)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 2) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 279)
recording of:
My Heart Will Go On
Texter:
Will Jennings
Komponist(in):
James Horner (American score composer)
publisher:
Blue Sky Rider Songs, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Fox Film Music Corporation (BMI-affiliated), Irving Music, Inc., Rondor Music (London) Ltd., Rondor Music Publishing, Sony/ATV Harmony, Sony/ATV Melody, TCF Music Publishing, Inc. (Twentieth Century Fox Music Publishing, Inc.; ASCAP), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), フジパシフィック音楽出版 第2事業部 (Fujipacific Music Publishing Division 2) (bis 2014-12-31) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2) (vom 2015-01-01 bis heute)
Teil von:
The 70th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 70)
Teil von:
Titanic
Céline Dion4.354:40
2Conquest of Paradise
recording engineer und Mix:
Philippe Colonna
assistierende(r) Produzent(in):
Frederick Rousseau
Produzent(in):
Vangelis (Greek composer of electronic, new age and classical)
flute:
Didier Malherbe
Geige / Violine und Mandoline:
Francis Darizcuren
klassiche Gitarre [Spanish guitar]:
Bruno Manjarrés und Pepe Martinez (flamenco guitar player)
Chorgesang:
English Chamber Choir
vocals:
Bruno Manjarrés, Pepe Martinez (flamenco guitar player) und Guy Protheroe
conductor:
Guy Protheroe
Interpret(in):
Vangelis (Greek composer of electronic, new age and classical)
arranger:
Vangelis (Greek composer of electronic, new age and classical)
phonographisches Urheberrecht (℗) von:
Warner Music U.K. Ltd. (not for release label use!) (in 1992)
aufgenommen bei:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (Chorgesang) und Epsilon Laboratory in Paris, Île-de-France, Frankreich
mixed at:
Epsilon Laboratory in Paris, Île-de-France, Frankreich
recording of:
Conquest of Paradise (1492: Conquest of Paradise)
Komponist(in):
Vangelis (Greek composer of electronic, new age and classical)
publisher:
Spheric BV
Vangelis44:53
3Time to Say Goodbye (Con te partirò) (Sarah’s intimate version)
Produzent(in):
Frank Peterson
Gitarre:
Peter Weihe (in 1996-10)
Keyboard:
Peter Murray (pianist and keyboardist) (in 1996-10) und Michael Soltau (in 1996-10)
Soprangesang:
Sarah Brightman (in 1996-10)
conductor:
Mike Reed (UK conductor/arranger for musicals) (in 1996-10)
phonographisches Urheberrecht (℗) von:
EastWest Records GmbH (not for release label use!) (in 1996)
aufgenommen bei:
Nemo Studio (Hamburg) in Hamburg, Deutschland (in 1996-10)
recording of:
Time to Say Goodbye (version with predominantly Italian lyrics, except for the phrase “time to say goodbye”) (in 1996-10)
Texter:
Lucio Quarantotto
zusätzlicher Texter:
Frank Peterson
Komponist(in):
Francesco Sartori
publisher:
Sugar Music MV und Sugar S.r.l. (company credits only; do NOT use as release label)
übersetzte Version von:
Con te partirò (completely Italian lyrics; no “time to say goodbye”)
Sarah Brightman44:07
4What’s Up?
recording engineer:
David Tickle und Mark Hensley
zusätzliche(r) Techniker(in):
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy und Paul Dieter (American sound engineer and producer.)
