Famous Cantatas vol.1

~ Release by Johann Sebastian Bach, Philippe Herreweghe & Collegium Vocale Gent (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: J.S.Bach: Cantates BWV 21 & 42
#TitleArtistRatingLength
1Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia
solo oboe:
Marcel Ponseele (oboist)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, I. Sinfonia (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach2:54
2Cantata, BWV 21 "Ich hatte viel Bekümmernis": II. Chorus "Ich hatte viel Bekümmernis"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:55
3Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (Sopran) "Seufzer, Tränen"
soprano vocals:
Barbara Schlick (soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach4:17
4Cantata, BWV 21 "Ich hatte viel Bekümmernis": IV. Recitativo (Tenor) "Wie hast du dich, mein Gott"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, IV. Recitativo (Tenore) "Wie hast du dich, mein Gott" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach1:36
5Cantata, BWV 21 "Ich hatte viel Bekümmernis": V. Aria (Tenor) "Bäche von gesalznen Zähren"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, V. Aria (Tenore) "Bäche von gesalznen Zähren" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach6:25
6Cantata, BWV 21 "Ich hatte viel Bekümmernis": VI. Chorus "Was betrübst du dich, meine Seele"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, VI. Coro "Was betrübst du dich, meine Seele" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:29
7Cantata, BWV 21 "Ich hatte viel Bekümmernis": VII. Recitativo (Sopran, Bass) "Ach Jesu, meine Ruh"
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Barbara Schlick (soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VII. Recitativo "Ach Jesu, meine Ruh" (Seele, Jesus) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach1:28
8Cantata, BWV 21 "Ich hatte viel Bekümmernis": VIII. Aria (Sopran, Bass) "Komm, mein Jesu"
bass vocals:
Peter Harvey (bass-baritone)
soprano vocals:
Barbara Schlick (soprano)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, VIII. Aria "Komm, mein Jesu, und erquicke" (Duetto: Seele, Jesus) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:55
9Cantata, BWV 21 "Ich hatte viel Bekümmernis": IX. Chorus "Sei nun wieder zufrieden, meine Seele"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, IX. Coro "Sei nun wieder zufrieden, meine Seele" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach4:22
10Cantata, BWV 21 "Ich hatte viel Bekümmernis": X. Aria (Tenor) "Erfreue dich, Seele"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, X. Aria (Tenore) "Erfreue dich, Seele, erfreue dich, Herze" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach2:57
11Cantata, BWV 21 "Ich hatte viel Bekümmernis": XI. Chorus "Das Lamm, das erwürget ist"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil II, XI. Coro "Das Lamm, das erwürget ist" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis"
Johann Sebastian Bach3:02
12Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": I. Sinfonia (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach6:44
13Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": II. Recitativo (Tenor) "Am Abend aber desselbigen Sabbats"
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": II. Recitativo (Tenore) "Am Abend aber desselbigen Sabbats" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach0:33
14Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alt) "Wo zwei und drei versammlet sind"
alto vocals:
Gérard Lesne (countertenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": III. Aria (Alto) "Wo zwei und drei versammelt sind" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach10:13
15Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral, Duetto (Sopran, Tenor) "Verzage nicht, o Häuflein klein"
soprano vocals:
Barbara Schlick (soprano)
tenor vocals:
Howard Crook (tenor)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": IV. Choral (Duetto: Soprano, Tenore) "Verzage nicht, o Häuflein klein" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach2:20
16Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": V. Recitativo (Bass) "Mann kann hiervon ein schön Exempel sehen"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": V. Recitativo (Basso) "Mann kann hiervon ein schön Exempel sehen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach0:47
17Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Bass) "Jesus ist ein Schild der Seinen"
bass vocals:
Peter Kooij (Peter Kooy, baritone)
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VI. Aria (Basso) "Jesus ist ein Schild der Seinen" (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach3:23
18Cantata, BWV 42 "Am Abend aber desselbigen Sabbats": VII. Choral "Verleih uns Frieden gnädiglich"
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats": VII. Choral "Verleih uns Frieden gnädiglich" (in 1990-01)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Breitkopf 389 Choralgesänge (number: 322)
part of:
Kantate, BWV 42 "Am Abend aber desselbigen Sabbats"
Johann Sebastian Bach2:10
▼ CD 2: J.S. Bach / Christus, der ist mein Leben
#TitleArtistRatingLength
1Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?"
bass vocals:
Thomas E. Bauer (German baritone)
choir vocals:
Collegium Vocale Gent
soprano vocals:
Dorothee Mields (German soprano)
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": I. Choral e Recitativi (Soprano, Alto, Tenore, Basso) "Wer weiß, wie nahe mir mein Ende?" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1695)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach4:03
2Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel"
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": II. Recitativo (Tenore) "Mein Leben hat kein ander Ziel" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:56
3Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen"
alto vocals:
Matthew White (countertenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": III. Aria (Alto) "Willkommen! will ich sagen" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Erdmann Neumeister
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:47
4Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": IV. Recitativo (Soprano) "Ach, wer doch schon im Himmel wär!" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach0:43
5Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!"
bass vocals:
Thomas E. Bauer (German baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": V. Aria (Basso) "Gute Nacht, du Weltgetümmel!" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach3:03
6Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?": VI. Choral "Welt, ade! ich bin dein müde" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Georg Albinus (in 1649)
part of:
Breitkopf 389 Choralgesänge (number: 350)
part of:
Kantate, BWV 27 "Wer weiß, wie nahe mir mein Ende?"
