Stranger Things: Music From the Netflix Original Series

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Intro: Will Singing The Clash
partial cover recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
[dialogue]0:27
2Every Breath You Take
engineer:
Hugh Padgham
producer:
Hugh Padgham and The Police (British rock band)
drums (drum set):
Stewart Copeland
electric bass guitar:
Sting (singer, songwriter & member of The Police)
electric guitar:
Andy Summers
vocals:
Sting (singer, songwriter & member of The Police)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please use “Polydor” for release label.) (in 1983) and A&M Records, Inc. (in 1997)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom and Le Studio in Morin‐Heights, Québec, Canada
music videos:
Every Breath You Take by The Police (British rock band)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 35), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 287) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 305)
recording of:
Every Breath You Take (in 1983)
lyricist and composer:
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Police4.054:12
3Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 42), Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:06
4‘Coffee and Contemplation’
[dialogue]0:09
5Hazy Shade of Winter
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1987)
music videos:
Hazy Shade of Winter by The Bangles
part of:
New York Post: 100 Greatest Covers (2007) (number: 3)
cover recording of:
A Hazy Shade of Winter
lyricist and composer:
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music
The Bangles4.62:45
6Nocturnal Me
assistant engineer:
Jean-Yves Pouilloux
engineer:
Henri Loustau (French sound engineer, sometimes misspelled Lousteau or Lonstan) and Gil Norton (British record producer)
mixer:
Echo & the Bunnymen and Gil Norton (British record producer)
recording of:
Nocturnal Me
writer:
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson and Will Sergeant
publisher:
Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
Echo & the Bunnymen44:55
7‘Bring Him Home!’
[dialogue]0:07
8Sunglasses at Night
recording of:
Sunglasses at Night
lyricist and composer:
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Edition Meridian
Corey Hart3:54
9Girls on Film
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB and Gloucester Place Music Ltd.
version of:
Girls on Film (Pre-Le Bon version)
Duran Duran3.653:29
10‘Just Because People Tell You…’
[dialogue]0:04
11Atmosphere
producer:
Joy Division and Martin Hannett
phonographic copyright (℗) by:
Factory Communications Ltd. (holding company - file no releases here!) (in 1988)
recorded at:
Cargo Studios in Rochdale, Rochdale, Greater Manchester, England, United Kingdom
music videos:
Atmosphere by Joy Division
recording of:
Atmosphere
lyricist:
Ian Curtis
composer:
Ian Curtis, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
Joy Division4.254:08
12‘Maybe I’m Crazy…’
[dialogue]0:11
13Twist of Fate
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 7) (number: 2)
recording of:
Twist of Fate
writer:
Peter Beckett (lead singer of Player) and Steve Kipner
publisher:
Big Stick Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Stephen A. Kipner Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Olivia Newton‐John33:37
14‘Says Logic’
[dialogue]0:07
15The Ghost in You
additional engineer:
Dave Wittman
engineer:
Steve Hodge (engineer and producer)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass:
Tim Butler (Co-founder Psychedelic Furs)
drums (drum set) and percussion:
Keith Forsey (drummer, producer and songwriter)
guitar:
John Ashton
saxophone:
Mars Williams (US jazz and rock saxophonist)
vocals:
Richard Butler (singer)
remixer:
Dave Wittman
arranger:
The Psychedelic Furs
recording of:
The Ghost in You
writer:
Richard Butler (singer) and Tim Butler (Co-founder Psychedelic Furs)
publisher:
EMI Blackwood Music Inc.
The Psychedelic Furs54:16
16Africa
recording engineer:
Al Schmitt
producer:
Toto (US rock group)
mixer:
Greg Ladanyi
acoustic guitar:
Timothy B. Schmit
bass guitar:
David Hungate
congas:
Lenny Castro
drums (drum set) and gong:
Jeff Porcaro
electric guitar and guitar:
Steve Lukather
keyboard and piano:
David Paich
marimba:
Joe Porcaro
percussion:
Lenny Castro and Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
synthesizer:
Steve Porcaro
background vocals:
Bobby Kimball, Steve Lukather, David Paich and Timothy B. Schmit
lead vocals:
Bobby Kimball and David Paich
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1983)
music videos:
Africa by Toto (US rock group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 105) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 452)
recording of:
Africa (Toto)
writer:
Jeffrey Porcaro and David Paich
publisher:
Hudmar Publishing Co. Inc., Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995) and Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:56
17You Don’t Mess Around With Jim
producer:
Terry Cashman and Tommy West
vocals:
Jim Croce (on 1971-10-11)
phonographic copyright (℗) by:
R2M Music (BMI) (in 1972)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1971-10-11)
recording of:
You Don’t Mess Around With Jim (on 1971-10-11)
lyricist and composer:
Jim Croce
publisher:
DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:59
18‘Accident or Not’
[dialogue]0:13
19Whip It
associate producer:
Robert Margouleff
producer:
DEVO (new wave/rock band)
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
recorded at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 15), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 42), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 63) and Indie 88: Top 500 Indie Rock Songs (number: 463)
recording of:
Whip It (Devo song)
writer:
Gerald Casale and Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd and Nymph Music
Devo4.452:39
20Runaway
assistant engineer:
John Babich, Barry Bongiovi, Gary Rindfuss, Dave Greenberg (US engineer Sonopod/Boomtown) and Bruce Lampcov