Produzent(in) und Mix:
David Tickle
Akustikgitarre und E-Gitarre:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
Bass und Hintergrundgesang:
Christa Hillhouse (in 1992)
Gitarre:
Louis Metoyer (in 1992) und Roger Rocha (in 1992)
Klavier:
Laurent Tardy (in 1992)
Schlagzeug:
Dawn Richardson (in 1992)
Sologesang:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographisches Urheberrecht (℗) von:
Interscope Records (part of UMG Recordings, Inc.) (in 1992)
aufgenommen bei:
Groove Masters in Santa Monica, California (Kalifornien), Vereinigte Staaten (in 1992), The Bunker (in 1992) und The Plant Studios (1981-2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (in 1992)
mixed at:
The Bunker
Musikvideos:
What’s Up? von 4 Non Blondes
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 46) und Indie 88: Top 500 Indie Rock Songs (Nummer: 486)
recording of:
What’s Up? (in 1992)
Texter und Komponist(in):
Linda Perry (rock singer‐songwriter & producer)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Germany GmbH & Co. KG, Sony/ATV Harmony, Sony/ATV Harmony UK und Stuck in the Throat
4 Non Blondes3.754:57
5Keep the Faith
assistierende(r) Techniker(in):
Brian Dobbs (US metal producer/engineer) und Darren Grahn
Techniker(in):
Randy Staub
zusätzliche(r) Techniker(in):
Obie O’Brien
Produzent(in):
Bob Rock
assistierende(r) Mix:
Greg Goldman, Ed Korengo und Jim Labinski
Mix:
Bob Rock und Randy Staub
Bassgitarre:
Alec John Such
Gitarre:
Richie Sambora
Keyboard:
David Bryan (keyboardist for Bon Jovi)
Schlagzeug:
Tico Torres
Sologesang:
Jon Bon Jovi
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) und PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1992)
aufgenommen bei:
Little Mountain Sound in Vancouver, British Columbia, Kanada
mixed at:
A&M Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Keep the Faith
Verfasser(in):
Jon Bon Jovi, Desmond Child und Richie Sambora
publisher:
PolyGram Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Desmobile Inc. (vom 1992 bis heute), Aggressive Music (in 1992), Bon Jovi Publishing (in 1992), EMI April Music Inc. (in 1992) und PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) (in 1992)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bon Jovi4.255:47
6Zombie
assistierende(r) Techniker(in) und assistierende(r) Produzent(in):
Julie Gardiner (engineer)
Techniker(in) und Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre und E-Gitarre:
Noel Hogan und Dolores O’Riordan
Bassgitarre:
Mike Hogan (bassist for The Cranberries)
Keyboard und Sologesang:
Dolores O’Riordan
Perkussion und Schlagzeug:
Fergal Lawler
Hintergrundgesang:
Noel Hogan
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label), Island Records, Inc. (US) (in 1994), UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1994) und Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (von 1993-11 bis 1994-08) und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-08)
mixed at:
The Manor in Oxfordshire, England, Vereinigtes Königreich und The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1994) und Indie 88: Top 500 Indie Rock Songs (Nummer: 234)
recording of:
Zombie
Texter und Komponist(in):
Dolores O’Riordan
publisher:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) und Universal–Songs of PolyGram International, Inc.
The Cranberries4.35:08
7I’d Do Anything for Love (But I Won’t Do That) (radio edit)
Meat Loaf5:25
8(Everything I Do) I Do It for You (live at Sydney Opera House / 2013)
live recording of:
(Everything I Do) I Do It for You
Verfasser(in):
Bryan Adams (Canadian singer/songwriter) (am 1991-04-10), Michael Kamen (American score composer) (am 1991-04-10) und Robert John “Mutt” Lange (Robert John Lange) (am 1991-04-10)
publisher:
2855 Music, MCA Music Ltd., Out-of-Pocket Productions Ltd., Rondor Music (London) Ltd., WorkSongs Ltd., Zomba Enterprises Inc., Almo Music Corp. (USA, affiliated with ASCAP) (in 1991), Miracle Creek Music, Inc. (in 1991), Zachary Creek Music Inc. (in 1991) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1991)
Teil von:
The 64th Academy Award for Best Original Song (Nummer: 2)
Bryan Adams3:56
9Se bastasse una canzone
phonographisches Urheberrecht (℗) von:
DDD (La Drogueria di Drugolo, Italian label) (in 1990)
recording of:
Se bastasse una canzone
Texter:
Adelio Cogliati und Eros Ramazzotti
Komponist(in):
Piero Cassano und Eros Ramazzotti
Eros Ramazzotti5:07
10Stars
Techniker(in) und Mix:
Daren Klein
Koproduzent(in):
Mick Hucknall (lead singer of Simply Red)
Produzent(in):
Stewart Levine (record producer and saxophonist)
recording of:
Stars
Texter und Komponist(in):
Mick Hucknall (lead singer of Simply Red)
Simply Red2.84:09
11Sie sieht mich nichtXavier Naidoo14:28
12An Angel
recording of:
An Angel
Texter und Komponist(in):
The Kelly Family
The Kelly Family33:45
13Wind of Change (album version)
assistierende(r) Techniker(in):
Shay Baby, Attie Bauw, Albert Boekholt und Tom Fletcher (Engineer)
Techniker(in):
Erwin Musper und Keith Olsen (US producer and engineer)
Produzent(in):
Keith Olsen (US producer and engineer) und Scorpions (German rock band)
Mix:
Shay Baby, Erwin Musper und Keith Olsen (US producer and engineer)
Akustikgitarre:
Rudolf Schenker (in 1990)
Bassgitarre:
Francis Buchholz (in 1990)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1990) und Rudolf Schenker (in 1990)
Gast-Keyboard:
Koen van Baal (in 1990)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1990)
Slide-Gitarre:
Matthias Jabs (in 1990)
Hintergrundgesang:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) und Rudolf Schenker (in 1990)
Sologesang:
Klaus Meine (in 1990)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1990, in 1991) und The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1990)
aufgenommen bei:
Goodnight LA Studios in Van Nuys, California (Kalifornien), Vereinigte Staaten (in 1990) und Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
Texter und Komponist(in):
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music und PRI Music, Inc.
