Original Album Series

~ Release by The Manhattan Transfer (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: The Manhattan Transfer
#TitleRatingLength
1Tuxedo Junction
recording of:
Tuxedo Junction
lyricist:
Buddy Feyne
writer:
Dash, Feyne, Hawkins and Johnson (US jazz alto saxophonist, clarinetist & arranger)
composer:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne and Erskine Hawkins
3:06
2Sweet Talking Guy
2:28
3Operator
producer:
Ahmet Ertegun (US American Songwriter, producer) and Tim Hauser
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
cover recording of:
Operator
writer:
William Spivery
3:13
4Candy
producer:
Ahmet Ertegun (US American Songwriter, producer) and Tim Hauser
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Candy
lyricist:
Mack David (American lyricist and songwriter) (in 1944) and Joan Whitney (in 1944)
writer:
David (American lyricist and songwriter), Kramer and Whitney
composer:
Alex Kramer (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), EMI Feist Catalog Inc., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:30
5Gloria
producer:
Ahmet Ertegun (US American Songwriter, producer) and Tim Hauser
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
Gloria
writer:
Adam R. Levy and Esther Navarro
3:01
6Clap Your Hands
2:57
7That Cat Is High
2:55
8You Can Depend on Me
3:33
9Blue Champagne
2:24
10Java Jive
producer:
Ahmet Ertegun (US American Songwriter, producer) and Tim Hauser
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
cover recording of:
Java Jive
lyricist:
Milton Drake (in 1940)
writer:
Drake and Oakland
composer:
Ben Oakland (in 1940)
publisher:
Chappell Music Ltd.
2:47
11Occapella
3:08
12Heart’s Desire
2:36
▼ CD 2: Mecca for Moderns
#TitleRatingLength
1On the Boulevard
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Steve Gadd (drummer)
guitar [rhythm guitar]:
Steve Lukather
piano [acoustic piano] and Rhodes piano [Fender Rhodes]:
Victor Feldman (jazz musician)
solo electric guitar and synthesizer:
Jay Graydon
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
arranger:
Jay Graydon
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
On the Boulevard
lyricist:
Marc Jordan (US–born Canadian singer–songwriter)
composer:
Jay Graydon and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Garden Rake Music, Inc., Jamm Music, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 大洋音楽 (Taiyō Music) and 日音 Synch事業部 (NICHION, INC. Synch Division)
4:09
2Boy From New York City
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Mike Baird (drummer)
electric guitar:
Jay Graydon
guitar [rhythm guitar]:
Dean Parks (American session guitarist)
piano:
David Foster (Canadian music producer, arranger and composer)
tenor saxophone [tenor sax]:
Don Roberts (woodwind player)
trumpet:
Jerry Hey
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
brass [horns] arranger and percussion [rhythm] arranger:
Jay Graydon
vocals arranger:
Alan Paul (Member of Manhattan Transfer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
cover recording of:
The Boy From New York City
writer:
George Davis (US songwriter - singer, doo-wop era) and John Taylor (songwriter & saxophone player John Isaac Taylor)
publisher:
Trio Music Company and フジパシフィックミュージック (Fujipacific Music, Inc.)
53:41
3(Wanted) Dead or Alive
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
alto saxophone [alto sax] and Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
bass guitar:
Abraham Laboriel
classical guitar [gut string guitar]:
Jay Graydon
cowbell and steelpan [steel drums]:
Andy Norell (US jazz steel pannist, composer and producer)
drums (drum set):
Steve Gadd (drummer)
organ:
Greg Mathieson
percussion:
Alex Acuña
synthesizer:
Jay Graydon and Greg Mathieson
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
arranger:
Jay Graydon
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
(Wanted) Dead or Alive
lyricist:
Slinger Francisco
composer:
Winsford De Vine
publisher:
De Vine Music Co., Grant Music Ltd., Sparrow Music and フジパシフィックミュージック (Fujipacific Music, Inc.)
