Grosse Pointe Blank

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

▼ CD 1
#TitleArtistRatingLength
1Blister in the Sun
producer:
Gordon Gano, Tom Grimley (musician and engineer) and Brian Ritchie
recording of:
Blister in the Sun
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes4.52:09
2Rudie Can’t Fail
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
recording of:
Rudie Can’t Fail (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
The Clash3.93:32
3Mirror in the Bathroom
producer:
Bob Sargeant
bass:
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drums (drum set):
Everett Morton
guitar:
Andy Cox (of The Beat) and Dave Wakeling
saxophone:
Papa Saxa
vocals:
Ranking Roger and Dave Wakeling
part of:
Indie 88: Top 500 Indie Rock Songs (number: 282)
recording of:
Mirror in the Bathroom
writer:
Andy Cox (of The Beat), Everett Morton, Roger Charlery, David Steele (UK musician, member of The Beat and Fine Young Cannibals) and Dave Wakeling
publisher:
Arista Records Ltd. (not for release label use!), Beat Brothers Ltd. and Zomba Enterprises, Inc.
The English Beat4.753:09
4Under Pressure
engineer:
Mack (German rock producer/engineer Reinhold Mack) and David Richards (Swiss-based producer and engineer)
producer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), Queen (UK rock group) and Roger Taylor (Queen drummer)
bass guitar and guitar:
John Deacon (from 1981-06 until 1982-03)
drums (drum set):
Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
electric guitar:
Brian May (Queen guitarist) (from 1981-06 until 1982-03)
finger snaps and handclaps:
John Deacon (from 1981-06 until 1982-03), Brian May (Queen guitarist) (from 1981-06 until 1982-03), Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
finger snaps and handclaps:
David Bowie (English singer‐songwriter) (from 1981 until 1982-03)
keyboard:
John Deacon (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
piano:
Freddie Mercury (from 1981-06 until 1982-03)
synthesizer:
David Bowie (English singer‐songwriter) (from 1981-06 until 1982-03)
background vocals:
Freddie Mercury (from 1981-06 until 1982-03) and Roger Taylor (Queen drummer) (from 1981-06 until 1982-03)
lead vocals:
David Bowie (English singer‐songwriter) (from 1981-06 until 1982-03) and Freddie Mercury (from 1981-06 until 1982-03)
phonographic copyright (℗) by:
David R. Jones (Jones Music subsidiary) (in 1981, in 1994), Mainman S.A. (not for release label use! © & ℗ rights use only) (in 1981, in 1994), Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1981, in 2011) and Raincloud Productions Ltd. (in 1981, in 1994)
recorded at:
Mountain Studio (original Montreux location, 1975-2002) in Montreux, Vaud (Canton of Vaud), Switzerland (from 1981-06 until 1982-03) and Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (from 1981-06 until 1982-03)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 31) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 429)
recording of:
Under Pressure (from 1981-06 until 1982-03)
writer:
David Bowie (English singer‐songwriter), Brian May (Queen guitarist), John Deacon, Freddie Mercury and Roger Taylor (Queen drummer)
publisher:
Beechwood Music Corp., Bewlay Bros. Music, Jones Music (publishers associated with David Bowie), Mainman S.A. (not for release label use! © & ℗ rights use only), Mainman Saag (New York), Queen Music Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1981), Tintoretto Music (in 1981) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
We Will Rock You (Queen musical)
part of:
We Will Rock You (German version of the Queen musical)
David Bowie & Queen4.354:03
5I Can See Clearly Now
producer:
Johnny Nash
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Limited (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1972) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 165)
recording of:
I Can See Clearly Now (in 1972)
lyricist and composer:
Johnny Nash
publisher:
Cayman Music, CP Masters B V, Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Artemis Music Limited, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Johnny Nash42:46
6Live & Let Die
synthesizer programming:
Axl (from 1990-01-13 until 1991-08-03) and Johann Langlie (from 1990-01-13 until 1991-08-03)
additional engineer:
Jim Mitchell (engineer)
assistant engineer:
Allen Abrahamson, John Aguto, Buzz Burrowes, Mike Douglass (engineer), Leon Ganado (engineer), Ed Goodreau, Craig Portelis (engineer), Chris Puram (audio engineer), Jason Roberts (engineer), Talley Sherwood and L. Stu Young
engineer:
Mike Clink
producer:
Mike Clink and Guns N’ Roses (American hard rock band from Los Angeles)
mixer:
Bill Price (UK producer/engineer)
bass guitar:
Duff (from 1990-01-13 until 1991-08-03)
bass guitar [6-String Bass] and guitar [Lead and Rhythm Guitars]:
Slash (Guns N’ Roses guitarist) (from 1990-01-13 until 1991-08-03)
drums (drum set):
Matt (from 1990-01-13 until 1991-08-03)
guitar [Rhythm Guitar]:
Izzy (US guitarist, singer & songwriter) (from 1990-01-13 until 1991-08-03)
horn:
Robert Clark (horn) (from 1990-01-13 until 1991-08-03), Jon Trautwein (horn) (from 1990-01-13 until 1991-08-03), Matthew McKagan (horn) (from 1990-01-13 until 1991-08-03) and Rachel West (horn) (from 1990-01-13 until 1991-08-03)
keyboard [keyboards]:
Axl Rose (from 1990-01-13 until 1991-08-03)
piano:
Dizzy (from 1990-01-13 until 1991-08-03)
background vocals:
Axl (from 1990-01-13 until 1991-08-03) and Shannon Hoon (from 1990-01-13 until 1991-08-03)
