Verve Jazz Masters 31

~ Release by Cannonball Adderley (see all versions of this release, 3 available)

Tracklist

▼ Digital Media 1
#TitleArtistRatingLength
1What’s New?
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
Cannonball Adderley5:03
2The Song is You
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
The Song Is You (in 1955)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
Cannonball Adderley4:18
3I’m Glad There is You
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (US jazz trombonist) (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (on 1956-06-18)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
Cannonball Adderley2:35
4You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
Cannonball Adderley3:42
5Cynthia’s in Love
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (US jazz trombonist) (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White
Cannonball Adderley3:10
6The Masquerade is Over
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (on 1955-10-28)
lyricist:
Herb Magidson
composer:
Allie Wrubel (US composer and songwriter)
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
Cannonball Adderley3:13
7Limehouse Blues
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
Limehouse Blues (on 1959-02-03)
lyricist:
Douglas Furber
composer:
Philip Braham
publisher:
Harms, Inc. and Warner Bros. Mus. (ASCAP) (publisher; do NOT use as release label)
Cannonball Adderley & John Coltrane4:42
8Lover Man (Oh, Where Can You Be)
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-07)
cornet:
Nat Adderley (on 1957-02-07)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-07)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-07)
piano:
Julian Mance (on 1957-02-07)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995, in 2001)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-07)
Cannonball Adderley3:57
9Stars Fell on Alabama
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental cover recording of:
Stars Fell on Alabama (on 1959-02-03)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
Cannonball Adderley & John Coltrane6:17
10Street of Dreams
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
Cannonball Adderley, Richard Hayman & Orchestra2:15
11Spring Is Here
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
Cannonball Adderley3:48
12The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (US jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-02-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
Cannonball Adderley4:27
13Falling in Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
Cannonball Adderley2:33
14Little Girl Blue
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
Cannonball Adderley2:42
15I Got it Bad (And That Ain’t Good)
recorded in:
New York, New York, United States (on 1958-08-20)
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (on 1958-08-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, Volume I)
Cannonball Adderley2:38
16Straight No Chaser
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (US jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Straight, No Chaser (on 1958-03-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
Cannonball Adderley8:23

Credits

Release

purchase for download:https://itunes.apple.com/us/album/id120221 [info]

Release group

part of:Verve Jazz Masters (number: VJM 31) (order: 31)
Discogs:https://www.discogs.com/master/799066 [info]