Fifties Romance

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Why Do Fools Fall in Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1956)
Alma Cogan2:18
2Heartbreak Hotel
Techniker(in):
Bob Ferris (engineer)
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-10)
Gitarre:
Chet Atkins (am 1956-01-10), Scotty Moore (American guitarist and recording engineer) (am 1956-01-10) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
Klavier:
Floyd Cramer (am 1956-01-10)
Schlagzeug:
D.J. Fontana (am 1956-01-10)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10)
vocals:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (am 1956-01-10), Lena Brock "Mom" Speer (am 1956-01-10) und Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1956-01-10)
Herausgeber:
Sony/ATV Songs LLC
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
RCA Studios (Nashville) in Nashville, Tennessee, Vereinigte Staaten (am 1956-01-10)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 45) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 347)
recording of:
Heartbreak Hotel (am 1956-01-10)
Verfasser(in):
Mae Boren Axton, Tommy Durden und Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing und Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Elvis Presley3.652:11
3The Tender Trap
Frank Sinatra3:01
4Stranger in Paradise
cover recording of:
Stranger in Paradise (popular song from the 1953 musical “Kismet”)
Texter:
George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
Komponist(in):
Alexander Borodin (Russian composer), George Forrest (American composer and lyricist) und Robert Wright (US stage & screen composer & lyricist)
publisher:
Scheffel Music Corp, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Frank Music Co. Ltd. (vom 1953 bis heute)
basiert auf:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: II. Gliding Dance of the Maidens: Andantino, 4/4, A major
Teil von:
Kismet (full musical)
Tony Bennett3:05
5Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
Nat King Cole2:53
6Young at Heart
recording of:
Young at Heart (Frank Sinatra song)
Texter:
Carolyn Leigh
Komponist(in):
Johnny Richards
publisher:
Anglo-Pic Music Co. Ltd., Cherio Corp., June's Tunes, Moncur Street Music Ltd., Ocheri Publishing Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frank Sinatra2:53
7Mine
vocals:
Bing Crosby (in 1944, am 1944-07-31) und Judy Garland (in 1944, am 1944-07-31)
Interpret(in):
Judy Garland
recording of:
Mine (am 1944-07-31)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1933)
Teil von:
Let 'em Eat Cake: Act II
Bing Crosby & Judy Garland42:46
8Unchained Melody
Jimmy Young2:37
9Only You
Klavier:
Buck Ram (am 1955-04-26)
Sologesang:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams) (am 1955-04-26)
Sprecher [dialogue]:
Wolfman Jack (US disc jockey) (am 1955-04-26)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1955), PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1955) und The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 10)
recording of:
Only You (am 1955-04-26)
Texter, Verfasser(in) und Komponist(in):
Buck Ram und Ande Rand
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music und Sherwin Music (publisher) (in 1973)
The Platters2:38
10Here in My Heart
recording of:
Here in My Heart
Verfasser(in):
Bill Borrelli (writer “Here in My Heart”), Pat Genaro (Songwriter) und Lou Levinson (writer “Here in My Heart”)
publisher:
Algonquin Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated) und Mellin Music
Al Martino3:12
11I Could Write a Book
Chorgesang:
The Jeff Alexander Chorus (am 1952-01-07)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1952-01-07)
conductor:
Axel Stordahl
arranger:
Axel Stordahl
recording of:
I Could Write a Book (am 1952-01-07)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Pal Joey
Frank Sinatra2:46
12I Believe
recording of:
I Believe
Verfasser(in):
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) und Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company und TRO Essex Music Ltd.
cover recording of:
I Believe
Verfasser(in):
Ervin Drake (Songwriter), Irvin Graham, Jimmy Shirl (Songwriter) und Al Stillman
publisher:
Adaken Music, Cromwell Music, Inc., Gentlemen Jim Music Corp., Hampshire House Publishing Corp., L and S Freedom Music, Lindabet Music Corporation, Tadzio Music Corp., The Songwriters Guild, The Stillman Song Company und TRO Essex Music Ltd.