engineer:
Larry Alexander (producer/engineer), Jeff Hendrickson (sound engineer) and Scott Litt (producer and engineer)
producer:
Tony Bongiovi and Lance Quinn
bass guitar [bass]:
Huey McDonald (bassist) (in 1982-06)
drums (drum set) [drums]:
Frankie LaRocka (in 1982-06)
guitar [guitars]:
Tim Pierce (US session guitarist) (in 1982-06)
keyboard [keyboards]:
Roy Bittan (in 1982-06)
background vocals [backing vocals]:
David Grahame (in 1982-06), J.B. (in 1982-06) and Mick Seeley (in 1982-06)
lead vocals:
J.B. (in 1982-06)
additional performer:
Chuck Burgi, Doug Katsaros and Aldo Nova (Canadian rock musician)
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 1984) and PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1984)
recorded at:
The Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (in 1982-06)
recording of:
Runaway (in 1982-06)
writer:
Jon Bon Jovi and George Karak
publisher:
Downtown DLJ Songs, Minder Music Ltd., Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (from 1982 to ????), George Karaoglou Publishing Inc. (from 1982 to present), George Karakoglou Publ. (in 1982), Jamb Co. (in 1982), Simile Music Ltd. (in 1982), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bon Jovi4.43:51
21Time After Time
additional engineer:
John Jansen (US recording engineer and producer) and Rod O’Brien
assistant engineer:
John Agnello (engineer & producer)
engineer:
William Wittman
associate producer:
William Wittman
producer:
Rick Chertoff
lead vocals:
Cyndi Lauper
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1984)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
a cappella versions:
Time After Time by Forte A Cappella (Centerville High School)
part of:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 116) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 494)
recording of:
Time After Time
writer:
Rob Hyman and Cyndi Lauper
publisher:
Sony Songs Inc. (ended), CBS Songs Ltd., Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Rella Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.453:57
22Talking in Your Sleep
engineer:
Hal Hansford and Jim Sessody
producer:
Peter Solley (English pianist, songwriter and producer)
mixer:
Neil Kernon and Peter Solley (English pianist, songwriter and producer)
phonographic copyright (℗) by:
Nemperor Records, Inc. (in 1983)
recorded at:
Criteria Studios in Miami, Florida, United States
recording of:
Talking in Your Sleep
writer:
Coz Canler, Jimmy Marinos, Wally Palmar, Mike Skill and Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher)
The Romantics43:56
23‘Mouthbreather’
[dialogue]0:23
24Back to Nature
producer:
Daniel Miller (British music producer and founder of Mute Records) and Frank Tovey
electric piano, electronic instruments [rhythm generator] and synthesizer:
Fad Gadget
vocals:
Fad Gadget
recorded at:
RMS Studios (recording studio in London) in South Norwood, Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom
recording of:
Back to Nature
lyricist and composer:
Frank Tovey
publisher:
Mute Records Ltd. (not for release label use! original company behind the Mute label)
Fad Gadget5:48
25‘She’s Our Friend and She’s Crazy!’
[dialogue]0:04
26Rock You Like a Hurricane
engineer:
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) and Gerd Rautenbach
producer:
Dieter Dierks
mixer:
Mike Beiriger, Dieter Dierks and Scorpions (German rock band)
acoustic guitar:
Rudolf Schenker
bass guitar:
Francis Buchholz
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany)
electric guitar:
Rudolf Schenker (in 1984)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs and Rudolf Schenker
slide guitar:
Matthias Jabs
background vocals:
Francis Buchholz, Matthias Jabs, Klaus Meine, Herman Rarebell (drummer, Germany) and Rudolf Schenker
lead vocals:
Klaus Meine
arranger:
Dieter Dierks
phonographic copyright (℗) by:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984), EMI (EMI Records, EMI Records, since 1972) (in 1984), The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1984) and BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2015)
recorded at:
Dierks Studios in Pulheim, Nordrhein-Westfalen (North Rhine-Westphalia), Germany (from 1983 until 1984)
part of:
Alan Cross: Hurricane Songs (number: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 18) and Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (number: 36)
recording of:
Rock You Like a Hurricane (in 1984)
lyricist:
Klaus Meine and Herman Rarebell (drummer, Germany)
composer:
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH and Universal Music Publishing (use ONLY if no country‐specific information is available)
The Scorpions44:14
27Heroes
recording of:
“Heroes”
lyricist:
David Bowie (English singer‐songwriter)
composer:
David Bowie (English singer‐songwriter) and Brian Eno
publisher:
BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers and Universal Music Publishing International MGB Ltd.
Peter Gabriel4:03
28‘Friends Don’t Lie’
[dialogue]0:04
29Elegia
engineer:
Michael Johnson (UK recording engineer and producer)
producer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), New Order (UK synth pop band) and Bernard Sumner
recorded at:
Britannia Row Studios (first location, 1975-1995 Islington) in Islington, London (Greater London), England, United Kingdom (in 1984) and Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom (in 1984)
mixed at:
Britannia Row Studios (first location, 1975-1995 Islington) in Islington, London (Greater London), England, United Kingdom and Jam Studios in Finsbury Park, Hackney, Haringey, Islington, London (Greater London), England, United Kingdom
recording of:
Elegia
composer:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) and Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) and Warner Bros. Music (publisher; do NOT use as release label)
New Order44:55
30Outro: Will Singing The Clash
partial cover recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Ltd. and Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
[dialogue]0:15