Scorpions3.855:12
14Verdammt, ich lieb dich (original version)
Koproduzent(in):
André Franke
Produzent(in):
Matthias Reim
phonographisches Urheberrecht (℗) von:
Koch/Universal Music (use only for releases with logo saying "Koch Universal Music") (in 1990) und EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (vom 2007 bis heute)
recording of:
Verdammt, ich lieb' Dich
Verfasser(in):
Bernd Dietrich (German songwriter and producer) und Matthias Reim
publisher:
Känguruh Musikverlag Bernd Dietrich
Matthias Reim3:41
15Ich lieb’ dich
Pur4:15
16Willenlos (remastered)
recording of:
Willenlos
Texter und Komponist(in):
Marius Müller-Westernhagen
Marius Müller‐Westernhagen3:24
17Runaway Train (album version)
recording of:
Runaway Train
Texter und Komponist(in):
Dave Pirner
publisher:
EMI Music Publishing Taiwan, LFR Music, Warner Chappell Music (publisher as Warner/Chappell Music) und WB Music Corp. (1929–2019)
Soul Asylum4:27
18Sadeness
Produzent(in):
Enigma (New-age project created by Michael Cretu)
aufgenommen bei:
A.R.T. Studios (Enigma) in Ibiza, Illes Balears (Balearische Inseln), Spanien (in 1990)
recording of:
Sadeness, Part 1
Texter:
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein, F. Gregorian und Frank Peterson
Komponist(in):
Michael Cretu (Romanian-born German musician, composer and record producer), Curly M.C., David Fairstein und Frank Peterson
Teil von:
Principles of Lust
Teil von:
Principles of Lust
Enigma4.154:17
CD 2
Nr.TitelKünstlerBewertungLänge
1All That She Wants
Techniker(in):
Denniz PoP
Produzent(in):
Jonas Berggren, Ulf Ekberg und Denniz PoP
vocals:
Jonas Berggren, Malin Berggren und Ulf Ekberg
zusätzlich vocals:
Jonas Berggren und Ulf Ekberg
phonographisches Urheberrecht (℗) von:
Playground Music Sweden (in 1992) und Mega Records (Danish euro house) (in 1993)
aufgenommen bei:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Teil von:
The Downloader’s Music Source Book (Nummer: 122)
recording of:
All That She Wants
Texter und Komponist(in):
J. Berggren und Ulf "Buddha" Ekberg
publisher:
Megasong Publishing A/S, PolyGram Songs und Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text)
Ace of Base3.73:31
2Joyride
Programmierung:
Anders Herrlin und Clarence Öfwerman
Techniker(in):
Anders Herrlin und Alar Suurna
Produzent(in):
Clarence Öfwerman
Mix:
Per Gessle (Swedish singer and guitarist), Clarence Öfwerman und Alar Suurna
Bassgitarre:
Anders Herrlin (in 1990-07)
E-Gitarre und Gitarre:
Jonas Isacsson (in 1990-07)
Keyboard:
Clarence Öfwerman (in 1990-07)
Trillerpfeife:
Per Gessle (Swedish singer and guitarist) (in 1990-07)
vocals:
Marie Fredriksson (in 1990-07) und Per Gessle (Swedish singer and guitarist) (in 1990-07)
remixer:
Brian Malouf
phonographisches Urheberrecht (℗) von:
EMI Svenska AB (not for release label use!) und Roxette Recordings
aufgenommen bei:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden (in 1990-07)
mixed at:
EMI Studios in Stockholm, Stockholms län (Stockholm county), Schweden
recording of:
Joyride (in 1990-07)
Texter und Komponist(in):
Per Gessle (Swedish singer and guitarist)
publisher:
Jimmy Fun Music
Roxette3.354:02
3It’s My Life (radio edit)
Techniker(in):
Gundars Rullis (Chorgesang)
Produzent(in) und Mix:
Denniz PoP
Chorgesang:
Annelie Berg, Marie Bergman (Swedish singer), Björn Ström, Gladys del Pilar und Ricco (background vocals on "It's My Life")
Hintergrundgesang:
Paola Toro
Chorgesang arranger:
Anders Hansson (producer / writer / performer)
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1993)
produced for:
SweMix Productions (in 1992)
aufgenommen bei:
Polar Studios in Stockholm, Stockholms län (Stockholm county), Schweden (Chorgesang) und SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
mixed at:
SweMix Studio in Stockholm, Stockholms län (Stockholm county), Schweden
