Both Sides of the Coin

~ Release by Cal Tjader (see all versions of this release, 1 available)

Tracklist

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▼ CD 1: Gozame! Pero Ya
#TitleRatingLength
1Shoshana
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
recording of:
Shoshana (in 1980-06)
composer:
Mark Levine (piano, trombone, composer)
5:08
2This Couldn't Be the Real Thing
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
recording of:
This Couldn't Be the Real Thing
writer:
Gerry Mulligan and Mel Tormé (“The Velvet Fog”)
6:30
3Bye Bye Blues
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
recording of:
Bye Bye Blues (in 1980-06)
composer:
Dave Bennett (Songwriter) (until 1925), Chauncey Gray (until 1925), Fred F. Hamm (until 1925) and Bert Lown (until 1925)
6:50
4Roger's Samba
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
4:27
5Close Enough for Love (Theme From "Agatha")
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
instrumental recording of:
Close Enough for Love (in 1980-06)
lyricist:
Johnny Mandel (American composer and arranger) and Paul Williams (US songwriter/soft rock vocalist)
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner Bros. Music (publisher; do NOT use as release label)
4:45
6Will You Still Be Mine?
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
instrumental recording of:
Will You Still Be Mine? (in 1980-06)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
3:31
7This Is Always
recording engineer:
Ron Davis (recording engineer) (in 1980-06)
producer:
Frank Dorritie
double bass [bass]:
Rob Fisher (jazz bassist/arranger) (in 1980-06)
drums (drum set):
Vince Lateano (drummer) (in 1980-06)
flute:
Roger Glenn (in 1980-06)
guitar:
Mundell Lowe (in 1980-06)
percussion:
Roger Glenn (in 1980-06) and Poncho Sanchez (in 1980-06)
piano:
Mark Levine (piano, trombone, composer) (in 1980-06)
vibraphone:
Cal Tjader (in 1980-06)
remixer:
Phil Edwards (recording engineer)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1980-06)
instrumental recording of:
This Is Always (in 1980-06)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
6:29
▼ CD 2: The Shining Sea
#TitleRatingLength
1Quietly There
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
instrumental recording of:
Quietly There (in 1981-03)
lyricist:
Morgan Ames
composer:
Johnny Mandel (American composer and arranger)
4:33
2Unless It's You
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Unless It's You (in 1981-03)
writer:
Morgan Ames and Johnny Mandel (American composer and arranger)
5:16
3Emily
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Emily (Emily Theme from The Americanization of Emily) (in 1981-03)
lyricist:
Johnny Mercer
composer:
Johnny Mandel (American composer and arranger)
publisher:
EMI Miller Catalog, Inc., Primary Wave Songs and SBK Miller Catalog, Inc.
5:49
4Theme From Agatha
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
5:32
5A Time for Love
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
A Time for Love (in 1981-03)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
5:31
6The Shining Sea
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
The Shining Sea (in 1981-03)
writer:
Peggy Lee (jazz vocalist) and Johnny Mandel (American composer and arranger)
4:51
7Don't Look Back
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Don’t Look Back (in 1981-03)
lyricist:
Kaye Dunham
composer:
Johnny Mandel (American composer and arranger)
5:43
8Song From M*A*S*H
recording engineer:
Phil Edwards (recording engineer) (in 1981-03)
producer:
Carl E. Jefferson
bass:
Dean Reilly (bass player) (in 1981-03)
drums (drum set):
Vince Lateano (drummer) (in 1981-03)
piano:
Hank Jones (piano) (in 1981-03)
tenor saxophone:
Scott Hamilton (jazz tenor saxophonist) (in 1981-03)
vibraphone:
Cal Tjader (in 1981-03)
remixer:
Phil Edwards (recording engineer)
phonographic copyright (℗) by:
Concord Jazz, Inc. (previously parent company of Concord Records and Concord Jazz, part of Concord Music Group since 2004)
recorded at:
Coast Recorders in San Francisco, California, United States (in 1981-03)
remixed at:
PER in San Francisco, California, United States
instrumental recording of:
Suicide Is Painless (in 1981-03)
lyricist:
Mike Altman
composer:
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
4:33