Greatest Hits: Sound of Money

~ Release by Eddie Money (see all versions of this release, 4 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Baby Hold On
recording engineer:
Andy Johns (in 1977-06)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Eddie Money, Alan Pasqua and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist)
background vocals:
Randy Nichols
guest vocals:
Jo Baker (US singer, involved with Elvin Bishop)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Baby Hold On (in 1977-06)
writer:
Jimmy Lyon (rock guitarist, worked with Eddie Money) and Eddie Money
publisher:
Cashola Music and Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.53:34
2Two Tickets to Paradise
recording engineer:
Andy Johns (in 1977-06)
producer:
Bruce Botnick
mixer:
Andy Johns
alto saxophone:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Lonnie Turner
drums (drum set):
Gary Mallaber
guitar:
Jimmy Lyon (rock guitarist, worked with Eddie Money)
harmonica, saxophone and lead vocals:
Eddie Money
keyboard:
Eddie Money, Alan Pasqua and Freddie Webb (keyboardist)
percussion:
Kevin Calhoun (percussionist)
background vocals:
Randy Nichols
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1977) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1978)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (in 1977-06) and Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1977-06)
recording of:
Two Tickets to Paradise (in 1977-06)
lyricist and composer:
Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4.153:59
3Peace in Our Time
engineer:
Chris Lord‐Alge
executive producer:
Richie Zito
producer:
Chris Lord‐Alge and Eddie Money
mixer:
Chris Lord‐Alge (in 1989-09)
recorded at and mixed at:
One on One Studios in North Hollywood, Los Angeles, California, United States (in 1989-09)
recording of:
Peace in Our Time (in 1989-09)
writer:
Andy Hill (English producer & songwriter) and Peter Sinfield
55:05
4Where’s the Party (live)
recording engineer:
Westwood One (US radio network) (on 1988-12-29)
assistant engineer and assistant mixer:
Mike Carver, Doug Field and Ron Morgan
engineer and mixer:
Biff Dawes
producer:
Eddie Money
recorded at:
Paramount Theatre in Denver, Colorado, United States (on 1988-12-29)
live recording of:
Where’s the Party (on 1988-12-29)
writer:
Ralph Carter (heavy metal bassist) and Eddie Money
publisher:
Three Wise Boys Music LLC
5:50
5I Wanna Go Back
engineer:
Michael Frondelli, Phil Kaffel and Dave Leonard
producer:
Eddie Money and Richie Zito
mixer:
Scott Litt (producer and engineer), Eddie Money and Richie Zito
lead vocals:
Eddie Money
arranger:
Eddie Money and Richie Zito
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, California, United States (from 1985-11 until 1986-05)
cover recording of:
I Wanna Go Back (from 1985-11 until 1986-05)
writer:
Monty Byrom, Danny Chauncey and Ira Walker
publisher:
Beau’s Dad Music, Buyrum Music, Peertunes Ltd, Raski Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
53:57
6Walk on Water
engineer:
Phil Kaffel
producer:
Eddie Money and Richie Zito
mixer:
Chris Lord‐Alge
arranger:
Eddie Money and Richie Zito
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988-04 until 1988-08)
recording of:
Walk on Water (from 1988-04 until 1988-08)
writer:
Jesse Harms
54:41
7Shakin’
engineer and mixer:
Andy Johns
producer:
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
recorded at:
Automatt in San Francisco, California, United States (from 1981-12 until 1982-04), Criteria Studios in Miami, Florida, United States (from 1981-12 until 1982-04) and Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1981-12 until 1982-04)
recording of:
Shakin’ (from 1981-12 until 1982-04)
writer:
Ralph Carter (heavy metal bassist), Eddie Money and Elizabeth Myers
publisher:
Cashola Music, Elizabeth Myers Music and Three Wise Boys Music LLC
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
43:09
8Take Me Home Tonight (Be My Baby)
engineer:
Michael Frondelli, Phil Kaffel and Dave Leonard
producer:
Eddie Money and Richie Zito
mixer:
Scott Litt (producer and engineer), Eddie Money and Richie Zito
additional guest vocals:
Ronnie Spector
lead vocals:
Eddie Money
performer:
Ronnie Spector
arranger:
Eddie Money and Richie Zito
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, California, United States (from 1985-11 until 1986-05)
medley including a recording of:
Be My Baby (from 1985-11 until 1986-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
sub-publisher:
ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label), Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
medley including a recording of:
Take Me Home Tonight (from 1985-11 until 1986-05)
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
53:33
9Think I’m in Love
engineer and mixer:
Andy Johns
producer:
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
recorded at:
Automatt in San Francisco, California, United States (from 1981-12 until 1982-04), Criteria Studios in Miami, Florida, United States (from 1981-12 until 1982-04) and Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1981-12 until 1982-04)
recording of:
Think I’m in Love (from 1981-12 until 1982-04)
writer:
Eddie Money and Randy Oda
53:11
10Looking Through the Eyes of a Child
engineer and mixer:
Chris Lord‐Alge
executive producer:
Richie Zito
producer:
Chris Lord‐Alge and Eddie Money
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1989-08)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Looking Through the Eyes of a Child (in 1989-08)
writer:
Albert Hammond, Andy Hill (English producer & songwriter) and Peter Sinfield
4:32
11No Control
engineer and mixer:
Andy Johns
producer:
Tom Dowd
arranger:
Eddie Money
co-arranger:
Tom Dowd
recorded at:
Automatt in San Francisco, California, United States (from 1981-12 until 1982-04), Criteria Studios in Miami, Florida, United States (from 1981-12 until 1982-04) and Wally Heider (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1981-12 until 1982-04)
recording of:
No Control (from 1981-12 until 1982-04)
writer:
Ralph Carter (heavy metal bassist), Johnny “Gunn” Gutierrez (US guitarist and producer) and Eddie Money
publisher:
Cashola Music, Three Wise Boys Music LLC, Wise Brothers Music LLC and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
53:59
12We Should Be Sleeping
engineer:
Michael Frondelli, Phil Kaffel and Dave Leonard
producer:
Eddie Money and Richie Zito
mixer:
Scott Litt (producer and engineer), Eddie Money and Richie Zito
lead vocals:
Eddie Money
arranger:
Eddie Money and Richie Zito
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, California, United States (from 1985-11 until 1986-05)
recording of:
We Should Be Sleeping (from 1985-11 until 1986-05)
writer:
Kevin Burns (songwriter, manager), Gregory Mark Lowry, Eddie Money and Glenn Thompson
53:56
13Stop Steppin’ on My Heart
engineer and mixer:
Chris Lord‐Alge
executive producer:
Richie Zito
producer:
Chris Lord‐Alge and Eddie Money
recorded at:
Rumbo Recorders in Canoga Park, Los Angeles, California, United States (in 1989-08)
mixed at:
The Grey Room in Hollywood, Los Angeles, California, United States
recording of:
Stop Steppin' on My Heart (in 1989-08)
writer:
Diane Warren (US songwriter)
4:23