Kneipen Hits, die Zweite

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CD 1
#TitoloArtistaValutazioneDurata
1Barbara Ann
produttore:
Brian Wilson (Beach Boys co‐founder)
voce principale:
Dean Torrence e Brian Wilson (Beach Boys co‐founder)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrazione cover di:
Barbara‐Ann
paroliere e compositore:
Fred Fassert
editore:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. e Windswept Pacific Music Ltd.
The Beach Boys4.252:05
2Living Next Door to Alice
produttore:
Mike Chapman (Australian producer and songwriter)
produttore associato:
Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1976) e RAK Records Ltd. (nel 1976)
è stato produttore per:
Chinnichap (production company and publisher)
registrazione cover di:
Living Next Door to Alice (Original by New World)
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishers MGB Australia Pty Ltd
Smokie43:36
3Dancing With Myself
basso :
Tony James (UK bassist/guitarist) (nel 1981)
batteria :
Terry Chimes (nel 1981)
chitarra :
Billy Idol (English rock singer‐songwriter) (nel 1981) e Steve New (nel 1981)
voce principale:
Billy Idol (English rock singer‐songwriter) (nel 1981)
arrangiatore:
Steve Stevens (US guitarist and songwriter)
diritti fonografici (℗) detenuti da:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1981, nel 1984, nel 2001) e Chrysalis Records, Inc. (not for release label use!) (nel 1981, nel 1982, nel 2002)
edit di:
Dancing With Myself (“Don’t Stop” remix) di Billy Idol (English rock singer‐songwriter) with Gen X (English post‐punk band aka “Gen X”)
registrazione di:
Dancing With Myself
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
editore:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Chrysalis Music Publishing Ltd., Rare Blue Music Inc e Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
Billy Idol4.353:20
4Look Away (live)
registrazione dal vivo di:
Look Away
paroliere e compositore:
Stuart Adamson
editore:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (nel 1986)
Big Country4:22
5Right Down the Line
tecnico di registrazione:
Barry Hammond
produttore:
Hugh Murphy (UK producer, engineer) e Gerry Rafferty
tecnico di missaggio:
Declan O’Doherty
basso :
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
batteria :
Henry Spinetti
chitarra steel :
Brian Cole
famiglia delle chitarre :
Hugh Burns
organo e pianoforte :
Tommy Eyre
percussione :
Glen LeFleur
voce principale:
Gerry Rafferty
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1978) e United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1978)
registrata presso:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 1)
registrazione di:
Right Down the Line
paroliere e compositore:
Gerry Rafferty
editore:
Stage Three Music Publishing Limited, Universal–Songs of PolyGram International, Inc. e Music of Stage Three (nel 1978)
Gerry Rafferty3.54:23
6My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing MGB Australia
The Knack4.14:01
7Incommunicado
assistente tecnico di registrazione:
Richard Sullivan
tecnico di registrazione:
Nick Davis (producer, engineer)
produttore:
Chris Kimsey
assistente tecnico di missaggio:
Avril Macintosh
tecnico di missaggio:
David Jacob
basso elettrico :
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
batteria e percussione :
Ian Mosley
chitarra :
Steve Rothery
tastiera :
Mark Kelly (Marillion keyboardist)
voce di accompagnamento:
Chris Kimsey
voce principale:
Fish (Derek William Dick, ex‐Marillion frontman)
diritti fonografici (℗) detenuti da:
Charisma Music Publishing Ltd
registrata presso:
Westside Studios in London (Greater London), England, Regno Unito
mixata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
registrazione di:
Incommunicado
paroliere:
Derek William Dick
compositore:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery e Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Marillion5:14
8Wild Boys
tecnico e tecnico audio:
Jason Corsaro (U.S. music engineer, and record producer)
produttore:
Duran Duran (English rock band) e Nile Rodgers
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1984, nel 1998)
parte di:
Cachitos Nochevieja 2022 (numero: 54)
registrazione di:
The Wild Boys
autore:
Andrew Taylor (of Duran Duran), Nicholas James Bates, Nigel John Taylor (UK bassist for Duran Duran), Roger Andrew Taylor (Duran Duran drummer) e Simon John Charles Le Bon (singer for Duran Duran)
editore:
EMI Music Publishing (do not use as a release label!), Exitglen Ltd., Gloucester Place Music Ltd., Hintcrest Ltd. e Noticevale Ltd.