Frankie Laine2:09
13Love Is a Many‐Splendored Thing
Orchester:
Jack Pleiss’ Orchestra
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1955)
recording of:
Love Is a Many‐Splendored Thing
Texter:
Paul Francis Webster
Komponist(in):
Sammy Fain
publisher:
EMI Miller Catalog, Inc., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Miller Music (publisher) und WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 28)
The Four Aces3:00
14Just Walkin’ in the Rain
vocals:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (am 1956-06-29)
Orchester:
Ray Conniff, His Orchestra & Chorus (am 1956-06-29)
cover recording of:
Just Walkin’ in the Rain (am 1956-06-29)
Verfasser(in):
Johnny Bragg, Buddy Killen und Robert Riley
Johnnie Ray42:40
15No Other Love
cover recording of:
No Other Love
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1953)
Komponist(in):
Richard Rodgers (composer) (von 1952 bis 1953)
Version von:
Beneath the Southern Cross (Victory at Sea)
Ronnie Hilton3:08
16Woman in Love
recording of:
A Woman in Love (1955 film "Guys and Dolls")
Texter und Komponist(in):
Frank Loesser
Teil von:
Guys and Dolls (1955 musical film)
Frankie Laine2:23
17Finger of Suspicion
recording of:
Finger of Suspicion
Verfasser(in):
Al Lewis (Tin Pan Alley era lyricist) und Paul Mann (German/American pianist and composer)
Dickie Valentine2:51
18Some Enchanted Evening
conductor:
Axel Stordahl
arranger:
Axel Stordahl
recording of:
Some Enchanted Evening (South Pacific) (am 1949-02-28)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Williamson Music Company und Williamson Music, Inc.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Frank Sinatra3:09
19My Baby Left Me
Bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Gitarre:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-10, von 1956-01-30 bis 1956-02-03) und Scotty Moore (American guitarist and recording engineer) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Klavier:
Shorty Long (1950s country/rockabilly artist) (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
Schlagzeug:
D.J. Fontana (am 1956-01-30, von 1956-01-30 bis 1956-02-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956) und BMG Music (in 1956)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1956-01-30, von 1956-01-30 bis 1956-01-31, am 1956-02-03)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 29)
cover recording of:
My Baby Left Me (von 1956-01-30 bis 1956-02-03)
Texter und Komponist(in):
Arthur “Big Boy” Crudup
publisher:
Carlin Music Corporation, Cherry River Music, Crudup Music, Elvis Presley Music, Elvis Presley Music Inc., R&H Music, Unichappell Music, Unichappell Music, Inc. und Williamson Music Company
Elvis Presley42:13
20Ain’t That a Shame
Produzent(in):
Randy Wood (producer)
vocals:
Pat Boone (in 1955-05)
conductor:
Billy Vaughn (in 1955-05)
arranger:
Billy Vaughn
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1955-05)
cover recording of:
Ain’t That a Shame (in 1955-05)
Verfasser(in):
Antoine Domino (Fats Domino) und Dave Bartholomew
publisher:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (in 1955, in 1983) und United Artists Music Ltd. (vom 1977 bis heute)
Pat Boone2:26
21Kiss
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1957)
Orchester:
Gus Levene and His Orchestra (in 1957)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1957)
cover recording of:
Kiss (Niagara) (in 1957)
Texter:
Haven Gillespie
Komponist(in):
Lionel Newman
Dean Martin52:21
▼ CD 2
Nr.TitelKünstlerBewertungLänge
1Love Me Tender
accordion:
Carl Fortina (von 1956-08-24 bis 1956-09-04) und Dominic Frontiere (von 1956-08-24 bis 1956-09-04)
Banjo:
Luther "Red" Roundtree (von 1956-08-24 bis 1956-09-04)
Bass:
Meyer "Mike" Rubin (US bassist 1930s - 1960s) (von 1956-08-24 bis 1956-09-04)
Gitarre:
Vito Mumolo (Session Musician (Guitar)) (von 1956-08-24 bis 1956-09-04)
Schlagzeug:
Richard Cornell (Percussion) (von 1956-08-24 bis 1956-09-04)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-09-01)
vocals:
Elvis Presley (“The King of Rock and Roll”), Jon Dodson (von 1956-08-24 bis 1956-09-04, am 1956-09-01), Charles Prescott (von 1956-08-24 bis 1956-09-04, am 1956-09-01) und Rad Robinson (von 1956-08-24 bis 1956-09-04, am 1956-09-01)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956), RCA/Ariola International (not for release label use! precursor of Bertelsmann Music Group aka BMG, 1985–87) (in 1956) und Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 2002)
aufgenommen bei:
20th Century Fox Music Stage 1 in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-24, am 1956-09-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 437)
recording of:
Love Me Tender (von 1956-08-24 bis 1956-09-04)
Texter:
Ken Darby (in 1956)
zusätzliche(r) Verfasser(in):
Vera Matson (in 1956) und Elvis Presley (“The King of Rock and Roll”) (in 1956)
Komponist(in):
George R. Poulton (in 1861)
publisher:
ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company und Elvis Presley Music (vom 1956 bis heute)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Aura Lea
Elvis Presley42:44
2If I Give My Heart to You
Joan Regan2:50
3True Love
vocals:
Bing Crosby und Grace Kelly (US film actress)
Orchester:
MGM Studio Orchestra
conductor:
Johnny Green (composer and conductor, often credited as John Green)
recording of:
True Love (High Society) (am 1956-02-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (1956 film)
Teil von:
High Society (stage musical)
Bing Crosby & Grace Kelly3:08
4Let Me Go Lover
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Let Me Go, Lover
Texter:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
Komponist(in):
Jenny Lou Carson
basiert auf:
Let Me Go, Devil
Dean Martin53:03
5Make Her Mine
recording of:
Make Her Mine
Verfasser(in):
Chester Conn und Sammy Gallop
Nat King Cole2:58
6Hello Young Lovers
recorded in:
New York, New York, Vereinigte Staaten (am 1951-03-02)
Bass:
Frank Carroll (US bass player) (am 1951-03-02)
Bratsche / Viola:
Solomon Deutsch (am 1951-03-02) und Isadore Zir (aka Isadore Zit viola player) (am 1951-03-02)
Cello:
Albert Borodkin (am 1951-03-02) und George Polikian (am 1951-03-02)
Geige / Violine:
Arnold Eidus (am 1951-03-02), Maurice Hershaft (am 1951-03-02), Harry Katzman (am 1951-03-02), Milton Lomask (am 1951-03-02), Rebecca Lynch (violinist) (am 1951-03-02), Harry Melnikoff (am 1951-03-02), Felix Orlewitz (am 1951-03-02), Raoul Polikian (am 1951-03-02) und Zelly Smirnoff (violinist) (am 1951-03-02)
Gitarre:
Matty Golizio (am 1951-03-02)
Harfe:
Elaine Vito Ricci (am 1951-03-02)
Klavier:
George Forbes (Pianist) (am 1951-03-02)
Posaune:
George Arus (am 1951-03-02) und Jack Satterfield (am 1951-03-02)
Rohrblattinstrumente:
Arthur Drelinger (am 1951-03-02), Harold Feldman (woodwind player) (am 1951-03-02), Bernard Kaufman (am 1951-03-02), Manny Gershman (am 1951-03-02) und Bill Stegmeyer (am 1951-03-02)
Schlagzeug:
Johnny Blowers (am 1951-03-02)
Waldhorn:
John Barrows (American wind instrumentalist) (am 1951-03-02)
Sologesang:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1951-03-02)
conductor:
Axel Stordahl (am 1951-03-02)
arranger:
Axel Stordahl
recording of:
Hello, Young Lovers (The King and I) (am 1951-03-02)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Williamson Music Company und Williamson Music, Inc.