3:26
4Spies in the Night
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
guitar [rhythm guitar]:
Steve Lukather
piano:
David Foster (Canadian music producer, arranger and composer)
synthesizer:
Mike Boddicker
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
percussion [rhythm] arranger:
Jay Graydon
vocals arranger:
Jay Graydon and Alan Paul (Member of Manhattan Transfer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Spies in the Night
lyricist:
Alan Paul (Member of Manhattan Transfer)
additional composer:
Monty Norman
composer:
David Foster (Canadian music producer, arranger and composer), Jay Graydon and Alan Paul (Member of Manhattan Transfer)
publisher:
Ariem Music, EMI Unart Catalog Inc., Foster Frees Music Inc., Garden Rake Music, Inc., Irving Music (BMI), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
is based on:
James Bond Theme
4:04
5Smile Again
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Steve Gadd (drummer)
guitar:
Steve Lukather
piano [acoustic piano], Rhodes piano [Fender Rhodes] and synthesizer:
David Foster (Canadian music producer, arranger and composer)
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
strings arranger:
David Foster (Canadian music producer, arranger and composer)
arranger:
Jay Graydon
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Smile Again
lyricist:
Alan Paul (Member of Manhattan Transfer)
composer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
publisher:
Ariem Music, Foster Frees Music Inc., Garden Rake Music, Inc., Irving Music (BMI), Music Sales Corp (American copyright holder in both popular and classical music), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 大洋音楽 (Taiyō Music)
4:34
6"Until I Met You" (Corner Pocket)
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Steve Gadd (drummer)
guitar:
Al Viola
piano:
Yaron Gershovsky
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
percussion [rhythm] arranger:
Jay Graydon
vocals arranger:
Jay Graydon and Janis Siegel
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
cover recording of:
Until I Met You (Corner Pocket)
lyricist:
Don Wolf (songwriter / composer)
composer:
Don Wolf (songwriter / composer) and Freddie Green
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
5:18
7(The Word of) Confirmation
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Steve Gadd (drummer)
piano:
Milcho Leviev
solo alto saxophone [alto sax]:
Richie Cole
solo other vocals [skat]:
Jon Hendricks
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
arranger:
Milcho Leviev
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
(The World of) Confirmation
lyricist:
Eddie Jefferson
composer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
is based on:
Confirmation
3:15
8Kafka
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
synthesizer programming:
Mike Boddiker
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
bass guitar:
Abraham Laboriel
drums (drum set):
Steve Gadd (drummer)
electric guitar:
Jay Graydon
guitar [rhythm guitar]:
Dean Parks (American session guitarist)
piano:
Yaron Gershovsky
synthesizer:
Steve George (US keyboardist for Mr. Mister & Pages) and Milcho Leviev
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
arranger:
Jay Graydon and Bernard Kawka
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recording of:
Kafka
composer:
Jay Graydon and Bernard Kawka
publisher:
Garden Rake Music, Inc., Kafka Music Co, Sony/ATV Tunes LLC (ASCAP), Welbeck Music Corp., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and 大洋音楽 (Taiyō Music)
4:13
9A Nightingale Sang in Berkeley Square
recording engineer:
Joseph Bogan (Recording- and mixing engineer)
assistant engineer:
Bob Bullock and Deborah Thompson (engineer)
producer and mixer:
Jay Graydon
vocals:
Cheryl Bentyne, Tim Hauser, Alan Paul (Member of Manhattan Transfer) and Janis Siegel
arranger:
Gene Puerling (American vocalist and vocal arranger)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981)
additionally recorded at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
recorded at:
Dawnbreaker Studios in San Fernando, California, United States
mixed at:
Garden Rake Studios in Studio City, Los Angeles, California, United States
cover recording of:
A Nightingale Sang in Berkeley Square
lyricist:
Eric Maschwitz
composer:
Manning Sherwin (in 1939)
publisher:
Colgems-EMI Music Inc., Peter Maurice Music Co. Ltd. and Shapiro, Bernstein & Co., Inc.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:48
▼ CD 3: Vocalese
#TitleRatingLength
1That’s Killer Joe
recording engineer:
Elliot Scheiner
synthesizer programming:
Casey Young
producer:
Tim Hauser
drums (drum set):
John Robinson (session drummer) (in 1985)
guitar:
Wayne Johnson (jazz and acoustic guitarist) (in 1985)
keyboard and synthesizer:
Yaron Gershovsky (in 1985)
solo vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Janis Siegel
recording of:
That’s Killer Joe (in 1985)
lyricist:
Jon Hendricks
composer:
Benny Golson
version of:
Killer Joe
5:04
2Rambo
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
bass:
Ray Brown (jazz bassist) (in 1985)
drums (drum set):
Grady Tate (in 1985)
guitar:
Freddie Green (in 1985)
piano:
Yaron Gershovsky (in 1985)
saxophone:
Eric Dixon (woodwind) (in 1985), Kenny Hing (in 1985), Danny House (in 1985), Marshall Royal (in 1985) and John Williams (saxophone & clarinet, Count Basie Orchestra) (in 1985)
trombone:
Clarence Banks (in 1985), Bill Hughes (trombone) (in 1985), Charles Loper (American trombonist) (in 1985) and Mel Wanzo (in 1985)
trumpet:
Sonny Cohn (in 1985), Johnny Coles (US jazz trumpeter) (in 1985), Bob Ojeda (trumpeter) (in 1985) and Byron Stripling (in 1985)
solo vocals:
Cheryl Bentyne (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
orchestra:
The Count Basie Orchestra (in 1985)
conductor:
Dennis Wilson (jazz trombonist) (in 1985)
remixer:
Elliot Scheiner
instruments arranger:
Dennis Wilson (jazz trombonist)
vocals arranger:
Janis Siegel
recording of:
Rambo (in 1985)
lyricist:
Jon Hendricks
composer:
Count Basie (pianist) and J.J. Johnson (jazz/bop trombonist/session leader)
3:22
3Airegin
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
bass:
Alex Blake (bass) (in 1985)
drums (drum set):
Ralph Humphrey (American drummer and teacher) (in 1985)
guitar:
Wayne Johnson (jazz and acoustic guitarist) (in 1985)
piano:
Yaron Gershovsky (in 1985)
solo vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Jon Hendricks (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Janis Siegel
recording of:
Airegin (with lyrics) (in 1985)
lyricist:
Jon Hendricks
composer:
Sonny Rollins
version of:
Airegin (instrumental)
3:22
4To You
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
bass:
Richard Davis (American jazz bassist) (in 1985)
drums (drum set):
Philly Joe Jones (US jazz drummer) (in 1985)
piano:
Tommy Flanagan (in 1985)
guest vocals:
Mike Beisner (in 1985), Bob Flanigan (in 1985), The Four Freshmen (in 1985), Autie Goodman (in 1985) and Rod Henley (in 1985)
solo vocals:
Alan Paul (Member of Manhattan Transfer) (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recording of:
To You (in 1985)
lyricist:
Jon Hendricks
composer:
Thad Jones
3:55
5(You Should) Meet Benny Bailey
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
banjo and guitar:
Wayne Johnson (jazz and acoustic guitarist) (in 1985)
baritone saxophone:
Don Roberts (woodwind player) (in 1985)
bass:
Alex Blake (bass) (in 1985)
drums (drum set):
Ralph Humphrey (American drummer and teacher) (in 1985)
piano:
Yaron Gershovsky (in 1985)
solo tenor saxophone:
James Moody (jazz saxophonist) (in 1985)
solo vocals:
Cheryl Bentyne (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Alan Paul (Member of Manhattan Transfer)
recording of:
Meet Benny Bailey (in 1985)
lyricist:
Jon Hendricks
composer:
Quincy Jones
publisher:
Hendricks Music Inc. and Quincy Jones Music Inc
3:33
6Another Night in Tunisia
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
guest percussion, guest bass vocals, guest lead vocals and guest vocals:
Bobby McFerrin (in 1985)
solo vocals:
Jon Hendricks (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Cheryl Bentyne and Bobby McFerrin
recording of:
Another Night in Tunisia (in 1985)
lyricist:
Jon Hendricks
composer:
Dizzy Gillespie and Frank Paparelli
publisher:
Universal‐MCA Music Publishing (US)
sub-publisher:
Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label) and シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.)