Johann Sebastian Bach1:04
7Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": I. Aria (Soprano) "Ich bin vergnügt mit meinem Glücke"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": I. Aria (Sopran) "Ich bin vergnügt mit meinem Glücke" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach5:29
8Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": II. Recitativo (Soprano) "Gott ist mir ja nichts schuldig"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": II. Recitativo (Sopran) "Gott ist mir ja nichts schuldig" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach1:22
9Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Soprano) "Ich esse mit Freuden mein weniges Brot"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Sopran) "Ich esse mit Freuden mein weniges Brot" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach4:44
10Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": IV. Recitativo (Soprano) "Im Schweiße meines Angesichts"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": IV. Recitativo (Sopran) "Im Schweiße meines Angesichts" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:57
11Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": V. Choral "Ich leb indes in dir vergnüget"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": V. Choral (Coro) "Ich leb indes in dir vergnüget" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 373)
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:56
12Kantate, BWV 95 "Christus, der ist mein Leben": I. Choral e Recitativo (Tenore) "Christus, der ist mein Leben"
choir vocals:
Collegium Vocale Gent
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": I. Coro e Recitativo (Tenor) "Christus, der ist mein Leben" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach4:58
13Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Soprano) "Nun, falsche Welt!" / III. Chorale (Soprano) "Valet will ich dir geben"
soprano vocals:
Dorothee Mields (German soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": II. Recitativo (Sopran) "Nun, falsche Welt!" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": III. Choral (Sopran) "Valet will ich dir geben" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach2:57
14Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenore) "Ach könnte mir doch bald so wohl geschehn"
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": IV. Recitativo (Tenor) "Ach könnte mir doch bald so wohl geschehn" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach0:36
15Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenore) "Ach, schlage doch bald, selge Stunde"
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach6:59
16Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Basso) "Denn ich weiß deis"
bass vocals:
Thomas E. Bauer (German baritone)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VI. Recitativo (Bass) "Denn ich weiß dies" (from 2006-11 until 2007-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:22
17Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": VII. Choral "Weil du vom Tod erstanden bist" (from 2006-11 until 2007-02)
lyricist:
Nikolaus Herman
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 356)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
Johann Sebastian Bach1:11
18Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alto) "Komm, du süße Todesstunde"
alto vocals:
Matthew White (countertenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": I. Aria (Alt) "Komm, du süße Todesstunde" (from 2006-11 until 2007-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach4:42
19Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenore) "Welt, deine Lust ist Last"
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": II. Recitativo (Tenor) "Welt! deine Lust ist Last" (from 2006-11 until 2007-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:48
20Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenore) "Mein Verlangen ist, den Heiland zu umfangen"
tenor vocals:
Hans-Jörg Mammel
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": III. Aria (Tenor) "Mein Verlangen ist, den Heiland zu umfangen" (from 2006-11 until 2007-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach4:41
21Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alto) "Der Schluß ist schon gemacht"
alto vocals:
Matthew White (countertenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": IV. Recitativo (Alt) "Der Schluß ist schon gemacht" (from 2006-11 until 2007-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:01
22Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": V. Coro "Wenn es meines Gottes Wille" (from 2006-11 until 2007-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Salomon Franck
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach2:57
23Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden"
choir vocals:
Collegium Vocale Gent
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
deSingel Internationale Kunstcampus: Blauwe Zaal in Antwerp (District), Antwerp, Antwerpen (Antwerp), Flanders (Flemish Region), Belgium (from 2006-11 until 2007-02)
recording of:
Kantate, BWV 161 "Komm, du süße Todesstunde": VI. Choral "Der Leib zwar in der Erden" (from 2006-11 until 2007-02)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1716-09-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1715)
librettist:
Christoph Knoll
part of:
Breitkopf 389 Choralgesänge (number: 161)
part of:
Kantate, BWV 161 "Komm, du süße Todesstunde"
Johann Sebastian Bach1:19
▼ CD 3: Weinen, Klagen... (BWV 12, 38, 75) (Herreweghe)
#TitleArtistRatingLength
1Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:26
2Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:05
3Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal"
alto vocals:
Daniel Taylor (Canadian countertenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo (Alto) "Wir müssen durch viel Trübsal" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach0:45
4Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden"
alto vocals:
Daniel Taylor (Canadian countertenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria (Alto) "Kreuz und Krone sind verbunden" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach6:16
5Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach"
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria (Basso) "Ich folge Christo nach" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach2:06
6Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein"
tenor vocals:
