As Time Goes By… The Great American Songbook, Vol. II

~ Veröffentlichung von Rod Stewart (alle Versionen dieser Veröffentlichung ansehen, 9 vorhanden)

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Time After Time
recording engineer:
Joel Moss
Produzent(in):
Phil Ramone
Mix:
Frank Filipetti
Akustikgitarre:
David Spinozza
Bass:
David Finck
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes, Rob Mounsey und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Frank Vilardi
Trompete:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey
zusätzlich arranger:
Rob Mathes
cover recording of:
Time After Time
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Chappell/Morris Ltd. und Sands Music Corp.
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Rod Stewart2:59
2I’m in the Mood for Love
recording engineer:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg und Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon:
Doug Webb
Schlagzeug:
John Ferraro
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
I’m in the Mood for Love
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
Rod Stewart3:08
3Don’t Get Around Much Anymore
recording engineer und Mix:
Frank Filipetti
Produzent(in):
Phil Ramone
Akustikgitarre:
David Spinozza
Bass:
Tom Barney
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Gitarre und Keyboard:
Rob Mathes
Keyboard:
Rob Mounsey und Philippe Saisse
Klarinette:
Lawrence Feldman (flutist and saxophonist)
Klavier:
Peter Nero (US pianist & conductor)
Schlagzeug:
Shawn Pelton
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey und Philippe Saisse
zusätzlich arranger:
Rob Mathes
cover recording of:
Don’t Get Around Much Anymore
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Rod Stewart2:49
4Bewitched, Bothered & Bewildered
recording engineer:
Bobby Ginsburg und Carter Humphrey
Produzent(in):
Richard Perry (producer)
zusätzliche(r) Produzent(in):
Lauren Wild
Mix:
Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Aaron Kaplan, Larry Koonse und Dean Parks (American session guitarist)
Horn und Saxophon:
Doug Webb
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Joe LaBarbera
conductor:
Alan Broadbent
Interpret(in):
Cher
Saiteninstrumente arranger:
Alan Broadbent
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
zusätzlich arranger:
Arnold Stiefel
cover recording of:
Bewitched, Bothered and Bewildered (Pal Joey)
Texter:
Lorenz Hart (in 1940)
Komponist(in):
Richard Rodgers (composer) (in 1940)
publisher:
WB Music Group (beendet), Chappell & Co., Inc. (USA), Imagem CV, Lorenz Hart Publishing Co., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Williamson Music Company
Teil von:
Pal Joey
Rod Stewart & Cher4:14
5’till There Was You
recording engineer:
Al Hemberger und Joel Moss
zusätzliche(r) Techniker(in):
Matt Noble
Mix:
Jan Folkson
Bass:
David Finck
Cello:
Jean Le Blanc und Richard Locker (cellist)
Gitarre:
David Spinozza und Carl Sturken
Keyboard und Klavier:
Rob Mathes
Perkussion:
Shawn Pelton
Schlagzeug:
Warren Odze
Vibraphon:
Joe Locke (United States jazz vibraphonist)
Saiteninstrumente arranger:
Rob Mathes
cover recording of:
Till There Was You (The Music Man)
Texter und Komponist(in):
Meredith Willson (in 1950)
publisher:
Chappell Music Ltd., Frank Music Corp., Meredith Willson Music, Meredith Willson Music LLC, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing und Rinimer Corp.
Teil von:
The Music Man
Rod Stewart2:52
6Until the Real Thing Comes Along
recording engineer und Mix:
Carter Humphrey
Produzent(in):
Richard Perry (producer)
alto saxophone und Klarinette:
Doug Webb
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
John Ferraro
conductor:
Colin Freeman
Klarinette und Horn arranger:
Mike Thompson (recording engineer)
Saiteninstrumente arranger:
Colin Freeman
arranger:
Richard Perry (producer)
cover recording of:
Until the Real Thing Comes Along
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Rod Stewart3:39
7Where or When
recording engineer und Mix:
Al Hemberger
Produzent(in):
Evan Rogers (musician/producer) und Carl Sturken
Bass:
David Finck
Gitarre und Klavier:
Carl Sturken
Schlagzeug:
Warren Odze
cover recording of:
Where or When (from “Babes in Arms”)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.), Williamson Music Company und Chappell & Co. (in 1937)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Rod Stewart13:11
8Smile
recording engineer:
Ray Bardani und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
David Finck
Gitarre:
Jimmy Rip und David Spinozza
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Synthesizer:
Philippe Saisse und Mike Thompson (recording engineer)
zusätzlich Gitarre:
Dean Parks (American session guitarist)
zusätzlich arranger:
Rob Mathes, Richard Perry (producer), Mike Thompson (recording engineer) und Lauren Wild
cover recording of:
Smile
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Rod Stewart3:13
9My Heart Stood Still
Rod Stewart & Wendy Matthews3:06
10Someone to Watch Over Me
recording engineer:
J.J. Blair und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Bobby Ginsburg
Bass:
Chris Golden (American bassist)
Gitarre:
Dean Parks (American session guitarist) und Frank Simes
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Jimi Paxson, Jr
conductor:
Mort Lindsey
Saiteninstrumente arranger:
Mort Lindsey
arranger:
Richard Perry (producer), Mike Thompson (recording engineer) und Lauren Wild
cover recording of:
Someone to Watch Over Me (Oh, Kay!)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
Rod Stewart3:31
11As Time Goes By
recording engineer und Mix:
Carter Humphrey
zusätzlich recording engineer:
Bobby Ginsburg
Produzent(in):
Richard Perry (producer)
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Saxophon und Holzblasinstrumente:
Doug Webb
Schlagzeug:
Kendall Kay
Interpret(in):
Queen Latifah
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
As Time Goes By (the song from “Casablanca”)
Texter und Komponist(in):
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (beendet), Chappell (company that specialized in library and production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) und Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
Warner/Chappell Music Taiwan Ltd. (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Teil von:
Casablanca (original soundtrack of the 1942 American film)
Rod Stewart & Queen Latifah3:50
12I Only Have Eyes for You
recording engineer und Mix:
Frank Filipetti
Produzent(in):
Phil Ramone
Akustikgitarre:
David Spinozza
Bass:
Tom Barney
Bratsche / Viola:
Adria Benjamin, Monica Gerard, Mary Hammann und Vincent Lionti
Cello:
Ann S. Kim, Richard Locker (cellist) und Mark Orrin Shuman
Geige / Violine:
Elena Barere (violinist), Avril Brown (Violinist), Natalie Cenovia Cummins, Maura Giannini, Ann Leathers (US violinist), Laura McGinniss, Jan Mullen, Richard Sortomme (violinist/composer), Marti Sweet, Yuri Vodovoz und Carol Webb (violinist)
Keyboard:
Rob Mathes, Rob Mounsey und Philippe Saisse
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Trompete:
Arturo Sandoval (Cuban-American jazz trumpeter, pianist & composer)
conductor:
Rob Mounsey
Saiteninstrumente arranger:
Rob Mounsey
zusätzlich arranger:
Rob Mathes
cover recording of:
I Only Have Eyes for You
Texter:
Al Dubin
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp., Warner Bros. Inc. (not for release label use!), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
42nd Street (full musical)
Teil von:
Dames (film)
Teil von:
Twins (1988)
Rod Stewart3:08
13Crazy She Calls Me
recording engineer:
Bobby Ginsburg und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
Reggie McBride
Gitarre:
Larry Koonse und Dean Parks (American session guitarist)
Klarinette, Horn und Holzblasinstrumente:
Doug Webb
Klavier und Synthesizer:
Mike Thompson (recording engineer)
Schlagzeug:
Joe LaBarbera
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
cover recording of:
Crazy He Calls Me
Texter:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
Komponist(in):
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Rod Stewart23:29
14Our Love Is Here to Stay
recording engineer:
Ray Bardani und Carter Humphrey
Produzent(in):
Richard Perry (producer)
Mix:
Carter Humphrey
Bass:
David Finck
Gitarre:
Dean Parks (American session guitarist), Jimmy Rip und David Spinozza
Klavier:
Henry Hey
Schlagzeug:
Shawn Pelton
Synthesizer:
Philippe Saisse und Mike Thompson (recording engineer)
conductor:
Mort Lindsey
Saiteninstrumente arranger:
Mort Lindsey
arranger:
Richard Perry (producer) und Mike Thompson (recording engineer)
zusätzlich arranger:
Rob Mathes
cover recording of:
Love Is Here to Stay
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (bis 2019-05-28), Gershwin Publishing Corp (in 1938) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The Goldwyn Follies
Rod Stewart2:57

Nennungen