Duran Duran4.154:19
9Such a Shame
registrazione di:
Such a Shame
paroliere e compositore:
Mark Hollis
editore:
Hollis Songs Ltd., Island Music (Island Music Ltd.), Island Music Ltd., Universal Music Ltd. (Universal Music Limited, Hong Kong holding company - do not use as imprint. Legal name of Universal Music Hong Kong.), Universal–Songs of PolyGram International, Inc. e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Talk Talk5:42
10Tarzan Boy
registrazione di:
Tarzan Boy
paroliere:
Naimy Hackett
compositore:
Maurizio Bassi
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Baltimora3.653:25
11Happy ChildrenP. Lion5:55
12Movie Star
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1975) e EMI Music Sweden AB (not for release label use! SE subsidiary of EMI) (nel 1976)
registrazione di:
Movie Star
paroliere e compositore:
Harpo (Swedish pop singer) (nel 1975)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), RAK Publishing Ltd. e Warner/Chappell Music Scandinavia AB
Harpo53:23
13View From a Bridge
produttore:
Ricky Wilde
voce principale:
Kim Wilde
diritti fonografici (℗) detenuti da:
Cherry Pop (a division of Cherry Red Records Ltd.), RAK, EMI France (nel 1993), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 2006)
registrazione di:
View From a Bridge
autore:
Marty Wilde e Ricky Wilde
Kim Wilde43:30
14Love Like Blood
produttore:
Chris Kimsey
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1985)
registrazione di:
Love Like Blood
autore:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) e Geordie Walker
editore:
BMG Africa Music Publishing, BMG Songs Ltd. e E.G. Music Ltd. (publisher)
Killing Joke3.654:24
15Star Trekkin’
diritti fonografici (℗) detenuti da:
Bark (nel 1987)
registrazione di:
Star Trekkin’
compositore:
Rory Martin Kehoe, Graham Lister e John O’Connor (electronic)
The Firm3.653:33
CD 2
#TitoloArtistaValutazioneDurata
1You Sexy Thing
diritti fonografici (℗) detenuti da:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (nel 1975) e EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1975)
registrazione di:
You Sexy Thing
autore:
Errol Brown e Tony Wilson (bassist/songwriter, member of Hot Chocolate)
editore:
Chocolate, EMI Music Publishing (PRS‐affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!), Finchley Music Corp. e RAK Publishing Ltd
Hot Chocolate3.53:44
2Heart of Glass
produttore:
Mike Chapman (Australian producer and songwriter)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 1981)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4:32
3Sexy Eyes
registrazione di:
Sexy Eyes
autore:
R.J. Mather, Keith Stegall (American country singer / songwriter and record producer) e Chris Waters
editore:
EMI April Music Inc., EMI Blackwood Music Inc. e EMI Songs Ltd.
Dr. Hook2:57
4Let’s Work Together
registrazione cover di:
Let’s Work Together
paroliere:
Wilbert Harrison
editore:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. e United Artists Musik GmbH
Canned Heat2:49
5Freeze-Frame
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1981)
registrazione di:
Freeze-Frame
autore:
Seth Justman e Peter Wolf (US rock vocalist, member of J. Geils Band)
The J. Geils Band53:57
6Baby It’s You
Promises3:51
7Radar Love
tecnico di registrazione:
Pieter Nieboer
produttore:
Golden Earring
produttore esecutivo:
Fred Haayen
tecnico di missaggio:
Damon Lyon-Shaw
arrangiatore:
Golden Earring
diritti fonografici (℗) detenuti da:
Dutch Record Company (nel 1973), Polydor B.V. (not an imprint; NL subsidiary company of Polydor International) (nel 1973), Red Bullet Productions B.V. (nel 1973), Track Records Ltd. (nel 1973) e Geffen Records (nel 1974)
è stato produttore per:
Red Bullet Productions
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
mixata presso:
IBC Studios in London (Greater London), England, Regno Unito
registrazione di:
Radar Love
paroliere:
Barry Hay
compositore:
George Kooymans
editore:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music e Snamyook Music (publisher associated with George Kooymans)
Golden Earring4.36:23
8American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, EMI Records, since 1972) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc., Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
registrazione di:
American Pie
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc., Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:11
9Suedehaed
registrazione di:
Suedehead
paroliere:
Morrissey (English singer-songwriter)
compositore:
Stephen Street (famous producer, songwriter)
Morrissey3:53
10This Is Not a Love Song
registrazione di:
This Is Not a Love Song
autore:
Martin Atkins (UK drummer), Keith Levene e John Lydon (Johnny Rotten of the Sex Pistols)
editore:
Complete Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Virgin Music Publishing e Warner/Chappell Music Ltd. (1996–2019)
versione di:
Love Song
Public Image Ltd.4:12
11Road to Nowhere
edit di:
Road to Nowhere di Talking Heads
registrazione di:
Road to Nowhere
paroliere e compositore:
David Byrne (Talking Heads)
editore:
Bleu Disque Music Co. (publisher), Index Music, Inc. e Warner Bros. Music Corp.
Talking Heads44:03
12Love Is a Battlefield
assistente tecnico:
Dave Hernandez (Dave "Zulu" Hernandez Engineer)
produttore e tecnico di missaggio:
Pete Coleman e Neil Giraldo
assistente tecnico di missaggio:
Murray Dvorkin e Bino Espinoza
armonica (a bocca) e chitarra :
Neil Giraldo
batteria :
Myron Grombacher
chitarra basso :
Roger Capps e Donnie Nossov
percussione :
Charles Giordano (American keyboardist and accordionist), Neil Giraldo e Myron Grombacher
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce principale:
Pat Benatar
mixata presso:
Soundcastle (Interactive Studios) in Santa Monica, California, Stati Uniti e The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 30)
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar45:22
13Reap the Wild Wind
registrazione di:
Reap the Wild Wind
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
Ultravox3:45
14Smoke on the Water (live)
tecnico:
Martin Birch
produttore:
Deep Purple
tecnico di missaggio:
Roger Glover e Ian Paice
basso elettrico :
Roger Glover (il 1972-08-15)
batteria :
Ian Paice (il 1972-08-15)
chitarra elettrica :
Ritchie Blackmore (il 1972-08-15)
organo Hammond :
Jon Lord (il 1972-08-15)
voce principale:
Ian Gillan (il 1972-08-15)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012)
registrata presso:
Festival Hall (1st incarnation, 1958–2008) in Nakanoshima, Osaka (Osaka City), Osaka (Osaka Prefecture), Giappone (il 1972-08-15)
registrazione dal vivo di:
Smoke on the Water (il 1972-08-15)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, EMI Music Publishing Scandinavia AB, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Deep Purple6:46
15Ride Like the Wind
Saxon4:21

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parte di:Kneipenhits (ordine: 2)