version of:
Night in Tunisia (instrumental)
4:14
7Ray’s Rockhouse
recording engineer:
Elliot Scheiner
synclavier programming, synthesizer programming and vocoder programming:
Craig Harris (trombone)
producer:
Tim Hauser
drum machine, synclavier, synthesizer and vocoder:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1985)
solo vocals:
Jon Hendricks (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
instruments arranger:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
vocals arranger:
Alan Paul (Member of Manhattan Transfer)
recording of:
Ray’s Rockhouse (in 1985)
lyricist:
Jon Hendricks
composer:
Ray Charles (soul musician, singer and songwriter)
5:08
8Blee Blop Blues
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
bass:
Ray Brown (jazz bassist) (in 1985)
drums (drum set):
Grady Tate (in 1985)
guitar:
Freddie Green (in 1985)
piano:
Yaron Gershovsky (in 1985)
saxophone:
Eric Dixon (woodwind) (in 1985), Kenny Hing (in 1985), Marshall Royal (in 1985), Danny Turner (jazz saxophonist) (in 1985) and John Williams (saxophone & clarinet, Count Basie Orchestra) (in 1985)
trombone:
Clarence Banks (in 1985), Bill Hughes (trombone) (in 1985), Charles Loper (American trombonist) (in 1985) and Mel Wanzo (in 1985)
trumpet:
Sonny Cohn (in 1985), Johnny Coles (US jazz trumpeter) (in 1985), Byron Stripling (in 1985) and Snooky Young (in 1985)
solo vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985) and Janis Siegel (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
orchestra:
The Count Basie Orchestra (in 1985)
conductor:
Dennis Wilson (jazz trombonist) (in 1985)
remixer:
Elliot Scheiner
instruments arranger:
Dennis Wilson (jazz trombonist)
vocals arranger:
Janis Siegel and Dennis Wilson (jazz trombonist)
recording of:
Blee Blop Blues (in 1985)
lyricist:
Jon Hendricks
composer:
Count Basie (pianist) and A.K. Salim
43:05
9Oh Yes, I Remember Clifford
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
bass:
Ron Carter (US jazz double-bassist) (in 1985)
drums (drum set):
Grady Tate (in 1985)
piano:
McCoy Tyner (jazz pianist) (in 1985)
tenor saxophone:
Don Roberts (woodwind player) (in 1985)
trombone:
Dennis Wilson (jazz trombonist) (in 1985)
solo vocals:
Alan Paul (Member of Manhattan Transfer) (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Phil Mattson
recording of:
Oh Yes, I Remember Clifford (in 1985)
lyricist:
Jon Hendricks
composer:
Benny Golson
version of:
I Remember Clifford
3:50
10Sing Joy Spring
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
bass:
John Patitucci (in 1985)
drums (drum set):
Ralph Humphrey (American drummer and teacher) (in 1985)
piano:
Walter Davis Jr. (American hard bop pianist) (in 1985)
solo trumpet:
Dizzy Gillespie (in 1985)
solo vocals:
Tim Hauser (in 1985) and Janis Siegel (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Janis Siegel
recording of:
Sing Joy Spring (in 1985)
lyricist:
Jon Hendricks
composer:
Clifford Brown (trumpet)
7:11
11Move
recording engineer:
Elliot Scheiner
producer:
Tim Hauser
baritone saxophone:
Don Roberts (woodwind player) (in 1985)
bass:
Marshall Hawkins (in 1985)
drums (drum set):
Ralph Humphrey (American drummer and teacher) (in 1985)
piano:
Dick Hindman (in 1985)
solo alto saxophone:
Richie Cole (in 1985)
solo vocals:
Tim Hauser (in 1985) and Janis Siegel (in 1985)
vocals:
Cheryl Bentyne (in 1985), Tim Hauser (in 1985), Alan Paul (Member of Manhattan Transfer) (in 1985) and Janis Siegel (in 1985)
remixer:
Elliot Scheiner
vocals arranger:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
recording of:
Move (in 1985)
lyricist:
Jon Hendricks
composer:
Denzil Best
2:51
▼ CD 4: Swing
#TitleRatingLength
1Stomp of King Porter
recording of:
King Porter Stomp (arr. Henderson)
composer:
Jelly Roll Morton
arranger:
Fletcher Henderson
arrangement of:
King Porter Stomp
3:13
2Sing a Study in Brown
recording of:
Study in Brown
writer:
Larry Clinton
2:52
3Sing Moten’s Swing
recording of:
Moten Swing
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
3:36
4A-Tisket, A-Tasket
recording of:
A‐Tisket, A‐Tasket
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
2:58
5I Know Why (And So Do You)
recording of:
I Know Why (and So Do You)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
3:34
6Sing You Sinners
recording of:
Sing, You Sinners
lyricist:
Sam Coslow
composer:
W. Franke Harling
2:45
7Java Jive
cover recording of:
Java Jive
lyricist:
Milton Drake (in 1940)
writer:
Drake and Oakland
composer:
Ben Oakland (in 1940)
publisher:
Chappell Music Ltd.