Musikvideos:
It’s My Life von Dr. Alban
recording of:
It’s My Life
Texter:
Dr. Alban
Komponist(in):
Denniz PoP
publisher:
SweMix Music und SweMix Songs
Dr. Alban3.84:01
4Mr. Vain
Techniker(in):
Torsten Fenslau (German dance producer) und Peter Zweier
Produzent(in):
Torsten Fenslau (German dance producer)
Interpret(in):
Tania Evans
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1993)
Bearbeitung von:
Mr. Vain (Vain mix) von Culture Beat (German Euro-Dance duo)
recording of:
Mr. Vain
Texter:
Nosie Katzmann und Jay Supreme
Verfasser(in):
J. Supreme, S. Levis und N. Katzmann
Komponist(in):
Nosie Katzmann, Stephan Zick und Jay Supreme
publisher:
Control (German electronic), Edition "Get Into Magic", Warner Chappell und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Culture Beat4.154:17
5What Is Love
Produzent(in):
Dee Dee Halligan und Junior Torello
Mix:
Gary Jones (British recording engineer)
Sologesang:
Nester Alexander Haddaway
arranger:
Dee Dee Halligan und Alex Trime
phonographisches Urheberrecht (℗) von:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1992) und Coconut Records (Canadian) (in 1993)
recording of:
What Is Love
Texter:
Junior Torello
Komponist(in):
Dee Dee Halligan
publisher:
A la Carte Music, Hanseatic Musikverlag GmbH (1964-2001) und Warner/Chappell Music Australia Pty. Ltd.
Haddaway3.44:30
6Rhythm Is a Dancer (7″ edit)
Produzent(in):
Benito Benites, John “Virgo” Garrett III und Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
phonographisches Urheberrecht (℗) von:
Logic Records (Germany)
recording of:
Rhythm Is a Dancer
Verfasser(in):
Thea Austin, Benito Benites, Butler und John “Virgo” Garrett III
basiert auf:
Automan
Snap!43:46
7Blue (Da Ba Dee) (radio edit)
Eiffel 654:44
8Mambo No.5
Koproduzent(in):
Lou Bega und Zippy (Christian Königseder)
Produzent(in):
D. Fact und Frank Lio
Instrumente:
D. Fact und Frank Lio
vocals:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
enthält Samples von:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
phonographisches Urheberrecht (℗) von:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (in 1999) und Lautstark (in 1999)
produced for:
Syndicate
Samples:
Mambo No. 5 von Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 50)
recording of:
Mambo No. 5 (A Little Bit of…)
Texter:
Lou Bega und Zippy (Christian Königseder)
Komponist(in):
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
publisher:
Peer International Corporation (BMI) und Peer Musikverlag (Peermusic Musikverlag GesmbH)
basiert auf:
Mambo No. 5 (original, 1949)
Lou Bega3.653:40
9Let’s Talk About Sex
Produzent(in):
Hurby Luv Bug und The Invincibles (Production Team)
Hintergrundgesang:
Alpha, Omega (US rapper) und Hurby Luv Bug
phonographisches Urheberrecht (℗) von:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1990)
recording of:
Let’s Talk About Sex
Texter und Komponist(in):
Fingerprints
publisher:
Next Plateau Music Inc. und Sons of K-oss Music
Salt‐N‐Pepa33:31
10Macarena (Bayside Boys remix)
Produzent(in):
Carlos Alberto DeYarza und Mike Triay
zusätzliche(r) Produzent(in):
Bayside Boys
remixer:
Bayside Boys
arranger:
Jesús Bola und Manuel Soler
Samples:
Situation von Yazoo (80s British synthpop duo, aka Yaz)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 500)
recording of:
Macarena (Bayside Boys remix)
sonstige Unterstützung:
Jammin Johnny Caride
Texter:
Carlos Alberto DeYarza
Komponist(in):
Antonio Romero Monge und Rafael Ruiz
Version von:
Macarena
Los del Río33:53
11No Limit (album version)
recording of:
No Limit
Texter und Komponist(in):
Anita Dels, Jean-Paul de Coster, Ray Slijngaard und Phil Wilde (Belgian producer Filip De Wilde)
publisher:
Any Kind of Music, Inc, Decos Publishing, EMI (EMI Records, EMI Records, since 1972), MCA Music Ltd., MSM Songs Musikverlag GmbH und Toco Australia