Mark Padmore (British tenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria (Tenore) "Sei getreu, alle Pein wird doch nur ein Kleines sein" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach3:36
7Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 2003-12)
lyricist:
Samuel Rodigast (German poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Breitkopf 389 Choralgesänge (number: 340)
part of:
Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen"
Johann Sebastian Bach1:02
8Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": I. Aus tiefer Not schrei ich zu dir
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": I. Choral. "Aus tiefer Not schrei ich zu dir" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach3:41
9Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": II. In Jesu Gnade wird allein
alto vocals:
Daniel Taylor (Canadian countertenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": II. Recitativo (Alto) "In Jesu Gnade wird allein" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach0:52
10Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": III. Ich höre mitten in den Leiden
tenor vocals:
Mark Padmore (British tenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": III. Aria (Tenore) "Ich höre mitten in den Leiden" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach6:33
11Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": IV. Ach! daß mein Glaube noch so schwach
soprano vocals:
Carolyn Sampson (soprano) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": IV. Recitativo (Soprano) "Ach! Daß mein Glaube" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach1:17
12Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": V. Wenn meine Trübsal
alto vocals:
Daniel Taylor (Canadian countertenor) (in 2003-12)
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2003-12)
soprano vocals:
Carolyn Sampson (soprano) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": V. Aria (Terzetto: Soprano, Alto, Basso) "Wenn meine Trübsal als mit Ketten" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach3:14
13Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": VI. Ob bei uns ist der Sünden viel
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir": VI. Choral "Ob bei uns ist der Sünden viel" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 31)
part of:
Kantate, BWV 38 "Aus tiefer Not schrei ich zu dir"
Johann Sebastian Bach1:17
14Kantate, BWV 75 "Die Elenden sollen essen": I. Die Elenden sollen essen
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": I. Coro "Die Elenden sollen essen" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach4:07
15Kantate, BWV 75 "Die Elenden sollen essen": II. Was hilft des Purpurs Majestät
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": II. Recitativo (Bass) "Was hilft des Purpurs Majestät" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach0:56
16Kantate, BWV 75 "Die Elenden sollen essen": III. Mein Jesus soll mein alles sein
tenor vocals:
Mark Padmore (British tenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": III. Aria (Tenor) "Mein Jesus soll mein alles sein!" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach4:48
17Kantate, BWV 75 "Die Elenden sollen essen": IV. Gott stürzet und erhöhet in Zeit und Ewigkeit
tenor vocals:
Mark Padmore (British tenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": IV. Recitativo (Tenor) "Gott stürzet und erhöhet" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach0:37
18Kantate, BWV 75 "Die Elenden sollen essen": V. Ich nehme mein Leiden mit Freuden auf mich
soprano vocals:
Carolyn Sampson (soprano) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": V. Aria (Sopran) "Ich nehme mein Leiden mit Freuden auf mich" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach4:51
19Kantate, BWV 75 "Die Elenden sollen essen": VI. Indes schenkt Gott ein gut Gewissen
soprano vocals:
Carolyn Sampson (soprano) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": VI. Recitativo (Sopran) "Indes schenkt Gott ein gut Gewissen" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach0:40
20Kantate, BWV 75 "Die Elenden sollen essen": VII. Was Gott tut, das ist wohlgetan
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": VII. Choral "Was Gott tut, das ist wohlgetan" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach1:35
21Kantate, BWV 75 "Die Elenden sollen essen": VIII. Sinfonia
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": VIII. Sinfonia (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach2:27
22Kantate, BWV 75 "Die Elenden sollen essen": IX. Nur eines kränkt ein christliches Gemüte
alto vocals:
Daniel Taylor (Canadian countertenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": IX. Recitativo (Alt) "Nur eines kränkt ein christliches Gemüte" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach0:52
23Kantate, BWV 75 "Die Elenden sollen essen": X. Jesus macht mich geistlich reich
alto vocals:
Daniel Taylor (Canadian countertenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": X. Aria (Alt) "Jesus macht mich geistlich reich" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach2:34
24Kantate, BWV 75 "Die Elenden sollen essen": XI. Wer nur in Jesu bleibt
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": XI. Recitativo (Bass) "Wer nur in Jesu bleibt" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach0:33
25Kantate, BWV 75 "Die Elenden sollen essen": XII. Mein Herze glaubt und liebt
bass vocals:
Peter Kooij (Peter Kooy, baritone) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": XII. Aria (Bass) "Mein Herze glaubt und liebt" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach3:36
26Kantate, BWV 75 "Die Elenden sollen essen": XIII. O Armut, der kein Reichtum gleicht
tenor vocals:
Mark Padmore (British tenor) (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": XIII. Recitativo (Tenor) "O Armut, der kein Reichtum gleicht!" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach0:41
27Kantate, BWV 75 "Die Elenden sollen essen": XIV. Was Gott tut, das ist wohlgetan
choir vocals:
Collegium Vocale Gent (in 2003-12)
orchestra:
Collegium Vocale Gent (in 2003-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 2003-12)
recorded at:
Flagey Arts Center: Studio 4 in Brussels (Brussels-Capital Region), Belgium (in 2003-12)
recording of:
Kantate, BWV 75 "Die Elenden sollen essen": XIV. Choral "Was Gott tut, das ist wohlgetan" (in 2003-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 75 "Die Elenden sollen essen"
Johann Sebastian Bach1:42