The Very Best of Plácido Domingo

~ Release by Plácido Domingo (see all versions of this release, 3 available)

Tracklist

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▼ CD 1: The Very Best of Plácido Domingo
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1Il mio tesoro intanto
tenor vocals:
Plácido Domingo (tenor) (in 1991)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1991)
conductor:
Eugene Kohn (pianist, conductor) (in 1991)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
4:08
2Un'aura amorosa
tenor vocals:
Plácido Domingo (tenor) (in 1991)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1991)
conductor:
Eugene Kohn (pianist, conductor) (in 1991)
recording of:
Così fan tutte: Atto I. No. 17. Aria “Un’aura amorosa” (Ferrando)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Così fan tutte: Atto I
4:11
3Dies Bildnis ist bezaubernd schön
tenor vocals:
Plácido Domingo (tenor) (in 1991)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1991)
conductor:
Eugene Kohn (pianist, conductor) (in 1991)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
3:52
4Là ci darem la mano
soprano vocals:
Susan Graham (mezzo-soprano) (in 1997)
tenor vocals:
Plácido Domingo (tenor) (in 1997)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1997)
recorded at:
Royal Opera House (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1997)
live recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 1997)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
3:17
5Svegliatevi nel core
tenor vocals:
Plácido Domingo (tenor) (in 1990)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1990)
conductor:
Eugene Kohn (pianist, conductor) (in 1990)
recording of:
Giulio Cesare in Egitto, HWV 17: Atto I, Scena IV, 5. Aria “Svegliatevi nel core” (Sesto)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Nicola Francesco Haym
part of:
Giulio Cesare in Egitto, HWV 17: Atto I
4:58
6Ô paradis sorti de l'onde
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989)
conductor:
John Barker (conductor) (in 1989)
recorded at:
Royal Opera House, Covent Garden (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1989)
live partial recording of:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis" (in 1989)
composer:
Giacomo Meyerbeer (composer)
librettist:
Eugène Scribe
part of:
L'Africaine: Acte IV
3:08
7Salut! demeure chaste et pure
tenor vocals:
Plácido Domingo (tenor) (in 1979)
orchestra:
Orchestre de l’Opéra de Paris (in 1979)
conductor:
Georges Prêtre (conductor) (in 1979)
partial recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
5:30
8Ah! tout est bien fini...Ô souverain, ô juge, ô père
tenor vocals:
Plácido Domingo (tenor) (in 1997)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1997)
conductor:
Asher Fisch (in 1997)
recorded at:
Royal Opera House, Covent Garden (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1997)
recording of:
Le Cid : Acte III, scène 3. « Ah ! tout est bien fini » ... No. 13 Prière « Ô souverain, ô juge, ô père » (Rodrigue, Saint Jacques, voix du ciel)
composer:
Jules Massenet (French Romantic composer)
part of:
Le Cid : Acte III
part of:
Le Cid : Acte III
4:51
9None but the lonely heart Op.6 No.6
tenor vocals:
Plácido Domingo (tenor) (in 1993)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1993)
conductor:
Randall Behr (in 1993)
recording of:
6 Romances, op. 6, no. 6: None but the Lonely Heart (Нет, только тот, кто знал) (6 Romances, Op. 6: No. 6. None but the Lonely Heart, original for voice and piano)
lyricist:
Johann Wolfgang von Goethe (in 1795)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869-11)
dedicated to:
Анна Полякова-Хвостова (XIX c. opera and chamber singer, mezzo-soprano)
translator:
Лев Мей (Lev Mei, XIX c. poet, prose writer, playwright, translator) (in 1857)
part of:
Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 216)
part of:
6 Romances, op. 6
3:18
10Lensky's aria
tenor vocals:
Plácido Domingo (tenor) (in 1993)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1993)
conductor:
Randall Behr (in 1993)
recording of:
Eugene Onegin, op. 24: Lensky’s Aria (catch-all for arrangements)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
arrangement of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Интродукция и сцена "Ну, что же" (Introduction and Scene "Nu, chto zhe")
6:18
11Donna non vidi mai
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1972)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
2:29
12Ah! Manon mi tradisce
soprano vocals:
Montserrat Caballé (soprano) (in 1972)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
recording of:
Manon Lescaut: Atto II. “Ah, Manon, mi tradisce” (Des Grieux, Manon)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto II
2:41
13Recondita armonia
baritone vocals:
Renato Capecchi (baritone) (in 1981)
tenor vocals:
Plácido Domingo (tenor) (in 1981)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1981)
conductor:
James Levine (US conductor and pianist) (in 1981)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
2:58
14E lucevan le stelle
tenor vocals:
Plácido Domingo (tenor) (in 1981)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1981)
conductor:
James Levine (US conductor and pianist) (in 1981)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
3:14
15Ch'ella mi creda libero e lontano
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989)
conductor:
John Barker (conductor) (in 1989)
recorded at:
Royal Opera House, Covent Garden (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1989)
live recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance) (in 1989)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
2:05
16Dai campi, dai prati
tenor vocals:
Plácido Domingo (tenor) (in 1974)
orchestra:
London Symphony Orchestra (in 1974)
conductor:
Julius Rudel (conductor) (in 1974)
recording of:
Mefistofele: Atto I, Scena IIa. “Dai campi, dai prati” (Faust)
composer and librettist:
Arrigo Boito (librettist, composer)
part of:
Mefistofele: Atto I
2:30
17Quando al soave anelita
tenor vocals:
Plácido Domingo (tenor) (in 1990)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1990)
conductor:
Eugene Kohn (pianist, conductor) (in 1990)
recording of:
Nerone: Atto III. "Vergini, Muse... Quando al soave anelito" (Nerone)
composer:
Pietro Mascagni (composer & conductor)
librettist:
Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
part of:
Nerone: Atto III
3:20
18O sink hernieder, Nacht der Liebe
mezzo-soprano vocals:
Violeta Urmana (mezzo-soprano / soprano) (in 2000)
soprano vocals:
Deborah Voight (soprano) (in 2000)
tenor vocals:
Plácido Domingo (tenor) (in 2000)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 2000)
conductor:
Antonio Pappano (conductor and pianist) (in 2000)
recording of:
Tristan und Isolde, WWV 90: Akt II, Szene II. "Isolde! Geliebte!" - "Tristan! Geliebter!"
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt II
5:45
19Was am besten er kann
tenor vocals:
David Cangelosi (US tenor) and Plácido Domingo (tenor) (in 2002)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 2002)
conductor:
Antonio Pappano (conductor and pianist) (in 2002)
partial recording of:
Siegfried, WWV 86C: Akt I
composer and librettist:
Richard Wagner (composer)
part of:
Siegfried, WWV 86C
6:20
▼ CD 2: The Very Best of Plácido Domingo
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1Celeste Aida
engineer:
Stuart Eltham (engineer)
producer:
John Mordler (producer)
tenor vocals [Radamès]:
Plácido Domingo (tenor) (in 1974-07, from 1974-07-02 until 1974-07-11)
orchestra:
New Philharmonia Orchestra (London choir aka New Philharmonia Chorus from 1964–1977) (in 1974-07) and New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1974-07-02 until 1974-07-11)
conductor:
Riccardo Muti (conductor) (in 1974-07, from 1974-07-02 until 1974-07-11)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1974-07-02 until 1974-07-11)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (from 1974-07-02 until 1974-07-11)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1974-07)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (catch-all for arrangements)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni
arrangement of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
4:21
2Di' tu se fedele
choir vocals:
Chorus of the Royal Opera House, Covent Garden (in 1975)
soprano vocals:
Reri Grist (American soprano) (in 1975)
tenor vocals:
Plácido Domingo (tenor) (in 1975)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1975)
conductor:
Riccardo Muti (conductor) (in 1975)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
4:04
3Ma se m'è forza perderti
tenor vocals:
Plácido Domingo (tenor) (in 1975)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1975)
conductor:
Riccardo Muti (conductor) (in 1975)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
5:13
4O, tu che in seno agli angeli
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1986)
conductor:
Riccardo Muti (conductor) (in 1986)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
3:20
5Io la vidi
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1971)
tenor vocals:
Plácido Domingo (tenor) (in 1971)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1971)
conductor:
Carlo Maria Giulini (conductor) (in 1971)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
5:45
6Niun mi tema
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (in 1989)
conductor:
John Barker (conductor) (in 1989)
recorded at:
Royal Opera House, Covent Garden (“Covent Garden”) in London (Greater London), England, United Kingdom (in 1989)
live recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano) (in 1989)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
5:37
7Ach, so herrlich zu schau'n
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
Münchner Rundfunkorchester (The Munich Radio Orchestra) (in 1986)
conductor:
Plácido Domingo (tenor) (in 1986)
recording of:
Eine Nacht in Venedig: Akt III. "Ach, wie so herrlich zu schau'n" (Caramello)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Eine Nacht in Venedig: Akt III
3:31
8Schenkt man sich Rosen
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
recording of:
Der Vogelhändler: Akt I. "Schenkt man sich Rosen in Tirol" (Kurfürstin, Adam)
composer:
Carl Zeller
librettist:
Ludwig Held and Moritz West
part of:
Der Vogelhändler: Akt I
3:09
9Gern hab' ich die Frau'n geküßt
solo tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1986)
recording of:
Paganini: Akt II. Nr. 9 “Gern hab’ ich die Frau’n geküsst” (Paganini)
composer:
Franz Lehár (composer)
librettist:
Béla Jenbach and Paul Knepler (librettist and composer)
part of:
Paganini: Akt II
3:27
10Da geh' ich zu Maxim
tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1986)
partial recording of:
Die lustige Witwe: Akt I. Dialog: „Also bitte, Njegus, ich bin hier” / Nr. 4 Auftrittslied „O Vaterland, du machst bei Tag” ... „Da geh' ich zu Maxim” (Danilo)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt I
2:19
11Dein ist mein ganzes Herz!