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd. und Williamson Music Ltd.
Teil von:
The King and I (Rodgers & Hammerstein musical)
Frank Sinatra3:36
7Wanted
cover recording of:
Wanted
Verfasser(in):
Jack Fulton (US jazz trombonist, composer & vocalist) und Lois Steele
Al Martino3:02
8I’ll Always Love You (Day After Day)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Dick Stabile and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
Dean Martin2:35
9Hey There
vocals:
Sammy Davis Jr.
cover recording of:
Hey There (The Pajama Game)
Texter und Komponist(in):
Richard Adler (musical composer/lyricist) und Jerry Ross (musical composer/lyricist)
publisher:
Frank Music (von 1954 bis 2010), J & J Ross Co. (vom 2011 bis heute) und Lakshmi Puja Music Ltd. (vom 2011 bis heute)
Teil von:
The Pajama Game (musical)
Sammy Davis Jr.2:51
10My Prayer
recorded in:
New York, New York, Vereinigte Staaten (in 1956-04)
phonographisches Urheberrecht (℗) von:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1956)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 20)
cover recording of:
My Prayer (in 1956-04)
Texter:
Jimmy Kennedy (Irish songwriter)
Komponist(in):
Georges Boulanger (Romani-Romanian violinist, conductor, composer)
publisher:
Peter Maurice Music, Skidmore Music Co., Inc., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
basiert auf:
Avant de mourir
The Platters2:46
11You Belong to Me
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
Dean Martin3:03
12Embraceable You
recording of:
Embraceable You
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
Nat King Cole3:25
13All the Time and Everywhere
Dickie Valentine3:06
14Answer Me
recording of:
Answer Me, My Love
Texter:
Fred Rauch, Carl Sigman und Gerhard Winkler
Komponist(in):
Fred Rauch und Gerhard Winkler
Übersetzer:
Carl Sigman
publisher:
Bourne Co. (not for release label use, this is a music publisher)
übersetzte Version von:
Mütterlein
Frankie Laine2:39
15I’ll Be Home
Produzent(in):
Randy Wood (producer)
conductor:
Billy Vaughn (in 1955-12)
arranger:
Billy Vaughn
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (in 1955-12)
cover recording of:
I’ll Be Home (am 1955-12-01)
Verfasser(in):
Stanley Lewis (well known 60s/70s US producer/songwriter) und Ferdinand Washington
publisher:
Arc Music (U.S. rock & blues publisher), Songs of Universal, Inc. (BMI) und Spirit One Music
Pat Boone43:01
16I Apologise
cover recording of:
I Apologize
Verfasser(in):
Ed G. Nelson (Popular music songwriter and bandleader), Al Goodhart und Al Hoffman
publisher:
Crawford Music Corp. und DeSylva, Brown and Henderson, Inc.
Billy Eckstine2:53
17Eternally
Jimmy Young2:21
18Because You’re Mine
Mario Lanza3:31
19Three Coins in the Fountain
recording of:
Three Coins in the Fountain
Texter:
Sammy Cahn
Komponist(in):
Jule Styne
publisher:
Cahn Music Company, Chappell & Co., Chappell & Co., Inc. (USA), Robbins Music Corp. und WB Music Corp. (1929–2019)
Teil von:
The 27th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 27)
Frank Sinatra3:06
20The Great Pretender
recorded in:
Chicago, Illinois, Vereinigte Staaten (in 1955-09)
Sologesang:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
phonographisches Urheberrecht (℗) von:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 8) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 352)
recording of:
The Great Pretender (in 1955-09)
Texter und Komponist(in):
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music Publishing ((ASCAP) tradename Peermusic) und Southern Music Publishing Company Limited
The Platters52:40
21Don’t Be Cruel
recording of:
Don’t Be Cruel
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp. und Williamson Music Company
Elvis Presley2:03