lead vocals:
Axl (from 1990-01-13 until 1991-08-03)
phonographic copyright (℗) by:
Geffen Records, Inc. (company credits only; do NOT use as release label) (in 1991)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (from 1990-01-13 until 1991-08-03), Conway Recording Studios in Hollywood, Los Angeles, California, United States (from 1990-01-13 until 1991-08-03), Image Recording Studios in Los Angeles, California, United States (from 1990-01-13 until 1991-08-03), Metalworks Studios (studio, Mississauga, ON) in Mississauga, Ontario, Canada (from 1990-01-13 until 1991-08-03), Studio 56 in Los Angeles, California, United States (from 1990-01-13 until 1991-08-03) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1990-01-13 until 1991-08-03)
mixed at:
Skip Saylor Recording in Hollywood, Los Angeles, California, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 85)
cover recording of:
Live and Let Die (from 1990-01-13 until 1991-08-03)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
Guns N’ Roses4.053:03
7We Care a Lot
recording engineer:
Matt Wallace (US producer & engineer)
assistant engineer:
Jim "Watts" Verecke
producer:
Steve Berlin, Faith No More and Matt Wallace (US producer & engineer)
congas and drums (drum set):
Mike Bordin (American drummer)
electric bass guitar [bass]:
Billy Gould
electric guitar [guitars]:
Jim Martin (ex-Faith No More guitarist)
keyboard [keyboards]:
Roddy Bottum
background vocals [backing vocals]:
Mike Bordin (American drummer), Roddy Bottum, Billy Gould and Jim Martin (ex-Faith No More guitarist)
lead vocals [vocals]:
Chuck Mosely (American vocalist and guitarist)
phonographic copyright (℗) by:
Slash Records (US label, founded in 1978 in LA originally focused on local punk bands, now distributed by Warner Bros. Records.) (in 1987)
recorded at:
Control Center in Los Angeles, California, United States and Studio D in Sausalito, California, United States
mixed at:
Studio D in Sausalito, California, United States
music videos:
We Care a Lot by Faith No More
recording of:
We Care a Lot (in 1986)
lyricist:
Roddy Bottum and Chuck Mosely (American vocalist and guitarist)
composer:
Roddy Bottum and Billy Gould
publisher:
Big Thrilling Music (Music publishing company) and Faith No More Music (Faith No More publishing company)
Faith No More4.254:03
8Pressure Drop
producer:
Tom Lowry and Neville Staple
cover recording of:
Pressure Drop
lyricist and composer:
Frederick Nathaniel Hibbert
The Specials44:19
9Absolute Beginners
producer:
The Jam (late 70s/early 80s UK punk/mod revival band) and Peter Wilson (UK Producer)
bass guitar:
Bruce Foxton
drums (drum set):
Rick Buckler
guitar and piano:
Paul Weller (English singer-songwriter and musician)
trumpet:
Martin Drover, Michael Laird (classical trumpeter) and Luke Tunney
vocals:
Paul Weller (English singer-songwriter and musician)
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.)
recorded at:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, United Kingdom (on 1981-08-19)
recording of:
Absolute Beginners (on 1981-08-19)
lyricist and composer:
Paul Weller (English singer-songwriter and musician)
publisher:
Notting Hill Music (UK) Ltd. and Stylist Music Ltd.
The Jam4.752:51
10Armagideon Time
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
cover recording of:
Armagideon Time
writer:
Willi Williams (Jamaican reggae artist)
composer:
Clement “Coxsone” Dodd
is based on:
Real Rock (riddim)
The Clash43:53
11El Matador
recording engineer and mixer:
Benny Faccone
producer:
K.C. Porter
alto saxophone:
Srgio Rotman (Argentinian musician, original member of Los Fabulosos Cadillacs) (in 1993-08)
bass:
Sr. Flavio (in 1993-08)
drums (drum set):
Fernando Ricciardi (in 1993-08)
guitar:
Vaino Rigozzi (in 1993-08)
Hammond organ [Hammond B3] and piano:
Mario Siperman (in 1993-08)
percussion:
Gerardo Toto Rotblat (in 1993-08) and Fernando Ricciardi (in 1993-08)
trombone:
Fernando Albareda (in 1993-08)
trumpet:
Daniel Lozano (in 1993-08)
background vocals:
Sr. Flavio (in 1993-08), Srgio Rotman (Argentinian musician, original member of Los Fabulosos Cadillacs) (in 1993-08) and Vaino Rigozzi (in 1993-08)
vocals:
Vicentico (Co-founder and vocalist of Los Fabulosos Cadillacs) (in 1993-08)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States (in 1993-08)
recording of:
Matador (in 1993-08)
lyricist and composer:
Flavio Cianciarulo
Los Fabulosos Cadillacs4.354:35
12Let My Love Open the Door (E. Cola mix)
additional producer:
Jack Hues, Chris Hughes (Producer. aka Merrick) and Tim Oliver (UK producer and engineer)
producer:
Chris Thomas (UK record producer / remixer)
remixer:
Jack Hues, Chris Hughes (Producer. aka Merrick) and Tim Oliver (UK producer and engineer)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Eel Pie Studios in London (Greater London), England, United Kingdom
recording of:
Let My Love Open the Door
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Towser Tunes, Inc. and Windswept Pacific
Pete Townshend44:59
13Blister 2000
producer:
Gordon Gano, Tom Grimley (musician and engineer) and Brian Ritchie
guest baritone saxophone:
Peter Balestrieri and Steve Mackay (saxophone player)
guest vocals:
Peter Balestrieri
recording of:
Blister in the Sun
lyricist and composer:
Gordon Gano
publisher:
Gorno Music Publishing, Gorno Music (in 1980) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1982)
Violent Femmes52:58