Mass in B minor

~ Release by Bach; The Choir of Trinity College, Cambridge, Orchestra of the Age of Enlightenment, Stephen Layton (see all versions of this release, 2 available)

Tracklist

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▼ Digital Media 1
#TitleArtistRatingLength
1Mass in B minor, BWV232: Missa: Chorus: Kyrie eleison
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: I. Kyrie eleison (Mass in B minor, BWV 232: Ia. Kyrie: Chorus "Kyrie eleison") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach9:56
2Mass in B minor, BWV232: Missa: Duet: Christe eleison
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
mezzo-soprano vocals:
Helen Charlston (mezzo-soprano) (from 2017-01-12 until 2017-01-16)
soprano vocals:
Katherine Watson (British soprano) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (Mass in B minor, BWV 232: Ib. Kyrie: Duet "Christe eleison") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:57
3Mass in B minor, BWV232: Missa: Chorus: Kyrie eleison
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: III. Kyrie eleison (Mass in B minor, BWV 232: Ic. Kyrie: Chorus "Kyrie eleison") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:24
4Mass in B minor, BWV232: Missa: Chorus: Gloria in excelsis Deo
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:44
5Mass in B minor, BWV232: Missa: Chorus: Et in terra pax hominibus
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:26
6Mass in B minor, BWV232: Missa: Aria: Laudamus te
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
soprano vocals:
Katherine Watson (British soprano) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (Mass in B minor, BWV 232: IIc. Gloria: Aria "Laudamus te") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:22
7Mass in B minor, BWV232: Missa: Chorus: Gratias agimus tibi
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VII. Gratias agimus tibi (Mass in B minor, BWV 232: IId. Gloria: Chorus "Gratias agimus tibi") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir": II. Coro "Wir danken dir, Gott, wir danken dir"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:14
8Mass in B minor, BWV232: Missa: Duet: Domine Deus
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
soprano vocals:
Katherine Watson (British soprano) (from 2017-01-12 until 2017-01-16)
tenor vocals:
Gwilym Bowen (tenor) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:30
9Mass in B minor, BWV232: Missa: Chorus: Qui tollis peccata mundi
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: IX. Qui tollis peccata mundi (Mass in B minor, BWV 232: IIf. Gloria: Chorus "Qui tollis peccata mundi") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:04
10Mass in B minor, BWV232: Missa: Aria: Qui sedes ad dexteram Patris
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
11Mass in B minor, BWV232: Missa: Aria: Quoniam tu solus sanctus
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
bass vocals:
Neal Davies (operatic bass) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XI. Quoniam tu solus Sanctus (Mass in B minor, BWV 232: IIh. Gloria: Aria "Quoniam tu solus Sanctus") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:28
12Mass in B minor, BWV232: Missa: Chorus: Cum Sancto Spiritu
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:42
▼ Digital Media 2
#TitleArtistRatingLength
1Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Credo in unum Deum
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: I. Credo in unum Deum (Mass in B minor, BWV 232: IIIa. Symbolum nicenum: Chorus "Credo in unum Deum") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach1:59
2Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Patrem omnipotentem
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: II. Patrem omnipotentem (Mass in B minor, BWV 232: IIIb. Symbolum nicenum: Chorus "Patrem omnipotentem") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:04
3Mass in B minor, BWV232: Symbolum Nicenum: Duet: Et in unum Dominum
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor) (from 2017-01-12 until 2017-01-16)
soprano vocals:
Katherine Watson (British soprano) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (Mass in B minor, BWV 232: IIIc. Symbolum nicenum: Duet "Et in unum Dominum") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:23
4Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Et incarnatus est
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IV. Et incarnatus est (Mass in B minor, BWV 232: IIId. Symbolum nicenum: Chorus "Et incarnatus est") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:23
5Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Crucifixus etiam pro nobis
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:23
6Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Et resurrexit tertia die
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VI. Et resurrexit (Mass in B minor, BWV 232: IIIf. Symbolum nicenum: Chorus "Et resurrexit") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:04
7Mass in B minor, BWV232: Symbolum Nicenum: Aria: Et in Spiritum Sanctum
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
bass vocals:
Neal Davies (operatic bass) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VII. Et in Spiritum Sanctum Dominum (Mass in B minor, BWV 232: IIIg. Symbolum nicenum: Aria "Et in Spiritum Sanctum Dominum") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:18
8Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Confiteor unum baptisma
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: VIII. Confiteor (Mass in B minor, BWV 232: IIIh. Symbolum nicenum: Chorus "Confiteor") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:55
9Mass in B minor, BWV232: Symbolum Nicenum: Chorus: Et exspecto resurrectionem
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: IX. Et expecto (Mass in B minor, BWV 232: IIIi. Symbolum nicenum: Chorus "Et expecto") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 120 "Gott, man lobet dich in der Stille": II. Coro "Jauchzet, ihr erfreuten Stimmen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:05
10Mass in B minor, BWV232: Sanctus: Chorus: Sanctus
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: III. Sanctus (Mass in B minor, BWV 232: IVa. Chorus "Sanctus") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:12
11Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Osanna in excelsis
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: I. Osanna in excelsis (Mass in B minor, BWV 232: IVb. Chorus "Osanna in excelsis") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:42
12Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Aria: Benedictus
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
tenor vocals:
Gwilym Bowen (tenor) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: II. Benedictus (Mass in B minor, BWV 232: IVc. Aria "Benedictus") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach4:16
13Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Osanna in excelsis
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: III. Osanna repetatur (Mass in B minor, BWV 232: IVd. Chorus "Osanna in excelsis") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": I. Coro I/II "Preise dein Glücke, gesegnetes Sachsen"
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach2:45
14Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Aria: Agnus Dei
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
countertenor vocals:
Iestyn Davies (countertenor) (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach5:16
15Mass in B minor, BWV232: Osanna, Benedictus, Agnus Dei and Dona Nobis Pacem: Chorus: Dona nobis pacem
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
choir vocals:
Choir of Trinity College, Cambridge (from 2017-01-12 until 2017-01-16)
orchestra:
Orchestra of the Age of Enlightenment (from 2017-01-12 until 2017-01-16)
conductor:
Stephen Layton (English conductor) (from 2017-01-12 until 2017-01-16)
concertmaster:
Margaret Faultless (violinist) (from 2017-01-12 until 2017-01-16)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
recorded at:
Trinity College Chapel (Cambridge, UK) in Cambridge, Cambridgeshire, England, United Kingdom (from 2017-01-12 until 2017-01-16)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (from 2017-01-12 until 2017-01-16)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:30

Credits

Release

photography:Sussie Ahlburg
Hugo Bernand
Marco Borggreve (photographer)
Benjamin Ealovega
Ben McKee (British bass vocalist)
Keith Saunders (photographer)
Pablo Strong (tenor)
liner notes:Richard Wigmore (linernotes and bassist.)
liner notes translator:Hyperion (for roles credited to the British label Hyperion)
Viola Scheffel (Übersetzung)
executive producer:Perdita Andrew
Simon Perry (Hyperion classical music producer)
illustration:Andrea Mantegna
booklet editor:Peter Hall (booklet editor)
copyrighted (©) by:Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 2018)
purchase for download:https://music.apple.com/us/album/bach-mass-in-b-minor/1313280214 [info]
https://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68181/2 [info]