2 Unlimited3:44
12Cotton Eye Joe
recording engineer und Mix:
Lee Monteverde
Techniker(in) und Produzent(in):
Pat Reiniz
Banjo:
Ken Tacky
vocals:
Billy Ray (stage name of Jonas Nilsson, violinist of Swedish novelty act Rednex), Mary Joe, Bobby Sue und Ken Tacky
zusätzliche(r) Interpret(in):
Goran Danielsson (Rednex singer Ken Tacky), Annika Ljungberg und Bosse Nilsson
phonographisches Urheberrecht (℗) von:
Zomba Records Ltd (not strictly a label - avoid adding releases here) (in 1994)
aufgenommen bei und mixed at:
Future Crew Studios, Idaho in Stockholms län (Stockholm county), Schweden
Musikvideos:
Cotton‐Eye Joe von Rednex (Swedish Euro-House group)
Teil von:
A.Side: 10 Songs That Have Their Own Dance Moves (Nummer: 7)
recording of:
Cotton-Eye Joe (Rednex version)
Verfasser(in):
Jan Ericsson (Swedish producer), Örjan Öberg (Örjan “Öban” Öberg, Swedish producer) und Pat Reiniz
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Version von:
Cotton‐Eyed Joe (traditional song)
Rednex43:13
13Everybody
recording of:
Everybody
Verfasser(in):
René Baumann (DJ BoBo), Daniel Peyer und Joe South
publisher:
EAMS Musikverlag
DJ BoBo3:50
14More and More
Produzent(in):
Cyborg (German trance producer Michael Baur)
phonographisches Urheberrecht (℗) von:
Dance Music Production (in 1992)
aufgenommen bei:
DMP Studios in Stamford, Connecticut, Vereinigte Staaten
produced at:
DMP in Stamford, Connecticut, Vereinigte Staaten
recording of:
More and More
Texter:
Nosie Katzmann und Tony Dawson-Harrison
Komponist(in):
Nosie Katzmann, Oliver Reinecke und Giora Schein
publisher:
Edition "Get Into Magic", ICM (German publisher) und Warner Chappell
Captain Hollywood Project4:14
15I’ve Been Thinking About You
recording of:
I’ve Been Thinking About You
Verfasser(in):
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) und William Henshall (Londonbeat)
Londonbeat3:50
16Mishale
Andru Donalds4:02
17I Promised Myself
recording of:
I Promised Myself
Texter und Komponist(in):
Nick Kamen
Nick Kamen3:58
18Believe (single version)
Produzent(in):
Brian Rawling und Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
Mix:
Mark Taylor (UK producer & songwriter aka Q & Groove Brothers member)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
produced for:
Metro (production company) und Rive Droite Music Productions
aufgenommen bei und mixed at:
Dreamhouse Studios in London (Greater London), England, Vereinigtes Königreich
Teil von:
Grammy Award: Best Dance/Electronic Recording nominees (Nummer: 2000 winner), RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 9), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 337)
recording of:
Believe
Texter:
Brian Higgins (British producer and song writer) und Matt Gray (UK techno DJ/producer, former video game composer)
Komponist(in):
Brian Higgins (British producer and song writer) (in 1998), Matt Gray (UK techno DJ/producer, former video game composer) (in 1998), Stuart McLennan (in 1998), Paul Michael Barry (songwriter/musician) (in 1998), Tim Powell (Songwriter and producer, ex-Xenomania) (in 1998) und Steve Torch (in 1998)
publisher:
Rive Droite Music und Warner Chappell (Warner/Chappell Music, Inc.)
Cher3.753:59
19Das Boot (album version)
U965:16
20Around the World
cover recording of:
Around the World (La La La La La) (in 2018)
Texter:
Alex Christensen (German techno DJ/producer), Peter Könemann, Алексей Потехин (Aleksey Potekhin) und Сергей Жуков (Sergey Zhukov, pop singer)
Komponist(in):
Алексей Потехин (Aleksey Potekhin) und Сергей Жуков (Sergey Zhukov, pop singer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Germany (GmbH & Co. KG)
übersetzte Version von:
Песенка
Alex Christensen & The Berlin Orchestra feat. Melanie C3:30