solo tenor vocals:
Plácido Domingo (tenor) (in 1986)
orchestra:
English Chamber Orchestra (in 1986)
conductor:
Julius Rudel (conductor) (in 1986)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
3:42
12Mi aldea
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
recording of:
Los gavilanes: Acto I. Salida de Juan "Mi aldea"
composer:
Jacinto Guerrero (Spanish composer and conductor)
librettist:
José Ramos Martín
part of:
Los gavilanes: Acto I
3:45
13Canción del sembrador
choir vocals:
Coro Titular del teatro Lírico Nacional ‘La Zarzuela’ (in 1988)
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
performer:
Rondalla Lírica de Madrid (in 1988)
4:07
14No puede ser
recorded in:
Spain (in 1958)
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
recording of:
La tabernera del puerto: Acto II. Romanza de Leandro "No puede ser"
composer:
Pablo Sorozábal
librettist:
Guillermo Fernández Shaw and Federico Romero Sarachaga
publisher:
Unión Musicale Española
part of:
La tabernera del puerto: Acto II
32:44
15Serenata
choir vocals:
Coro Titular del teatro Lírico Nacional ‘La Zarzuela’ (in 1988)
tenor vocals:
Plácido Domingo (tenor) (in 1988)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra) (in 1988)
conductor:
Manuel Moreno-Buendía (in 1988)
performer:
Rondalla Lírica de Madrid (in 1988)
partial recording of:
Coplas de ronda
composer:
Francisco Alonso (composer)
librettist:
Carlos Arniches Barreda and José de Lucio
3:28
16Caplillas de Belén
guitar:
Manuel Barrueco (guitarist) (in 1997)
tenor vocals:
Plácido Domingo (tenor) (in 1997)
recording of:
Retablo de Navidad: Villancicos, nº 2: Coplillas de Belén
lyricist:
Victoria Kamhi
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1952)
part of:
Retablo de Navidad: Villancicos
1:27
17Coplas del Pastor enamorado
guitar:
Manuel Barrueco (guitarist) (in 1997)
tenor vocals:
Plácido Domingo (tenor) (in 1997)
recording of:
Coplas del pastor enamorado
lyricist:
Félix Lope de Vega (Spanish playwright/poet)
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1935)
3:47
18En Aranjuez con tu amor
guitar:
Peter Horton (in 1989)
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1989)
conductor:
Eugene Kohn (pianist, conductor) (in 1989)
arranger:
Laszlo Bencker and Boris Jojic (German/Yugoslav composer, arranger and musician)
phonographic copyright (℗) by:
Teviri B.V. (from 1989 to present)
recording of:
En Aranjuez con tu amor (spanish lyrics)
lyricist:
Alfredo García Segura
composer:
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1968)
is based on:
Concierto de Aranjuez: II. Adagio
2:48
19Jealousy Tango
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1989)
conductor:
Eugene Kohn (pianist, conductor) (in 1989)
arranger:
Laszlo Bencker and Boris Jojic (German/Yugoslav composer, arranger and musician)
phonographic copyright (℗) by:
Teviri B.V. (from 1989 to present)
2:46
20La Golondrina
tenor vocals:
Plácido Domingo (tenor) (in 1989)
orchestra:
Orchestra ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1989)
conductor:
Eugene Kohn (pianist, conductor) (in 1989)
arranger:
Laszlo Bencker and Boris Jojic (German/Yugoslav composer, arranger and musician)
phonographic copyright (℗) by:
Teviri B.V. (from 1989 to present)
recording of:
La golondrina
lyricist and composer:
[traditional] (special purpose artist)
3:07