2:52
8Down South Camp Meetin’
recording of:
Down South Camp Meetin’ (lyrics by Jon Hendricks)
lyricist:
Jon Hendricks (in 1983)
composer:
Fletcher Henderson (in 1934) and Irving Mills (in 1934)
publisher:
Hendricks Music Inc.
version of:
Down South Camp Meetin’
3:15
9Topsy
recording of:
Topsy
composer:
Edgar Battle and Eddie Durham (American guitarist, trombonist, composer and arranger.)
publisher:
Leosong Copyright Service Ltd.
3:14
10Clouds (Adapted From "Nuages")
recording of:
Clouds
composer:
Django Reinhardt (French jazz guitarist and composer)
translator:
Jon Hendricks
publisher:
Colgems-EMI Music
arrangement of:
Nuages (instrumental)
7:13
11Skyliner
recording of:
Skyliner
composer:
Charlie Barnet (saxophonist, bandleader)
publisher:
Atlantic Music (BMI)
3:11
12It’s Good Enough to Keep (Air Mail Special)
recording of:
Good Enough to Keep (Air Mail Special)
composer:
Charlie Christian, Benny Goodman (clarinetist and bandleader) and James R. Mundy
publisher:
Peter Maurice Music, PW 3 ASCAP Songs, Regent Music Corp. and Rytvoc, Inc. (ASCAP)
3:11
13Choo Choo Ch’Boogie (live at the Ryman Auditorium)
cover recording of:
Choo Choo Ch’Boogie
writer:
Denver Darling, Milt Gabler and Vaughn Horton
publisher:
Rytvoc (ASCAP) and Warner/Chappell (Warner/Chappell Music, Inc.)
3:01
▼ CD 5: The Spirit of St. Louis
#TitleRatingLength
1Stompin’ at Mahogany Hall
2:48
2The Blues Are Brewin’
recording of:
The Blues Are Brewin’
lyricist:
Eddie DeLange
composer:
Louis Alter
6:18
3Sugar
cover recording of:
Sugar (That Sugar Baby o’ Mine)
writer:
Edna Pinkard, Sidney Mitchell and Maceo Pinkard
composer:
Edna Alexander, Sidney Mitchell and Maceo Pinkard
publisher:
EMI Robbins Catalog (ASCAP)
3:28
4A Kiss to Build a Dream On
cover recording of:
A Kiss to Build a Dream On
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1935) and Bert Kalmar (in 1935)
composer:
Harry Ruby (in 1935)
publisher:
EMI Miller Catalog, Inc.
part of:
The 24th Academy Award for Best Original Song (number: 2)
part of:
The Strip (1951 film)
4:31
5Old Man Mose
recording of:
Ol’ Man Mose
writer:
Louis Armstrong and Zilner Randolph
3:16
6Do You Know What It Means to Miss New Orleans?
recording of:
Do You Know What It Means to Miss New Orleans
lyricist:
Eddie DeLange and Cathrine Legardh
writer:
Louis Alter and Eddie DeLange
composer:
Louis Alter
5:29
7Gone Fishin’
recording of:
Gone Fishin’
writer:
Charles Kenny (songwriter, violinist) and Nick Kenny
publisher:
Bourne Co. (not for release label use, this is a music publisher) and EMI Feist Catalog Inc.
4:11
8Nothing Could Be Hotter Than That
recording of:
Hotter Than That
composer:
Lil Hardin Armstrong
5:47
9Blue Again
recording of:
Blue Again
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
4:46
10When You Wish Upon a Star
recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
lyricist:
Ned Washington
composer:
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Chappell Music Ltd.
part of:
The 13th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 13)
medley of:
Little Wooden Head (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
medley of:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
part of:
Celebrate the Future Hand in Hand
part of:
Pinocchio (1940 Disney film soundtrack)
5:46